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The Reading Room
Romantic Women Writers
Biography can be an excellent introduction to writers who have fallen into obscurity, and whose work is difficult to obtain or too slight to be a collected body of work. Kudos to Lucasta Miller and Frances Wilson for reconstructing…
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Who Will Watch the Watchmen?
Will democracy survive? Recent years have not always brought encouragement. In Lincoln’s memorable phrase the possibility of “government of the people, by the people, for the people” was not a guarantee but a “proposition” yet to be…
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Jane Austen’s Smackdown of the Cult of Sensibility
In Jane Austen's "Love and Freindship [sic]," a young man declares that he will not marry the lady his father has chosen: "No never exclaimed I. Lady Dorothea is lovely and Engaging; I prefer no woman to her; but know Sir, that I…
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Nefarious Letters: the Rhetoric of the Diabolic in “Nefarious”
The comparison of the new movie “Nefarious” and the book it is based on, The Nefarious Plot, to C.S. Lewis’ TheScrewtape Letters is hardly original. It is, however, largely superficial, by which I mean that most reviews do not…
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Ancient Perspectives on the Value of Poetry
As one begins to read Homer’s Iliad, one might naturally wonder at who the thea, or goddess, from the first line of the poem really is. μῆνιν ἄειδε θεὰ Πηληϊάδεω ἈχιλῆοςRage, goddess, sing of the son of Peleus, Achilleus (Il.1.1)
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The Flame and Cycle of Civilization in Robert E. Howard’s Weird Fiction
“His knowledge was a reeking blasphemy which would never let rest…He had looked on ultimate foulness, and his knowledge was a taint because of which he could never stand clean before men again or touch the flesh of any living thing…
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Loci Amoeni: Pleasant Places and the Golden Ages in Ancient Poetry: Part One
A common motif throughout ancient poetry from the near-East to the West is that of the tranquil and sacred garden. In particular, gardens play a preeminent role in describing paradise for near-Eastern and Western cultures. In fact,…
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Virtue and Wealth in Pride and Prejudice
Although it is now an iconic title and story, Pride and Prejudice was originally supposed to be entitled “First Impressions”. Despite the name being scrapped, its implications are ever present throughout the novel. It is through…
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Miltonheimer Two, The Sequel
In Paradise Lost, Raphael makes an account to Adam about the war between the good angels and the rebel angels that took place in Heaven prior to his and Eve’s creation. The archangel tells Adam that Satan, frustrated by his…
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Hume’s History of England and The House of Dudley: Part 3
“The hatred borne the Dudleys, made it be remarked, that Edward [VI] had every moment declined in health, from the time that lord Robert Dudley had been put about him.” Our third Dudley – Robert – makes his villainous entrance into…
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VRG Extras: Wolf Hall and Hume
Brother men, you who live after us,Do not harden your hearts against us.-François Villon
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Miltonheimer
For the past few weeks the conversation about movies in America—and around much of the rest of the world, for that matter—has been dominated by two films that have turned out to be two of the biggest hits in years: Christopher Nolan…
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Measure for Measure: Duke Vincentio as Impartial Spectator
A trusted legal system with recognized property rights is one of, if not the, most critical precondition for national wealth accumulation, causing musings over private and public interests to quickly seep from economic into legal…
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Shylock on Rats and Rational Choice
Written less than a decade after Marlowe’s Jew of Malta, Shakespeare’s The Merchant of Venice explores many of the same themes.
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Homer’s Odyssey: Blindness, Allegory, and Insight in the House of Hades
Homer’s House of Hades is a dark, unsightly place, but is part of the invisible nature of Hades due to the fact that one might understand it not literally, but allegorically? Let us look to the opening lines of Book XI of Homer’s…
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True Nobility: The Wife of Bath’s knight from The Canterbury Tales
“The Wife of Bath’s Tale” spends a significant amount of time discussing the qualifications of nobility. In her monologue to the knight, the old woman characterizes gentility as a grace granted by God shown through virtuous deeds.…
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Bruno Leoni and the (Still Ongoing) ‘Semantic Revolution’ Against Liberty
What does language have to tell us about our daily politics? Can the use of specific terminologies influence public debates?
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Symbolism in Homer’s Odyssey: On the Blindness of Polyphemos
During Book IX of Homer’s Odyssey, Odysseus tells the so-called “cyclops episode.” Odysseus gets himself into trouble looking for a "guest-gift" from a man with a savage and wild nature, who also happens to be a giant, man-eating…
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Odysseus’s Descent into the Underworld
Approximately halfway through his journey home from Troy, Odysseus is told that he must descend into the Underworld. Curiously, when Odysseus is told this, his first reaction is to cry (Ody.10.496-500). One might interpret this as…
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On Revisions and Revenge: The Films of Quentin Tarantino
Tales of bloody vengeance are among the oldest of all stories. Look no further than Orestes, Hamlet, or any number of Norse Sagas. Laws against vengeance and blood feuds exist as far back as the earliest recorded law, the Code of…
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The Phaeacians and the Cyclopes
In Book VIII of Homer's Odyssey, Odysseus begins relating the story of his adventurous journey from Troy to the Phaeacian court. During his account, which spans Books VIII-XII, Odysseus famously tells of his dealings with the…
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Dragons, Hoards, and Theft: Beowulf and The Hobbit
Among the many works that influenced and shaped J.R.R Tolkien’s Middle Earth, none is more evident than Beowulf. This 10th Century Anglo-Saxon poem speaks of mighty kings, demonic beasts, and dragon-slaying heroes. One such hero is…
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“This Thing of Darkness I Acknowledge Mine”: Prospero and Caliban in The Tempest
In the final act of Shakespeare’s The Tempest, the sorcerer Prospero who is also the usurped (but now restored) Duke of Milan, works to settle his affairs before he returns to Milan. He and his daughter Miranda have lived on a…
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Shakespeare’s Sonnet 18
William Shakespeare’s 18th sonnet begins with one of the strongest one-two punches in lyric poetry. The first line asks the question, “Shall I compare thee to a summer’s day?”
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Misguided Perception and Self-Righteous Judgment in Shakespeare’s Much Ado About Nothing
Like so many of Shakespeare’s comedies, Much Ado About Nothing comes perilously close to becoming a tragedy before being rescued by the mitigating graces of providential serendipity and human forgiveness. A series of entirely…
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