Don Carlos: Opera in Four Acts
Based on a play by Friedrich Schiller. Don Carlos, the Crown Prince of Spain, is in conflict with his father, Philip II and King of Spain over his love for Elizabeth, the daughter of Henry II, King of France. Don Carlos is arrested by his father for expressing sympathy for the oppressed people of Flanders who are under Spanish rule. A popular uprising forces Philip to release his son from prison but the opera ends with Don Carlos being handed over to the Inquisition.
Don Carlos: Opera in Four Acts (New York: Fred Rullman, 1920). Metropolitan Opera House, Grand Opera, Libretto.
Copyright:
The text is in the public domain.
People:
- Author: Giuseppe Verdi
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|---|---|---|
| EBook PDF | This text-based PDF or EBook was created from the HTML version of this book and is part of the Portable Library of Liberty. | 571 KB |
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| HTML | This version has been converted from the original text. Every effort has been taken to translate the unique features of the printed book into the HTML medium. | 293 KB |
| Kindle | This is an E-book formatted for Amazon Kindle devices. | 142 KB |
| MARC Record | MAchine-Readable Cataloging record. | 1.27 KB |
Table of Contents
- ARGUMENT
- CHARACTERS
- DON CARLO
- ATTO PRIMO.
- SCENA I.
- SCENA II.
- SCENA III.
- SCENA IV.
- ATTO SECONDO.
- PARTE PRIMA.
- SCENA I.
- SCENA II.
- SCENA III.
- PARTE SECONDA.
- SCENA I.
- SCENA II.
- SCENE IV.
- SCENA V.
- SCENA VI.
- ATTO TERZO.
- PARTE PRIMA.
- SCENA I.
- PARTE SECONDA.
- SCENA I.
- ATTO QUARTO.
- PARTE PRIMA.
- SCENA I.
- SCENA II.
- SCENA III.
- SCENA IV.
- PARTE SECONDA.
- SCENA I.
- PARTE TERZA.
- SCENA I.
- SCENA II.
- DON CARLOS
- ACT FIRST.
- SCENE I.
- SCENE II.
- SCENE III.
- SCENE IV.
- ACT SECOND.
- PART FIRST.
- SCENE I.
- SCENE II.
- SCENE III.
- PART SECOND
- SCENE I.
- SCENE II.
- SCENE IV.
- SCENE V.
- SCENE VI.
- ACT THIRD.
- PART FIRST.
- SCENE I.
- PART SECOND.
- SCENE I.
- FOURTH ACT.
- PART FIRST
- SCENE I.
- SCENE II.
- SCENE III.
- SCENE IV.
- PART SECOND.
- SCENE I.
- PART THIRD.
- SCENE I.
- SCENE II.
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