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CHAP. VIII.: Explication of a Paradox of the Ancients, in Respect to Manners. - Charles Louis de Secondat, Baron de Montesquieu, Complete Works, vol. 1 The Spirit of Laws [1748]

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The Complete Works of M. de Montesquieu (London: T. Evans, 1777), 4 vols. Vol. 1.

Part of: Complete Works of Montesquieu, 4 vols.

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CHAP. VIII.

Explication of a Paradox of the Ancients, in Respect to Manners.

THAT judicious writer, Polybius, informs us, that music was necessary to soften the manners of the Arcadians, who lived in a cold gloomy country; that the inhabitants of Cynete, who slighted music, were the cruellest of all the Greeks, and that no other town was so immersed in luxury and debauch. Plato is not afraid to affirm, that there is no possibility of making a change in music without altering the frame of government. Aristotle, who seems to have written his politics only in order to contradict Plato, agrees with him, notwithstanding, in regard to the power and influence of music over the manners of the people. This was also the opinion of Theophrastus, of Plutarch§ , and of all the ancients; an opinion grounded on mature reflection; being one of the principles of their polity* . Thus it was they enacted laws, and thus they required that cities should be governed.

This, I fancy, must be explained in the following manner. It is observable, that, in the cities of Greece, especially those whose principal object was war, all lucrative arts and professions were considered as unworthy of a freeman. “Most arts (says Xenophon ) corrupt and enervate the bodies of those that exercise them; they oblige them to sit under a shade or near the fire. They can find no leisure either for their friends or for the republic.” It was only by the corruption of some democracies that artisans became freemen. This we learn from Aristotle , who maintains, that a well-regulated republic will never give them the right and freedom of the city .

Agriculture was, likewise, a servile profession, and generally practised by the inhabitants of conquered countries; such as the Helotes, among the Lacedæmonians; the Periecians, among the Cretans; the Penestes, among the Thessalians; and other conquered people in other republics.

In fine, every kind of low commerce* was infamous, among the Greeks, as it obliged a citizen to serve and wait on a slave, on a lodger, or a stranger. This was a notion that clashed with the spirit of Greek liberty; hence Plato§ , in his laws, orders a citizen to be punished if he attempted to concern himself with trade.

Thus, in the Greek republics, the magistrates were extremely embarrassed. They would not have the citizens apply themselves to trade, to agriculture, or to the arts, and yet they would not have them idle∥∥ . They found, therefore, employment for them in gymnic and military exercises; and none else were allowed by their institution . Hence the Greeks must be considered as a society of wrestlers and boxers. Now, these exercises having a natural tendency to render people hardy and fierce, there was a necessity for tempering them with others that might soften their manners* . For this purpose, music, which influences the mind by means of the corporeal organs, was extremely proper. It is a kind of medium between manly exercises, which harden the body, and speculative sciences, which are apt to render us unsociable and sour. It cannot be said that music inspired virtue, for this would be inconceivable; but it prevented the effects of a savage institution, and enabled the soul to have such a share in the education as it could never have had without the assistance of harmony.

Let us suppose, among ourselves, a society of men, so passionately fond of hunting as to make it their sole employment: they would, doubtless, contract thereby a kind of rusticity and fierceness: but, if they happen to imbibe a taste for music, we should quickly perceive a sensible difference in their customs and manners. In short, the exercises used by the Greeks could raise only one kind of passions, viz. fierceness, indignation, and cruelty: but music excites all these, and is, likewise, able to inspire the soul with a sense of pity, lenity, tenderness, and love. Our moral writers, who declaim so vehemently against the stage, sufficiently demonstrate the power of music over the mind.

If the society abovementioned were to have no other music than that of drums and the sound of the trumpet, would it not be more difficult to accomplish this end than by the more melting tones of softer harmony? The ancients were, therefore, in the right, when, under particular circumstances, they preferred one mode to another, in regard to manners.

But some will ask, why should music be pitched upon preferable to any other entertainment? It is because, of all sensible pleasures, there is none that less corrupts the soul. We blush to read, in Plutarch , that the Thebans, in order to soften the manners of their youth, authorised, by law, a passion which ought to be proscribed by all nations.

BOOK V.

THAT THE LAWS, GIVEN BY THE LEGISLATOR, OUGHT TO BE RELATIVE TO THE PRINCIPLE OF GOVERNMENT.

[§ ]Life of Pelopidas.

[* ]Plato, in his fourth book of laws, says, that the præfectures of music and gymnic exercises are the most important employments in the city: and, in his Republic, book III. Damon will tell you, says he, what sounds are capable of corrupting the mind with base sentiments, or of inspiring the contrary virtues.

[]Book 5th of memorable sayings.

[]Polit. book 3. chap. 4.

[]Diophantes, says Aristotle, Polit. ch. 7. made a law, formerly, at Athens, that artisans should be slaves to the republic.

[]Plato, likewise, and Aristotle require slaves to till the land: Laws, book V. Polit. book VII. c. 10. True it is, that agriculture was not every where exercised by slaves: on the contrary, Aristotle observes, the best republics were those in which the citizens themselves tilled the land. But this was brought about by the corruption of the ancient governments, which were become democratical; for, in earlier times, the cities of Greece were subject to an aristocratic government.

[* ]Cauponatio.

[§ ]Book 2.

[∥∥ ]Arist. Polit. lib. 10.

[]Ars corporum exercendorum gymnastica, variis certaminibus terendorum pædotribica. Aristot. Polit. l. 8. c. 5.

[* ]Aristotle observes, that the children of the Lacedæmonians, who began these exercises at a very tender age, contracted from thence too great a ferocity and rudeness of behaviour. Polit. lib. 8. c. 4.

[]Life of Pelopidas.