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The Works of Christopher Marlowe, ed. A.H. Bullen (London: John C. Nimmo, 1885). Vol. 3.
Vol. 3 contains Hero and Leander and other poetry.
The text is in the public domain.
This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit.
Ἁδυμελεῖ
θάμα μὲν φόρμιγγι παμφώνοισί τ᾽ ἐν ἔντεσιν αὐλǶν.
Pindar, Olymph. VII.
Four hundard copies of this Edition have been printed and the type distributed. No more will be published.
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Two editions of Hero and Leander appeared in 1598. The first edition, containing only Marlowe's portion of the poem, is entitled Hero and Leander. By Christopher Marloe. London, Printed by Adam Islip, for Edward Blunt. 1598. 4to. The title-page of the second edition, which contains the complete poem, is Hero and Leander: Begun by Christopher Marloe; and finished by George Chapman. Ut Nectar, Ingenium. At London, Printed by Felix Kingston, for Paule Linley, and are to be solde in Paules Churcheyard, at the signe of the Blacke-beare. 1598. 4to.
Two copies of the second edition were discovered a few years ago at Lamport Hall (the seat of Sir Charles Isham, Bart.) by Mr. Charles Edmonds. The existence of this edition was previously unknown. Later editions are:—
Hero and Leander: Begunne by Christopher Marloe: Whereunto is added the first booke of Lucan translated line for line by the same Author. Ut Nectar, Ingenium. At London Printed for John Flasket, and are to be solde in Paules Church-yard, at the signe of the Blacke-beare. 1600. 4to.
Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for John Flasket, and are to be sold in Paules Church-yard, at the signe of the blacke Beare. 1606. 4to.
Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the blacke Beare. 1609. 4to.
Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London. Printed by W. Stansby for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the Blacke Beare. 1613. 4to.
Hero and Leander: Begun by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London, Printed by A. M. for Richard Hawkins: and are to bee sold at his Shop in Chancerie-Lane, neere Serieants Inne. 1629. 4to.
Hero and Leander: Begun by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London: Printed by N. Okes for William Leake, and are to be sold at his shop in Chancery-lane neere the Roules. 1637. 4to.
I have not had an opportunity of seeing the 4tos. of 1598 or the 4to. of 1600. For the text of the Isham copy, I am indebted to the Works of George Chapman: Poems and Minor Translations, 1875. I have examined the texts of eds. 1606, 1613, 1629, 1637; and my friend Mr. C. H. Firth has examined for me the Bodleian copy of ed. 1600, in the margin of which Malone has noted the readings of the first edition.
Sir, we think not ourselves discharged of the duty we owe to our friend when we have brought the breathless body to the earth; for albeit the eye there taketh his ever-farewell of that beloved object, yet the impression of the man that hath been dear unto us, living an after-life in our memory, there putteth us in mind of farther obsequies due unto the deceased; and namely of the performance of whatsoever we may judge shall make to his living credit and to the effecting of his determinations prevented by the stroke of death. By these meditations (as by an intellectual will) I suppose myself executor to the unhappily deceased author of this poem; upon whom knowing that in his lifetime you bestowed many kind favours, entertaining parts of reckoning and worth which you found in him with good countenance and liberal affection, I cannot but see so far into the will of him dead, that whatsoever issue of his brain should chance to come abroad, that the first breath it should take might be the gentle air of your liking; for, since his self had been accustomed thereunto, it would prove more agreeable and thriving to his right children than any other foster countenance whatsoever. At this time seeing that this unfinished tragedy happens under my hands to be imprinted; of a double duty, the one to yourself, the other to the deceased, I present the same to your most favourable allowance, offering my utmost self now and ever to be ready at your worship's disposing:
Edward Blunt..
The Argumentof the First Sestiad.
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The Argument of the Second Sestiad.
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I present your ladyship with the last affections of the first two Lovers that ever Muse shrined in the Temple of Memory, being drawn by strange instigation to employ some of my serious time in so trifling a subject, which yet made the first Author, divine Musaeus eternal. And were it not that we must subject our accounts of these common received conceits to servile custom, it goes much against my hand to sign that for a trifling subject on which more worthiness of soul hath been shewed, and weight of divine wit, than can vouchsafe residence in the leaden gravity of any money-monger; in whose profession all serious subjects are concluded. But he that shuns trifles must shun the world; out of whose reverend heaps of substance and austerity I can and will ere long single or tumble out as brainless and passionate fooleries as ever panted in the bosom of the most ridiculous lover. Accept it, therefore, good Madam, though as a trifle, yet as a serious argument of my affection; for to be thought thankful for all free and honourable favours is a great sum of that riches my whole thrift intendeth.
Such uncourtly and silly dispositions as mine, whose contentment hath other objects than profit or glory, are as glad, simply for the naked merit of virtue, to honour such as advance her, as others that are hard to commend with deepliest politique bounty.
It hath therefore adjoined much contentment to my desire of your true honour to hear men of desert in court add to mine own knowledge of your noble disposition how gladly you do your best to prefer their desires, and have as absolute respect to their mere good parts as if they came perfumed and charmed with golden incitements. And this most sweet inclination, that flows from the truth and eternity of Nobles[se], assure your Ladyship doth more suit your other ornaments, and makes more to the advancement of your name and happiness of your proceedings, than if like others you displayed ensigns of state and sourness in your forehead, made smooth with nothing but sensuality and presents.
This poor Dedication (in figure of the other unity betwixt Sir Thomas and yourself) hath rejoined you with him, my honoured best friend; whose continuance of ancient kindness to my still-obscured estate, though it cannot increase my love to him which hath been entirely circular; yet shall it encourage my deserts to their utmost requital, and make my hearty gratitude speak; to which the unhappiness of my life hath hitherto been uncomfortable and painful dumbness.
GEORGE CHAPMAN.
The Argument of the Third Sestiad
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The Argument of the Fourth Sestiad.
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The Argument of the Fifth Sestiad.
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The Argument of the Sixth Sestiad.
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All the old editions of Marlowe's translation of the Amores are undated, and bear the imprint Middleburgh (in various spellings). It is probable that the copy which Mr. Charles Edmonds discovered at Lamport Hall, Northamptonshire (the seat of Sir Charles Isham, Bart.), is the earliest of extant editions. The title-page of this edition is—Epigrammes and Elegies. By I. D. and C. M. At Middleborugh 12mo. After the title-page come the Epigrammata, which are signed at the end “I. D.” (the initials of Sir John Davies). Following the Epigrammata is a copy of verses headed Ignoto, and then comes a second title-page—Certaine of Ovid's Elegies. By C. Marlowe. At Middleborough. In his preface to a facsimile reprint of the little volume, Mr. Edmonds states his conviction that this edition, not withstanding the imprint Middleborough, was issued at London from the press of W. Jaggard, who in 1599 printed the Passionate Pilgrime. He grounds his opinion not only on the character of the type and of the misprints, but on the fact that there would be no need for the book to be printed abroad in the first instance. It was not (he thinks) until after June 1599—when (with other books) it was condemned by Archbishop Whitgift to be burnt—that recourse was had to the expedient of reprinting it at Middleburgh. In the notes I refer to this edition as the Isham copy.
The next edition, which has the same title-pages as the Isham copy—Epigrammes and Elegies by I. D. and C. M. at Middleborugh, 12mo.—was certainly, to judge from its general appearance, printed abroad, and by foreigners. The text agrees in the main with that of the Isham copy, but the corruptions are more numerous. I have followed Dyce in referring to this edition as Ed. A.
The Isham copy and Ed. A contain only a portion of the Elegies. The complete translation appeared in All Ovid's Elegies: 3 Bookes. By C. M. Epigrams by I. D. At Middleborugh, 12mo. (Ed. B); and in another edition with the same title-page (Ed. C). The readings of Ed. C I have occasionally borrowed from Dyce. It is supposed that the book “continued to be printed with Middleburgh on the title, and without date, as late as 1640” (Hazlitt).
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The same, by B. I.
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J. D.
Lucans First Booke Translated Line for Line, By Chr. Marlow. At London, Printed by P. Short, and are to be sold by Walter Burre at the Signe of the Flower de Luce in Paules Churchyard, 1600, 4to.
This is the only early edition. The title-page of the 1600 4to. of Hero and Leander has the words, “Whereunto is added the first booke of Lucan;” but the two pieces are not found in conjunction.
Blunt, I propose to be blunt with you, and, out of my dulness, to encounter you with a Dedication in memory of that pure elemental wit, Chr. Marlowe, whose ghost or genius is to be seen walk the Churchyard, in, at the least, three or four sheets. Methinks you should presently look wild now, and grow humorously frantic upon the taste of it. Well, lest you should, let me tell you, this spirit was sometime a familiar of your own, Lucan's First Book translated; which, in regard of your old right in it, I have raised in the circle of your patronage. But stay now, Edward: if I mistake not, you are to accommodate yourself with some few instructions, touching the property of a patron, that you are not yet possessed of; and to study them for your better grace, as our gallants do fashions. First, you must be proud, and think you have merit enough in you, though you are ne'er so empty; then, when I bring you the book, take physic, and keep state; assign me a time by your man to come again; and, afore the day, be sure to have changed your lodging; in the meantime sleep little, and sweat with the invention of some pitiful dry jest or two, which you may happen to utter with some little, or not at all, marking of your friends, when you have found a place for them to come in at; or, if by chance something has dropped from you worth the taking up, weary all that come to you with the often repetition of it; censure, scornfully enough, and somewhat like a traveller; commend nothing, lest you discredit your (that which you would seem to have) judgment. These things, if you can mould yourself to them, Ned, I make no question that they will not become you. One special virtue in our patrons of these days I have promised myself you shall fit excellently, which is, to give nothing; yes, thy love I will challenge as my peculiar object, both in this, and, I hope, many more succeeding offices. Farewell: I affect not the world should measure my thoughts to thee by a scale of this nature: leave to think good of me when I fall from thee.
Thine in all rights of perfect friendship,
THOMAS THORPE.
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[In England's Helicon Marlowe's song is followed by the “Nymph's Reply to the Shepherd” and “Another of the same Nature made since.” Both are signed Ignoto, but the first of these pieces has been usually ascribed to Sir Walter Raleigh — on no very substantial grounds.]
The following verses in imitation of Marlowe are by Donne:—
Herrick has a pastoral invitation
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I was told you did agree.50
I'm but a homely country maid,60
To seek her love upon the green.70
Finis. Ign.
In a copy of Hero and Leander Collier found, together with other questionable matter, the following MS. notes:— “Feb. 10, 1640. Mr. [two words follow in cipher], that Marloe was an atheist, and wrot a booke against [two words in cipher,] how that it was all one man's making, and would have printed it, but it would not be suffred to be printed. Hee was a rare scholar, and made excellent verses in Latine. He died aged about 30.”—“Marloe was an acquaintance of Mr. [a name follows in cipher] of Douer, whom hee made become an atheist; so that he was faine to make a recantation vppon this text, The foole hath said in his heart there is no God.'”—“This [the name in cipher] learned all Marloe by heart.”—“Marloe was stabd with a dagger and dyed swearing.”
CONTAYNINGE THE OPINION OF ONE CHRISTOFER MARLYE, CONCERNYNGE HIS DAMNABLE OPINIONS AND JUDGMENT OF RELYGION AND SCORNE OF GODS WORDE.
From MS. Harl. 6853, Fol. 320.
That the Indians and many Authors of Antiquitei have assuredly written of aboue 16 thowsande yeers agone, wher Adam is proved to have leyved within 6 thowsande yeers.
He affirmeth That Moyses was but a Juggler, and that one Heriots can do more then hee.
That Moyses made the Jewes to travell fortie yeers in the wildernes (which iorny might have ben don in lesse then one yeer) er they came to the promised lande, to the intente that those whoe wer privei to most of his subtileteis might perish, and so an everlastinge super-sticion remayne in the hartes of the people.
That the firste beginnynge of Religion was only to keep men in awe.
That it was an easye matter for Moyses, beinge brought up in all the artes of the Egiptians, to abvse the Jewes, being a rvde and grosse people.
*** * * * * * * * * * * * *
That he [Christ] was the sonne of a carpenter, and that, yf the Jewes amonge whome he was born did crvcifye him, thei best knew him and whence he came.
That Christ deserved better to dye than Barrabas, and that the Jewes made a good choyce, though Barrabas were both a theife and a murtherer.
That yf ther be any God or good Religion, then it is in the Papistes, becavse the service of God is performed with more ceremonyes, as elevacion of the masse, organs, singinge men, shaven crownes, &c. That all protestantes ar hipocriticall Asses.
That, yf he wer put to write a new religion, he wolde vndertake both a more excellent and more admirable methode, and that all the new testament is filthely written.
*** * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * *
That all the Appostels wer fishermen and base fellowes, nether of witt nor worth, that Pawle only had witt, that he was a timerous fellow in biddinge men to be subiect to magistrates against his conscience.
That he had as good right to coyne as the Queen of Englande, and that he was acquainted with one Poole, a prisoner in newgate, whoe hath great skill in mixture of mettalls, and havinge learned such thinges of him, he ment. thorough help of a cvnnynge stampe-maker, to coyne fiench crownes, pistolettes, and englishe shillinges.
That, yf Christ had instituted the Sacramentes with more cerymonyall reverence, it would have ben had in more admiracion, that it wolde have ben much better beinge administred in a Tobacco pype.
*********
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That one Richard Cholmelei hath confessed that he was perswaded by Marloes reason to become an Athieste.
Theis thinges, with many other, shall by good and honest men be proved to be his opinions and common speeches, and that this Marloe doth not only holde them himself, but almost in every company he commeth, perswadeth men to Athiesme, willinge them not to be afrayed of bugbeares and hobgoblins, and vtterly scornynge both God and his ministers, as I Richard Bome [sic] will justify bothe by my othe and the testimony of many honest men, and almost all men with whome he hath conversed any tyme will testefy the same: and, as I thincke, all men in christianitei ought to endevor that the mouth of so dangerous a member may be stopped.
He sayeth moreover that he hath coated a number of contrarieties out of the scriptures, which he hath geeven to some great men, who in convenient tyme shalbe named When theis thinges shalbe called in question, the witnesses shalbe produced.
RychardBame.
(Endorsed)
Copye of Marloes blasphemyes
as sent to her H[ighness]
[Now-a-days inquiries as to the age of the earth are of interest only to Geologists; and all may criticise with impunity the career of Moses—provided that they do not employ the shafts of ridicule too freely. Marlowe's strictures on the New Testament—grossly exaggerated by the creature who penned the charges—were ma***e from the literary point of view. We should blame nobody to-day for saying that the language of Revelations is poor and thin when compared with the language of Isaiah. Again, as to the statement that Romanism alone is logical, and that Protestantism has no locus standi,—has not the doctrine been proclaimed again and again in our own day by writers whom we all respect? The charge that Marlowe had announced his intention of coining French crowns is so utterly absurd as to throw discredit upon all the other statements It must be remembered that the testimony was not upon oath, and that the deponent was a ruffian.]
An edition of Marlowe cannot be more fitly concluded than by a reprint of Mr. R. H. Horne's noble and pathetic tragedy, The Death of Marlowe (originally published in 1837), one of the few dramatic pieces of the present century that will have any interest for posterity. For permission to reprint this tragedy I am indebted to Mr. Horne's literary executor, Mr. H. Buxton Forman.
DRAMATIS PERSONÆ.
Gentlemen, Officers, Servants, &c.
Public Gardens—Liberty of the Clink, Southwark.
EnterMarloweandHeywood.
Be sure of it.
I am; but not by your light.
Good Master Heywood,
Beware the waking hour!
In lovely radiance,
Proceed.
Come, come—
I have—I do—
Exit.
EnterCecilia.
Why so, lady?
The reflex of the page is on thy face.
Nay, primrose gentleman, think'st me a saint?
I feel thy power.
Continued from this world?
I have said naught
Leave me not thus!—forgive me!
For what offence?
The expression of my love.
And to its winter, lady?
Exit
Exit.
Gravel Lane; Bankside.
Enter Heywood and Middleton.
And yet it may end well, after his fit is over.
But he is earnest in it.
'Tis his habit; a little thunder clears the atmosphere. At present he is spell-bound, and smouldereth in a hot cloud of passion; but when he once makes his way, he will soon disperse his free spirit abroad over the inspired heavens.
I fear me she will sow quick seed of feverish fancies in his mind that may go near to drive him mad.
How so? He knoweth her for what she is, as well as for what she was;—the high-spirited and once virtuous wife of the drunkard Bengough. You remember him?
I have seen him i‘the mire. Twas his accustomed bed o’ nights—and morning, too—many a time. He preferred that to the angel he left at home. Some men do 'Tis a sorrow to think upon.
And one that tears cannot wash! Master Marlowe hath too deep a reading i' the books of nature to nail his heart upon a gilded weathercock. He is only desperate after the fashion of a pearl diver. When he hath enough he will desist—breathe freely, polish the shells, and build grottoes.
Nay, he persisteth in not knowing her for a courtesan —talks of her purity in burning words, that seem to glow and enhance his love from his convictions of her virtue; then suddenly falls into silent abstraction, looking like a man whose eyes are filled with visions of Paradise. No pains takes she to deceive him; for he supersedes the chance by deceiving himself beyond measure. He either listens not at all to intimation, or insists the contrary.
This is his passionate aggravation or self-will: he must know it.
Tis my belief; but her beauty blinds him with its beams, and drives his exiled reason into darkness.
Here comes one that could enlighten his perception, methinks.
Who's he? Jack-o'-night, the tavern pander and swashbuckler.
EnterJacconot.
Save ye, my masters; lusty thoughts go with ye, and a jovial full cup wait on your steps: so shall your blood rise, and honest women pledge ye in their dreams!
Your weighty-pursed knowledge of women, balanced against your squinting knowledge of honesty, Master Jack-o'-night, would come down to earth, methinks, as rapid as a fall from a gallows-tree.
Well said, Master Middleton—a merry devil and a long-lived one run monkey-wise up your back-bone! May your days be as happy as they're sober, and your nights full of applause! May no brawling mob pelt you, or your friends, when throned, nor hoot down your plays when your soul's pinned like a cockchafer on public opinion! May no learned or unlearned calf write against your knowledge and wit, and no brother paper-stainer pilfer your pages, and then call you a general thief! Am I the only rogue and vagabond in the world?
I‘faith, not: nay, an’ thou wert, there would be no lack of them i’ the next generation. Thou might'st be the father of the race, being now the bodily type of it The phases of thy villany are so numerous that, were they embodied they would break down the fatal tree which is thine inheritance, and cause a lack of cords for the Thames shipping!
Don't choke me with compliments!
He seems right proud of this multiplied idea of his latter end.
Ay; hanging's of high antiquity, and, thereto, of broad modern repute. The flag, the sign, the fruit, the felon, and other high and mighty game, all hang; though the sons of ink and sawdust try to stand apart, smelling civet, as one should say,—faugh! Jewelled caps, ermined cloaks, powdered wigs, church bells, bona-roba bedgowns, gilded bridles, spurs, shields, swords, harness, holy relics, and salted hogs, all hang in glory! Pictures, too, of rare value! Also music's ministrants,—the lute, the horn, the fiddle, the pipe, the gong, the viol, the salt-box, the tambourine and the triangle, make a dead-wall dream of festive harmonies!
Infernal discords, thou would'st say!
These are but few things among many! for ‘scutcheons, scarecrows, proclamations, the bird in a cage, the target for fools’ wit, hie jacet tablets (that is, lying ones), the King's Head and the Queen's Arms, ropes of onions, dried herbs, smoked fish, holly boughs, hall lantborns, framed piety texts, and adored frights of family portraits, all hang! Likewise corkscrews, cat-skins, glittering trophies, sausage links, shining icicles, the crucifix, and the skeleton in chains. There, we all swing, my masters! Tut! hanging's a high Act of Parliament privilege!-a Star-Chamber Garter-right!
The devil's seed germinates with reptile rapidity, and blossoms and fructifies in the vinous fallows of this bully's brain!
I tell thee what—(looking off) another time!
ExitJacconothastily.
I breathe fresh air!
Exeunt.
EnterCecilia, followed byJacconot.
Well, well, Mistress St. Cecil; the money is all well enough—I object nothing to the money.
Then, go your ways.
My ways are your ways—a murrain on your beauties' —has your brain shot forth skylarks as your eyes do sparks?
Go!—here is my purse.
I'll no more oft!—I have a mind to fling back what thou'st already given me for my services.
Master Jacconot, I would have no further services from thee. If thou art not yet satisfied, fetch the weight and scales, and I will cast my gold into it, and my dross besides—so shall I be doubly relieved.
I say again—and the devil bear me fierce witness!— it is not gold I want, but rightful favour; not silver, but sweet civility; not dross, but the due respect to my nonpareil value! Bethink thee, Cecil—bethink thee of many things! Ay! am not I the true gallant of my time? the great Glow-worm and Will-o'-the-wisp—the life, the fortune, and the favourite of the brightest among ye!
Away!
Whither?
Anywhere, so it be distant
What mean'st by discarding me, and why is it? 'Slud! is this the right sort of return for all my skilful activities, my adroit fascinations of young lords in drink, my tricks at dice, cards, and dagger-play, not to speak too loudly of bets on bear-baits, soap-bubbles, and Shrovetide cocks; or my lies about your beauty and temper? Have I not brought dukes and earls and reverend seniors, on tip-toe, and softly whispering for fear of “the world,” right under the balcony of your window?-O, don't beat the dust with your fine foot! These be good services, I think!
Alas! alas! the world sees us only as bright, though baleful stars, little knowing our painful punishments in the dark-our anguish in secret
Are you thinking of me?
Go!
Go!—a death's-head crown your pillow! May you dream of love, and wake and see that!
I had rather see't than you.
What's i' the wind,—nobleman, or gentleman, or a brain fancy—am not I at hand? Are you mad?
I'd gladly believe I have been so.
Good. I'm content you see me aright once more, and acknowledge yourself wrong.
O, wrong indeed—very wrong—to my better nature— my better nature.
And to me, too! Bethink thee, I say, when last year, after the dance at Hampton, thou wert enraged against the noble that slighted thee; and, flushed with wine, thou took'st me by the ear, and mad'st me hand thee into thy coach, and get in beside thee, with a drawn sword in my hand and a dripping trencher on my head, singing such songs, until—
Earthworms and stone walls!
Hey! what of them?
Exit
Exit
A room in the Triple Tun, Blackfriars.
Marlowe, Middleton, Heywood, and Gentlemen.
Enter Drawer with a tankard.
We're wending homeward—gentlemen, good night!
We thank you, sir—good night!
ExeuntGentlemen.
Let's follow—'tis near morning.
(after a pause)
So—let us have more wine, then!
(Marlowethrows open a side window that reaches down to the floor, and stands there, looking out.)
(Pointing towards the open window.)
(HeywoodandMiddletonretire apart—Ceciliais passing by the open window.)
That is not much to ask.
(She steps in through the window.)
May I come?
Ah, no; I'll go alone.
And I may come? (following her).
You shall not.
I obey you.
Then I may——(advancing).
No—no!
(She turns to look at him—then steps through the window—Exit.)
Be sure—be sure!
(HeywoodandMiddletonapproach.
Now, Marlowe!—you desert us!
(pointing afterCecilia).
What voice is that?
From one of the hells.
EnterJacconot, with a full tankard.
Ever awake and shining, my masters! and here am I, your twin lustre, always ready to herald and anoint your pleasures, like a true Master of the Revels. I ha' just stepped over the drawer's body, laid nose and heels together on the door-mat, asleep, and here's wherewith to continue the glory!
We need not your help.
We thank you, Jack-o'-night: we would be alone.
What say you, Master Marlowe? you look as grim as a sign-painter's first sketch on a tavern bill, after his ninth tankard.
Cease your death-rattle, night-hawk!
That's well said.
Is it? So 'tis my gallants—a night-bird like yourselves, am I.
Beast!—we know you.
Your merry health, Master Kit Marlowe! I'll bring a loud pair of palms to cheer your soul the next time you strut in red paint with a wooden weapon at your thigh.
Who sent for you, dorr-hawk?—go!
Go! Aha!—I remember the word—same tone, same gesture—or as like as the two profiles of a monkey, or as two squeaks for one pinch. Go!—not I—here's to all your healths! One pull more! There, I've done—take it, Master Marlowe; and pledge me as the true knight of London's rarest beauties!
I will!
(Dashes the tankard at his head.)
A miss, 'fore-gad!—the wall has got it! See where it trickles down like the long robe of some dainty fair one! And look you here—and there again, look you!—what make you of the picture he hath presented?
Lightning come up from hell and strangle thee!
Away, thou bestial villain!
St. Cecil is my dear!
(rushes atJacconot—they fight—Marlowedisarms him; butJacconotwrestsMarlowe'sown sword from his hand, and stabs him—Marlowefalls).
See! see!
O, content you, Master Marplot—it's you that's down, drunk or sober; and that's your own blood on your fingers, running from a three-inch groove in your ribs for the devil's imps to slide into you. Ugh! cry gramercy! for it's all over with your rhyming!
O, heartless mischief!
Hence, thou rabid cur!
No such matter; it was my doing. You shouldn't ha‘ran at me in that fashion with a real sword—I thought it had been one o’ your sham ones.
Away!
Marry, but it can!—or else your sword's a foolish dog that dar'n't bite his owner.
There'll be no “encore” to either, I wot; for thou'st led an ill life, Master Marlowe; and so the sweet Saint thou spok'st of will remain my fair game—behind the scenes.
(Rises—and falls dead.)
Terrible end!
O God!—he is quite gone!
‘Twas dreadful—’twas! Christ help us! and lull him to sleep in's grave. I stand up for mine own nature none the less. (Voices without.) What noise is that?
Enter Officers.
This is our man—ha! murder has been here! You are our prisoner—the gallows waits you!
What have I done to be hung up like a miracle? The hemp's not sown nor the ladder-wood grown, that shall help fools to finish me! He did it himself! He said so with his last words!—there stands his friends and brother players—put them to their Testament if he said not he did it himself?
Who is it lies here?—methinks that I should know him, But for the fierce distortion of his face!
“Caitiff” back again in your throat! and “gross nothing” to boot—may you have it to live upon for a month, and die mad and starving! Would'st swear my life away so lightly? Tut! who was he? I could always find the soundings of a quart tankard, or empty a pasty in half his time, and swear as rare oaths between whiles—who was he? I too ha‘writ my odes and Pindar jigs with the twinkling of a bedpost, to the sound of the harp and hurdygurdy, while Capricornus wagged his fiery beard; I ha’ sung songs to the faint moon's echoes at daybreak and danced here away and there away, like the lightning through a forest! As to your sword and dagger play, I've got the trick o' the eye and wrist—who was he? What's all his gods—his goddesses and lies?—the first a'nt worth a word; and for the two last, I was always a prince of both! “Caitiff!” and “beast!” and “nothing!”—who was he?
Then may Vice and I sit crown'd in heaven, while Law and Honesty stalk damned through hell! Now do I see the thing very plain!—treachery—treachery, my masters! I know the jade that hath betrayed me—I know her. 'Slud! who cares? She was a fine woman, too—a rare person—and a good spirit; but there's an end of all now—she's turned foolish and virtuous, and a tell-tale, and I am to be turned to dust through it—long, long before my time: and these princely limbs must go make a dirt-pie—build up a mud hut—or fatten an alderman's garden! There! calf-heads—there's a lemon for your mouths! Heard'st ever such a last dying speech and confession! Write it in red ochre on a sheet of Irish, and send it to Mistress Cecily for a death-winder. I know what you've got against me—and I know you all deserve just the same yourselves—but lead on, my masters!
ExeuntJacconotandOfficers.
Miserable sight!
(A shriek outside the house.)
That cry!—what may that mean?
I hear no cry.
What is't comes hither, like a gust of wind?
Ceciliarushes in.
(Sinks down upon the body.
“Cut is the branch that might have grown full straight, And burned is Apollo's laurel bough!”
(Solemn music.)
Dark Curtain.