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Lecky on Gibbon

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Source: Introduction to Gibbon's The History of the Decline and Fall of the Roman Empire, ed. J.B. Bury with an Introduction by W.E.H. Lecky (New York: Fred de Fau and Co., 1906), in 12 vols. Vol. 1.

Introduction1 by W. E. H. Lecky

The history of Gibbon has been described by John Stuart Mill as the only eighteenth-century history that has withstood nineteenth-century criticism; and whatever objections modern critics may bring against some of its parts, the substantial justice of this verdict will scarcely be contested. No other history of that century has been so often reprinted, annotated, and discussed, or remains to the present day a capital authority on the great period of which it treats. As a composition it stands unchallenged and conspicuous among the masterpieces of English literature, while as a history it covers a space of more than twelve hundred years, including some of the most momentous events in the annals of mankind.

Gibbon was born at Putney, Surrey, April 27, 1737. Though his father was a member of Parliament and the owner of a moderate competence, the author of this great work was essentially a self-educated man. Weak health and almost constant illness in early boyhood broke up his school life, — which appears to have been fitfully and most imperfectly conducted, — withdrew him from boyish games, but also gave him, as it has given to many other shy and sedentary boys, an early and inveterate passion for reading. His reading, however, was very unlike that of an ordinary boy. He has given a graphic picture of the ardour with which, when he was only fourteen, he flung himself into serious but unguided study; which was at first purely desultory, but gradually contracted into historic lines, and soon concentrated itself mainly on that Oriental history which he was one day so brilliantly to illuminate. “Before I was sixteen,” he says, “I had exhausted all that could be learned in English of the Arabs and Persians, the Tartars and Turks; and the same ardour led me to guess at the French of D’Herbelot, and to construe the barbarous Latin of Pocock’s ‘Abulfaragius.’”

His health, however, gradually improved, and when he entered Magdalen College, Oxford, it might have been expected that a new period of intellectual development would have begun; but Oxford had at this time sunk to the lowest depth of stagnation, and to Gibbon it proved extremely uncongenial. He complained that he found no guidance, no stimulus, and no discipline, and that the fourteen months he spent there were the most idle and unprofitable of his life. They were very unexpectedly cut short by his conversion to the Roman Catholic faith, which he formally adopted at the age of sixteen.

This conversion is, on the whole, the most surprising incident of his calm and uneventful life. The tendencies of the time, both in England and on the Continent, were in a wholly different direction. The more spiritual and emotional natures were now passing into the religious revival of Wesley and Whitefield, which was slowly transforming the character of the Anglican Church and laying the foundations of the great Evangelical party. In other quarters the predominant tendencies were towards unbelief, scepticism, or indifference. Nature seldom formed a more sceptical intellect than that of Gibbon, and he was utterly without the spiritual insight, or spiritual cravings, or overmastering enthusiasms, that produce and explain most religious changes. Nor was he in the least drawn towards Catholicism on its æsthetic side. He had never come in contact with its worship or its professors; and to his unimaginative, unimpassioned, and profoundly intellectual temperament, no ideal type could be more uncongenial than that of the saint. He had, however, from early youth been keenly interested in theological controversies. He argued, like Lardner and Paley, that miracles are the Divine attestation of orthodoxy. Middleton convinced him that unless the Patristic writers were wholly undeserving of credit, the gift of miracles continued in the Church during the fourth and fifth centuries; and he was unable to resist the conclusion that during that period many of the leading doctrines of Catholicism had passed into the Church. The writings of the Jesuit Parsons, and still more the writings of Bossuet, completed the work which Middleton had begun. Having arrived at this conclusion, Gibbon acted on it with characteristic honesty, and was received into the Church on the 8th of June, 1753.

The English universities were at this time purely Anglican bodies, and the conversion of Gibbon excluded him from Oxford. His father judiciously sent him to Lausanne to study with a Swiss pastor named Pavilliard, with whom he spent five happy and profitable years. The theological episode was soon terminated. Partly under the influence of his teacher, but much more through his own reading and reflections, he soon disentangled the purely intellectual ties that bound him to the Church of Rome; and on Christmas Day, 1754, he received the sacrament in the Protestant church of Lausanne.

His residence at Lausanne was very useful to him. He had access to books in abundance, and his tutor, who was a man of great good sense and amiability but of no remarkable capacity, very judiciously left his industrious pupil to pursue his studies in his own way. “Hiving wisdom with each studious year,” as Byron so truly says, he speedily amassed a store of learning which has seldom been equalled. His insatiable love of knowledge, his rare capacity for concentrated, accurate, and fruitful study, guided by a singularly sure and masculine judgment, soon made him, in the true sense of the word, one of the best scholars of his time. His learning, however, was not altogether of the kind that may be found in a great university professor. Though the classical languages became familiar to him, he never acquired or greatly valued the minute and finished scholarship which is the boast of the chief English schools; and careful students have observed that in following Greek books he must have very largely used the Latin translations. Perhaps in his capacity of historian this deficiency was rather an advantage than the reverse. It saved him from the exaggerated value of classical form, and from the neglect of the more corrupt literatures, to which English scholars have been often prone. Gibbon always valued books mainly for what they contained, and he had early learned the lesson which all good historians should learn: that some of his most valuable materials will be found in literatures that have no artistic merit; in writers who, without theory and almost without criticism, simply relate the facts which they have seen, and express in unsophisticated language the beliefs and impressions of their time.

Lausanne and not Oxford was the real birthplace of his intellect, and he returned from it almost a foreigner. French had become as familiar to him as his own tongue; and his first book, a somewhat superficial essay on the study of literature, was published in the French language. The noble contemporary French literature filled him with delight, and he found on the borders of the Lake of Geneva a highly cultivated society to which he was soon introduced, and which probably gave him more real pleasure than any in which he afterwards moved. With Voltaire himself he had some slight acquaintance, and he at one time looked on him with profound admiration; though fuller knowledge made him sensible of the flaws in that splendid intellect. I am here concerned with the life of Gibbon only in as far as it discloses the influences that contributed to his master work, and among these influences the foreign element holds a prominent place. There was little in Gibbon that was distinctively English; his mind was essentially cosmopolitan. His tastes, ideals, and modes of thought and feeling turned instinctively to the Continent.

In one respect this foreign type was of great advantage to his work. Gibbon excels all other English historians in symmetry, proportion, perspective, and arrangement, which are also the preëminent and characteristic merits of the best French literature. We find in his writing nothing of the great miscalculations of space that were made by such writers as Macaulay and Buckle; nothing of the awkward repetitions, the confused arrangement, the semi-detached and disjointed episodes that mar the beauty of many other histories of no small merit. Vast and multifarious as are the subjects which he has treated, his work is a great whole, admirably woven in all its parts. On the other hand, his foreign taste may perhaps be seen in his neglect of the Saxon element, which is the most vigorous and homely element in English prose. Probably in no other English writer does the Latin element so entirely predominate. Gibbon never wrote an unmeaning and very seldom an obscure sentence; he could always paint with sustained and stately eloquence an illustrious character or a splendid scene: but he was wholly wanting in the grace of simplicity, and a monotony of glitter and of mannerism is the great defect of his style. He possessed, to a degree which even Tacitus and Bacon had hardly surpassed, the supreme literary gift of condensation, and it gives an admirable force and vividness to his narrative; but it is sometimes carried to excess. Not unfrequently it is attained by an excessive allusiveness, and a wide knowledge of the subject is needed to enable the reader to perceive the full import and meaning conveyed or hinted at by a mere turn of phrase. But though his style is artificial and pedantic, and greatly wanting in flexibility, it has a rare power of clinging to the memory, and it has profoundly influenced English prose. That excellent judge, Cardinal Newman, has said of Gibbon, “I seem to trace his vigorous condensation and peculiar rhythm at every turn in the literature of the present day.”

It is not necessary to relate here in any detail the later events of the life of Gibbon. There was his enlistment as captain in the Hampshire militia. It involved two and a half years of active service, extending from May, 1760, to December, 1762; and as Gibbon afterwards acknowledged, if it interrupted his studies and brought him into very uncongenial duties and societies, it at least greatly enlarged his acquaintance with English life, and also gave him a knowledge of the rudiments of military science, which was not without its use to the historian of so many battles. There was a long journey, lasting for two years and five months, in France and Italy, which greatly confirmed his foreign tendencies. In Paris he moved familiarly in some of the best French literary society; and in Rome, as he tells us in a well-known passage, while he sat “musing amidst the ruins of the Capitol while the barefooted friars were singing vespers in the Temple of Jupiter” (which is now the Church of the Ara Cœli), — on October 15, 1764, — he first conceived the idea of writing the history of the decline and fall of Rome.

There was also that very curious episode in his life, lasting from 1774 to 1782, — his appearance in the House of Commons. He had declined an offer of his father’s to purchase a seat for him in 1760; and fourteen years later, when his father was dead, when his own circumstances were considerably contracted, he received and accepted at the hands of a family connection the offer of a seat. His Parliamentary career was entirely undistinguished, and he never even opened his mouth in debate, — a fact which was not forgotten when very recently another historian was candidate for a seat in Parliament. In truth, this somewhat shy and reserved scholar, with his fastidious taste, his eminently judicial mind, and his highly condensed and elaborate style, was singularly unfit for the rough work of Parliamentary discussion. No one can read his books without perceiving that his English was not that of a debater; and he has candidly admitted that he entered Parliament without public spirit or serious interest in politics, and that he valued it chiefly as leading to an office which might restore the fortune which the extravagance of his father had greatly impaired. His only real public service was the composition in French of a reply to the French manifesto which was issued at the beginning of the war of 1778. He voted steadily and placidly as a Tory, and it is not probable that in doing so he did any violence to his opinions. Like Hume, he shrank with an instinctive dislike from all popular agitations, from all turbulence, passion, exaggeration, and enthusiasm; and a temperate and well-ordered despotism was evidently his ideal. He showed it in the well-known passage in which he extols the benevolent despotism of the Antonines as without exception the happiest period in the history of mankind, and in the unmixed horror with which he looked upon the French Revolution that broke up the old landmarks of Europe. For three years he held an office in the Board of Trade, which added considerably to his income without adding greatly to his labours, and he supported steadily the American policy of Lord North and the Coalition ministry of North and Fox; but the loss of his office and the retirement of North soon drove him from Parliament, and he shortly after took up his residence at Lausanne.

But before this time a considerable part of his great work had been accomplished. The first quarto volume of the “Decline and Fall” appeared in February, 1776. As is usually the case with historical works, it occupied a much longer period than its successors, and was the fruit of about ten years of labour. It passed rapidly through three editions, received the enthusiastic eulogy of Hume and Robertson, and was no doubt greatly assisted in its circulation by the storm of controversy that arose about his Fifteenth and Sixteenth Chapters. In April, 1781, two more volumes appeared, and the three concluding volumes were published together on the 8th of May, 1788, being the fifty-first birthday of the author.

A work of such magnitude, dealing with so vast a variety of subjects, was certain to exhibit some flaws. The controversy at first turned mainly upon its religious tendency. The complete scepticism of the author, his aversion to the ecclesiastical type which dominated in the period of which he wrote, and his unalterable conviction that Christianity, by diverting the strength and enthus