EconlibThe LibraryOther Sites |
Front Page Titles (by Subject) Sect. V.: The Stile of Tacitus, how pertinent and happy: his Obscurity, a charge of the moderns only. - The Works of Tacitus, vol. 1 - Gordon's Discourses, Annals (Books 1-3)
Return to Title Page for The Works of Tacitus, vol. 1 - Gordon’s Discourses, Annals (Books 1-3)The Online Library of LibertyA project of Liberty Fund, Inc.Search this Title:Also in the Library:
Sect. V.: The Stile of Tacitus, how pertinent and happy: his Obscurity, a charge of the moderns only. - Publius Cornelius Tacitus, The Works of Tacitus, vol. 1 - Gordon’s Discourses, Annals (Books 1-3) [120 AD]Edition used:The Works of Tacitus. In Four Volumes. To which are prefixed, Political Discourses upon that Author by Thomas Gordon. The Second Edition, corrected. (London: T. Woodward and J. Peele, 1737). Vol. 1.
Part of: The Works of Tacitus, 4 vols.About Liberty Fund:Liberty Fund, Inc. is a private, educational foundation established to encourage the study of the ideal of a society of free and responsible individuals. Copyright information:The text is in the public domain. Fair use statement:This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit.
Sect. V.The Stile ofTacitus,how pertinent and happy: his Obscurity, a charge of the moderns only.BESIDES the grandeur and dignity of his phrase, he is remarkable for a surprising brevity: but let his words be ever so few, his thought and matter are always abundant. His expression is like the dress of Poppæa Sabina, described by himself; velata parte oris ne satiaret aspectum, vel quia sic decebat. He starts the Idea, and leaves the Imagination to pursue it. The sample he gives you is so fine, that you are presently curious to see the whole piece, and then you have your share in the merit of the discovery; a compliment which some able Writers have forgot to pay to their Readers. I cannot help thinking Mr. Locke a great deal too wordy, and that the plainness of his propositions, as well as their strength, suffers often by an explanation over-diffuse. Dr. Tillotson’s stile is much better, indeed very fine, but takes up too much room; it is likely he chose it as fit for popular discourses; since it is plain from the vivacity of his Parts, and the many fine turns found in his Writings, that he could have been very sententious. These two great names are by no man reverenced more than I reverence them, and without malignity I mention them, as I do that of the worthy Lord Clarendon, whose language is weighty, and grave, but encumbred and even darkened, I might say flattened, with a multiplication of words. Stile is a part of Genius, and Tacitus had one peculiar to himself, a sort of a language of his own, one fit to express the amazing vigour of his spirit, and that redundancy of reflections which for force and frequency are to be equalled by no Writer before or since. Besides, the course and fluency of his Narration, is almost every where broken by persons whom he introduces speaking and debating; insomuch that a great part of his History comes out of the mouths of other people, and in expressions suitable to their several Characters. It is plain too that the older he grew, the more he pruned and curtailed his Stile; for his Histories are much more copious and flowing than his Annals: and thus what has been by others reckoned a fault, was in him the effect of his judgment. Neither were his Works intended for the populace; but for such as governed States, or such as attended to the conduct of Governors; nor, were the Stile and Latin ever so plain, would they ever be understood by such as do not. As Plutarch came to understand the Roman Tongue by understanding their Affairs; Tacitus is to be known by knowing human nature, and the elements and mechanism of Government. It is madness to wish for the manner and redundancy of Livy in the Writings of Tacitus. They wrote at different times, and of Governments differently formed. Tacitus had transactions of another sort to describe, and other sorts of men; (for by Government men are changed); the crooked arts of policy, the false smiles of power, the jealousy, fury and wantonness of Princes uncontrolled; the flattery of the grandees; the havock made by the accusers, and universal debasement of all men: matter chiefly for reflection, complaints and rebuke! Nobis in arto, & inglorius labor: mœstæ urbis res, &c.Livy had another field and more scope; the History of a Commonwealth rising, forming and conquering; perpetual victories and matter of panegyrick; and his pen flowed like the prosperity of the State. Ingentia bello, expugnationes urbium, fusos captosque reges, discordias Consulum adversus Tribunos, agrarias frumentariasque leges, plebis & optimatium certamina, libere egressu memorabat, An. 4. 32. Doubtless he could have adopted another Stile if he would, perhaps the stile of Livy, as I think this very quotation shews; but Tacitus had another view and different topicks; nor would another stile, the easy and numerous stile of Livy, have answered his purpose. I fancy too that no body who knows Tacitus, would wish him to have written in a strain different from what he has done. There are charms in his manner and words, as well as in his thoughts, and he wears the only dress that would become him. It is amazing that this obscurity of his should never be mentioned by any of the Antients who mention him. It is a fault discovered by the Moderns, though, in my opinion, common to him with other Classical Writers; nor has he puzzled the Commentators more than Horace, Cicero, Pliny, Sallust,&c. His Latin is truly pure and classical; he has few or no words which had not been used by approved writers, nor does he often give new ideas to old words. If his Works were no wise obscure to men of sense when he composed them, as we have no reason to think; it is insolence and folly in us to reckon his obscurity a fault. It is a dead language which he writes in, and he wrote seventeen hundred years ago. When Tacitus the Emperor directed copies of his Books to be placed in all the Libraries, and for their better preservation, to be transcribed ten times every year, he ordered no Grammarian to explain his abstruse places; though the Historian had been then dead near two hundred years. Great Writers are in their manner and phrase a Law and Authority to themselves; and not confined to the Rules that fill the heads or grammars of small wits and pedants. Milton has a stile of his own, and rules for writing of his own; and who that tastes his genius would wish him more fashionable and exact, or to have written otherwise. I am even pleased with the jarrings of Milton’s phrases. But here I chiefly mean his poetical style. Of his prose I shall make mention hereafter. When the subject varies, so should the stile: that of Tacitus is marvellously suited to his subject and design; had it been more familiar, it had neither been so just nor so beautiful. To me nothing is more so than the manner of Tacitus; his words and phrases are admirably adapted to his matter and conceptions, and make impressions sudden and wonderful upon the mind of man. The doleful condition of the Emperor Vitellius, when deserted by his fortune and all men, is strong and tragical as imagination and words can make it. Terret solitudo & tacentes loci; tentat clausa; inhorrescit vacuis; fessusque misero errore, & pudenda latebra semet occultans, à Tribuno protrahitur. Vinctæ pone tergum manus; laniata veste, fædum spectaculum ducebatur, multis increpantibus, he adds, nullo inlachrymante; and the reason he gives for this, is judicious and fine; deformitas exitus misericordiam abstulerat. What follows is in the same affecting strain; as are the first sensible approaches of his calamity. Vitellius, capta urbe, Aventinum in domum uxoris cellula defertur, ut si diem latebra vitavisset Terracinam—perfugeret: dein mobilitate ingenii, & quæ natura pavoris est, cum omnia metuenti, præsentia maxime displicerent, in palatium regreditur, vastum desertumque; dilapsis etiam infimis servorum, aut occursum ejus declinantibus. Who would blame Tacitus for a paucity of words, when he conveys so many images in so few? Is habitus animorum fuit, ut pessimum facinus auderent pauci, plures vellent, omnes paterentur? Where can there be a happier expression than that concerning Galba, when the Empire was already rent from him, and he knew it not? Ignarus interim Galba & sacris intentus, fatigabat alieni jam imperii deos. When Otho, proclaimed Emperor by no more than three and twenty Soldiers, was advancing to the Camp, & paucitate salutantium trepidus; the behaviour and acquiescence of those he met in his way are accounted for with surprising brevity and justness; alii conscientia, plerique miraculo; pars clamore & gladiis, pars silentio, animum ex eventu sumpturi. There is infinite pathos in what he says of the Omens and Phænomena, which were observed during the Civil Wars, and the strife of Princes; cœlo terraque prodigia, & fulminum monitus, & futurorum præsagia læta, tristia, ambigua, manifesta. What can be more solemn, sounding and sublime, even in Lucretius? When Nero was disgracing himself and the Roman State, by debasing his person to that of a player upon the publick Stage; how pathetically is the behaviour and spirit of Burrus described in a few words; adstabat Burrus mærens & laudans! |

Titles (by Subject)