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• To the Right Honourable Sir Robert Walpole,
• Discourses Upon Tacitus.
• Discourse I.: Upon the Former English Translations of Tacitus.
• Sect. I.: Of the Translation By Greenway and Sir H. Savill.
• Sect. II.: Of the English Translation By Several Hands.
• Sect. III.: Of the Last Translation of the First Annal.
• Sect. IV.: Of the Last Translation of the Second Annal.
• Sect. V.: Of the Last Translation of the Third Annal.
• Sect. VI.: Of the Last Translation of the Fourth, Fifth, and Sixth Annal.
• Sect. VII.: Of the Last Translation of the Eleventh Annal.
• Sect. VIII.: Of the Last Translation of the Twelfth and Thirteenth Annals.
• Sect. IX.: Of the Last Translation of the Fourteenth, Fifteenth, and Sixteenth Annals.
• Discourse II.: Upon Tacitus and His Writings.
• Sect. I.: The Character of Tacitus.
• Sect. II.: How Much He Excells In Description and Force.
• Sect. III.: Further Instances of the Justness of His Genius, and of His Great Thoughts.
• Sect. IV.: The Morality of Tacitus, and His Spirit Virtuous and Humane.
• Sect. V.: The Stile of Tacitus, How Pertinent and Happy: His Obscurity, a Charge of the Moderns Only.
• Sect. VI.: A General Character of His Works.
• Sect. VII.: Tacitus Vindicated From the Imputation of Deriving Events From Counsels Too Subtle and Malevolent.
• Sect. VIII.: More Proofs of the Candour and Veracity of Tacitus.
• Sect. IX.: Mr. Bayle ’ S Unjust Censure of Tacitus; and How Well the Latter Knew and Observed the Laws of History.
• Sect. X.: An Apology For the Wrong Account By Tacitus Given of the Jews and Christians, and For His Disregard of the Religion Then Received.
• Sect. XI.: The Foolish Censure of Boccalini and Others Upon Tacitus.
• Sect. XII.: Of the Several Commentators and Translators of Tacitus.
• Sect. XIII.: A Conjecture Concerning the Modern Languages, More Largely Concerning the English.
• Sect. XIV.: A Conjecture Concerning the Present State of the English Tongue, With an Account of the Present Work.
• Discourse III.: Upon Cæsar the Dictator.
• Sect. I.: Of Cæsar’s Usurpation, and Why His Name Is Less Odious Than That of Catiline.
• Sect. II.: Of the Publick Corruption By Cæsar Promoted Or Introduced; With His Bold and Wicked Conduct.
• Sect. III.: Cæsar Might Have Purified and Reformed the State; But Far Different Were His Intentions. His Art, Good Sense, and Continued Ill Designs.
• Sect. IV.: The Probability of His Waxing More Cruel, Had He Reigned Much Longer.
• Sect. V.: Cæsar No Lawful Magistrate, But a Public Enemy.
• Sect. VI.: Of the Share Which Casualties Had, In Raising the Name and Memory of Cæsar. the Judgment of Cicero Concerning Him.
• Sect. VII.: How Vain It Is to Extol Any Designs of His For the Glory of the Roman People.
• Sect. VIII.: Of His Death; and the Rashness of Ascribing to Divine Vengeance the Fate of Such As Slew Him.
• Discourse IV.: Upon Octavius Cæsar, Afterwards Called Augustus.
• Sect. I.: Of the Base and Impious Arts By Which He Acquired the Empire.
• Sect. II.: Of the Vindictive Spirit of Octavius, and His Horrid Cruelties.
• Sect. III.: Of the Treachery, Ingratitude, and Further Cruelties of Octavius. That the Same Were Wanton and Voluntary.
• Sect. IV.: Of the Popular Arts and Accidents Which Raised the Character of Augustus.
• Sect. V.: Though Augustus Courted the People, and Particular Senators, He Continued to Depress Public Liberty, and the Senate.
• Sect. VI.: What Fame He Derived From the Poets and Other Flattering Writers of His Time.
• Sect. VII.: Of the False Glory Sought and Acquired By Augustus, From the Badness of His Successors.
• Sect. VIII.: The Character of Augustus.
• Sect. IX.: Of the Helps and Causes Which Acquired and Preserved the Empire to Augustus. His Great Power and Fortune No Proof of Extraordinary Ability.
• Discourse V.: Of Governments Free and Arbitrary, More Especially That of the Cæsars.
• Sect. I.: The Principle of God’s Appointing and Protecting Tyrants, an Absurdity Not Believed By the Romans.
• Sect. II.: The Reasonableness of Resisting Tyrants Asserted, From the Ends of Government, and the Nature of the Deity. Opinions the Most Impious and Extravagant, Why Taught, and How Easily Swallowed.
• Sect. III.: The Danger of Slavish Principles to Such As Trust In Them, and the Notorious Insecurity of Lawless Might.
• Sect. IV.: Princes of Little and Bad Minds, Most Greedy of Power. Princes of Large and Good Minds Chuse to Rule By Law and Limitations.
• Sect. V.: The Wisdom and Safety of Ruling By Standing Laws, to Prince and People.
• Sect. VI.: The Condition of Free States, How Preferable to That of Such As Are Not Free.
• Sect. VII.: The Misery and Insecurity of the Cæsars From Their Overgrown Power.
• Sect. VIII.: A Representation of the Torments and Horrors Under Which Tiberius Lived.
• Sect. IX.: The Terrible Operation of Lawless Power Upon the Minds of Princes; and How It Changes Them.
• Sect. X.: The Wretched Fears Accompanying the Possession of Arbitrary Power, Exemplified In Caligula and Other Roman Emperors.
• Sect. XI.: What It Is That Constitutes the Security and Glory of a Prince; and How a Prince and People Become Estranged From Each Other.
• Sect. XII.: How Nearly It Behoves a Prince to Be Beloved and Esteemed By His Subjects. the Terrible Consequences of Their Mutual Mistrust and Hatred.
• Sect. XIII.: Public Happiness Only Then Certain, When the Laws Are Certain and Inviolable.
• Discourse VI.: Of the Old Law of Treason By the Emperors Perverted and Extended.
• Sect. I.: The Antient Purpose of That Law; the Politics of Augustus In Stretching It.
• Sect. II.: The Deification of the Emperors, What an Engine of Tyranny, and Snare to the Roman People.
• Sect. III.: The Images of the Emperors, How Sacred They Became, and How Pernicious.
• Sect. IV.: What a Destructive Calamity the Law of Majesty Grew, and How Fast Treasons Multiplied Under Its Name.
• Discourse VII.: Of the Accusations, and Accusers Under the Emperors.
• Sect. I.: The Pestilent Employment of These Men, Their Treachery and Encouragement.
• Sect. II.: The Traiterous Methods Taken to Circumvent and Convict Innocence. the Spirit of Accusing How Common, the Dread of It How Universal; and the Misery of the Times.
• Sect. III.: Plots Feigned Or True, an Ample Field For Accusations and Cruelty; and Upon What Miserable Evidence Executions Were Decreed.
• Sect. IV.: What Ridiculous Causes Produced Capital Guilt. the Spirit of the Emperor Constantius; With Somewhat of His Father Constantine.
• Sect. V.: The Black and General Carnage Made Under Constantius, By His Bloody Minister Paulus Catena, For Certain Acts of Superstition and Curiosity.
• Sect. VI.: The Ravages of the Accusers Continued; Their Credit With the Emperors; Yet Generally Meet Their Fate. the Falsehood of These Princes. the Melancholy State of Those Times.
• Sect. VII.: The Increase of Tyranny. Innocence and Guilt Not Measured By the Law, But By the Emperor’s Pleasure and Malice.
• Sect. VIII.: What Tacitus Means By Instrumenta Regni.
• Sect. IX.: How Much These Emperors Hated, and How Fast They Destroyed All Great and Worthy Men. Their Dread of Every Man For Any Reason.
• Sect. X.: Reflections Upon the Spirit of a Tyrant. With What Wantonness the Roman Emperors Shed the Blood of the Roman People. the Blindness of Such As Assisted the Usurpation of Cæsar and Augustus.
• Sect. XI.: Why Under Such Tyrants, the Senate Continued to Subsist.
• Sect. XII.: How the Unrelenting Cruelty of the Emperors Hastened the Dissolution of the Empire. the Bad Reigns of Constantine and Constantius. the Good Reign of Julian. the Indiscreet Behaviour of the Christians. Continued Tyranny; and End of the Em
• Sect. XIII.: The Excellency of a Limited Monarchy, Especially of Our Own.
• Discourse VIII.: Of the General Debasement of Spirit and Adulation Which Accompany Power Unlimited.
• Sect. I.: The Motives of Flattery Considered. Its Vileness, and Whence It Begins.
• Sect. II.: Men of Elevated Minds Irreconcileable to Arbitrary Power, and Thence Suspected By It. the Court Paid to It Always Insincere, Sometimes Expedient, But Seldom Observes Any Bounds.
• Sect. III.: The Excessive Power of the Imperial Freed Slaves; With the Scandalous Submission and Honours Paid Them By the Romans.
• Sect. IV.: The Excessive Flattery of the Senate, How Ill Judged.
• Sect. V.: The Free Judgment of Posterity a Powerful Warning to Princes, to Reign With Moderation and to Detest Flatterers. the Name and Memory of the Roman Tyrants How Treated.
• Sect. VI.: How Lamentably Princes Are Debauched and Misled By Flatterers.
• Sect. VII.: The Pestilent Tendency of Flattering Counsels, and the Glory of Such As Are Sincere.
• Discourse IX.: Upon Courts.
• Sect. I.: Of Freedom of Speech; and How Reasonable It Is.
• Sect. II.: The Spirit of Courtiers What; Some Good Ones.
• Sect. III.: The Arts of Courtiers; Their Cautiousness, and Its Causes.
• Sect. IV.: Of Slanderers and Tale-bearers In Courts. the Folly of Craft.
• Sect. V.: How Much Worthless People Abound In Courts, and Why.
• Sect. VI.: The Remarkable Fickleness and Insincerity of Courtiers.
• Discourse X.: Of Armies and Conquest.
• Sect. I.: The Burden and Danger of Maintaining Great Armies.
• Sect. II.: Great Armies the Best Disciplined, Whether Thence the Less Formidable to a Country. Their Temper and Views.
• Sect. III.: Princes Ruling By Military Power, Ever At the Mercy of Military Men.
• Sect. IV.: Instances of the Boldness and Fury of the Roman Soldiery.
• Sect. V.: The Humour of Conquering, How Injudicious, Vain, and Destructive.
• Sect. VI.: The Folly of Conquering Further Urged and Exemplified.
• The Annals of Tacitus.
• Book I.
• Book II.
• Book III.

Sect. I.

The Character ofTacitus.

AS to the Character of Tacitus and his writings; he was the greatest Orator, Statesman, and Historian of his time; he had long frequented the Bar; he had passed through all the high offices of State: he was Edile, Pretor, Consul; and after long acquaintance with business and men, he applied himself to collect observations, and to convey the fruits of his knowledge to posterity, under the agreeable dress of a History. For this task he was excellently qualified: No man had seen more, scarce any man had ever thought so much, or conveyed his thoughts with greater force and vivacity; a mighty genius, for which no conception or design was too vast; a powerful Orator, who abounds in great sentiments and description: yet a man of consummate integrity, who, though he frequently agitates the passions, never misleads them: a masterly Historian, who draws events from their first sources; and explains them with a redundancy of images, and a frugality of words: a profound Politician who takes off every disguise, and penetrates every artifice: an upright Patriot, zealous for publick Liberty and the welfare of his Country, and a delared enemy to Tyrants and to the instruments of Tyranny; a lover of human-kind; a man of virtue, who adores Liberty and Truth, and every where adorns and recommends them; who abhors falshood and iniquity, despises little arts, exposes bad ones; and shews, upon all occasions, by the fate and fall of great wicked men, by the anxiety of their souls, by the precariousness of their power, by the uncertainty or suddenness of their fate, what a poor price greatness obtained is for goodness lost; and how infinitely, persecuted virtue is preferable to smiling and triumphant wickedness. Germanicus under all his hardships and disfavour, is a happier man than Tiberius with all his power and Empire; happier in peace of mind, happier in his fame and memory. Tigellinus is a great favourite with Nero, but detested by all the rest of the world and fearful of all men. Seneca is disliked by the Emperor, but universally beloved and regretted. Tacitus is a fine Gentleman, who suffers nothing pedantick or low, nothing that is trifling or indecent to fall from his pen. He is also a man of wit; not such a one as is fond of conceits and the quaintness of words, but a wit that is grave, majestick, and sublime; one that blends the solemnity of truth with the fire of imagination, and touches the heart rather than the fancy; yet for the better reception of truth, pleases and awakens the fancy.

The telling of truth is dry and unaffecting; but to enliven it with imagery, is describing it: and every one knows the advantages that Description has over bare Narration. Hence the force of fine painting; though, in my opinion, the Orator has the advantage of the Painter, as words can multiply ideas better than the pencil, throw them thicker together, and inflame them more. What piece of Apelles could have animated the Athenians against Phlip of Macedon, like one of Demosthenes’s Orations? What picture of Love can equal the description of that passion by Lucretius, the noblest wit of all the Latin Poets? It is hardly, I believe, possible for colours to carry images higher than they are by Michael Angelo carried, in his piece of the Last Day: yet I believe it not only possible, but easy to make a description of that day more affecting than the sight of that celebrated piece.