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LETTER IX. - Vicesimus Knox, The Works of Vicesimus Knox, vol. 5 [1824]

Edition used:

The Works of Vicesimus Knox, D.D. with a Biographical Preface. In Seven Volumes (London: J. Mawman, 1824). Vol. 5.

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LETTER IX.

My Lord,

As oratory is very properly the object of your present studies, I must conduct you from Cicero to Demosthenes. You have Greek enough to read him, with very little assistance either from lexicons or translations. Condescend to resume, during your earlier studies, the edition which you used under your tutor. I think it was Mounteney's; in which, though there are but few orations, there are enough to give an appetite for more, and to lead you to the edition of Taylor.

Every common-place critic talks of the vehemence of Demosthenes; but vehemence alone is a slight recommendation of oratory. Vehemence is the quality which marks the rhetoric of a scold. You may hear it in great perfection in the streets and the market-places. The peculiar excellence of Demosthenes is a solidity of reasoning, expressed with a force of style; and both united, command assent and conviction. He fights with a weapon at once sharp, polished, and massy. It cuts like a two-edged sword, and falls with the force of a battle-axe. I will not however enter into a general encomium of an author whom all commend, and who is now seated in such eminent rank, that praise can no longer aggrandize, nor dispraise depreciate, his character.

But his beauties are not of that sort which display themselves on a cursory perusal. His solid ore must be dug for with persevering labour. I do not mean that his subject-matter is difficult of comprehension, for it was addressed to the lowest of the people; but the excellence of his diction cannot be understood by a modern, who is unacquainted with the curious art of the ancients, in the formation of their style. The nicety with which they examined the structure of sentences, exceeds all that the moderns ever attempted in studying the beauties of composition. Perhaps the inharmonious languages of the moderns cannot easily admit of it.

I do not desire you at present to enter into the minute inquiries of a critical anatomist. But you will not taste the style of Demosthenes, till you shall have formed an idea of the ancient rhythmus, and tuned your ear to the finished periods of an Athenian orator.

I know not how this can be better effected, than by habituating yourself to pronounce aloud, whole paragraphs from the orations of Demosthenes, with all the fire and animation which you will feel from warmly entering into the cause. Pronounce them repeatedly in your study, till you perceive the full force and harmony of every period. Imitate the musician who practises a new piece of music till he discovers its excellence; not desponding because at first it presents nothing but discord, but persevering till he catches the very spirit and idea of the composer.

When you have discovered the proper pauses or cœsurœ, mark them with your pencil. Then observe how one part of a period corresponds with the other in beautiful proportion. You will thus not only feel the pleasure of his fine style, but see the cause of it, and become at once a judge and an artist. You will find that every word has its place, like the stones in a beautiful piece of architecture; from which, if it should be removed, the symmetry will be deranged, and the graceful result of the whole diminished or destroyed. Observe the same method in reading all authors who excel in style.

Read aloud, observing the rhythmus, and the close of every sentence. Let the groves of your father's park resound with Roman and Athenian eloquence; nor be afraid of disturbing the Dryads. The young men who make a figure nowhere but in the chase, at the gaming-table, and over the bottle, may call you mad, if they should overhear you; but time will discover that you were hunting nobler game than they knew how to pursue. What figure will they make in the house of lords, when every peer shall be hanging on your lips, and admiring in you, the sound philosopher, the intelligent statesman, and the nervous orator?

I have before hinted, that you must be well armed against the assaults of ridicule, if you aspire at uncommon excellence. The knowing young men have no weapon to assail you but ridicule.

I am, &c.