The Online Library of Liberty

A project of Liberty Fund, Inc.

• Foreword
• Translator’s Preface
• Judgments On History and Historians
• I: Antiquity
• 1.: Ancient History and Its Scope
• 2.: On the Intellectual Indispensability of Studying Ancient History
• 3.: The Limits of Civilization and Barbarism
• 4.: Why Today’s “educated Man” Can No Longer Understand Antiquity
• 5.: The Historical Significance of Egypt
• 6.: The Phoenicians As the Earliest Creators of πóλεις ( Polis )
• 7.: On Carthage
• 8.: Athens
• 9.: Rome and Its Mission In World History
• 10.: On the Roman Empire In Its First Two Centuries
• II: The Middle Ages
• 11.: On the Middle Ages
• 12.: On Early Christianity
• 13.: Christianity As a Martyr Religion
• 14.: On Asceticism and Its Position
• 15.: The Spread of Nicene Christianity
• 16.: The Church
• 17.: Julian and the Prospect For a Restoration of Paganism
• 18.: Western European Arianism and the Jews
• 19.: The Breakup of the Western Empire
• 20.: The Achievement of Clovis I
• 21.: Mohammed As the Founder of a Religion, and Islam
• 22.: The Despotism of Islam
• 23.: Islam and Its Effects
• 24.: The Two Main Realities For the Papacy of the Eighth Century
• 25.: Charlemagne
• 26.: The Normans
• 27.: The Byzantine Empire and Its Mission
• 28.: On the Iconoclastic Controversy
• 29.: On the Crusades
• 30.: The Sorrows and Sacrifices of the Crusades
• 31.: On the Evaluation of the Later Middle Ages
• III: History From 1450 to 1598
• 32.: The Period From 1450 to 1598 and the Nineteenth Century’s View of It
• 33.: England In the Late Middle Ages
• 34.: On Richard Iii
• 35.: On the Wars of the Roses and On Scotland
• 36.: Burgundy
• 37.: Charles the Bold of Burgundy
• 38.: France and the Idea of Unification
• 39.: Louis Xi
• 40.: The German Imperial Power Under Frederick Iii
• 41.: The Ottomans
• 42.: The Republic of Florence
• 43.: On the War of 1494
• 44.: On the Power of the Papacy
• 45.: Italy and the Rest of Europe
• 46.: Spain and Portugal
• 47.: The Beginning of the Reformation: General Considerations
• 48.: On Luther
• 49.: On the German Reformation: Its Causes and Spiritual Consequences
• 50.: On the Reformation: Protestantism and Tradition—the Intolerance of the New Doctrine
• 51.: On the Reformation: the Establishment of So-called Spiritual Freedom
• 52.: On the Reformation: the Masses, Their Motives and Consequences—luther
• 53.: On the Reformation: Governments—confiscation of Property and Dogmatism—church and State
• 54.: The Origin of the Territorial Churches
• 55.: On the Reformation After 1526: The Inevitable Caesaropapism
• 56.: On the Coming of the Reformation: the Reformation and the Fate of Art
• 57.: On the Situation of the Catholic Church: the Direct Effect of the Reformation
• 58.: On Zwingli’s Later Period
• 59.: Charles V and Francis I
• 60.: On Charles V
• 61.: On Henry Viii
• 62.: Gustavus Vasa
• 63.: The Community of the Elect
• 64.: On Calvin
• 65.: On Protestantism In France
• 66.: German Culture Around 1555
• 67.: On Camoëns’ Lusiads
• 68.: On the Counter Reformation
• 69.: St. Ignatius Loyola
• 70.: The Jesuits
• 71.: The Jesuits and the Papacy
• 72.: The Third Council of Trent (1562–1563)
• 73.: The Popes of the Counter Reformation
• 74.: On the German Counter Reformation
• 75.: France In the Year 1562
• 76.: After St. Bartholomew’s Night
• 77.: Murder As an Expedient
• 78.: The Special Character of the French Court
• 79.: On the Conversion of Henry Iv
• 80.: Holland
• 81.: Mary Stuart
• 82.: On Elizabeth of England
• 83.: The Age of Elizabeth
• IV: History of the Seventeenth and Eighteenth Centuries
• 84.: Introduction to the History of the Seventeenth and Eighteenth Centuries (1598–1763)
• 85.: The Character of the Sixteenth and Seventeenth Centuries
• 86.: The Huguenots Under Henry Iv
• 87.: Gomarists and Arminians
• 88.: Powers and Society In Europe Before the Thirty Years’ War
• 89.: Italy In the Seventeenth Century
• 90.: Richelieu
• 91.: On Germany’s Situation Before the Thirty Years’ War
• 92.: The Swedes In Germany
• 93.: On Wallenstein’s End
• 94.: The Great Elector
• 95.: England Before the First Revolution
• 96.: English Royalty and Its Task
• 97.: Cromwell
• 98.: The Fronde and the French Aristocracy
• 99.: The Fronde and the Parlement of Paris
• 100.: On Mazarin
• 101.: Styles of Life and Art Around 1650
• 102.: Sweden Under King Charles X Gustavus
• 103.: The Age of Unlimited Princely Power
• 104.: On Louis Xiv
• 105.: Louis Xiv As Lord of the Church
• 106.: The French Spirit of Uniformity and the Huguenots
• 107.: Louis Xiv Prior to the War of the Spanish Succession
• 108.: On the Second English Revolution
• 109.: England’s Defense Against Militarism
• 110.: On the Characteristics of the Seventeenth Century
• 111.: Russia
• 112.: England After George I
• 113.: Frederick the Great
• V: The Age of Revolution
• 114.: Introduction to the History of the Age of Revolution
• 115.: The Period of Reform From Above
• 116.: Absolutism In the North
• 117.: On the North American Revolutionary War
• 118.: England
• 119.: On Small States
• 120.: On the Dissolution of the Jesuit Order
• 121.: The Intellectual Situation Prior to 1789
• 122.: German and French Intellectual Development In the Eighteenth Century
• 123.: On Rousseau and His Utopia
• 124.: The Political Situation In France Before the Revolution
• 125.: The Destiny of the French Revolution
• 126.: On Mirabeau
• 127.: The Clergy
• 128.: The Legislative Assembly and the Clubs
• 129.: On the 10th of August, 1792
• 130.: On the September Massacres
• 131.: Before and After the Dissolution of the Convention
• 132.: On the Trial of Louis Xvi
• 133.: Girondists and Jacobins
• 134.: The Omnipotence of Utterly Unscrupulous Parties
• 135.: How a Government Becomes Exceedingly Strong
• 136.: Socialism? Communism?
• 137.: The Innermost Core of the Revolution
• 138.: Rousseau’s Concept of Music and the Destruction of Churches
• 139.: On Robespierre
• 140.: Before the 9th Thermidor (july 27, 1794)
• 141.: On the Mutual Destruction of the Revolutionary Factions
• 142.: On the 18th Fructidor (september 4, 1797)
• 143.: Bonaparte and the 18th Fructidor
• 144.: How Aristocracies and Princes Succumb
• 145.: On the Invasion of Switzerland By the French
• 146.: Old Bern and Why It Is Hated
• 147.: On the 18th Brumaire (november 9, 1799) and the Consulate
• 148.: On Napoleon
• 149.: Napoleon I and His Russian Campaign

101.

Styles of Life and Art Around 1650

The peoples with strong feeling are the Romanic ones and the Catholics. The Hollanders are the realists and the bourgeois. England does not count in this period, and Germany has, for the time being, salvaged only its scholarship from the Thirty Years’ War.

The emotional peoples: Their style of life and fashion still follows the Spanish prototype, even in the higher Catholic circles of Germany and especially at the imperial court.

Art and literature are shaped by the Catholic church, the old Roman culture (still without an idea of the Greek); literature is also partially influenced by Spanish literature, which was being widely translated (Corneille’s Cid).

The baroque style of the three arts is derived from Michelangelo in architecture, in sculpture and painting mostly from Correggio and Titian, through the Caracci family. To what extent is it realistic? Its main goal is the great, stately effect. This is the time of Bernini and Pietro da Cortona, of Rubens, Van Dyck, and their school, of Velázquez and Murillo. In this art there is life and coloring, with relatively little attention to the deepest aspects of the subjects.

For the less stirring moods, we may mention, first of all, elegiac themes, pastorales, and landscapes, then realistic secondary genres. Here, too, there are Bambocciads and the like.

Lyric poetry is heroic-pastoral and lyric-elegiac. In Italy and Spain there is artificial lyric poetry. Representative of those two forms of poetry are Marino’s Adone, Tasso’s successors, Chapelain. In addition, epistolary literature and satire are practiced. As for the drama, in France it is either heroic or comic, in Italy only comic or non-existent, in Spain by turns sacred, heroic-tragic, intrigue, comedy.

Finally, in Italy the opera has its start and is transplanted to all the courts; this is the beginning of the modern stature of music generally.

The realistic and bourgeois peoples: They, too, express themselves through knowledge and feeling, and in this are indebted to antiquity and the Romanic peoples. But side by side with this there prevails Dutch realism in genre painting and the elegiac reaction in landscape painting.

Moreover, an obeisance to the sacred element is made in the form of Biblical painting, which, of course, was in the hands of Rembrandt and his school.

The highest level in the free treatment of Biblical material is represented by Milton’s Paradise Lost.