The Online Library of Liberty

A project of Liberty Fund, Inc.

• Foreword
• Translator’s Preface
• Judgments On History and Historians
• I: Antiquity
• 1.: Ancient History and Its Scope
• 2.: On the Intellectual Indispensability of Studying Ancient History
• 3.: The Limits of Civilization and Barbarism
• 4.: Why Today’s “educated Man” Can No Longer Understand Antiquity
• 5.: The Historical Significance of Egypt
• 6.: The Phoenicians As the Earliest Creators of πóλεις ( Polis )
• 7.: On Carthage
• 8.: Athens
• 9.: Rome and Its Mission In World History
• 10.: On the Roman Empire In Its First Two Centuries
• II: The Middle Ages
• 11.: On the Middle Ages
• 12.: On Early Christianity
• 13.: Christianity As a Martyr Religion
• 14.: On Asceticism and Its Position
• 15.: The Spread of Nicene Christianity
• 16.: The Church
• 17.: Julian and the Prospect For a Restoration of Paganism
• 18.: Western European Arianism and the Jews
• 19.: The Breakup of the Western Empire
• 20.: The Achievement of Clovis I
• 21.: Mohammed As the Founder of a Religion, and Islam
• 22.: The Despotism of Islam
• 23.: Islam and Its Effects
• 24.: The Two Main Realities For the Papacy of the Eighth Century
• 25.: Charlemagne
• 26.: The Normans
• 27.: The Byzantine Empire and Its Mission
• 28.: On the Iconoclastic Controversy
• 29.: On the Crusades
• 30.: The Sorrows and Sacrifices of the Crusades
• 31.: On the Evaluation of the Later Middle Ages
• III: History From 1450 to 1598
• 32.: The Period From 1450 to 1598 and the Nineteenth Century’s View of It
• 33.: England In the Late Middle Ages
• 34.: On Richard Iii
• 35.: On the Wars of the Roses and On Scotland
• 36.: Burgundy
• 37.: Charles the Bold of Burgundy
• 38.: France and the Idea of Unification
• 39.: Louis Xi
• 40.: The German Imperial Power Under Frederick Iii
• 41.: The Ottomans
• 42.: The Republic of Florence
• 43.: On the War of 1494
• 44.: On the Power of the Papacy
• 45.: Italy and the Rest of Europe
• 46.: Spain and Portugal
• 47.: The Beginning of the Reformation: General Considerations
• 48.: On Luther
• 49.: On the German Reformation: Its Causes and Spiritual Consequences
• 50.: On the Reformation: Protestantism and Tradition—the Intolerance of the New Doctrine
• 51.: On the Reformation: the Establishment of So-called Spiritual Freedom
• 52.: On the Reformation: the Masses, Their Motives and Consequences—luther
• 53.: On the Reformation: Governments—confiscation of Property and Dogmatism—church and State
• 54.: The Origin of the Territorial Churches
• 55.: On the Reformation After 1526: The Inevitable Caesaropapism
• 56.: On the Coming of the Reformation: the Reformation and the Fate of Art
• 57.: On the Situation of the Catholic Church: the Direct Effect of the Reformation
• 58.: On Zwingli’s Later Period
• 59.: Charles V and Francis I
• 60.: On Charles V
• 61.: On Henry Viii
• 62.: Gustavus Vasa
• 63.: The Community of the Elect
• 64.: On Calvin
• 65.: On Protestantism In France
• 66.: German Culture Around 1555
• 67.: On Camoëns’ Lusiads
• 68.: On the Counter Reformation
• 69.: St. Ignatius Loyola
• 70.: The Jesuits
• 71.: The Jesuits and the Papacy
• 72.: The Third Council of Trent (1562–1563)
• 73.: The Popes of the Counter Reformation
• 74.: On the German Counter Reformation
• 75.: France In the Year 1562
• 76.: After St. Bartholomew’s Night
• 77.: Murder As an Expedient
• 78.: The Special Character of the French Court
• 79.: On the Conversion of Henry Iv
• 80.: Holland
• 81.: Mary Stuart
• 82.: On Elizabeth of England
• 83.: The Age of Elizabeth
• IV: History of the Seventeenth and Eighteenth Centuries
• 84.: Introduction to the History of the Seventeenth and Eighteenth Centuries (1598–1763)
• 85.: The Character of the Sixteenth and Seventeenth Centuries
• 86.: The Huguenots Under Henry Iv
• 87.: Gomarists and Arminians
• 88.: Powers and Society In Europe Before the Thirty Years’ War
• 89.: Italy In the Seventeenth Century
• 90.: Richelieu
• 91.: On Germany’s Situation Before the Thirty Years’ War
• 92.: The Swedes In Germany
• 93.: On Wallenstein’s End
• 94.: The Great Elector
• 95.: England Before the First Revolution
• 96.: English Royalty and Its Task
• 97.: Cromwell
• 98.: The Fronde and the French Aristocracy
• 99.: The Fronde and the Parlement of Paris
• 100.: On Mazarin
• 101.: Styles of Life and Art Around 1650
• 102.: Sweden Under King Charles X Gustavus
• 103.: The Age of Unlimited Princely Power
• 104.: On Louis Xiv
• 105.: Louis Xiv As Lord of the Church
• 106.: The French Spirit of Uniformity and the Huguenots
• 107.: Louis Xiv Prior to the War of the Spanish Succession
• 108.: On the Second English Revolution
• 109.: England’s Defense Against Militarism
• 110.: On the Characteristics of the Seventeenth Century
• 111.: Russia
• 112.: England After George I
• 113.: Frederick the Great
• V: The Age of Revolution
• 114.: Introduction to the History of the Age of Revolution
• 115.: The Period of Reform From Above
• 116.: Absolutism In the North
• 117.: On the North American Revolutionary War
• 118.: England
• 119.: On Small States
• 120.: On the Dissolution of the Jesuit Order
• 121.: The Intellectual Situation Prior to 1789
• 122.: German and French Intellectual Development In the Eighteenth Century
• 123.: On Rousseau and His Utopia
• 124.: The Political Situation In France Before the Revolution
• 125.: The Destiny of the French Revolution
• 126.: On Mirabeau
• 127.: The Clergy
• 128.: The Legislative Assembly and the Clubs
• 129.: On the 10th of August, 1792
• 130.: On the September Massacres
• 131.: Before and After the Dissolution of the Convention
• 132.: On the Trial of Louis Xvi
• 133.: Girondists and Jacobins
• 134.: The Omnipotence of Utterly Unscrupulous Parties
• 135.: How a Government Becomes Exceedingly Strong
• 136.: Socialism? Communism?
• 137.: The Innermost Core of the Revolution
• 138.: Rousseau’s Concept of Music and the Destruction of Churches
• 139.: On Robespierre
• 140.: Before the 9th Thermidor (july 27, 1794)
• 141.: On the Mutual Destruction of the Revolutionary Factions
• 142.: On the 18th Fructidor (september 4, 1797)
• 143.: Bonaparte and the 18th Fructidor
• 144.: How Aristocracies and Princes Succumb
• 145.: On the Invasion of Switzerland By the French
• 146.: Old Bern and Why It Is Hated
• 147.: On the 18th Brumaire (november 9, 1799) and the Consulate
• 148.: On Napoleon
• 149.: Napoleon I and His Russian Campaign

83.

The Age of Elizabeth

Between the allegory of Spenser’s Faerie Queene (1596) and the pastoralism of Philip Sidney’s Arcadia Shakespeare stands quite alone and also at a great distance from the other dramatists.

His public consisted of only two poles of society: the young nobility and the lower classes. The theater was growing only moderately, considering the size of London at that time; it was already considered not respectable (while, actually, the “respectable” nation was too dull for it). The court gave it only the attention that befitted its position, so that this sort of entertainment might not be lacking. Elizabeth took scarcely any notice of Shakespeare, and The Merry Wives of Windsor, which he wrote at her command, is one of his weaker plays. In the provinces there seems to have been no theater whatever, at a time when there were theaters throughout Spain. Shakespeare is a veritable windfall for England. If he had never existed, his age would not have missed him. Soon he was completely forgotten and was not revived until much later.

Rümelin (in his Shakespearestudien) demonstrates that Shakespeare’s knowledge of life was more divinatory, inwardly intuitive than empirical.

In the key plays the outlook on life is profoundly melancholy. From this somber background there stand out jest, humor, and beautiful fantasy (A Midsummer Night’s Dream; especially The Tempest with its distribution of evil; King Richard III and Macbeth, too, are quite clearly shaded right into the darkest black; the comedies with melancholy background include As You Like It).

From this outlook on life, the characters are all “justified” as long as they stand in front of us and talk.

Shakespeare not merely disposes of the vanity of this world in contemplative verses (although he has these in profusion), like Saadi and Hafiz, but he sketches the great, detailed, multiform picture of this world. Would he also have done this as a mere published author? Fortunately he was a theater man and an actor.

There has been endless research on Hamlet and on what Shakespeare intended and meant by this work. Every reader sees a different picture in it, and a new one at each reading. And the main thing is that he desires to read it again and again.

Shakespeare had a different key to the nature of man from that of any poet before or after him.

The present-day squabble over whether he was a Protestant or a Catholic is delightful. At any rate, he was not a Puritan.

It was probably of decisive importance that here as well as in Spain the theater consisted essentially of competing private enterprises (in Italy a court theater usually set the fashion with operas, pastorals, comedies in the conventional sense, and in addition there was little more than popular farce in the form of masked comedy). The English theater fortunately was not tied to any pomp.

Englishmen in Germany trained German actors; Jakob Ayrer and his dramas were under their influence. Perhaps one reason why they were on the Continent was that at home they could hardly profit by their art any more.

IV

History of the Seventeenth and Eighteenth Centuries