The Online Library of Liberty

A project of Liberty Fund, Inc.

• Foreword
• Translator’s Preface
• Judgments On History and Historians
• I: Antiquity
• 1.: Ancient History and Its Scope
• 2.: On the Intellectual Indispensability of Studying Ancient History
• 3.: The Limits of Civilization and Barbarism
• 4.: Why Today’s “educated Man” Can No Longer Understand Antiquity
• 5.: The Historical Significance of Egypt
• 6.: The Phoenicians As the Earliest Creators of πóλεις ( Polis )
• 7.: On Carthage
• 8.: Athens
• 9.: Rome and Its Mission In World History
• 10.: On the Roman Empire In Its First Two Centuries
• II: The Middle Ages
• 11.: On the Middle Ages
• 12.: On Early Christianity
• 13.: Christianity As a Martyr Religion
• 14.: On Asceticism and Its Position
• 15.: The Spread of Nicene Christianity
• 16.: The Church
• 17.: Julian and the Prospect For a Restoration of Paganism
• 18.: Western European Arianism and the Jews
• 19.: The Breakup of the Western Empire
• 20.: The Achievement of Clovis I
• 21.: Mohammed As the Founder of a Religion, and Islam
• 22.: The Despotism of Islam
• 23.: Islam and Its Effects
• 24.: The Two Main Realities For the Papacy of the Eighth Century
• 25.: Charlemagne
• 26.: The Normans
• 27.: The Byzantine Empire and Its Mission
• 28.: On the Iconoclastic Controversy
• 29.: On the Crusades
• 30.: The Sorrows and Sacrifices of the Crusades
• 31.: On the Evaluation of the Later Middle Ages
• III: History From 1450 to 1598
• 32.: The Period From 1450 to 1598 and the Nineteenth Century’s View of It
• 33.: England In the Late Middle Ages
• 34.: On Richard Iii
• 35.: On the Wars of the Roses and On Scotland
• 36.: Burgundy
• 37.: Charles the Bold of Burgundy
• 38.: France and the Idea of Unification
• 39.: Louis Xi
• 40.: The German Imperial Power Under Frederick Iii
• 41.: The Ottomans
• 42.: The Republic of Florence
• 43.: On the War of 1494
• 44.: On the Power of the Papacy
• 45.: Italy and the Rest of Europe
• 46.: Spain and Portugal
• 47.: The Beginning of the Reformation: General Considerations
• 48.: On Luther
• 49.: On the German Reformation: Its Causes and Spiritual Consequences
• 50.: On the Reformation: Protestantism and Tradition—the Intolerance of the New Doctrine
• 51.: On the Reformation: the Establishment of So-called Spiritual Freedom
• 52.: On the Reformation: the Masses, Their Motives and Consequences—luther
• 53.: On the Reformation: Governments—confiscation of Property and Dogmatism—church and State
• 54.: The Origin of the Territorial Churches
• 55.: On the Reformation After 1526: The Inevitable Caesaropapism
• 56.: On the Coming of the Reformation: the Reformation and the Fate of Art
• 57.: On the Situation of the Catholic Church: the Direct Effect of the Reformation
• 58.: On Zwingli’s Later Period
• 59.: Charles V and Francis I
• 60.: On Charles V
• 61.: On Henry Viii
• 62.: Gustavus Vasa
• 63.: The Community of the Elect
• 64.: On Calvin
• 65.: On Protestantism In France
• 66.: German Culture Around 1555
• 67.: On Camoëns’ Lusiads
• 68.: On the Counter Reformation
• 69.: St. Ignatius Loyola
• 70.: The Jesuits
• 71.: The Jesuits and the Papacy
• 72.: The Third Council of Trent (1562–1563)
• 73.: The Popes of the Counter Reformation
• 74.: On the German Counter Reformation
• 75.: France In the Year 1562
• 76.: After St. Bartholomew’s Night
• 77.: Murder As an Expedient
• 78.: The Special Character of the French Court
• 79.: On the Conversion of Henry Iv
• 80.: Holland
• 81.: Mary Stuart
• 82.: On Elizabeth of England
• 83.: The Age of Elizabeth
• IV: History of the Seventeenth and Eighteenth Centuries
• 84.: Introduction to the History of the Seventeenth and Eighteenth Centuries (1598–1763)
• 85.: The Character of the Sixteenth and Seventeenth Centuries
• 86.: The Huguenots Under Henry Iv
• 87.: Gomarists and Arminians
• 88.: Powers and Society In Europe Before the Thirty Years’ War
• 89.: Italy In the Seventeenth Century
• 90.: Richelieu
• 91.: On Germany’s Situation Before the Thirty Years’ War
• 92.: The Swedes In Germany
• 93.: On Wallenstein’s End
• 94.: The Great Elector
• 95.: England Before the First Revolution
• 96.: English Royalty and Its Task
• 97.: Cromwell
• 98.: The Fronde and the French Aristocracy
• 99.: The Fronde and the Parlement of Paris
• 100.: On Mazarin
• 101.: Styles of Life and Art Around 1650
• 102.: Sweden Under King Charles X Gustavus
• 103.: The Age of Unlimited Princely Power
• 104.: On Louis Xiv
• 105.: Louis Xiv As Lord of the Church
• 106.: The French Spirit of Uniformity and the Huguenots
• 107.: Louis Xiv Prior to the War of the Spanish Succession
• 108.: On the Second English Revolution
• 109.: England’s Defense Against Militarism
• 110.: On the Characteristics of the Seventeenth Century
• 111.: Russia
• 112.: England After George I
• 113.: Frederick the Great
• V: The Age of Revolution
• 114.: Introduction to the History of the Age of Revolution
• 115.: The Period of Reform From Above
• 116.: Absolutism In the North
• 117.: On the North American Revolutionary War
• 118.: England
• 119.: On Small States
• 120.: On the Dissolution of the Jesuit Order
• 121.: The Intellectual Situation Prior to 1789
• 122.: German and French Intellectual Development In the Eighteenth Century
• 123.: On Rousseau and His Utopia
• 124.: The Political Situation In France Before the Revolution
• 125.: The Destiny of the French Revolution
• 126.: On Mirabeau
• 127.: The Clergy
• 128.: The Legislative Assembly and the Clubs
• 129.: On the 10th of August, 1792
• 130.: On the September Massacres
• 131.: Before and After the Dissolution of the Convention
• 132.: On the Trial of Louis Xvi
• 133.: Girondists and Jacobins
• 134.: The Omnipotence of Utterly Unscrupulous Parties
• 135.: How a Government Becomes Exceedingly Strong
• 136.: Socialism? Communism?
• 137.: The Innermost Core of the Revolution
• 138.: Rousseau’s Concept of Music and the Destruction of Churches
• 139.: On Robespierre
• 140.: Before the 9th Thermidor (july 27, 1794)
• 141.: On the Mutual Destruction of the Revolutionary Factions
• 142.: On the 18th Fructidor (september 4, 1797)
• 143.: Bonaparte and the 18th Fructidor
• 144.: How Aristocracies and Princes Succumb
• 145.: On the Invasion of Switzerland By the French
• 146.: Old Bern and Why It Is Hated
• 147.: On the 18th Brumaire (november 9, 1799) and the Consulate
• 148.: On Napoleon
• 149.: Napoleon I and His Russian Campaign

56.

On the Coming of the Reformation: The Reformation and the Fate of Art

At this point we must bid farewell to German art which at that very time seemed to be in the most glorious ferment before the consummation it was destined for. The fact that all the famous artists, starting with Dürer, were for the Reformation was probably in part due to their hatred of a high clergy which spent its enormous endowments on anything rather than the commissioning of altar works.

The Reformation deprived art not only of its main subjects, but also of true naïveté, which probably would have maintained itself merely because of the penetration of the Renaissance. It was as though one had suddenly prohibited the Greeks in the highest early flowering of their art from depicting their myths and left them only portraits, historical subjects, and genre painting (cf. Islam’s prohibition of painting). The still unbroken strength of the Germans would have succeeded entirely in assimilating the Renaissance and blending it with the great Italian art; there would have been no half-style as in the Netherlands. In addition, in many regions there was outright destruction of paintings.

Since only very few were able to participate seriously and inwardly in the suddenly demanded sublime emphasis on ethics in religion and, at the same time, there was a general and very sharp split into parties, a feeling of inward pressure and a timid reserve became characteristic for those intellectuals on whose support art ordinarily depended. If people had no more sensible arguments against paintings, as, e.g., Zwingli and Leo Jud at the Zurich main dispute of 1523, they said that the admissibility of paintings could not be demonstrated from the Bible and that was why they had to go.

A decisive factor was that even in the areas which had nominally remained Catholic, Protestantism for many decades actually dominated the minds of men, at least of the non-peasants. Whether it went deep is a matter of indifference. Church art came to a standstill there, too, so that later, with the Counter Reformation, Italian art immediately gained predominance.

The change in people is very strikingly revealed through portraits. At the beginning of the sixteenth century there prevails in paintings and sepulchral sculptures the utmost openness and strength; from 1530 on everything appears dammed up and anxious.

That, basically, artistic feeling and joy in the beautification of life had not ceased is shown by the architecture and ornamentation of the German Renaissance.

Come to think of it, aside from some boasting about Dürer, whom probably everyone would have liked to do his portrait, German humanism had even before the Reformation been rather hostile to art, or at least completely aloof from it, as were the philosophers in antiquity. In reference to the luxurious tomb of Thomas à Becket and the marble splendor of the Certosa di Pavia, Erasmus preaches the most insipid “charity,” saying that the money ought to have been given to the poor and that flowers were sufficient adornment for a saint’s grave. (The poor of the time would soon have consumed the money concerned, and we would not possess the Certosa, etc.) Then Erasmus polemicizes against the artistic embellishment of noble graves in the churches generally.