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FRAGMENTS. - Percy Bysshe Shelley, Posthumous Poems [1824]

Edition used:

Posthumous Poems (London: John and Henry L. Hunt, 1824).

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FRAGMENTS.

GINEVRA.*

    • Wild, pale, and wonder-stricken, even as one
    • Who staggers forth into the air and sun
    • From the dark chamber of a mortal fever,
    • Bewildered, and incapable, and ever
    • Fancying strange comments in her dizzy brain
    • Of usual shapes, till the familiar train
    • Of objects and of persons passed like things
    • Strange as a dreamer’s mad imaginings,
    • Ginevra from the nuptial altar went;
    • The vows to which her lips had sworn assent
    • Rung in her brain still with a jarring din,
    • Deafening the lost intelligence within.
    • And so she moved under the bridal veil,
    • Which made the paleness of her cheek more pale,
    • And deepened the faint crimson of her mouth,
    • And darkened her dark locks, as moonlight doth,—
    • And of the gold and jewels glittering there
    • She scarce felt conscious,—but the weary glare
    • Lay like a chaos of unwelcome light,
    • Vexing the sense with gorgeous undelight.
    • A moonbeam in the shadow of a cloud
    • Was less heavenly fair—her face was bowed,
    • And as she passed, the diamonds in her hair
    • Were mirrored in the polished marble stair
    • Which led from the cathedral to the street;
    • And ever as she went her light fair feet
    • Erased these images.
    • The bride-maidens who round her thronging came,
    • Some with a sense of self-rebuke and shame,
    • Envying the unenviable; and others
    • Making the joy which should have been another’s
    • Their own by gentle sympathy; and some
    • Sighing to think of an unhappy home:
    • Some few admiring what can ever lure
    • Maidens to leave the heaven serene and pure
    • Of parents’ smiles for life’s great cheat; a thing
    • Better to taste sweet in imagining.
    • But they are all dispersed—and, lo! she stands
    • Looking in idle grief on her white hands,
    • Alone within the garden now her own;
    • And through the sunny air, with jangling tone,
    • The music of the merry marriage bells,
    • Killing the azure silence, sinks and swells;—
    • Absorbed like one within a dream who dreams
    • That he is dreaming, until slumber seems
    • A mockery of itself—when suddenly
    • Antonio stood before her, pale as she.
    • With agony, with sorrow, and with pride,
    • He lifted his wan eyes upon the bride,
    • And said—“Is this thy faith?” and then as one
    • Whose sleeping face is stricken by the sun
    • With light like a harsh voice, which bids him rise
    • And look upon his day of life with eyes
    • Which weep in vain that they can dream no more,
    • Ginevra saw her lover, and forbore
    • To shriek or faint, and checked the stifling blood
    • Rushing upon her heart, and unsubdued
    • Said—“Friend, if earthly violence or ill,
    • Suspicion, doubt, or the tyrannic will
    • Of parents, chance, or custom, time or change,
    • Or circumstance, or terror, or revenge,
    • Or wildered looks, or words, or evil speech,
    • With all their stings [[         ]] can impeach
    • Our love,—we love not:—if the grave which hides
    • The victim from the tyrant, and divides
    • The cheek that whitens from the eyes that dart
    • Imperious inquisition to the heart
    • That is another’s, could dissever ours,
    • We love not.”—“What do not the silent hours
    • Beckon thee to Gherardi’s bridal bed?
    • Is not that ring”—a pledge, he would have said,
    • Of broken vows, but she with patient look
    • The golden circle from her finger took,
    • And said—“Accept this token of my faith,
    • The pledge of vows to be absolved by death;
    • And I am dead or shall be soon—my knell
    • Will mix it’s music with that merry bell,
    • Does it not sound as if they sweetly said
    • ‘We toll a corpse out of the marriage bed?’
    • The flowers upon my bridal chamber strewn
    • Will serve unfaded for my bier—so soon
    • That even the dying violet will not die
    • Before Ginevra.” The strong fantasy
    • Had made her accents weaker and more weak,
    • And quenched the crimson life upon her cheek,
    • And glazed her eyes, and spread an atmosphere
    • Round her, which chilled the burning noon with fear,
    • Making her but an image of the thought,
    • Which, like a prophet or a shadow, brought
    • News of the terrors of the coming time.
    • Like an accuser branded with the crime
    • He would have cast on a beloved friend,
    • Whose dying eyes reproach not to the end
    • The pale betrayer—he then with vain repentance
    • Would share, he cannot now avert, the sentence—
    • Antonio stood and would have spoken, when
    • The compound voice of women and of men
    • Was heard approaching; he retired, while she
    • Was led amid the admiring company
    • Back to the palace,—and her maidens soon
    • Changed her attire for the afternoon,
    • And left her at her own request to keep
    • An hour of quiet and rest:—like one asleep
    • With open eyes and folded hands she lay,
    • Pale in the light of the declining day.
    • Meanwhile the day sinks fast, the sun is set,
    • And in the lighted hall the guests are met;
    • The beautiful looked lovelier in the light
    • Of love, and admiration, and delight
    • Reflected from a thousand hearts and eyes
    • Kindling a momentary Paradise.
    • This crowd is safer than the silent wood,
    • Where love’s own doubts disturb the solitude;
    • On frozen hearts the fiery rain of wine
    • Falls, and the dew of music more divine
    • Tempers the deep emotions of the time
    • To spirits cradled in a sunny clime:—
    • How many meet, who never yet have met,
    • To part too soon, but never to forget.
    • How many saw the beauty, power and wit
    • Of looks and words which ne’er enchanted yet;
    • But life’s familiar veil was now withdrawn,
    • As the world leaps before an earthquake’s dawn,
    • And unprophetic of the coming hours,
    • The matin winds from the expanded flowers,
    • Scatter their hoarded incense, and awaken
    • The earth, until the dewy sleep is shaken
    • From every living heart which it possesses,
    • Through seas and winds, cities and wildernesses,
    • As if the future and the past were all
    • Treasured i’the instant;—so Gherardi’s hall
    • Laughed in the mirth of its lord’s festival,
    • Till some one asked—“Where is the Bride?” And then
    • A bride’s-maid went,—and ere she came again
    • A silence fell upon the guests—a pause
    • Of expectation, as when beauty awes
    • All hearts with its approach, though unbeheld;
    • Then wonder, and then fear that wonder quelled;—
    • For whispers passed from mouth to ear which drew
    • The colour from the hearer’s cheeks, and flew
    • Louder and swifter round the company;
    • And then Gherardi entered with an eye
    • Of ostentatious trouble, and a crowd
    • Surrounded him, and some were weeping loud.
    • They found Ginevra dead! if it be death,
    • To lie without motion, or pulse, or breath,
    • With waxen cheeks, and limbs cold, stiff, and white,
    • And open eyes, whose fixed and glassy light
    • Mocked at the speculation they had owned.
    • If it be death, when there is felt around
    • A smell of clay, a pale and icy glare,
    • And silence, and a sense that lifts the hair
    • From the scalp to the ancles, as it were
    • Corruption from the spirit passing forth,
    • And giving all it shrouded to the earth,
    • And leaving as swift lightning in its flight
    • Ashes, and smoke, and darkness: in our night
    • Of thought we know thus much of death,—no more
    • Than the unborn dream of our life before
    • Their barks are wrecked on its inhospitable shore.
    • The marriage feast and its solemnity
    • Was turned to funeral pomp—the company
    • With heavy hearts and looks, broke up; nor they
    • Who loved the dead went weeping on their way
    • Alone, but sorrow mixed with sad surprize
    • Loosened the springs of pity in all eyes,
    • On which that form, whose fate they weep in vain,
    • Will never, thought they, kindle smiles again.
    • The lamps which half extinguished in their haste
    • Gleamed few and faint o’er the abandoned feast,
    • Shewed as it were within the vaulted room
    • A cloud of sorrow hanging, as if gloom
    • Had passed out of men’s minds into the air.
    • Some few yet stood around Gherardi there,
    • Friends and relations of the dead,—and he,
    • A loveless man, accepted torpidly
    • The consolation that he wanted not,
    • Awe in the place of grief within him wrought.
    • Their whispers made the solemn silence seem
    • More still—some wept, []
    • Some melted into tears without a sob,
    • And some with hearts that might be heard to throb
    • Leant on the table, and at intervals
    • Shuddered to hear through the deserted halls
    • And corridors the thrilling shrieks which came
    • Upon the breeze of night, that shook the flame
    • Of every torch and taper as it swept
    • From out the chamber where the women kept;—
    • Their tears fell on the dear companion cold
    • Of pleasures now departed; then was knolled
    • The bell of death, and soon the priests arrived,
    • And finding death their penitent had shrived,
    • Returned like ravens from a corpse whereon
    • A vulture has just feasted to the bone.
    • And then the mourning women came.—
    • * * * * * *
  • THE DIRGE.
    • Old winter was gone
    • In his weakness back to the mountains hoar,
    • And the spring came down
    • From the planet that hovers upon the shore
    • Where the sea of sunlight encroaches
    • On the limits of wintry night;—
    • If the land, and the air, and the sea
    • Rejoice not when spring approaches,
    • We did not rejoice in thee,
    • Ginevra!
    • She is still, she is cold
    • On the bridal couch,
    • One step to the white death bed,
    • And one to the bier,
    • And one to the charnel—and one, O where?
    • The dark arrow fled
    • In the noon.
    • Ere the sun through heaven once more has rolled,
    • The rats in her heart
    • Will have made their nest,
    • And the worms be alive in her golden hair,
    • While the spirit that guides the sun,
    • Sits throned in his flaming chair,
    • She shall sleep.
    • * * * * * *

CHARLES THE FIRST.

FRAGMENTS.

ACT I. SCENE I.

The Pageant to [celebrate] the arrival of the Queen.

a pursuivant.

  • Place, for the Marshal of the Masque!

first speaker.

  • What thinkest thou of this quaint masque, which turns,
  • Like morning from the shadow of the night,
  • The night to day, and London to a place
  • Of peace and joy?

second speaker.

  • And Hell to Heaven.
  • Eight years are gone,
  • And they seem hours, since in this populous street
  • I trod on grass made green by summer’s rain,
  • For the red plague kept state within that palace
  • Where now reigns vanity—in nine years more
  • The roots will be refreshed with civil blood;
  • And thank the mercy of insulted Heaven
  • That sin and wrongs wound as an orphan’s cry,
  • The patience of the great avenger’s ear.

third speaker.(a youth).

  • Yet, father, tis a happy sight to see,
  • Beautiful, innocent, and unforbidden
  • By God or man;—’tis like the bright procession
  • Of skiey visions in a solemn dream
  • From which men wake as from a paradise,
  • And draw new strength to tread the thorns of life.
  • If God be good, wherefore should this be evil?
  • And if this be not evil, dost thou not draw
  • Unseasonable poison from the flowers
  • Which bloom so rarely in this barren world?
  • O, kill these bitter thoughts which make the present
  • Dark as the future!—
  • * * * * * * *
  • When avarice and tyranny, vigilant fear,
  • And open-eyed conspiracy lie sleeping
  • As on Hell’s threshold; and all gentle thoughts
  • Waken to worship him who giveth joys
  • With his own gift.

second speaker.

  • How young art thou in this old age of time!
  • How green in this grey world! Canst thou not think
  • Of change in that low scene, in which thou art
  • Not a spectator but an actor? []
  • The day that dawns in fire will die in storms,
  • Even though the noon be calm. My travel’s done;
  • Before the whirlwind wakes I shall have found
  • My inn of lasting rest, but thou must still
  • Be journeying on in this inclement air.
  • * * * * * * *

first speaker.

  • That
  • Is the Archbishop.

second speaker.

  • Rather say the Pope.
  • London will be soon his Rome: he walks
  • As if he trod upon the heads of men.
  • He looks elate, drunken with blood and gold;—
  • Beside him moves the Babylonian woman
  • Invisibly, and with her as with his shadow,
  • Mitred adulterer! he is joined in sin,
  • Which turns Heaven’s milk of mercy to revenge.

another citizen(lifting up his eyes).

  • Good Lord! rain it down upon him. [[         ]]
  • Amid her ladies walks the papist queen,
  • As if her nice feet scorned our English earth.
  • There’s old Sir Henry Vane, the Earl of Pembroke,
  • Lord Essex, and Lord Keeper Coventry,
  • And others who make base their English breed
  • By vile participation of their honours
  • With papists, atheists, tyrants, and apostates.
  • When lawyers mask ’tis time for honest men
  • To strip the vizor from their purposes.
  • * * * * * * *

fourth speaker(a pursuirant)

  • Give place, give place!—
  • You torch-bearers advance to the great gate,
  • And then attend the Marshal of the Masque
  • Into the Royal presence.

fifth speaker(a law student).

  • What thinkest thou
  • Of this quaint show of ours, my aged friend?

first speaker.

  • I will not think but that our country’s wounds
  • May yet be healed—The king is just and gracious,
  • Though wicked counsels now pervert his will:
  • These once cast off—

second speaker.

  • As adders cast their skins
  • And keep their venom, so kings often change;
  • Councils and counsellors hang on one another,
  • Hiding the loathsome []
  • Like the base patchwork of a leper’s rags.

third speaker.

  • O, still those dissonant thoughts—List! loud music
  • Grows on the enchanted air! And see, the torches
  • Restlessly flashing, and the crowd divided
  • Like waves before an Admiral’s prow.
  • * * * * * *

another speaker.

  • Give place—
  • To the Marshal of the Masque!

third speaker.

  • How glorious! See those thronging chariots
  • Rolling like painted clouds before the wind:
  • Some are
  • Like curved shells dyed by the azure depths
  • Of Indian seas; some like the new-born moon;
  • And some like cars in which the Romans climbed
  • (Canopied by Victory’s eagle wings outspread)
  • The Capitolian—See how gloriously
  • The mettled horses in the torchlight stir
  • Their gallant riders, while they check their pride,
  • Like shapes of some diviner element!

second speaker.

  • Aye, there they are—
  • Nobles, and sons of nobles, patentees,
  • Monopolists, and stewards of this poor farm,
  • On whose lean sheep sit the prophetic crows.
  • Here is the pomp that strips the houseless orphan,
  • Here is the pride that breaks the desolate heart.
  • These are the lilies glorious as Solomon,
  • Who toil not, neither do they spin,—unless
  • It be the webs they catch poor rogues withal.
  • Here is the surfeit which to them who earn
  • The niggard wages of the earth, scarce leaves
  • The tithe that will support them till they crawl
  • Back to its cold hard bosom. Here is health
  • Followed by grim disease, glory by shame,
  • Waste by lame famine, wealth by squalid want,
  • And England’s sin by England’s punishment.
  • And, as the effect pursues the cause foregone,
  • Lo, giving substance to my words, behold
  • At once the sign and the thing signified—
  • A troop of cripples, beggars, and lean outcasts,
  • Horsed upon stumbling shapes, carted with dung,
  • Dragged for a day from cellars and low cabins
  • And rotten hiding-holes to point the moral
  • Of this presentiment, and bring up the rear
  • Of painted pomp with misery!

speaker.

  • ’Tis but
  • The anti-masque, and serves as discords do
  • In sweetest music. Who would love May flowers
  • If they succeeded not to Winter’s flaw;
  • Or day unchanged by night; or joy itself
  • Without the touch of sorrow?
  • * * * * * *

SCENE II.

A Chamber in Whitehall.

Enter theKing, Queen, Laud, Wentworth,andArchy.

king.

  • Thanks, gentlemen, I heartily accept
  • This token of your service: your gay masque
  • Was performed gallantly.

queen.

  • And, gentlemen,
  • Call your poor Queen your debtor. Your quaint pageant
  • Rose on me like the figures of past years,
  • Treading their still path back to infancy,
  • More beautiful and mild as they draw nearer
  • The quiet cradle. I could have almost wept
  • To think I was in Paris, where these shows
  • Are well devised—such as I was ere yet
  • My young heart shared with [[         ]] the task,
  • The careful weight of this great monarchy.
  • There, gentlemen, between the sovereign’s pleasure
  • And that which it regards, no clamour lifts
  • Its proud interposition.
  • * * * * * *

king.

  • My lord of Canterbury.

archy.

  • The fool is here.

laud.

  • I crave permission of your Majesty
  • To order that this insolent fellow be
  • Chastised, he mocks the sacred character,
  • Scoffs at the stake, and—

king.

  • What, my Archy!
  • He mocks and mimics all he sees and hears,
  • Yet with a quaint and graceful license—Prithee
  • For this once do not as Prynne would, were he
  • Primate of England.
  • He lives in his own world; and, like a parrot,
  • Hung in his gilded prison from the window
  • Of a queen’s bower over the public way,
  • Blasphemes with a bird’s mind:—his words, like arrows
  • Which know no aim beyond the archer’s wit,
  • Strike sometimes what eludes philosophy.

queen.

  • Go, sirrah, and repent of your offence
  • Ten minutes in the rain: be it your penance
  • To bring news how the world goes there. Poor Archy!
  • He weaves about himself a world of mirth
  • Out of this wreck of ours.

laud.

  • I take with patience, as my master did,
  • All scoffs permitted from above.

king.

  • My Lord,
  • Pray overlook these papers. Archy’s words
  • Had wings, but these have talons.

queen.

  • And the lion
  • That wears them must be tamed. My dearest lord,
  • I see the new-born courage in your eye
  • Armed to strike dead the spirit of the time.
  • * * * * *
  • Do thou persist: for, faint but in resolve,
  • And it were better thou hadst still remained
  • The slave of thine own slaves, who tear like curs
  • The fugitive, and flee from the pursuer;
  • And Opportunity, that empty wolf,
  • Flies at his throat who falls. Subdue thy actions
  • Even to the disposition of thy purpose,
  • And be that tempered as the Ebro’s steel;
  • And banish weak-eyed Mercy to the weak
  • Whence she will greet thee with a gift of peace,
  • And not betray thee with a traitor’s kiss,
  • As when she keeps the company of rebels,
  • Who think that she is fear. This do, lest we
  • Should fall as from a glorious pinnacle
  • In a bright dream, and wake as from a dream
  • Out of our worshipped state.
  • * * * * *

laud.

  • * * And if this suffice not,
  • Unleash the sword and fire, that in their thirst
  • They may lick up that scum of schismatics.
  • I laugh at those weak rebels who, desiring
  • What we possess, still prate of christian peace,
  • As if those dreadful messengers of wrath,
  • Which play the part of God ’twixt right and wrong,
  • Should be let loose against innocent sleep
  • Of templed cities and the smiling fields,
  • For some poor argument of policy
  • Which touches our own profit or our pride,
  • Where it indeed were christian charity
  • To turn the cheek even to the smiter’s hand:
  • And when our great Redeemer, when our God
  • Is scorned in his immediate ministers,
  • They talk of peace!
  • Such peace as Canaan found, let Scotland now.
  • * * * * *

queen.

  • My beloved lord,
  • Have you not noted that the fool of late
  • Has lost his careless mirth, and that his words
  • Sound like the echoes of our saddest fears?
  • What can it mean? I should be loth to think
  • Some factious slave had tutored him.

king.

  • It partly is,
  • That our minds piece the vacant intervals
  • Of his wild words with their own fashioning;
  • As in the imagery of summer clouds,
  • Or coals in the winter fire, idlers find
  • The perfect shadows of their teeming thoughts:
  • And partly, that the terrors of the time
  • Are sown by wandering Rumour in all spirits;
  • And in the lightest and the least, may best
  • Be seen the current of the coming wind.

queen.

  • Your brain is overwrought with these deep thoughts;
  • Come, I will sing to you; let us go try
  • These airs from Italy,—and you shall see
  • A cradled miniature of yourself asleep,
  • Stamped on the heart by never-erring love;
  • Liker than any Vandyke ever made,
  • A pattern to the unborn age of thee,
  • Over whose sweet beauty I have wept for joy
  • A thousand times, and now should weep for sorrow,
  • Did I not think that after we were dead
  • Our fortunes would spring high in him, and that
  • The cares we waste upon our heavy crown
  • Would make it light and glorious as a wreath
  • Of heaven’s beams for his dear innocent brow.

king.

  • Dear Henrietta!
  • * * * * *

SCENE III.

Hamiden, Pym, Cromwell,and the youngerVane.

hampden.

  • England, farewell! thou, who hast been my cradle,
  • Shalt never be my dungeon or my grave!
  • I held what I inherited in thee,
  • As pawn for that inheritance of freedom
  • Which thou hast sold for thy despoiler’s smile:—
  • How can I call thee England, or my country?
  • Does the wind hold?

vane.

  • The vanes sit steady
  • Upon the Abbey towers. The silver lightnings
  • Of the evening star, spite of the city’s smoke,
  • Tell that the north wind reigns in the upper air.
  • Mark too that flock of fleecy winged clouds
  • Sailing athwart St. Margaret’s.

hampden.

  • Hail, fleet herald
  • Of tempest! that wild pilot who shall guide
  • Hearts free as his, to realms as pure as thee,
  • Beyond the shot of tyranny! And thou,
  • Fair star, whose beam lies on the wide Atlantic,
  • Athwart its zones of tempest and of calm,
  • Bright as the path to a beloved home,
  • O light us to the isles of th’ evening land!
  • Like floating Edens, cradled in the glimmer
  • Of sunset, through the distant mist of years
  • Tinged by departing Hope, they gleam! Lone regions,
  • Where power’s poor dupes and victims, yet have never
  • Propitiated the savage fear of kings
  • With purest blood of noblest hearts; whose dew
  • Is yet unstained with tears of those who wake
  • To weep each day the wrongs on which it dawns;
  • Whose sacred silent air owns yet no echo
  • Of formal blasphemies; nor impious rites
  • Wrest man’s free worship from the God who loves
  • Towards the worm, who envies us his love,
  • Receive thou young [[         ]] of Paradise,
  • These exiles from the old and sinful world!
  • This glorious clime, this firmament, whose lights
  • Dart mitigated influence through the veil
  • Of pale blue atmosphere; whose tears keep green
  • The pavement of this moist all-feeding earth,
  • This vaporous horizon; whose dim round
  • Is bastioned by the circumfluous sea,
  • Repelling invasion from the sacred towers,
  • Presses upon me like a dungeon’s grate,
  • A low dark roof, a damp and narrow vault:
  • The mighty universe becomes a cell
  • Too narrow for the soul that owns no master.
  • While the loathliest spot
  • Of this wide prison, England, is a nest
  • Of cradled peace built on the mountain tops,
  • To which the eagle-spirits of the free,
  • Which range through heaven and earth, and scorn the storm
  • Of time, and gaze upon the light of truth,
  • Return to brood over the [[         ]] thoughts
  • That cannot die, and may not be repelled.
  • * * * * *

PRINCE ATHANASE.

PART II.

FRAGMENT I.

    • Prince Athanase had one beloved friend,
    • An old, old man, with hair of silver white,
    • And lips where heavenly smiles would hang and blend
    • With his wise words; and eyes whose arrowy light
    • Shone like the reflex of a thousand minds.
    • He was the last whom superstition’s blight
    • Had spared in Greece—the blight that cramps and blinds,—
    • And in his olive bower at Œnoe
    • Had sate from earliest youth. Like one who finds
    • A fertile island in the barren sea,
    • One mariner who has survived his mates
    • Many a drear month in a great ship—so he
    • With soul-sustaining songs, and sweet debates
    • Of ancient lore, there fed his lonely being:—
    • “The mind becomes that which it contemplates,”—
    • And thus Zonoras, by forever seeing
    • Their bright creations, grew like wisest men;
    • And when he heard the crash of nations fleeing
    • A bloodier power than ruled thy ruins then,
    • O sacred Hellas! many weary years
    • He wandered, till the path of Laian’s glen
    • Was grass-grown—and the unremembered tears
    • Were dry in Laian for their honoured chief,
    • Who fell in Byzant, pierced by Moslem spears:—
    • And as the lady looked with faithful grief
    • From her high lattice o’er the rugged path,
    • Where she once saw that horseman toil, with brief
    • And blighting hope, who with the news of death
    • Struck body and soul as with a mortal blight,
    • She saw beneath the chesnuts, far beneath,
    • An old man toiling up, a weary wight;
    • And soon within her hospitable hall
    • She saw his white hairs glittering in the light
    • Of the wood fire, and round his shoulders fall;
    • And his wan visage and his withered mien
    • Yet calm and [[         ]] and majestical.
    • And Athanase, her child, who must have been
    • Then three years old, sate opposite and gazed.

FRAGMENT II.

  • Such was Zonoras; and as daylight finds
  • An amaranth glittering on the path of frost,
  • When autumn nights have nipt all weaker kinds,
  • Thus had his age, dark, cold, and tempest-tost,
  • Shone truth upon Zonoras; and he filled
  • From fountains pure, nigh overgrown and lost,
  • The spirit of Prince Athanase, a child,
  • With soul-sustaining songs of ancient lore
  • And philosophic wisdom, clear and mild.
  • And sweet and subtle talk they evermore,
  • The pupil and master shared; until,
  • Sharing the undiminishable store,
  • The youth, as shadows on a grassy hill
  • Outrun the winds that chase them, soon outran
  • His teacher, and did teach with native skill
  • Strange truths and new to that experienced man;
  • Still they were friends, as few have ever been
  • Who mark the extremes of life’s discordant span.
  • And in the caverns of the forest green,
  • Or by the rocks of echoing ocean hoar,
  • Zonoras and Prince Athanase were seen
  • By summer woodmen; and when winter’s roar
  • Sounded o’er earth and sea its blast of war,
  • The Balearic fisher, driven from shore,
  • Hanging upon the peaked wave afar,
  • Then saw their lamp from Laian’s turret gleam,
  • Piercing the stormy darkness like a star,
  • Which pours beyond the sea one stedfast beam,
  • Whilst all the constellations of the sky
  • Seemed wrecked. [         ] They did but seem—
  • For, lo! the wintry clouds are all gone by,
  • And bright Arcturus through you pines is glowing,
  • And far o’er southern waves, immoveably
  • Belted Orion hangs—warm light is flowing
  • From the young moon into the sunset’s chasm.—
  • “O, summer night! with power divine, bestowing
  • “On thine own bird the sweet enthusiasm
  • Which overflows in notes of liquid gladness,
  • Filling the sky like light! How many a spasm
  • “Of fevered brains, oppressed with grief and madness,
  • Were lulled by thee, delightful nightingale!
  • And these soft waves, murmuring a gentle sadness,
  • “And the far sighings of you piny dale
  • Made vocal by some wind, we feel not here,—
  • I bear alone what nothing may avail
  • “To lighten—a strange load!”—No human ear
  • Heard this lament; but o’er the visage wan
  • Of Athanase, a ruffling atmosphere
  • Of dark emotion, a swift shadow ran,
  • Like wind upon some forest-bosomed lake,
  • Glassy and dark.—And that divine old man
  • Beheld his mystic friend’s whole being shake,
  • Even where its inmost depths were gloomiest—
  • And with a calm and measured voice he spake,
  • And with a soft and equal pressure, prest
  • That cold lean hand:—“Dost thou remember yet
  • When the curved moon then lingering in the west
  • “Paused in you waves her mighty horns to wet,
  • How in those beams we walked, half resting on the sea?
  • ’Tis just one year—sure thou dost not forget—
  • “Then Plato’s words of light in thee and me
  • Lingered like moonlight in the moonless east,
  • For we had just then read—thy memory
  • “Is faithful now—the story of the feast;
  • And Agathon and Diotima seemed
  • From death and [] released.

FRAGMENT III.

    • ’Twas at the season when the Earth upsprings
    • From slumber, as a sphered angel’s child,
    • Shadowing its eyes with green and golden wings,
    • Stands up before its mother bright and mild,
    • Of whose soft voice the air expectant seems—
    • So stood before the sun, which shone and smiled
    • To see it rise thus joyous from its dreams,
    • The fresh and radiant Earth. The hoary grove
    • Waxed green—and flowers burst forth like starry beams;—
    • The grass in the warm sun did start and move,
    • And sea-buds burst under the waves serene:—
    • How many a one, though none be near to love,
    • Loves then the shade of his own soul, half seen
    • In any mirror—or the spring’s young minions,
    • The winged leaves amid the copses green;—
    • How many a spirit then puts on the pinions
    • Of fancy, and outstrips the lagging blast,
    • And his own steps—and over wide dominions
    • Sweeps in his dream-drawn chariot, far and fast,
    • More fleet than storms—the wide world shrinks below,
    • When winter and despondency are past.
    • ’Twas at this season that Prince Athanase
    • Past the white Alps—those eagle-baffling mountains
    • Slept in their shrouds of snow;—beside the ways
    • The waterfalls were voiceless—for their fountains
    • Were changed to mines of sunless crystal now,
    • Or by the curdling winds—like brazen wings
    • Which clanged alone the mountain’s marble brow,
    • Warped into adamantine fretwork, hung
    • And filled with frozen light the chasm below.

FRAGMENT IV.

    • Thou art the wine whose drunkenness is all
    • We can desire, O Love! and happy souls,
    • Ere from thy vine the leaves of autumn fall,
    • Catch thee, and feed from their o’erflowing bowls
    • Thousands who thirst for thy ambrosial dew;—
    • Thou art the radiance which where ocean rolls
    • Invests it; and when heavens are blue
    • Thou fillest them; and when the earth is fair
    • The shadow of thy moving wings imbue
    • Its desarts and its mountains, till they wear
    • Beauty like some bright robe;—thou ever soarest
    • Among the towers of men, and as soft air
    • In spring, which moves the unawakened forest,
    • Clothing with leaves its branches bare and bleak,
    • Thou floatest among men; and aye implorest
    • That which from thee they should implore:—the weak
    • Alone kneel to thee, offering up the hearts
    • The strong have broken—yet where shall any seek
    • A garment whom thou clothest not?

MAZENGHI.*

    • Oh! foster-nurse of man’s abandoned glory,
    • Since Athens, its great mother, sunk in splendour;
    • Thou shadowest forth that mighty shape in story,
    • As ocean its wrecked fanes, severe yet tender:—
    • The light-invested angel Poesy
    • Was drawn from the dim world to welcome thee.
    • And thou in painting didst transcribe all taught
    • By loftiest meditations; marble knew
    • The sculptor’s fearless soul—and as he wrought,
    • The grace of his own power and freedom grew.
    • And more than all, heroic, just, sublime
    • Thou wert among the false—was this thy crime?
    • Yes; and on Pisa’s marble walls the twine
    • Of direst weeds hangs garlanded—the snake
    • Inhabits its wrecked palaces;—in thine
    • A beast of subtler venom now doth make
    • Its lair, and sits amid their glories overthrown,
    • And thus thy victim’s fate is as thine own.
    • The sweetest flowers are ever frail and rare,
    • And love and freedom blossom but to wither;
    • And good and ill like vines entangled are,
    • So that their grapes may oft be plucked together;—
    • Divide the vintage ere thou drink, then make
    • Thy heart rejoice for dead Mazenghi’s sake.
    • No record of his crime remains in story,
    • But if the morning bright as evening shone,
    • It was some high and holy deed, by glory
    • Pursued into forgetfulness, which won
    • From the blind crowd he made secure and free
    • The patriot’s meed, toil, death, and infamy.
    • For when by sound of trumpet was declared
    • A price upon his life, and there was set
    • A penalty of blood on all who shared
    • So much of water with him as might wet
    • His lips, which speech divided not—he went
    • Alone, as you may guess, to banishment.
    • Amid the mountains, like a hunted beast,
    • He hid himself, and hunger, cold, and toil,
    • Month after month endured; it was a feast
    • Whene’er he found those globes of deep red gold
    • Which in the woods the strawberry-tree doth bear,
    • Suspended in their emerald atmosphere.
    • And in the roofless huts of vast morasses,
    • Deserted by the fever-stricken serf,
    • All overgrown with reeds and long rank grasses,
    • And hillocks heaped of moss-inwoven turf,
    • And where the huge and speckled aloe made,
    • Rooted in stones, a broad and pointed shade,
    • He housed himself. There is a point of strand
    • Near Vada’s tower and town; and on one side
    • The treacherous marsh divides it from the land,
    • Shadowed by pine and ilex forests wide,
    • And on the other creeps eternally,
    • Through muddy weeds, the shallow, sullen sea.

THE WOODMAN AND THE NIGHTINGALE.

    • A woodman whose rough heart was out of tune
    • (I think such hearts yet never came to good)
    • Hated to hear, under the stars or moon
    • One nightingale in an interfluous wood
    • Satiate the hungry dark with melody;—
    • And as a vale is watered by a flood,
    • Or as the moonlight fills the open sky
    • Struggling with darkness—as a tuberose
    • Peoples some Indian dell with scents which lie
    • Like clouds above the flower from which they rose,
    • The singing of that happy nightingale
    • In this sweet forest, from the golden close
    • Of evening, till the star of dawn may fail,
    • Was interfused upon the silentness;
    • The folded roses and the violets pale
    • Heard her within their slumbers, the abyss
    • Of heaven with all its planets; the dull ear
    • Of the night-cradled earth; the loneliness
    • Of the circumfluous waters,—every sphere
    • And every flower and beam and cloud and wave,
    • And every wind of the mute atmosphere,
    • And every beast stretched in its rugged cave,
    • And every bird lulled on its mossy bough,
    • And every silver moth fresh from the grave,
    • Which is its cradle—ever from below
    • Aspiring like one who loves too fair, too far,
    • To be consumed within the purest glow
    • Of one serene and unapproached star,
    • As if it were a lamp of earthly light,
    • Unconscious, as some human lovers are,
    • Itself how low, how high beyond all height
    • The heaven where it would perish!—and every form
    • That worshipped in the temple of the night
    • Was awed into delight, and by the charm
    • Girt as with an interminable zone,
    • Whilst that sweet bird, whose music was a storm
    • Of sound, shook forth the dull oblivion
    • Out of their dreams; harmony became love
    • In every soul but one . . . .
    • And so this man returned with axe and saw
    • At evening close from killing the tall treen,
    • The soul of whom by nature’s gentle law
    • Was each a wood-nymph, and kept ever green
    • The pavement and the roof of the wild copse,
    • Chequering the sunlight of the blue serene
    • With jagged leaves,—and from the forest tops
    • Singing the winds to sleep—or weeping oft
    • Fast showers of aerial water drops
    • Into their mother’s bosom, sweet and soft,
    • Nature’s pure tears which have no bitterness;—
    • Around the cradles of the birds aloft
    • They spread themselves into the loveliness
    • Of fan-like leaves, and over palid flowers
    • Hang like moist clouds:—or, where high branches kiss,
    • Make a green space among the silent bowers,
    • Like a vast fane in a metropolis,
    • Surrounded by the columns and the towers
    • All overwrought with branch-like traceries
    • In which there is religion—and the mute
    • Persuasion of unkindled melodies,
    • Odours and gleams and murmurs, which the lute
    • Of the blind pilot-spirit of the blast
    • Stirs as it sails, now grave and now acute,
    • Wakening the leaves and waves ere it has past
    • To such brief unison as on the brain
    • One tone, which never can recur, has cast,
    • One accent never to return again.

TO THE MOON.

  • Art thou pale for weariness
  • Of climbing heaven, and gazing on the earth,
  • Wandering companionless
  • Among the stars that have a different birth,—
  • And ever changing, like a joyless eye
  • That finds no object worth its constancy?

SONG FOR TASSO.

    • I loved—alas! our life is love;
    • But when we cease to breathe and move
    • I do suppose love ceases too.
    • I thought, but not as now I do,
    • Keen thoughts and bright of linked lore,
    • Of all that men had thought before,
    • And all that nature shows, and more.
    • And still I love and still I think,
    • But strangely, for my heart can drink
    • The dregs of such despair, and live,
    • And love; []
    • And if I think, my thoughts come fast,
    • I mix the present with the past,
    • And each seems uglier than the last.
    • Sometimes I see before me flee
    • A silver spirit’s form, like thee,
    • O Leonora, and I sit
    • [[         ]] still watching it,
    • Till by the grated casement’s ledge
    • It fades, with such a sigh, as sedge
    • Breathes o’er the breezy streamlet’s edge.

THE WANING MOON.

  • And like a dying lady, lean and pale,
  • Who totters forth, wrapt in a gauzy veil,
  • Out of her chamber, led by the insane
  • And feeble wanderings of her fading brain,
  • The moon arose up in the murky earth,
  • A white and shapeless mass.

EPITAPH.

  • These are two friends whose lives were undivided,
  • So let their memory be, now they have glided
  • Under the grave; let not their bones be parted,
  • For their two hearts in life were single hearted.

[* ]This fragment is part of a poem which Mr. Shelley intended to write, founded on a story to be found in the first volume of a book entitled “L’Osservatore Fiorentino.”

[* ]This fragment refers to an event, told in Sismodi’s Histoire des Republiques Italiennes, which occurred during the war when Florence finally subdued Pisa, and reduced it to a province. The opening stanzas are addressed to the conquering city.