Front Page Titles (by Subject) VIEWS OF THE PYRENEES 1833 - The Collected Works of John Stuart Mill, Volume I - Autobiography and Literary Essays
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VIEWS OF THE PYRENEES 1833 - John Stuart Mill, The Collected Works of John Stuart Mill, Volume I - Autobiography and Literary Essays 
The Collected Works of John Stuart Mill, Volume I - Autobiography and Literary Essays, ed. John M. Robson and Jack Stillinger, introduction by Lord Robbins (Toronto: University of Toronto Press, London: Routledge and Kegan Paul, 1981).
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VIEWS OF THE PYRENEES
Monthly Repository, n.s. VII (Sept., 1833), 660. This brief notice appeared in the “New Publications” section of the MR, where, along with a list of new works, there appeared notes appended to some of the titles. Here the entry reads: “Views of the Pyrenees, with Descriptions, by the Author of the Sketches Part I. Bagnères de Bigorre, and the Valley of Campan: Part II. The Pass of the Tourmalet and Barège: (9).” The note (the item here reprinted) begins: “(9) Exactly . . . .” Unsigned. Not republished. Identified in Mill’s bibliography as “A note at the end of the Monthly Repository for September 1833, being a notice of ‘Views from the Pyrenees’ ” (MacMinn, p. 33). No copy in the Somerville College library.
The work, actually entitled neither “Views of . . .” nor “Views from . . . ,” but “Views in . . . ,” has a text by Mrs. R. E. Young, with ten plates based on her sketches. It was published in London by the author, and Leggatt, Colnaghi and Son, Moon, Boys, and Graves, and Walther, in 1831. For comment, see the Introduction, p. xxxviii above.
Views of the Pyrenees
exactly thirteen years ago, when the continent had been but a few years open to the annual influx from England, of those who travel either to refresh themselves after the toils of business, or because they have no business to toil at, we, who belong to the former class, visited the lovely and majestic scenery delineated in these sketches; and we have often wondered since, that so few persons among the crowds of pleasure-hunters have diverged from the beaten track of the Rhine, Switzerland, and Italy, to visit a region equally accessible, and quite equally worthy to be sought. Of late years we have reason to believe, that the scenery of the Pyrenees has been treated with less negligence, and that our tourists having grown familiar with the more celebrated regions to which they at first flocked, are resorting in considerable numbers to this comparatively untrodden soil. The beautiful sketches which we have now the pleasure of noticing, and which, we understand, are the production of a lady, will, we think, send many visitants to these glorious mountains, in whom the desire was not yet awakened, and will be a beautiful and interesting ornament of a drawing-room table for the still larger class who remain at home.