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PURGATORIO X - Dante Alighieri, The Divine Comedy, Vol. 2 (Purgatorio) (English only trans.) [1321]

Edition used:

The Divine Comedy of Dante Alighieri. The Italian Text with a Translation in English Blank Verse and a Commentary by Courtney Langdon, vol. 2 (Purgatorio) (Cambridge: Harvard University Press, 1920).

Part of: The Divine Comedy, in 3 vols. (Langdon trans.)

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PURGATORIO X

Purgatory. The First Ring. Pride

Instances of Humility. The Expiation of Pride

  • When past the threshold of the Gate we were,
  • whose use the evil love of souls impairs,
  • because it makes the crooked path seem straight,
  • ’t was by its sound I knew that it had closed;
  • and, had I turned mine eyes in its direction,
  • what would have fittingly excused my fault?
  • We mounted through a fissure in the rock,
  • which moved about to this side and to that,
  • as moves a wave that flees and draweth near.
  • “A little skill must here be used by us,”
  • my Leader then began, “in keeping close,
  • now here, now there, to the receding side.”
  • This caused our steps to be so slow and short,
  • that to her bed the waning moon had gone
  • to rest herself again, ere we had issued
  • forth from that needle’s eye; but when set free
  • we were, and in the open up above,
  • where back the Mountain’s side recedes, I, weary,
  • and both of us uncertain of our way,
  • stopped short upon a level place up there,
  • more lonely than are roads through desert lands.
  • From where its margin borders on the void,
  • up to the foot of that high rising bank,
  • would measure thrice a human body’s length;
  • and far as e’er mine eye could wing its flight,
  • now on the right, and now upon the left,
  • such did this girding ledge appear to me.
  • Our feet had not been moving on it yet,
  • when I perceived the bank surrounding it —
  • which, being perpendicular, could not
  • be climbed — white marble was, and so adorned
  • with carvings, that not only Polyclètus,
  • but Nature, too, would there be put to shame.
  • The Angel who to earth came with the word
  • of peace, which, wept-for during many years,
  • had after its long closure opened Heaven,
  • appeared before us there in gentle mien,
  • sculptured so truthfully, it did not seem
  • that he could be an image that is dumb.
  • One would have sworn that he was saying: “Hail!
  • for She was there portrayed in effigy,
  • who turned the key that opened Love on high;
  • and in her mien and acts she had the words
  • Behold the handmaid of the Lord” impressed
  • as clearly as a figure stamped in wax.
  • “Keep not thy mind on one place only fixed!”
  • my gentle Teacher said, who had me there
  • on that side of him, where one has his heart;
  • I therefore moved my eyes, and further on
  • than Mary, on the side where him I had,
  • who urged me to go on, I then beheld
  • another story graven in the rock;
  • passing by Virgil, therefore, I drew near
  • so that it might be set before mine eyes.
  • Cut in the marble there the cart and oxen
  • were drawing up the holy Ark, which made
  • men dread a charge not given them in trust.
  • People in front appeared; and all of them,
  • forming seven choirs, made one of my two senses
  • say “No,” and the other one say “Yes, they sing.”
  • So, too, by reason of the incense-smoke,
  • which there was pictured forth, my eyes and nose
  • became discordant as to Yes and No.
  • The humble Psalmist there, with loins girt up,
  • came dancing on, before the blessèd Vessel,
  • and, doing so, was more and less than king.
  • And Michal, opposite to this portrayed,
  • was from a palace window looking down,
  • as would an angry woman filled with scorn.
  • From where I was, I onward moved my feet,
  • that I might closely note another tale,
  • which after Michal gleamed upon me white.
  • The glorious action of that Roman prince
  • was storied here, whose worth moved Gregory
  • to win his mighty triumph; I refer
  • to Emperor Trajan; at his bridle stood
  • a widow who, in tears, showed signs of grief.
  • The space around him there seemed trampled down
  • and thronged with horsemen, while above his head
  • eagles, it seemed, upon a field of gold
  • were fluttering in the wind. Among all these
  • the sorrowing woman seemed to say: “My lord,
  • avenge me for the slaying of my son,
  • which breaks my heart.” And he to answer her:
  • “Wait now till I return.” And she, like one
  • whom sorrow makes impatient, said: “But what,
  • my lord, if thou shouldst not return?” And he:
  • “That one will do it, who shall hold my place.”
  • “How shall another’s goodness help thy case,”
  • she answered him, “if thou forget thine own?”
  • Then he: “Now be thou comforted; for needs
  • must I perform my duty ere I leave;
  • justice so wills, and pity keeps me here.”
  • He to whose vision naught was ever new,
  • created this seen language, new to us,
  • since not found here on earth. While with delight
  • I looked upon the pictures of such great
  • humilities, which for their Maker’s sake
  • are also dear to see, “On this side, lo,
  • much people come, but slow the steps they take;”
  • the Poet murmured, “toward the grades above
  • these souls will send us forward on our way.”
  • Mine eyes, intent on gazing, to behold
  • new things, for which with eagerness they long,
  • in turning toward him were not slow to move.
  • Yet I ’d not have thee, Reader, shrink dismayed
  • from thy good purposes, through hearing how
  • God wills that what is due be paid. Heed not
  • the nature of the torment! Think of what
  • comes after! Think that, at the very worst,
  • beyond the Judgment-day it cannot go.
  • Then I began: “That, Teacher, which toward us
  • I see advancing does not look like people,
  • nor know I what, my sight is so deceived.”
  • And he to me: “Their torment’s heavy nature
  • so bows them toward the ground, that my eyes, too,
  • struggled therewith at first. But steadily
  • gaze there, and disentangle with thine eyes
  • what underneath those stones is coming on;
  • thou now canst see how each one smites himself.”
  • O ye proud Christians, sad and weary creatures,
  • who, sick in mental vision, put your trust
  • in backward moving steps; perceive ye not
  • that worms we are, created but to form
  • the angelic butterfly, which flies unscreened
  • to judgment? Why, then, is it that your mind
  • soars up in pride, since ye are, as it were,
  • defective insects, even as is a worm,
  • in which formation is not yet complete?
  • As, to hold up a ceiling or a roof,
  • in lieu of corbel, one perceives at times
  • a human figure joining knees to breast,
  • which out of unreality gives birth
  • to real distress in him who sees it; such
  • seemed these to me, when I had given good heed.
  • They were, in truth, both more and less bowed down,
  • as each had more or less upon his back;
  • but he that in his acts most patient was,
  • seemed to say, weeping: “I can bear no more!”