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EPISTLE TO DR. ARBUTHNOT [ ] BEING THE PROLOGUE TO THE SATIRES - Alexander Pope, The Complete Poetical Works of Alexander Pope [1903]

Edition used:

The Complete Poetical Works of Alexander Pope. Cambridge Edition, ed. Henry W. Boynton (Boston and New York: Houghton, Mifflin and Co., 1903).

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EPISTLE TO DR. ARBUTHNOT[ ]

BEING THE PROLOGUE TO THE SATIRES

ADVERTISEMENT

This paper is a sort of bill of complaint, begun many years since, and drawn up by snatches, as the several occasions offered. I had no thoughts of publishing it, till it pleased some Persons of Rank and Fortune (the authors of ‘Verses to the Imitator of Horace,’ and of an ‘Epistle to a Doctor of Divinity from a Nobleman at Hampton Court’) to attack, in a very extraordinary manner, not only my Writings (of which, being public, the Public is judge), but my Person, Morals, and Family; whereof, to those who know me not, a truer information may be requisite. Being divided between the necessity to say something of myself, and my own laziness to undertake so awkward a task, I thought it the shortest way to put the last hand to this epistle. If it have any thing pleasing, it will be that by which I am most desirous to please, the Truth and the Sentiment; and if any thing offensive, it will be only to those I am least sorry to offend, the vicious or the ungenerous.

Many will know their own pictures in it, there being not a circumstance but what is true; but I have, for the most part, spared their names, and they may escape being laughed at if they please.

I would have some of them know it was owing to the request of the learned and candid Friend to whom it is inscribed, that I make not as free use of theirs as they have done of mine. However, I shall have this advantage and honour on my side, that whereas, by their proceeding, any abuse may be directed at any man, no injury can possibly be done by mine, since a nameless character can never be found out but by its truth and likeness.

    • P.Shut, shut the door, good John!’ fatigued, I said;
    • ‘Tie up the knocker, say I ’m sick, I ’m dead.’
    • The Dog-star rages! nay, ’t is past a doubt
    • All Bedlam or Parnassus is let out:
    • Fire in each eye, and papers in each hand,
    • They rave, recite, and madden round the land.
    • What walls can guard me, or what shades can hide?
    • They pierce my thickets, thro’ my grot they glide,
    • By land, by water, they renew the charge,
    • They stop the chariot, and they board the barge.10
    • No place is sacred, not the church is free,
    • Ev’n Sunday shines no Sabbath-day to me:
    • Then from the Mint walks forth the man of rhyme,
    • Happy to catch me just at dinner time.
    • Is there a Parson much bemused in beer,
    • A maudlin Poetess, a rhyming Peer,
    • A clerk foredoom’d his father’s soul to cross,
    • Who pens a stanza when he should engross?
    • Is there who, lock’d from ink and paper, scrawls
    • With desp’rate charcoal round his darken’d walls?20
    • All fly to Twit’nam, and in humble strain
    • Apply to me to keep them mad or vain,
    • Arthur , whose giddy son neglects the laws,
    • Imputes to me and my damn’d works the cause:
    • Poor Cornus sees his frantic wife elope,
    • And curses Wit and Poetry, and Pope.
    • Friend to my life (which did not you prolong,
    • The world had wanted many an idle song)!
    • What Drop or Nostrum can this plague remove?
    • Or which must end me, a fool’s wrath or love?30
    • A dire dilemma! either way I ’m sped;
    • If foes, they write, if friends, they read me dead.
    • Seiz’d and tied down to judge, how wretched I!
    • Who can’t be silent, and who will not lie.
    • To laugh were want to goodness and of grace,
    • And to be grave exceeds all power of face.
    • I sit with sad civility, I read
    • With honest anguish and an aching head,
    • And drop at last, but in unwilling ears,
    • This saving counsel, ‘Keep your piece nine years .’40
    • ‘Nine years!’ cries he, who, high in Drury lane,
    • Lull’d by soft zephyrs thro’ the broken pane,
    • Rhymes ere he wakes, and prints before Term ends,
    • Obliged by hunger and request of friends:
    • ‘The piece, you think, is incorrect? why, take it!
    • I ’m all submission: what you ’d have it—make it.’
    • Three things another’s modest wishes bound,
    • ‘My friendship, and a Prologue, and ten pound.’
    • Pitholeon sends to me: “You know his Grace,
    • I want a patron; ask him for a place.’50
    • Pitholeon libell’d me—‘But here ’s a letter
    • Informs you, Sir, ’twas when he knew no better.
    • Dare you refuse him? Curll invites to dine,
    • He ’ll write a Journal, or he ’ll turn Divine.’
    • Bless me! a packet.—’T is a stranger sues,
    • A Virgin Tragedy, an Orphan Muse.
    • If I dislike it, ‘Furies, death, and rage!’
    • If I approve, ‘Commend it to the stage.’
    • There (thank my stars) my whole commission ends,59
    • The players and I are, luckily, no friends.
    • Fired that the house rejects him, ‘’Sdeath, I ’ll print it,
    • And shame the fools—your int’rest, Sir, with Lintot .’
    • Lintot, dull rogue, will think your price too much:
    • ‘Not, Sir, if you revise it, and retouch.’
    • All my demurs but double his attacks;
    • At last he whispers, ‘Do, and we go snacks.’
    • Glad of a quarrel, straight I clap the door;
    • ‘Sir, let me see your works and you no more.’
    • ’T is sung, when Midas’ ears began to spring
    • (Midas, a sacred person and a king),70
    • His very Minister who spied them first
    • (Some say his Queen) was forc’d to speak or burst.
    • And is not mine, my friend, a sorer case,
    • When ev’ry coxcomb perks them in my face?
    • A. Good friend, forbear! you deal in dangerous things;
    • I ’d never name Queens, Ministers, or Kings;
    • Keep close to ears, and those let asses prick,
    • ’T is nothing— P. Nothing! if they bite and kick?
    • Out with it, Dunciad! let the secret pass,
    • That secret to each fool, that he ’s an ass:
    • The truth once told (and wherefore should we lie?)81
    • The Queen of Midas slept, and so may I.
    • You think this cruel? take it for a rule,
    • No creature smarts so little as a fool.
    • Let peals of laughter, Codrus! round thee break,
    • Thou unconcern’d canst hear the mighty crack:
    • Pit, Box, and Gall’ry in convulsions hurl’d,
    • Thou stand’st unshook amidst a bursting world.
    • Who shames a Scribbler? break one cobweb thro’,
    • He spins the slight self-pleasing thread anew:90
    • Destroy his fib, or sophistry—in vain!
    • The creature ’s at his dirty work again,
    • Throned in the centre of his thin designs,
    • Proud of a vast extent of flimsy lines.
    • Whom have I hurt? has Poet yet or Peer
    • Lost the arch’d eyebrow or Parnassian sneer?
    • And has not Colley still his lord and whore?
    • His butchers Henley? his freemasons Moore?
    • Does not one table Bavius still admit?
    • Still to one Bishop Philips seem a wit?100
    • Still SapphoA. Hold! for God’s sake—you ’ll offend.
    • No names—be calm—learn prudence of a friend.
    • I too could write, and I am twice as tall;
    • But foes like these— P. One flatt’rer ’s worse than all.
    • Of all mad creatures, if the learn’d are right,
    • It is the slaver kills, and not the bite.
    • A fool quite angry is quite innocent:
    • Alas! ’t is ten times worse when they repent.
    • One dedicates in high heroic prose,
    • And ridicules beyond a hundred foes;110
    • One from all Grub-street will my fame defend,
    • And, more abusive, calls himself my friend:
    • This prints my Letters, that expects a bribe,
    • And others roar aloud, ‘Subscribe, subscribe!’
    • There are who to my person pay their court:
    • I cough like Horace; and tho’ lean, am short;
    • Ammon’s great son one shoulder had too high,
    • Such Ovid’s nose, and ‘Sir! you have an eye —’
    • Go on, obliging creatures! make me see
    • All that disgraced my betters met in me.
    • Say, for my comfort, languishing in bed,121
    • ‘Just so immortal Maro held his head:’
    • And when I die, be sure you let me know
    • Great Homer died three thousand years ago.
    • Why did I write? what sin to me unknown
    • Dipp’d me in ink, my parents’, or my own?
    • As yet a child, nor yet a fool to fame,
    • I lisp’d in numbers , for the numbers came:
    • I left no calling for this idle trade,
    • No duty broke, no father disobey’d:130
    • The Muse but serv’d to ease some friend, not wife,
    • To help me thro’ this long disease my life,
    • To second, Arbuthnot! thy art and care,
    • And teach the being you preserv’d, to bear.
    • A. But why then publish? P.Granville the polite,
    • And knowing Walsh, would tell me I could write;
    • Well-natured Garth inflamed with early praise,
    • And Congreve lov’d, and Swift endured my lays;
    • The courtly Talbot, Somers, Sheffield , read;
    • Ev’n mitred Rochester would nod the head,140
    • And St. John’s self (great Dryden’s friends before)
    • With open arms receiv’d one poet more.
    • Happy my studies, when by these approv’d!
    • Happier their author, when by these belov’d!
    • From these the world will judge of men and books,
    • Not from the Burnets , Oldmixons, and Cookes.
    • Soft were my numbers; who could take offence
    • While pure description held the place of sense?
    • Like gentle Fanny’s was my flowery theme,
    • ‘A painted mistress, or a purling stream.’
    • Yet then did Gildon draw his venal quill;151
    • I wish’d the man a dinner, and sat still:
    • Yet then did Dennis rave in furious fret;
    • I never answer’d; I was not in debt.
    • If want provoked, or madness made them print,
    • I waged no war with Bedlam or the Mint.
    • Did some more sober critic come abroad;
    • If wrong, I smiled, if right, I kiss’d the rod.
    • Pains, reading, study, are their just pretence,
    • And all they want is spirit, taste, and sense.160
    • Commas and points they set exactly right,
    • And ’t were a sin to rob them of their mite.
    • Yet ne’er one sprig of laurel graced these ribalds,
    • From slashing Bentleys down to piddling Tibbalds.
    • Each wight who reads not, and but scans and spells,
    • Each word-catcher that lives on syllables,
    • Ev’n such small critics some regard may claim,
    • Preserv’d in Milton’s or in Shakespeare’s name.
    • Pretty! in amber to observe the forms
    • Of hairs, or straws, or dirt, or grubs, or worms!170
    • The things, we know, are neither rich nor rare,
    • But wonder how the devil they got there.
    • Were others angry: I excused them too;
    • Well might they rage, I gave them but their due.
    • A man’s true merit ’t is not hard to find;
    • But each man’s secret standard in his mind,
    • That casting-weight Pride adds to emptiness,
    • This, who can gratify? for who can guess?
    • The bard whom pilfer’d pastorals renown ,
    • Who turns a Persian tale for half-a-crown,180
    • Just writes to make his barrenness appear,
    • And strains from hard-bound brains eight lines a year;
    • He who still wanting, tho’ he lives on theft,
    • Steals much, spends little, yet has nothing left;
    • And he who now to sense, now nonsense, leaning,
    • Means not, but blunders round about a meaning:
    • And he whose fustian’s so sublimely bad,
    • It is not poetry, but prose run mad:
    • All these my modest satire bade translate,
    • And own’d that nine such poets made a Tate .190
    • How did they fume, and stamp, and roar, and chafe!
    • And swear not Addison himself was safe.
    • Peace to all such! but were there one whose fires
    • True Genius kindles, and fair Fame inspires,
    • Bless’d with each talent and each art to please,
    • And born to write, converse, and live with ease;
    • Should such a man, too fond to rule alone,
    • Bear, like the Turk, no brother near the throne;
    • View him with scornful, yet with jealous eyes,
    • And hate for arts that caus’d himself to rise;200
    • Damn with faint praise, assent with civil leer,
    • And without sneering teach the rest to sneer;
    • Willing to wound, and yet afraid to strike,
    • Just hint a fault, and hesitate dislike;
    • Alike reserv’d to blame or to commend,
    • A tim’rous foe, and a suspicious friend;
    • Dreading ev’n fools; by flatterers besieged,
    • And so obliging that he ne’er obliged;
    • Like Cato, give his little Senate laws,
    • And sit attentive to his own applause:210
    • While Wits and Templars ev’ry sentence raise,
    • And wonder with a foolish face of praise—
    • Who but must laugh if such a man there be?
    • Who would not weep, if Atticus were he?
    • What tho’ my name stood rubric on the walls,
    • Or plaster’d posts, with claps, in capitals?
    • Or smoking forth, a hundred hawkers load,
    • On wings of winds came flying all abroad?
    • I sought no homage from the race that write;
    • I kept, like Asian Monarchs, from their sight:220
    • Poems I heeded (now berhymed so long)
    • No more than thou, great George! a birthday song.
    • I ne’er with Wits or Witlings pass’d my days
    • To spread about the itch of verse and praise;
    • Nor like a puppy daggled thro’ the town
    • To fetch and carry sing-song up and down;
    • Nor at rehearsals sweat, and mouth’d, and cried,
    • With handkerchief and orange at my side;
    • But sick of fops, and poetry, and prate,
    • To Bufo left the whole Castalian state.230
    • Proud as Apollo on his forked hill
    • Sat full-blown Bufo , puff’d by ev’ry quill:
    • Fed with soft dedication all day long,
    • Horace and he went hand in hand in song.
    • His library (where busts of poets dead,
    • And a true Pindar stood without a head )
    • Receiv’d of Wits an undistinguish’d race,
    • Who first his judgment ask’d, and then a place:
    • Much they extoll’d his pictures, much his seat,
    • And flatter’d ev’ry day, and some days eat:240
    • Till grown more frugal in his riper days,
    • He paid some bards with port, and some with praise;
    • To some a dry rehearsal was assign’d,
    • And others (harder still) he paid in kind.
    • Dryden alone (what wonder?) came not nigh;
    • Dryden alone escaped this judging eye:
    • But still the great have kindness in reserve;
    • He help’d to bury whom he help’d to starve.
    • May some choice patron bless each gray goose quill!
    • May every Bavius have his Bufo still!250
    • So when a statesman wants a day’s defence,
    • Or Envy holds a whole week’s war with Sense,
    • Or simple Pride for flatt’ry makes demands,
    • May dunce by dunce be whistled off my hands!
    • Bless’d be the great! for those they take away,
    • And those they left me—for they left me Gay ;
    • Left me to see neglected Genius bloom,
    • Neglected die, and tell it on his tomb:
    • Of all thy blameless life the sole return
    • My Verse, and Queensb’ry weeping o’er thy urn!260
    • Oh let me live my own, and die so too
    • (To live and die is all I have to do)!
    • Maintain a poet’s dignity and ease,
    • And see what friends, and read what books I please;
    • Above a Patron, tho’ I condescend
    • Sometimes to call a minister my Friend.
    • I was not born for courts or great affairs;
    • I pay my debts, believe, and say my prayers;
    • Can sleep without a poem in my head,
    • Nor know if Dennis be alive or dead.270
    • Why am I ask’d what next shall see the light?
    • Heav’ns! was I born for nothing but to write?
    • Has life no joys for me? or (to be grave)
    • Have I no friend to serve, no soul to save?
    • ‘I found him close with Swift’—‘Indeed? no doubt
    • (Cries prating Balbus) something will come out.’
    • ’T is all in vain, deny it as I will;
    • ‘No, such a genius never can lie still:’
    • And then for mine obligingly mistakes279
    • The first lampoon Sir Will or Bubo makes.
    • Poor guiltless I! and can I choose but smile,
    • When ev’ry coxcomb knows me by my style?
    • Curst be the verse, how well soe’er it flow,
    • That tends to make one worthy man my foe,
    • Give Virtue scandal, Innocence a fear,
    • Or from the soft-eyed virgin steal a tear!
    • But he who hurts a harmless neighbour’s peace,
    • Insults fall’n Worth, or Beauty in distress,
    • Who loves a lie, lame Slander helps about,
    • Who writes a libel, or who copies out;290
    • That fop whose pride affects a patron’s name,
    • Yet absent, wounds an author’s honest fame;
    • Who can your merit selfishly approve,
    • And show the sense of it without the love;
    • Who has the vanity to call you friend,
    • Yet wants the honour, injured, to defend;
    • Who tells whate’er you think, whate’er you say,
    • And, if he lie not, must at least betray;
    • Who to the Dean and Silver Bell can swear,299
    • And sees at Canons what was never there;
    • Who reads but with a lust to misapply,
    • Make satire a lampoon, and fiction lie:
    • A lash like mine no honest man shall dread,
    • But all such babbling blockheads in his stead.
    • Let Sporus tremble—A. What? that thing of silk,
    • Sporus, that mere white curd of Ass’s milk?
    • Satire or sense, alas! can Sporus feel?
    • Who breaks a butterfly upon a wheel?
    • P. Yet let me flap this bug with gilded wings,
    • This painted child of dirt, that stinks and stings;310
    • Whose buzz the witty and the fair annoys,
    • Yet Wit ne’er tastes, and Beauty ne’er enjoys;
    • So well-bred spaniels civilly delight
    • In mumbling of the game they dare not bite.
    • Eternal smiles his emptiness betray,
    • As shallow streams run dimpling all the way,
    • Whether in florid impotence he speaks,
    • And, as the prompter breathes, the puppet squeaks,
    • Or at the ear of Eve, familiar toad,
    • Half froth, half venom, spits himself abroad,320
    • In puns, or politics, or tales, or lies,
    • Or spite, or smut, or rhymes, or blasphemies;
    • His wit all see-saw between that and this, }
    • Now high, now low, now master up, now miss, }
    • And he himself one vile Antithesis. }
    • Amphibious thing! that acting either part,
    • The trifling head, or the corrupted heart;
    • Fop at the toilet, flatt’rer at the board,
    • Now trips a lady, and now struts a lord.
    • Eve’s tempter thus the Rabbins have exprest,330
    • A cherub’s face, a reptile all the rest;
    • Beauty that shocks you, Parts that none will trust,
    • Wit that can creep, and Pride that licks the dust.
    • Not Fortune’s worshipper, nor Fashion’s fool,
    • Not Lucre’s madman, nor Ambition’s tool,
    • Not proud nor servile;—be one poet’s praise,
    • That if he pleas’d, he pleas’d by manly ways:
    • That flatt’ry ev’n to Kings, he held a shame,
    • And thought a lie in verse or prose the same;339
    • That not in fancy’s maze he wander’d long,
    • But stoop’d to truth, and moralized his song;
    • That not for Fame, but Virtue’s better end,
    • He stood the furious foe, the timid friend,
    • The damning critic, half approving wit,
    • The coxcomb hit, or fearing to be hit;
    • Laugh’d at the loss of friends he never had,
    • The dull, the proud, the wicked, and the mad;
    • The distant threats of vengeance on his head,
    • The blow unfelt, the tear he never shed;349
    • The tale revived , the lie so oft o’erthrown,
    • Th’ imputed trash and dulness not his own;
    • The morals blacken’d when the writings ’scape,
    • The libell’d person, and the pictured shape;
    • Abuse on all he lov’d, or lov’d him, spread,
    • A friend in exile, or a father dead;
    • The whisper, that, to greatness still too near,
    • Perhaps yet vibrates on his Sov’reign’s ear—
    • Welcome for thee, fair Virtue! all the past:
    • For thee, fair Virtue! welcome ev’n the last!
    • A. But why insult the poor? affront the great?360
    • P. A knave ’s a knave to me in ev’ry state;
    • Alike my scorn, if he succeed or fail,
    • Sporus at court, or Japhet in a jail;
    • A hireling scribbler, or a hireling peer,
    • Knight of the post corrupt , or of the shire;
    • If on a Pillory, or near a Throne,
    • He gain his prince’s ear, or lose his own.
    • Yet soft by nature, more a dupe than wit,
    • Sappho can tell you how this man was bit:
    • This dreaded Satirist Dennis will confess
    • Foe to his pride, but friend to his distress :371
    • So humble, he has knock’d at Tibbald’s door,
    • Has drunk with Cibber, nay, has rhymed for Moore.
    • Full ten years slander’d, did he once reply?
    • Three thousand suns went down on Welsted’s lie .
    • To please a mistress one aspers’d his life;
    • He lash’d him not, but let her be his wife:
    • Let Budgell charge low Grub-street on his quill,
    • And write whate’er he pleased, except his will;379
    • Let the two Curlls of town and court abuse
    • His father, mother, body, soul, and muse:
    • Yet why? that father held it for a rule,
    • It was a sin to call our neighbour fool;
    • That harmless mother thought no wife a whore:
    • Hear this, and spare his family, James Moore!
    • Unspotted names, and memorable long,
    • If there be force in Virtue, or in Song.
    • Of gentle blood (part shed in honour’s cause,
    • While yet in Britain honour had applause)
    • Each parent sprung—A. What fortune, pray?—
    • P. Their own;390
    • And better got than Bestia’s from the throne.
    • Born to no pride, inheriting no strife,
    • Nor marrying discord in a noble wife ,
    • Stranger to civil and religious rage,
    • The good man walk’d innoxious thro’ his age.
    • No courts he saw, no suits would ever try,
    • Nor dared an oath, nor hazarded a lie.
    • Unlearn’d, he knew no schoolman’s subtle art,
    • No language but the language of the heart.
    • By Nature honest, by Experience wise,400
    • Healthy by Temp’rance and by Exercise;
    • His life, tho’ long, to sickness pass’d unknown,
    • His death was instant and without a groan.
    • O grant me thus to live, and thus to die!
    • Who sprung from kings shall know less joy than I.
    • O friend! may each domestic bliss be thine!
    • Be no unpleasing melancholy mine:
    • Me, let the tender office long engage
    • To rock the cradle of reposing Age,409
    • With lenient arts extend a Mother’s breath,
    • Make Languor smile, and smooth the bed of Death;
    • Explore the thought, explain the asking eye,
    • And keep a while one parent from the sky!
    • On cares like these if length of days attend,
    • May Heav’n, to bless those days, preserve my friend!
    • Preserve him social, cheerful, and serene,
    • And just as rich as when he serv’d a Queen .
    • A. Whether that blessing be denied or giv’n,
    • Thus far was right;—the rest belongs to Heav’n.

[Page 176.]Epistle to Dr. Arbuthnot. For John Arbuthnot see Glossary.

Advertisement. Lines 6, 7. Of these papers the former was said to be a joint production of Lady Mary Wortley Montagu and Lord Hervey; the latter was written by Hervey alone. See Carruthers’ Life of Pope, ch. viii.

[Line 1.] John Searl, Pope’s body-servant for many years.

[Line 13.]The Mint, a place to which insolvent debtors retired, to enjoy an illegal protection, which they were there suffered to afford one another, from the persecution of their creditors. (Warburton.)

[Line 23.]Arthur. Arthur Moore, a prominent politician, father of the James Moore-Smythe whom Pope so often ridiculed.

[Line 40.]Keep your piece nine years.

  • ‘Novemque prematur in annum.’
  • Horace, De Arte Poetica, 388.

[Line 43.]Term. The London ‘season.’

[Line 51.]Pitholeon, the name taken from a foolish poet of Rhodes, who pretended much to Greek. (Pope.)

[Line 53.] Edmund Curll was a piratical bookseller who did Pope several ill turns, as in publishing some of his private letters (see 113 below), and printing in his name various sorts of rubbish (see 351 below, and Pope’s note).

[Line 54.] The London Journal favored the Whigs. Pope was very little of a politician, but his leaning was toward the Tories.

[Line 62.] Bernard Lintot, after 1712, published much of Pope’s work.

[Line 72.]Some say his Queen. The story is told by some of his Barber, but by Chaucer of his Queen. See Wife of Bath’s Tale. (Pope.)

[Line 100.]Philips. Ambrose Philips, of whom Bishop Bolter became patron.

[Line 101.]Sappho. Lady Mary Wortley Montagu.

[Line 118.]You have an eye. It is remarkable that, amongst these complaints on his infirmities and deformities, he mentions his eye, which was fine and piercing. (Warburton.)

[Line 128.]I lisped in numbers.

  • ‘Sponte sua carmen numeros veniebat ad aptos,
  • Et, quod tentabam dicere, versus erat.’
  • Ovid, Tristia, 4, x. 25, 26.

[Line 135.]Granville. George Granville, afterwards Lord Lansdown, known for his poems, most of which he composed very young. (Pope.)

Granville, Mr. Walsh, and Dr. Garth are mentioned in Pope’s first note to the Pastorals as among those who encouraged him in his earliest efforts.

[Line 139.]Talbot, Somers, Sheffield. These are the persons to whose account the author charges the publication of his first pieces, persons with whom he was conversant (and he adds beloved) at sixteen or seventeen years of age, an early period for such acquaintance. The catalogue might have been made yet more illustrious had he not confined it to that time when he writ the Pastorals and Windsor Forest, on which he passes a sort of censure in the lines following [147-150]. (Pope.)

[Line 146.]Burnets, etc. Authors of secret and scandalous history. (Pope.)

[Line 149.]Fanny. Lord Hervey, the Sporus of lines 305-333 below.

[Line 151.]Gildon. Charles Gildon, a critic who had abused Pope.

[Line 153.]Dennis. John Dennis, a free-lance in letters, and one of the favorite butts of Pope’s satire. It was he who indirectly caused the difference between Pope and Addison. See Glossary.

[Line 164.]Slashing Bentleys, etc. Bentley’s edition of Paradise Lost, which appeared in 1732, was at once the last and the least worthy effort of his critical prowess; as to Theobald’s Shakspere, it was an honest and not wholly unsuccessful piece of work, and a better edition than Pope’s own. Bentley’s Milton is better characterized in Imitations of Horace, i. Ep. of ii. Bk. vv. 103-4. (Ward.)

[Line 179.]The bard whom pilfer’d pastorals renown. Ambrose Philips. Charles Gildon ranked him with Theocritus and Virgil.

[Line 190.]Tate. Nahum Tate was then poet laureate, ‘the author of the worst alterations of Shakespeare,’ says Professor Craik, ‘the worst version of the Psalms of David, and the worst continuation of a great poem [Dryden’s Absalom and Achitophel] extant.’

[Line 218.]On wings of winds, etc. Pope credits this line to Hopkins’s paraphrase of Psalm civ.

[Line 232.]Bufo probably stands for Lord Halifax.

[Line 236.]And a true Pindar stood without a head. Ridicules the affectation of Antiquaries, who frequently exhibit the headless trunks and terms of statues, for Plato, Homer, Pindar, etc. (Pope.)

[Line 248.]He help’d to bury, etc. Mr. Dryden, after having lived in exigencies, had a magnificent funeral bestowed upon him by the contribution of several persons of quality. (Pope.)

[Line 256.]Gay. John Gay (1688-1732), author of the famous Beggar’s Opera, and one of Pope’s best friends. In his last years he was taken excellent care of by the Duke of Queensbury (260, below), and died by no means a pauper.

[Line 280.]Sir Will or Bubo. See Essay on Man, IV. 278 and note.

[Line 299.]The Dean and Silver Bell. Pope had been accused of ridiculing, in the Essay on Taste, the furniture and appointments of Canons, the seat of the Duke of Chandos, where Pope had been received. Pope’s denial of the charge was accepted by the Duke.

[Line 305.]Sporus is John Lord Hervey, a well-known court favorite. He seems to have been at least harmless. Pope, for some unknown reason, conceived one of his violent antipathies for him; and the following lines, hardly less celebrated than those on Addison, are the result.

[Line 350.]The tale revived, etc. As that he received subscriptions to Shakespeare, that he set his name to Mr. Broome’s verses, etc., which, though publicly disproved, were nevertheless repeated in the libels. (Pope.)

[Line 351.]Th’ imputed trash. This imputed trash, such as profane psalms, court poems, and other scandalous things, printed in his name by Curll and others. (Pope.)

[Line 365.]Knight of the post corrupt. The so-called Knights of the Post stood about the sheriff’s pillars near the courts, in readiness to swear anything for pay. (Ward.)

[Line 371.]Friend to his distress. In 1733 Pope wrote a prologue to a play given for the benefit of Dennis, who was then old, blind, and not far from death.

[Line 374.]Ten years. It was so long after many libels before the author of the Dunciad published that poem, till when he never writ a word in answer to the many scurrilities and falsehoods concerning him. (Pope.)

[Line 375.]Welsted’s lie. This man had the impudence to tell in print that Mr. P. had occasioned a lady’s death, and to name a person he never heard of. (Pope.)

[Line 379.]Budgell was charged with forging a will, with profit to himself.

[Line 391.]Bestia. L. Calpurnius Bestia, who here seems to signify the Duke of Marlborough, was a Roman proconsul, bribed by Jugurtha into a dishonorable peace. (Ward.)

[Line 393.]Discord in a noble wife. Dryden had married Lady Howard, and Addison the Countess of Warwick.

[Line 417.] Dr. Arbuthnot had been the favorite physician of Queen Anne.