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MORAL ESSAYS - Alexander Pope, The Complete Poetical Works of Alexander Pope [1903]

Edition used:

The Complete Poetical Works of Alexander Pope. Cambridge Edition, ed. Henry W. Boynton (Boston and New York: Houghton, Mifflin and Co., 1903).

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MORAL ESSAYS

  • Est brevitate opus, ut currat sententia, neu se
  • Impediat verbis lassas onerantibus aures:
  • Et sermone opus est modo tristi, sæpe jocoso,
  • Defendente vicem modo rhetoris atque poetæ,
  • Interdum urbani, parcentis viribus, atque
  • Extenuantis eas consulto.
  • Horace.

The present order of the Moral Essays is very different from that of their original publication. The fifth epistle (to Addison) was written in 1715, and published five years later in Tickell’s edition of Addison’s works. The fourth epistle (to the Earl of Burlington) was published in 1731, under the title Of Taste. The third epistle (to Lord Bathurst) was published in 1732, and followed in 1733 by the first epistle (to Lord Cobham). The second epistle (to a Lady) was published in 1735. The whole series appeared in their present order, under the direction of Warburton, after Pope’s death.

Though it is doubtful how far it suggests Pope’s primary intention, Warburton’s Advertisement is here printed because Pope undoubtedly wished it, with its flattering implication of his philosophical breadth, to be accepted as a true statement of a plan which was plainly broader than its execution.

ADVERTISEMENT

The Essay on Man was intended to be comprised in four books:—

The first of which the author has given us under that title in four epistles.

The second was to have consisted of the same number: 1. Of the extent and limits of human reason. 2. Of those arts and sciences, and of the parts of them, which are useful, and therefore attainable; together with those which are unuseful, and therefore unattainable. 3. Of the nature, ends, use, and application of the different capacities of men. 4. Of the use of learning; of the science of the world; and of wit; concluding with a satire against the misapplication of them, illustrated by pictures, characters, and examples.

The third book regarded civil regimen, or the science of politics; in which the several forms of a republic were to be examined and explained; together with the several modes of religious worship, as far forth as they affect society: between which the author always supposed there was the most interesting relation and closest connection. So that this part would have treated of civil and religious society in their full extent.

The fourth and last book concerned private ethics, or practical morality, considered in all the circumstances, orders, professions, and stations of human life.

The scheme of all this had been maturely digested, and communicated to Lord Bolingbroke, Dr. Swift, and one or two more; and was intended for the only work of his riper years; but was, partly through ill health, partly through discouragements from the depravity of the times; and partly on prudential and other considerations, interrupted, postponed, and lastly, in a manner, laid aside.

But as this was the author’s favourite work, which more exactly reflected the image of his strong capacious mind, and as we can have but a very imperfect idea of it from the disjecta membra poetœ that now remain, it may not be amiss to be a little more particular concerning each of these projected books.

The first, as it treats of man in the abstract, and considers him in general under every one of his relations, becomes the foundation, and furnishes out the subjects of the three following: so that—

The second book was to take up again the first and second epistles of the first book, and to treat of man in his intellectual capacity at large, as has been explained above. Of this only a small part of the conclusion (which, as we said, was to have contained a satire against the misapplication of wit and learning) may be found in the fourth book of the Dunciad; and up and down, occasionally, in the other three.

The third book, in like manner, was to reassume the subject of the third epistle of the first, which treats of man in his social, political, and religious capacity. But this part the poet afterwards conceived might be best executed in an epic poem, as the action would make it more animated, and the fable less invidious; in which all the great principles of true and false governments and religions should be chiefly delivered in feigned examples.

The fourth and last book was to pursue the subject of the fourth epistle of the first, and to treat of ethics, or practical morality; and would have consisted of many members, of which the four following epistles are detached portions; the two first, on the characters of men and women, being the introductory part of this concluding book.

EPISTLE I[ ]

TO SIR RICHARD TEMPLE, LORD COBHAM

of the knowledge and characters of men

ARGUMENT

I. That it is not sufficient for this knowledge to consider Man in the abstract; Books will not serve the purpose, nor yet our own Experience singly. General maxims, unless they be formed upon both, will be but notional. Some peculiarity in every man, characteristic to himself, yet varying from himself. Difficulties arising from our own Passions, Fancies, Faculties, &c. The shortness of Life to observe in, and the uncertainty of the Principles of action in men to observe by. Our own Principle of action often hid from ourselves. Some few Characters plain, but in general confounded, dissembled, or inconsustent. The same man utterly different in different places and seasons. Unimaginable weaknesses in the greatest. Nothing constant and certain but God and Nature. No judging of the Motives from the actions; the same actions proceeding from contrary Motives, and the same Motives influencing contrary actions. II. Yet to form Characters we can only take the strongest actions of a man’s life, and try to make them agree: the utter uncertainty of this, from Nature itself, and from Policy. Characters given according to the rank of men of the world; and some reason for it. Education alters the Nature, or at least the Character, of many. Actions, Passions, Opinions, Manners, Humours, or Principles, all subject to change. No judging by Nature. III. It only remains to find (if we can) his Ruling Passion: that will certainly influence all the rest, and can reconcile the seeming or real inconsistency of all his actions. Instanced in the extraordinary character of Clodio. A caution against mistaking second qualities for first, which will destroy all possibility of the knowledge of mankind. Examples of the strength of the Ruling Passion, and its continuation to the last breath.

    • Yes, you despise the man to books confin’d,
    • Who from his study rails at humankind;
    • Tho’ what he learns he speaks, and may advance
    • Some gen’ral maxims, or be right by chance.
    • The coxcomb bird, so talkative and grave,
    • That from his cage cries cuckold, whore, and knave,
    • Tho’ many a passenger he rightly call,
    • You hold him no philosopher at all.
    • And yet the fate of all extremes is such,
    • Men may be read, as well as books, too much.10
    • To observations which ourselves we make,
    • We grow more partial for th’ observer’s sake;
    • To written wisdom, as another’s, less:
    • Maxims are drawn from Notions, those from Guess.
    • There ’s some peculiar in each leaf and grain,
    • Some unmark’d fibre, or some varying vein.
    • Shall only man be taken in the gross?
    • Grant but as many sorts of mind as moss.
    • That each from other differs, first confess;
    • Next, that he varies from himself no less:
    • And Nature’s, Custom’s, Reason’s, Passion’s strife,21
    • And all Opinion’s colours cast on life.
    • Our depths who fathoms, or our shallows finds,
    • Quick whirls and shifting eddies of our minds?
    • On human actions reason tho’ you can,
    • It may be Reason, but it is not Man:
    • His Principle of action once explore,
    • That instant ’t is his Principle no more.
    • Like following life thro’ creatures you dissect,
    • You lose it in the moment you detect.30
    • Yet more; the diff’rence is as great between
    • The optics seeing as the objects seen.
    • All Manners take a tincture from our own,
    • Or come discolour’d thro’ our Passions shown;
    • Or Fancy’s beam enlarges, multiplies,
    • Contracts, inverts, and gives ten thousand dyes.
    • Nor will life’s stream for observation stay,
    • It hurries all too fast to mark their way:
    • In vain sedate reflections we would make,
    • When half our knowledge we must snatch, not take.40
    • Oft in the Passions’ wide rotation toss’d,
    • Our spring of action to ourselves is lost:
    • Tired, not determin’d, to the last we yield,
    • And what comes then is master of the field.
    • As the last image of that troubled heap,
    • When Sense subsides, and Fancy sports in sleep
    • (Tho’ past the recollection of the thought),
    • Becomes the stuff of which our dream is wrought:
    • Something as dim to our internal view49
    • Is thus, perhaps, the cause of most we do.
    • True, some are open, and to all men known;
    • Others so very close they ’re hid from none
    • (So darkness strikes the sense no less than light):
    • Thus gracious Chandos is belov’d at sight;
    • And ev’ry child hates Shylock, tho’ his soul
    • Still sits at squat, and peeps not from its hole.
    • At half mankind when gen’rous Manly raves,
    • All know ’t is virtue, for he thinks them knaves:
    • When universal homage Umbra pays,
    • All see ’t is vice, and itch of vulgar praise.
    • When Flatt’ry glares, all hate it in a Queen ,61
    • While one there is who charms us with his spleen.
    • But these plain Characters we rarely find;
    • Tho’ strong the bent, yet quick the turns of mind:
    • Or puzzling contraries confound the whole;
    • Or affectations quite reverse the soul.
    • The dull flat falsehood serves for policy;
    • And in the cunning truth itself ’s a lie:
    • Unthought-of frailties cheat us in the wise:
    • The fool lies hid in inconsistencies.70
    • See the same man, in vigour, in the gout;
    • Alone, in company, in place, or out;
    • Early at bus’ness, and at hazard late,
    • Mad at a fox-chase, wise at a debate,
    • Drunk at a Borough, civil at a Ball,
    • Friendly at Hackney, faithless at Whitehall!
    • Catius is ever moral, ever grave,
    • Thinks who endures a knave is next a knave,
    • Save just at dinner—then prefers, no doubt,
    • A rogue with ven’son to a saint without.80
    • Who would not praise Patricio’s high desert,
    • His hand unstain’d, his uncorrupted heart,
    • His comprehensive head? all int’rests weigh’d,
    • All Europe saved, yet Britain not betray’d!
    • He thanks you not, his pride is in Piquet,
    • Newmarket fame, and judgment at a bet.
    • What made (say, Montaigne, or more sage Charron)
    • Otho a warrior, Cromwell a buffoon?
    • A perjured prince a leaden saint revere,
    • A godless regent tremble at a star ?90
    • The throne a bigot keep, a genius quit,
    • Faithless thro’ piety, and duped thro’ wit?
    • Europe a woman, child, or dotard, rule;
    • And just her wisest monarch made a fool?
    • Know, God and Nature only are the same:
    • In man the judgment shoots at flying game;
    • A bird of passage! gone as soon as found;
    • Now in the moon, perhaps now under ground.
    • In vain the sage, with retrospective eye,
    • Would from th’ apparent What conclude the Why,100
    • Infer the Motive from the Deed, and show
    • That what we chanced was what we meant to do.
    • Behold! if Fortune or a Mistress frowns,
    • Some plunge in bus’ness, others shave their crowns:
    • To ease the soul of one oppressive weight,
    • This quits an empire, that embroils a state
    • The same adust complexion has impell’d
    • Charles to the convent, Philip to the field.
    • Not always Actions show the man: we find109
    • Who does a kindness is not therefore kind;
    • Perhaps Prosperity becalm’d his breast;
    • Perhaps the wind just shifted from the east:
    • Not therefore humble he who seeks retreat;
    • Pride guides his steps, and bids him shun the great:
    • Who combats bravely is not therefore brave;
    • He dreads a death-bed like the meanest slave:
    • Who reasons wisely is not therefore wise;
    • His pride in reas’ning, not in acting, lies.
    • But grant that Actions best discover man;
    • Take the most strong, and sort them as you can:120
    • The few that glare each character must mark;
    • You balance not the many in the dark.
    • What will you do with such as disagree?
    • Suppress them, or miscall them Policy?
    • Must then at once (the character to save)
    • The plain rough hero turn a crafty knave?
    • Alas! in truth the man but changed his mind;
    • Perhaps was sick, in love, or had not din’d.
    • Ask why from Britain Cæsar would retreat?129
    • Cæsar himself might whisper he was beat.
    • Why risk the world’s great empire for a punk?
    • Cæsar perhaps might answer, he was drunk.
    • But, sage historians! ’t is your task to prove
    • One action, Conduct, one, heroic Love.
    • ’T is from high life high characters are drawn;
    • A saint in crape is twice a saint in lawn;
    • A judge is just, a chancellor juster still;
    • A gownman learn’d; a bishop what you will;
    • Wise if a minister; but if a king,
    • More wise, more learn’d, more just, more ev’rything.140
    • Court-virtues bear, like gems, the highest rate,
    • Born where Heav’n’s influence scarce can penetrate.
    • In life’s low vale, the soil the virtues like,
    • They please as beauties, here as wonders strike.
    • Tho’ the same sun, with all-diffusive rays,
    • Blush in the rose, and in the diamond blaze,
    • We prize the stronger effort of his power,
    • And justly set the gem above the flower.
    • ’T is education forms the common mind;
    • Just as the twig is bent the tree’s inclin’d.
    • Boastful and rough, your first son is a Squire;151
    • The next a Tradesman, meek, and much a liar;
    • Tom struts a Soldier, open, bold, and brave;
    • Will sneaks a Scriv’ner, an exceeding knave.
    • Is he a Churchman? then he ’s fond of power: }
    • A Quaker? sly: a Presbyterian? sour: }
    • A smart Free-thinker? all things in an hour. }
    • Ask men’s opinions! Scoto now shall tell
    • How trade increases, and the world goes well:
    • Strike off his pension by the setting sun,160
    • And Britain, if not Europe, is undone.
    • That gay Free-thinker, a fine talker once,
    • What turns him now a stupid silent dunce?
    • Some god or spirit he has lately found,
    • Or chanced to meet a Minister that frown’d.
    • Judge we by Nature? Habit can efface,
    • Int’rest o’ercome, or Policy take place:
    • By Actions? those Uncertainty divides:
    • By Passions? these Dissimulation hides:
    • Opinions? they still take a wider range:
    • Find, if you can, in what you cannot change.171
    • Manners with Fortunes, Humours turn with Climes,
    • Tenets with Books, and Principles with Times.
    • Search then the Ruling Passion: there alone,
    • The wild are constant, and the cunning known;
    • The fool consistent, and the false sincere;
    • Priests, princes, women, no dissemblers here.
    • This clue once found unravels all the rest,
    • The prospect clears, and Wharton stands confest:
    • Wharton! the scorn and wonder of our days,180
    • Whose Ruling Passion was the lust of praise:
    • Born with whate’er could win it from the wise,
    • Women and fools must like him, or he dies:
    • Tho’ wond’ring Senates hung on all he spoke,
    • The Club must hail him master of the joke.
    • Shall parts so various aim at nothing new?
    • He ’ll shine a Tully and a Wilmot too:
    • Then turns repentant, and his God adores
    • With the same spirit that he drinks and whores;
    • Enough if all around him but admire,190
    • And now the Punk applaud, and now the Friar.
    • Thus with each gift of Nature and of Art,
    • And wanting nothing but an honest heart;
    • Grown all to all, from no one vice exempt,
    • And most contemptible, to shun contempt;
    • His passion still to covet gen’ral praise;
    • His life, to forfeit it a thousand ways;
    • A constant bounty which no friend has made;
    • An angel tongue which no man can persuade!
    • A fool with more of wit than half mankind,200
    • Too rash for thought, for action too refin’d;
    • A tyrant to the wife his heart approves;
    • A rebel to the very king he loves—
    • He dies, sad outcast of each church and state,
    • And, harder still! flagitious, yet not great!
    • Ask you why Wharton broke thro’ ev’ry rule?
    • ’T was all for fear the Knaves should call him Fool.
    • Nature well known, no prodigies remain;
    • Comets are regular, and Wharton plain.
    • Yet in this search the wisest may mistake,210
    • If second qualities for first they take.
    • When Catiline by rapine swell’d his store,
    • When Cæsar made a noble dame a whore,
    • In this the Lust, in that the Avarice
    • Were means, not ends; Ambition was the vice.
    • That very Cæsar, born in Scipio’s days,
    • Had aim’d, like him, by chastity at praise,
    • Lucullus, when Frugality could charm,
    • Had roasted turnips in the Sabine farm.
    • In vain th’ observer eyes the builder’s toil,
    • But quite mistakes the scaffold for the pile.221
    • In this one passion man can strength enjoy,
    • As fits give vigour just when they destroy.
    • Time, that on all things lays his lenient hand,
    • Yet tames not this; it sticks to our last sand.
    • Consistent in our follies and our sins,
    • Here honest Nature ends as she begins.
    • Old politicians chew on wisdom past,
    • And totter on in bus’ness to the last;
    • As weak, as earnest, and as gravely out230
    • As sober Lanesb’row dancing in the gout.
    • Behold a rev’rend sire, whom want of grace
    • Has made the father of a nameless race,
    • Shov’d from the wall perhaps, or rudely press’d
    • By his own son, that passes by unbless’d;
    • Still to his wench he crawls on knocking knees,
    • And envies ev’ry sparrow that he sees.
    • A salmon’s belly, Helluo, was thy fate;
    • The doctor call’d, declares all help too late.
    • ‘Mercy!’ cries Helluo, ‘mercy on my soul!
    • Is there no hope?—Alas!—then bring the jowl.’241
    • The frugal crone, whom praying priests attend,
    • Still strives to save the hallow’d taper’s end,
    • Collects her breath, as ebbing life retires,
    • For one puff more, and in that puff expires.
    • ‘Odious! in woollen! ’t would a saint provoke’
    • (Were the last words that poor Narcissa spoke);
    • ‘No, let a charming chintz and Brussels lace
    • Wrap my cold limbs, and shade my lifeless face:
    • One would not, sure, be frightful when one ’s dead—250
    • And—Betty—give this cheek a little red.’
    • The courtier smooth, who forty years had shined
    • An humble servant to all humankind,
    • Just brought out this, when scarce his tongue could stir:—
    • ‘If—where I ’m going—I could serve you, sir?’
    • ‘I give and I devise (old Euclio said,
    • And sigh’d) my lands and tenements to Ned.’
    • ‘Your money, sir?’—‘My money, sir! what, all?
    • Why—if I must—(then wept) I give it Paul.’
    • ‘The manor, sir?’—‘The manor! hold,’ he cried,260
    • ‘Not that—I cannot part with that!’—and died.
    • And you, brave Cobham! to the latest breath
    • Shall feel your Ruling Passion strong in death;
    • Such in those moments as in all the past,
    • ‘O save my country, Heav’n!’ shall be your last.

EPISTLE II[ ]

TO A LADY OF THE CHARACTERS OF WOMEN

ARGUMENT

That the particular Characters of women are not so strongly marked as those of men, seldom so fixed, and still more inconsistent with themselves. Instances of contrarieties given, even from such Characters as are more strongly marked, and seemingly, therefore, most consistent: as, 1. In the affected. 2. In the soft-natured. 3. In the cunning and artful. 4. In the whimsical. 5. In the lewd and vicious. 6. In the witty and refined. 7. In the stupid and simple. The former part having shown that the particular characters of women are more various than those of men, it is nevertheless observed that the general characteristic of the sex, as to the Ruling Passion, is more uniform. This is occasioned partly by their Nature, partly by their Education, and in some degree by Necessity. What are the aims and the fate of this sex: 1. As to Power. 2. As to Pleasure. Advice for their true interest. The picture of an estimable woman, with the best kind of contrarieties.

    • Nothing so true as what you once let fall,
    • ‘Most women have no Characters at all:’
    • Matter too soft a lasting mark to bear,
    • And best distinguish’d by black, brown, or fair.
    • How many pictures of one nymph we view,
    • And how unlike each other, all how true!
    • Arcadia’s countess here, in ermined pride,
    • Is there, Pastora by a fountain side:
    • Here Fannia, leering on her own good man,
    • And there a naked Leda with a swan.10
    • Let then the fair one beautifully cry,
    • In Magdalen’s loose hair and lifted eye;
    • Or drest in smiles of sweet Cecilia shine,
    • With simp’ring angels, palms, and harps divine;
    • Whether the charmer sinner it, or saint it,
    • If folly grow romantic, I must paint it.
    • Come, then, the colours and the ground prepare;
    • Dip in the rainbow, trick her off in air;
    • Choose a firm cloud before it fall, and in it
    • Catch, ere she change, the Cynthia of this minute.20
    • Rufa, whose eye quick glancing o’er the park,
    • Attracts each light gay meteor of a spark,
    • Agrees as ill with Rufa studying Locke,
    • As Sappho’s diamonds with her dirty smock,
    • Or Sappho at her toilet’s greasy task,
    • With Sappho fragrant at an ev’ning Masque:
    • So morning insects, that in muck begun,
    • Shine, buzz, and fly-blow in the setting sun.
    • How soft is Silia! fearful to offend;
    • The frail one’s advocate, the weak one’s friend.30
    • To her Calista proved her conduct nice,
    • And good Simplicius asks of her advice.
    • Sudden she storms! she raves! you tip the wink:
    • But spare your censure; Silia does not drink.
    • All eyes may see from what the change arose;
    • All eyes may see—a Pimple on her nose.
    • Papillia, wedded to her am’rous spark,
    • Sighs for the shades—‘How charming is a park!’
    • A park is purchased; but the Fair he sees
    • All bathed in tears—‘Oh, odious, odious trees!’40
    • Ladies, like variegated tulips, show;
    • ’T is to their changes half their charms we owe:
    • Fine by defect, and delicately weak,
    • Their happy spots the nice admirer take.
    • ’T was thus Calypso once each heart alarm’d,
    • Awed without virtue, without beauty charm’d;
    • Her tongue bewitch’d as oddly as her eyes;
    • Less Wit than Mimic, more a Wit than wise.
    • Strange graces still, and stranger flights, she had,
    • Was just not ugly, and was just not mad;50
    • Yet ne’er so sure our passion to create,
    • As when she touch’d the brink of all we hate.
    • Narcissa’s nature, tolerably mild,
    • To make a wash would hardly stew a child;
    • Has ev’n been prov’d to grant a lover’s prayer,
    • And paid a tradesman once to make him stare;
    • Gave alms at Easter in a Christian trim,
    • And made a widow happy for a whim.
    • Why then declare Good-nature is her scorn,59
    • When ’t is by that alone she can be borne?
    • Why pique all mortals, yet affect a name?
    • A fool to Pleasure, yet a slave to Fame:
    • Now deep in Taylor and the Book of Martyrs,
    • Now drinking citron with his Grace and Chartres:
    • Now conscience chills her, and now passion burns,
    • And atheism and religion take their turns:
    • A very heathen in the carnal part,
    • Yet still a sad good Christian at her heart.
    • See Sin in state, majestically drunk,
    • Proud as a peeress, prouder as a punk;70
    • Chaste to her husband, frank to all beside,
    • A teeming mistress, but a barren bride.
    • What then? let blood and body bear the fault;
    • Her head ’s untouch’d, that noble seat of Thought:
    • Such this day’s doctrine—in another fit
    • She sins with poets thro’ pure love of Wit.
    • What has not fired her bosom or her brain?
    • Cæsar and Tall-boy, Charles and Charlemagne.
    • As Helluo, late dictator of the feast,
    • The nose of Hautgout, and the tip of Taste,
    • Critiqued your wine, and analyzed your meat,81
    • Yet on plain pudding deign’d at home to eat:
    • So Philomede , lecturing all mankind
    • On the soft passion, and the taste refin’d,
    • The address, the delicacy—stoops at once,
    • And makes her hearty meal upon a dunce.
    • Flavia ’s a Wit, has too much sense to pray;
    • To toast our wants and wishes is her way;
    • Nor asks of God, but of her stars, to give
    • The mighty blessing ‘while we live to live.’90
    • Then all for death, that opiate of the soul!
    • Lucretia’s dagger, Rosamonda’s bowl.
    • Say, what can cause such impotence of mind?
    • A Spark too fickle, or a Spouse too kind.
    • Wise wretch! with pleasures too refin’d to please;
    • With too much spirit to be e’er at ease;
    • With too much quickness ever to be taught;
    • With too much thinking to have common thought:
    • You purchase Pain with all that Joy can give,
    • And die of nothing but a rage to live.100
    • Turn then from Wits, and look on Simo’s mate,
    • No ass so meek, no ass so obstinate:
    • Or her that owns her faults but never mends,
    • Because she ’s honest, and the best of friends:
    • Or her whose life the church and scandal share,
    • For ever in a Passion or a Prayer:
    • Or her who laughs at Hell, but (like her Grace )
    • Cries, ‘Ah! how charming if there ’s no such place!’
    • Or who in sweet vicissitude appears109
    • Of Mirth and Opium, Ratifie and Tears;
    • The daily anodyne and nightly draught,
    • To kill those foes to fair ones, Time and Thought.
    • Woman and fool are two hard things to hit;
    • For true No-meaning puzzles more than Wit.
    • But what are these to great Atossa’s mind?
    • Scarce once herself, by turns all womankind!
    • Who with herself, or others, from her birth
    • Finds all her life one warfare upon earth;
    • Shines in exposing knaves and painting fools,
    • Yet is whate’er she hates and ridicules;120
    • No thought advances, but her eddy brain
    • Whisks it about, and down it goes again.
    • Full sixty years the World has been her Trade,
    • The wisest fool much time has ever made:
    • From loveless youth to unrespected age,
    • No passion gratified except her rage:
    • So much the Fury still outran the Wit,
    • The pleasure miss’d her, and the scandal hit.
    • Who breaks with her provokes revenge from Hell,
    • But he ’s a bolder man who dares be well.
    • Her ev’ry turn with violence pursued,131
    • Nor more a storm her hate than gratitude:
    • To that each Passion turns or soon or late;
    • Love, if it makes her yield, must make her hate.
    • Superiors? death! and equals? what a curse!
    • But an inferior not dependent? worse.
    • Offend her, and she knows not to forgive;
    • Oblige her, and she ’ll hate you while you live:
    • But die, and she ’ll adore you—then the bust
    • And temple rise —then fall again to dust.
    • Last night her lord was all that ’s good and great;141
    • A knave this morning, and his will a cheat.
    • Strange! by the means defeated of the ends,
    • By Spirit robb’d of power, by Warmth of friends,
    • By Wealth of foll’wers! without one distress,
    • Sick of herself thro’ very selfishness!
    • Atossa, curs’d with ev’ry granted prayer,
    • Childless with all her children, wants an heir:
    • To heirs unknown descends th’ unguarded store,
    • Or wanders, Heav’n-directed, to the poor.
    • Pictures like these, dear Madam! to design,151
    • Asks no firm hand and no unerring line;
    • Some wand’ring touches, some reflected light,
    • Some flying stroke, alone can hit ’em right:
    • For how should equal colours do the knack?
    • Chameleons who can paint in white and black?
    • ‘Yet Chloë sure was form’d without a spot.’
    • Nature in her then err’d not, but forgot.
    • ‘With ev’ry pleasing, ev’ry prudent part,
    • Say, what can Chloë want?’—She wants a Heart,160
    • She speaks, behaves, and acts just as she ought,
    • But never, never reach’d one gen’rous thought.
    • Virtue she finds too painful an endeavour,
    • Content to dwell in decencies for ever.
    • So very reasonable, so unmov’d,
    • As never yet to love or to be lov’d.
    • She, while her lover pants upon her breast,
    • Can mark the figures on an Indian chest;
    • And when she sees her friend in deep despair,
    • Observes how much a chintz exceeds mohair.170
    • Forbid it, Heav’n! a favour or a debt
    • She e’er should cancel!—but she may forget.
    • Safe is your secret still in Chloë’s ear;
    • But none of Chloë’s shall you ever hear.
    • Of all her Dears she never slander’d one,
    • But cares not if a thousand are undone.
    • Would Chloë know if you ’re alive or dead?
    • She bids her footman put it in her head.
    • Chloë is prudent—Would you too be wise?
    • Then never break your heart when Chloë dies.180
    • One certain portrait may (I grant) be seen,
    • Which Heav’n has varnish’d out and made a queen;
    • The same for ever! and described by all
    • With truth and goodness, as with crown and ball.
    • Poets heap virtues, painters gems, at will,
    • And show their zeal, and hide their want of skill.
    • ’T is well—but, artists! who can paint or write,
    • To draw the naked is your true delight.
    • That robe of Quality so struts and swells,
    • None see what parts of Nature it conceals:
    • Th’ exactest traits of body or of mind,191
    • We owe to models of an humble kind.
    • If Queensbury to strip there ’s no compelling,
    • ’T is from a handmaid we must take a Helen.
    • From peer or bishop ’t is no easy thing
    • To draw the man who loves his God or king.
    • Alas! I copy (or my draught would fail)
    • From honest Mah’met or plain parson Hale.
    • But grant, in public, men sometimes are shown;
    • A woman’s seen in private life alone:200
    • Our bolder talents in full light display’d;
    • Your virtues open fairest in the shade.
    • Bred to disguise, in public ’t is you hide;
    • There none distinguish ’twixt your shame or pride,
    • Weakness or delicacy; all so nice,
    • That each may seem a Virtue or a Vice.
    • In men we various Ruling Passions find;
    • In women two almost divide the kind;
    • Those only fix’d, they first or last obey,
    • The love of Pleasure, and the love of Sway.
    • That Nature gives; and where the lesson taught211
    • Is but to please, can Pleasure seem a fault?
    • Experience this: by man’s oppression curst,
    • They seek the second not to lose the first.
    • Men some to bus’ness, some to pleasure take;
    • But ev’ry woman is at heart a rake:
    • Men some to quiet, some to public strife;
    • But ev’ry lady would be queen for life.
    • Yet mark the fate of a whole sex of queens!
    • Power all their end, but Beauty all the means.220
    • In youth they conquer with so wild a rage,
    • As leaves them scarce a subject in their age:
    • For foreign glory, foreign joy they roam;
    • No thought of peace or happiness at home.
    • But wisdom’s triumph is well-timed retreat,
    • As hard a science to the Fair as Great!
    • Beauties, like tyrants, old and friendless grown,
    • Yet hate repose, and dread to be alone;
    • Worn out in public, weary ev’ry eye,
    • Nor leave one sigh behind them when they die.230
    • Pleasures the sex, as children birds, pursue,
    • Still out of reach, yet never out of view;
    • Sure, if they catch, to spoil the toy at most,
    • To covet flying, and regret when lost:
    • At last to follies youth could scarce defend,
    • It grows their age’s prudence to pretend;
    • Ashamed to own they gave delight before,
    • Reduced to feign it when they give no more.
    • As hags hold Sabbaths less for joy than spite,
    • So these their merry miserable night;240
    • Still round and round the Ghosts of Beauty glide,
    • And haunt the places where their Honour died.
    • See how the world its veterans rewards!
    • A youth of frolics, an old age of cards;
    • Fair to no purpose, artful to no end,
    • Young without lovers, old without a friend;
    • A Fop their passion, but their prize a Sot,
    • Alive ridiculous, and dead forgot!
    • Ah! friend! to dazzle let the vain design;
    • To raise the thought and touch the heart be thine!250
    • That charm shall grow, while what fatigues the Ring
    • Flaunts and goes down an unregarded thing.
    • So when the sun’s broad beam has tired the sight,
    • All mild ascends the moon’s more sober light,
    • Serene in virgin modesty she shines,
    • And unobserv’d the glaring orb declines.
    • O! blest with temper, whose unclouded ray257
    • Can make to-morrow cheerful as to-day;
    • She who can love a sister’s charms, or hear
    • Sighs for a daughter with unwounded ear;
    • She who ne’er answers till a husband cools,
    • Or, if she rules him, never shows she rules;
    • Charms by accepting, by submitting sways,
    • Yet has her humour most when she obeys;
    • Let Fops or Fortune fly which way they will,
    • Disdains all loss of tickets or Codille;
    • Spleen, Vapours, or Smallpox, above them all,
    • And mistress of herself, tho’ china fall.
    • And yet believe me, good as well as ill,
    • Woman ’s at best a contradiction still.270
    • Heav’n when it strives to polish all it can
    • Its last best work, but forms a softer Man;
    • Picks from each sex to make the fav’rite blest,
    • Your love of pleasure, our desire of rest;
    • Blends, in exception to all gen’ral rules,
    • Your taste of follies with our scorn of fools;
    • Reserve with Frankness, Art with Truth allied,
    • Courage with Softness, Modesty with Pride;
    • Fix’d principles, with fancy ever new:279
    • Shakes all together, and produces—You.
    • Be this a woman’s fame; with this unblest,
    • Toasts live a scorn, and Queens may die a jest.
    • This Phœbus promis’d (I forget the year)
    • When those blue eyes first open’d on the sphere;
    • Ascendant Phœbus watch’d that hour with care,
    • Averted half your parents’ simple prayer,
    • And gave you beauty, but denied the pelf
    • That buys your sex a tyrant o’er itself.
    • The gen’rous God, who wit and gold refines,
    • And ripens spirits as he ripens mines,290
    • Kept dross for Duchesses, the world shall know it,
    • To you gave Sense, Good-humour, and a Poet.

EPISTLE III[ ]

TO ALLEN, LORD BATHURST

of the use of riches

ARGUMENT

That it is known to few, most falling into one of the extremes, Avarice or Profusion. The point discussed, whether the invention of money has been more commodious or pernicious to mankind. That Riches, either to the Avaricious or the Prodigal, cannot afford happiness, scarcely necessaries. That Avarice is an absolute frenzy, without an end or purpose. Conjectures about the motives of avaricious men. That the conduct of men, with respect to Riches, can only be accounted for by the Order of Providence, which works the general good out of extremes, and brings all to its great end by perpetual revolutions. How a Miser acts upon principles which appear to him reasonable. How a Prodigal does the same. The due medium and true use of riches. The Man of Ross. The fate of the Profuse and the Covetous, in two examples; both miserable in life and in death. The story of Sir Balaam.

    • P. Who shall decide when doctors disagree,
    • And soundest casuists doubt, like you and me?
    • You hold the word from Jove to Momus giv’n,
    • That Man was made the standing jest of Heav’n,
    • And gold but sent to keep the fools in play,
    • For some to heap, and some to throw away.
    • But I, who think more highly of our kind
    • (And surely Heav’n and I are of a mind),
    • Opine that Nature, as in duty bound,
    • Deep hid the shining mischief under ground:10
    • But when by man’s audacious labour won,
    • Flamed forth this rival to its sire the sun,
    • Then careful Heav’n supplied two sorts of men,
    • To squander these, and those to hide again.
    • Like doctors thus, when much dispute has past,
    • We find our tenets just the same at last:
    • Both fairly owning riches, in effect,
    • No grace of Heavn’n, or token of th’ elect;
    • Giv’n to the fool, the mad, the vain, the evil,
    • To Ward , to Waters, Chartres, and the Devil.20
    • B. What Nature wants, commodious gold bestows;
    • ’T is thus we eat the bread another sows.
    • P. But how unequal it bestows, observe;
    • ’T is thus we riot, while who sow it starve.
    • What Nature wants (a phrase I much distrust)
    • Extends to luxury, extends to lust.
    • Useful I grant, it serves what life requires,
    • But dreadful too, the dark assassin hires.
    • B. Trade it may help, Society extend.
    • P. But lures the pirate, and corrupts the friend.30
    • B. It raises armies in a nation’s aid.
    • P. But bribes a senate, and the land ’s betray’d.
    • In vain may heroes fight and patriots rave,
    • If secret gold sap on from knave to knave.
    • Once, we confess, beneath the patriot’s cloak,
    • From the crack’d bag the dropping guinea spoke,
    • And jingling down the back-stairs, told the crew
    • ‘Old Cato is as great a rogue as you.’
    • Blest paper-credit! last and best supply!
    • That lends Corruption lighter wings to fly!40
    • Gold imp’d by thee, can compass hardest things,
    • Can pocket states, can fetch or carry kings ;
    • A single leaf shall waft an army o’er,
    • Or ship off senates to some distant shore;
    • A leaf, like Sibyl’s, scatter to and fro
    • Our fates and fortunes as the winds shall blow;
    • Pregnant with thousands flits the scrap unseen,
    • And silent sells a King or buys a Queen.
    • Oh, that such bulky bribes as all might see,
    • Still, as of old, incumber’d villany!50
    • Could France or Rome divert our brave designs
    • With all their brandies or with all their wines?
    • What could they more than Knights and Squires confound,
    • Or water all the Quorum ten miles round?
    • A statesman’s slumbers how this speech would spoil,
    • ‘Sir, Spain has sent a thousand jars of oil;
    • Huge bales of British cloth blockade the door;
    • A hundred oxen at your levee roar.’
    • Poor Avarice one torment more would find,59
    • Nor could Profusion squander all in kind.
    • Astride his cheese Sir Morgan might we meet;
    • And Worldly crying coals from street to street,
    • Whom with a wig so wild and mien so ’mazed,
    • Pity mistakes for some poor tradesman crazed.
    • Had Colepepper’s whole wealth been hops and hogs,
    • Could he himself have sent it to the dogs?
    • His Grace will game: to White’s a bull be led,
    • With spurning heels and with a butting head.
    • To White’s be carried, as to ancient games,
    • Fair coursers, vases, and alluring dames.70
    • Shall then Uxorio, if the stakes he sweep,
    • Bear home six whores, and make his lady weep?
    • Or soft Adonis, so perfumed and fine,
    • Drive to St. James’s a whole herd of swine?
    • Oh, filthy check on all industrious skill,
    • To spoil the nation’s last great trade,—Quadrille!
    • Since then, my lord, on such a world we fall,
    • What say you? B. Say? Why, take it, gold and all.
    • P. What Riches give us let us then inquire:
    • Meat, Fire, and Clothes. B. What more? P. Meat, Clothes, and Fire.80
    • Is this too little? would you more than live?
    • Alas! ’t is more than Turner finds, they give.
    • Alas! ’t is more than (all his visions past)
    • Unhappy Wharton waking found at last!
    • What can they give? To dying Hopkins , heirs?
    • To Chartres, vigour? Japhet, nose and ears ?
    • Can they in gems bid pallid Hippia glow?
    • In Fulvia’s buckle ease the throbs below?
    • Or heal, old Narses, thy obscener ail,
    • With all th’ embroidery plaster’d at thy tail?90
    • They might (were Harpax not too wise to spend)
    • Give Harpax’ self the blessing of a friend;
    • Or find some doctor that would save the life
    • Of wretched Shylock, spite of Shylock’s wife.
    • But thousands die without or this or that,
    • Die, and endow a College or a Cat .
    • To some indeed Heav’n grants the happier fate
    • T’ enrich a bastard; or a son they hate.
    • Perhaps you think the poor might have their part?
    • Bond damns the poor , and hates them from his heart:100
    • The grave Sir Gilbert holds it for a rule
    • That ev’ry man in want is knave or fool.
    • ‘God cannot love (says Blunt, with tearless eyes)
    • The wretch he starves’—and piously denies:
    • But the good bishop, with a meeker air,
    • Admits, and leaves them, Providence’s care.
    • Yet, to be just to these poor men of pelf,
    • Each does but hate his neighbour as himself:
    • Damn’d to the mines, an equal fate betides
    • The slave that digs it and the slave that hides.110
    • B. Who suffer thus, mere charity should own,
    • Must act on motives powerful tho’ unknown.
    • P. Some war, some plague or famine, they foresee,
    • Some revelation hid from you and me.
    • Why Shylock wants a meal the cause is found;
    • He thinks a loaf will rise to fifty pound.
    • What made directors cheat in South-sea year ?
    • To live on ven’son , when it sold so dear.
    • Ask you why Phryne the whole auction buys?
    • Phryne foresees a general excise.120
    • Why she and Sappho raise that monstrous sum?
    • Alas! they fear a man will cost a plum.
    • Wise Peter sees the world’s respect for gold,
    • And therefore hopes this nation may be sold.
    • Glorious ambition! Peter, swell thy store,
    • And be what Rome’s great Didius was before.
    • The crown of Poland , venal twice an age,
    • To just three millions stinted modest Gage .
    • But nobler scenes Maria’s dreams unfold,
    • Hereditary realms, and worlds of gold.130
    • Congenial souls! whose life one av’rice joins,
    • And one fate buries in th’ Asturian mines.
    • Much-injured Blunt ! why bears he Britain’s hate?
    • A wizard told him in these words our fate:
    • ‘At length Corruption, like a gen’ral flood
    • (So long by watchful ministers withstood),
    • Shall deluge all; and Av’rice, creeping on,
    • Spread like a low-born mist and blot the sun;
    • Statesman and Patriot ply alike the stocks,
    • Peeress and Butler share alike the Box,140
    • And judges job, and bishops bite the town,
    • And mighty Dukes pack cards for half a crown:
    • See Britain sunk in lucre’s sordid charms,
    • And France revenged of Anne’s and Edward’s arms!’
    • ’T was no court-badge, great Scriv’ner! fired thy brain,
    • Nor lordly luxury, nor city gain:
    • No, ’t was thy righteous end, ashamed to see
    • Senates degen’rate, patriots disagree,
    • And nobly wishing party-rage to cease,
    • To buy both sides, and give thy country peace.150
    • ‘All this is madness,’ cries a sober sage:
    • ‘But who, my friend, has Reason in his rage?
    • The Ruling Passion, be it what it will,
    • The Ruling Passion conquers Reason still.’
    • Less mad the wildest whimsy we can frame
    • Than ev’n that Passion, if it has no aim;
    • For tho’ such motives folly you may call,
    • The folly ’s greater to have none at all.
    • Hear then the truth:—‘’T is Heav’n each Passion sends,159
    • And diff’rent men directs to diff’rent ends.
    • Extremes in Nature equal good produce;
    • Extremes in Man concur to gen’ral use.’
    • Ask me what makes one keep, and one bestow?
    • That power who bids the ocean ebb and flow,
    • Bids seed-time, harvest, equal course maintain,
    • Thro’ reconciled extremes of drought and rain;
    • Builds life on death, on change duration founds,
    • And gives th’ eternal wheels to know their rounds.
    • Riches, like insects, when conceal’d they lie,169
    • Wait but for wings, and in their season fly.
    • Who sees pale Mammon pine amidst his store,
    • Sees but a backward steward for the poor;
    • This year a reservoir to keep and spare;
    • The next a fountain spouting thro’ his heir
    • In lavish streams to quench a country’s thirst,
    • And men and dogs shall drink him till they burst.
    • Old Cotta shamed his fortune and his birth,
    • Yet was not Cotta void of wit or worth.
    • What tho’ (the use of barb’rous spits forgot)
    • His kitchen vied in coolness with his grot?
    • His court with nettles, moats with cresses stor’d,181
    • With soups unbought, and salads, bless’d his board;
    • If Cotta lived on pulse, it was no more
    • Than Bramins, Saints, and Sages did before;
    • To cram the rich was prodigal expense,
    • And who would take the poor from Providence?
    • Like some lone Chartreux stands the good old hall,
    • Silence without, and fasts within the wall;
    • No rafter’d roofs with dance and tabor sound,
    • No noontide bell invites the country round;
    • Tenants with sighs the smokeless towers survey,191
    • And turn th’ unwilling steeds another way;
    • Benighted wanderers, the forest o’er,
    • Curse the saved candle and unopening door;
    • While the gaunt mastiff, growling at the gate,
    • Affrights the beggar whom he longs to eat.
    • Not so his son; he mark’d this oversight,
    • And then mistook reverse of wrong for right:
    • (For what to shun will no great knowledge need
    • But what to follow is a task indeed!)200
    • Yet sure, of qualities deserving praise,
    • More go to ruin fortunes than to raise.
    • What slaughter’d hecatombs, what floods of wine,
    • Fill the capacious Squire and deep Divine!
    • Yet no mean motive this profusion draws;
    • His oxen perish in his country’s cause;
    • ’T is George and Liberty that crowns the cup,
    • And zeal for that great House which eats him up.
    • The woods recede around the naked seat,
    • The sylvans groan—no matter—for the fleet;210
    • Next goes his wool—to clothe our valiant bands;
    • Last, for his country’s love, he sells his lands.
    • To town he comes, completes the nation’s hope,
    • And heads the bold train-bands, and burns a pope.
    • And shall not Britain now reward his toils,
    • Britain, that pays her patriots with her spoils?
    • In vain at court the bankrupt pleads his cause;
    • His thankless country leaves him to her laws.
    • The sense to value Riches, with the art
    • T’ enjoy them, and the virtue to impart;
    • Not meanly nor ambitiously pursued,221
    • Not sunk by sloth, nor raised by servitude;
    • To balance fortune by a just expense,
    • Join with economy magnificence;
    • With splendour charity, with plenty health;
    • O teach us, Bathurst! yet unspoil’d by wealth,
    • That secret rare, between th’ extremes to move
    • Of mad Good-nature and of mean Self-love.
    • B. To worth or want well weigh’d be bounty giv’n
    • And ease or emulate the care of Heav’n
    • (Whose measure full o’erflows on human race):231
    • Mend Fortune’s fault, and justify her grace.
    • Wealth in the gross is death, but life diffused,
    • As poison heals in just proportion used:
    • In heaps, like ambergris, a stink it lies,
    • But well dispers’d is incense to the skies.
    • P. Who starves by nobles, or with nobles eats?
    • The wretch that trusts them, and the rogue that cheats.
    • Is there a lord who knows a cheerful noon
    • Without a fiddler, flatt’rer, or buffoon?240
    • Whose table Wit or modest Merit share,
    • Unelbow’d by a gamester, pimp, or player?
    • Who copies yours or Oxford’s better part,
    • To ease th’ oppress’d, and raise the sinking heart?
    • Where’er he shines, O Fortune! gild the scene,
    • And angels guard him in the golden mean!
    • There English bounty yet a while may stand,
    • And honour linger ere it leaves the land.
    • But all our praises why should Lords engross?
    • Rise, honest Muse! and sing the Man of Ross :250
    • Pleas’d Vaga echoes thro’ her winding bounds,
    • And rapid Severn hoarse applause resounds.
    • Who hung with woods yon mountain’s sultry brow?
    • From the dry rock who bade the waters flow?
    • Not to the skies in useless columns tost,
    • Or in proud falls magnificently lost,
    • But clear and artless, pouring thro’ the plain
    • Health to the sick, and solace to the swain.
    • Whose causeway parts the vale with shady rows?
    • Whose seats the weary traveller repose?260
    • Who taught that Heav’n-directed spire to rise?
    • The Man of Ross, each lisping babe replies.
    • Behold the market-place with poor o’erspread!
    • The Man of Ross divides the weekly bread:
    • He feeds yon almshouse, neat, but void of state,
    • Where age and want sit smiling at the gate:
    • Him portion’d maids, apprenticed orphans blest,
    • The young who labour, and the old who rest.
    • Is any sick? the Man of Ross relieves,
    • Prescribes, attends, the medicine makes and gives:270
    • Is there a variance? enter but his door,
    • Balk’d are the courts, and contest is no more:
    • Despairing quacks with curses fled the place,
    • And vile attorneys, now a useless race.
    • B. Thrice happy man! enabled to pursue
    • What all so wish, but want the power to do!
    • Oh say, what sums that gen’rous hand supply?
    • What mines to swell that boundless charity?
    • P. Of debts and taxes, wife and children clear,
    • This man possess’d—five hundred pounds a year.280
    • Blush, Grandeur, blush! proud courts, withdraw your blaze!
    • Ye little stars, hide your diminish’d rays!
    • B. And what? no monument, inscription, stone,
    • His race, his form, his name almost unknown?
    • P. Who builds a church to God, and not to Fame,
    • Will never mark the marble with his name:
    • Go, search it there, where to be born and die,
    • Of rich and poor makes all the history;
    • Enough that Virtue fill’d the space between,
    • Prov’d by the ends of being to have been.
    • When Hopkins dies, a thousand lights attend291
    • The wretch who living saved a candle’s end:
    • Should’ring God’s altar a vile image stands,
    • Belies his features, nay, extends his hands;
    • That livelong wig, which Gorgon’s self might own,
    • Eternal buckle takes in Parian stone.
    • Behold what blessings Wealth to life can lend!
    • And see what comfort it affords our end.
    • In the worst inn’s worst room, with mat half-hung,
    • The floors of plaster, and the walls of dung,
    • On once a flock-bed, but repair’d with straw,301
    • With tape-tied curtains, never meant to draw,
    • The George and Garter dangling from that bed
    • Where tawdry yellow strove with dirty red,
    • Great Villiers lies —alas! how changed from him,
    • That life or pleasure and that soul of whim!
    • Gallant and gay, in Cliveden’s proud alcove,
    • The bower of wanton Shrewsbury and Love;
    • Or just as gay at council, in a ring
    • Of mimic statesmen and their merry King.
    • No Wit to flatter, left of all his store—311
    • No Fool to laugh at, which he valued more—
    • There, victor of his health, of fortune, friends,
    • And fame, this lord of useless thousands ends!
    • His Grace’s fate sage Cutler could foresee,
    • And well (he thought) advised him, ‘Live like me.’
    • And well his Grace replied, ‘Like you, Sir John?
    • That I can do when all I have is gone!’
    • Resolve me, Reason, which of these is worse,
    • Want with a full or with an empty purse?
    • Thy life more wretched, Cutler! was confess’d;321
    • Arise, and tell me, was thy death more bless’d?
    • Cutler saw tenants break and houses fall,
    • For very want; he could not build a wall:
    • His only daughter in a stranger’s power,
    • For very want; he could not pay a dower:
    • A few gray hairs his rev’rend temples crown’d;
    • ’T was very want that sold them for two pound.
    • What ev’n denied a cordial at his end,
    • Banish’d the doctor, and expell’d the friend?330
    • What but a want, which you perhaps think mad,
    • Yet numbers feel,—the want of what he had!
    • Cutler and Brutus dying both exclaim,
    • ‘Virtue! and wealth! what are ye but a name!’
    • Say, for such worth are other worlds prepared?
    • Or are they both in this their own reward?
    • A knotty point! to which we now proceed.
    • But you are tired—I’ll tell a tale—B. Agreed.
    • P.Where London’s column , pointing at the skies,
    • Like a tall bully, lifts the head and lies,340
    • There dwelt a citizen of sober fame,
    • A plain good man, and Balaam was his name.
    • Religious, punctual, frugal, and so forth,
    • His word would pass for more than he was worth;
    • One solid dish his week-day meal affords,
    • An added pudding solemnized the Lord’s;
    • Constant at Church and ’Change; his gains were sure,
    • His givings rare, save farthings to the poor.
    • The Devil was piqued such saintship to behold,
    • And long’d to tempt him like good Job of old;350
    • But Satan now is wiser than of yore,
    • And tempts by making rich, not making poor.
    • Rous’d by the Prince of Air, the whirlwinds sweep
    • The surge, and plunge his father in the deep;
    • Then full against his Cornish lands they roar,
    • And two rich shipwrecks bless the lucky shore.
    • Sir Balaam now, he lives like other folks,
    • He takes his chirping pint, and cracks his jokes.
    • ‘Live like yourself,’ was soon my lady’s word;
    • And lo! two puddings smoked upon the board.360
    • Asleep and naked as an Indian lay,
    • An honest factor stole a gem away:
    • He pledg’d it to the knight; the knight had wit,
    • So kept the diamond, and the rogue was bit.
    • Some scruple rose, but thus he eas’d his thought:
    • ‘I ’ll now give sixpence where I gave a groat;
    • Where once I went to church I’ll now go twice—
    • And am so clear too of all other vice.’
    • The tempter saw his time; the work he plied;
    • Stocks and subscriptions pour on ev’ry side,370
    • Till all the demon makes his full descent
    • In one abundant shower of cent per cent,
    • Sinks deep within him, and possesses whole,
    • Then dubs Director, and secures his soul.
    • Behold Sir Balaam, now a man of Spirit,
    • Ascribes his gettings to his parts and merit;
    • What late he call’d a blessing now was wit,
    • And God’s good providence a lucky hit.
    • Things change their titles as our manners turn,
    • His counting-house employ’d the Sunday morn:380
    • Seldom at church (’t was such a busy life),
    • But duly sent his family and wife.
    • There (so the Devil ordain’d) one Christmas-tide
    • My good old lady catch’d a cold and died.
    • A nymph of quality admires our knight;
    • He marries, bows at court, and grows polite;
    • Leaves the dull cits, and joins (to please the fair)
    • The well-bred cuckolds in St. James’s air:
    • First for his son a gay commission buys,
    • Who drinks, whores, fights, and in a duel dies;390
    • His daughter flaunts a viscount’s tawdry wife;
    • She bears a coronet and p—x for life.
    • In Britain’s senate he a seat obtains,
    • And one more pensioner St. Stephen gains.
    • My lady falls to play; so bad her chance,
    • He must repair it; takes a bribe from France:
    • The house impeach him; Coningsby harangues;
    • The court forsake him, and Sir Balaam hangs.
    • Wife, son, and daughter, Satan! are thy own,
    • His wealth, yet dearer, forfeit to the crown:400
    • The Devil and the King divide the prize,
    • And sad Sir Balaam curses God and dies.

EPISTLE IV

TO RICHARD BOYLE, EARL OF BURLINGTON

OF THE USE OF RICHES

ARGUMENT

The vanity of Expense in people of wealth and quality. The abuse of the word Taste. That the first principle and foundation in this, as in every thing else, is Good Sense. The chief proof of it is to follow Nature, even in works of mere luxury and elegance. Instanced in Architecture and Gardening, where all must be adapted to the genius and use of the place, and the beauties not forced into it, but resulting from it. How men are disappointed in their most expensive undertakings for want of this true foundation, without which nothing can please long, if at all; and the best examples and rules will but be perverted into something burdensome and ridicculous. A description of the false taste of Magnificence; the first grand error of which is to imagine that greatness consists in the size and dimension, instead of the proportion and harmony, of the whole; and the second, either in joining together parts incoherent, or too minutely resembling, or, in the repetition of the same too frequently. A word or two of false taste in books, in music, in painting, even in preaching and prayer, and lastly in entertainments. Yet Providence is justified in giving wealth to be squandered in this manner, since it is dispersed to the poor and laborious part of mankind. [Recurring to what is laid down in the first book, ep. ii. and in the epistle preceding this.] What are the proper objects of Magnificence, and a proper field for the expense of great men. And, finally, the great and public works which become a Prince.

    • ’T is strange the Miser should his cares employ
    • To gain those riches he can ne’er enjoy:
    • Is it less strange the Prodigal should waste
    • His wealth to purchase what he ne’er can taste?
    • Not for himself he sees, or hears, or eats;
    • Artists must choose his pictures, music, meats:
    • He buys for Topham drawings and designs;
    • For Pembroke statues, dirty gods, and coins;
    • Rare monkish manuscripts for Hearne alone,
    • And books for Mead , and butterflies for Sloane.10
    • Think we all these are for himself? no more
    • Than his fine wife, alas! or finer whore.
    • For what has Virro painted, built, and planted?
    • Only to show how many tastes he wanted.
    • What brought Sir Visto’s ill-got wealth to waste?
    • Some demon whisper’d, ‘Visto! have a Taste.’
    • Heav’n visits with a Taste the wealthy fool,
    • And needs no rod but Ripley with a rule.
    • See! sportive Fate, to punish awkward pride,
    • Bids Bubo build, and sends him such a guide:20
    • A standing sermon at each year’s expense,
    • That never coxcomb reach’d Magnificence!
    • You show us Rome was glorious, not profuse,
    • And pompous buildings once were things of use;
    • Yet shall, my Lord, your just, your noble rules
    • Fill half the land with imitating fools;
    • Who random drawings from your sheets shall take,
    • And of one Beauty many Blunders make;
    • Load some vain church with old theatric state,
    • Turn arcs of triumph to a garden gate;30
    • Reverse your ornaments, and bang them all
    • On some patch’d dog-hole eked with ends of wall,
    • Then clap four slices of pilaster on ’t,
    • That laced with bits of rustic makes a front;
    • Shall call the winds thro’ long arcades to roar,
    • Proud to catch cold at a Venetian door:
    • Conscious they act a true Palladian part,
    • And if they starve, they starve by rules of Art.
    • Oft have you hinted to your brother peer
    • A certain truth, which many buy too dear:
    • Something there is more needful than expense,41
    • And something previous ev’n to Taste—’t is Sense;
    • Good Sense, which only is the gift of Heav’n,
    • And tho’ no science, fairly worth the sev’n;
    • A light which in yourself you must perceive;
    • Jones and Le Nôtre have it not to give.
    • To build, to plant, whatever you intend,
    • To rear the column, or the arch to bend,
    • To swell the terrace, or to sink the grot,
    • In all, let Nature never be forgot.50
    • But treat the Goddess like a modest Fair,
    • Nor overdress, nor leave her wholly bare;
    • Let not each beauty everywhere be spied,
    • Where half the skill is decently to hide.
    • He gains all points who pleasingly confounds,
    • Surprises, varies, and conceals the bounds.
    • Consult the genius of the place in all;
    • That tells the waters or to rise or fall;
    • Or helps th’ ambitious hill the heav’ns to scale,
    • Or scoops in circling theatres the vale,60
    • Calls in the country, catches opening glades,
    • Joins willing woods, and varies shades from shades,
    • Now breaks, or now directs, th’ intending lines;
    • Paints as you plant, and as you work designs.
    • Still follow Sense, of every art the soul;
    • Parts answering parts shall slide into a whole,
    • Spontaneous beauties all around advance,
    • Start ev’n from difficulty, strike from chance:
    • Nature shall join you; time shall make it grow
    • A work to wonder at—perhaps a Stowe .70
    • Without it, proud Versailles! thy glory falls,
    • And Nero’s terraces desert their walls:
    • The vast parterres a thousand hands shall make,
    • Lo! Cobham comes, and floats them with a lake;
    • Or cut wide views thro’ mountains to the plain,
    • You ’ll wish your hill or shelter’d seat again.
    • Ev’n in an ornament its place remark,
    • Nor in a hermitage set Dr. Clarke .
    • Behold Villario’s ten years’ toil complete:
    • His quincunx darkens, his espaliers meet,
    • The wood supports the plain, the parts unite,81
    • And strength of shade contends with strength of light;
    • A waving glow the bloomy beds display,
    • Blushing in bright diversities of day,
    • With silver quiv’ring rills meander’d o’er—
    • Enjoy them, you! Villario can no more:
    • Tired of the scene parterres and fountains yield,
    • He finds at last he better likes a field.
    • Thro’ his young woods how pleased Sabinus stray’d,
    • Or sat delighted in the thick’ning shade,90
    • With annual joy the redd’ning shoots to greet,
    • Or see the stretching branches long to meet.
    • His son’s fine Taste an opener vista loves,
    • Foe to the dryads of his father’s groves;
    • One boundless green or flourish’d carpet views,
    • With all the mournful family of yews;
    • The thriving plants, ignoble broomsticks made,
    • Now sweep those alleys they were born to shade.
    • At Timon’s villa let us pass a day,
    • Where all cry out, ‘What sums are thrown away;’100
    • So proud, so grand; of that stupendous air,
    • Soft and agreeable come never there;
    • Greatness with Timon dwells in such a draught
    • As brings all Brobdingnag before your thought.
    • To compass this, his building is a town,
    • His pond an ocean, his parterre a down:
    • Who but must laugh, the master when he sees,
    • A puny insect shiv’ring at a breeze!108
    • Lo, what huge heaps of littleness around!
    • The whole a labour’d quarry above ground.
    • Two Cupids squirt before: a lake behind
    • Improves the keenness of the northern wind.
    • His gardens next your admiration call;
    • On every side you look, behold the wall!
    • No pleasing intricacies intervene;
    • No artful wildness to perplex the scene;
    • Grove nods at grove, each alley has a brother,
    • And half the platform just reflects the other.
    • The suff’ring eye inverted Nature sees,119
    • Trees cut to statues, statues thick as trees;
    • With here a fountain never to be play’d,
    • And there a summer-house that knows no shade,
    • Here Amphitrite sails thro’ myrtle bowers,
    • There gladiators fight or die in flowers;
    • Unwater’d, see the drooping seahorse mourn,
    • And swallows roost in Nilus’ dusty urn.
    • My Lord advances with majestic mien,
    • Smit with the mighty pleasure to be seen:
    • But soft! by regular approach—not yet—
    • First thro’ the length of yon hot terrace sweat;130
    • And when up ten steep slopes you ’ve dragg’d your thighs,
    • Just at his study door he ’ll bless your eyes.
    • His study! with what authors is it stor’d?
    • In books, not authors, curious is my lord.
    • To all their dated backs he turns you round;
    • These Aldus printed, those Du Sueil has bound;
    • Lo, some are vellum, and the rest as good,
    • For all his lordship knows,—but they are wood.
    • For Locke or Milton ’t is in vain to look;
    • These shelves admit not any modern book.
    • And now the chapel’s silver bell you hear,141
    • That summons you to all the pride of prayer.
    • Light quirks of music, broken and unev’n,
    • Make the soul dance upon a jig to Heav’n:
    • On painted ceilings you devoutly stare,
    • Where sprawl the saints of Verrio or Laguerre,
    • On gilded clouds in fair expansion lie,
    • And bring all paradise before your eye:
    • To rest, the cushion and soft dean invite,
    • Who never mentions Hell to ears polite.150
    • But hark! the chiming clocks to dinner call:
    • A hundred footsteps scrape the marble hall;
    • The rich buffet well-colour’d serpents grace,
    • And gaping Tritons spew to wash your face.
    • Is this a dinner? this a genial room?
    • No, ’t is a temple and a hecatomb;
    • A solemn sacrifice perform’d in state;
    • You drink by measure, and to minutes eat.
    • So quick retires each flying course, you ’d swear
    • Sancho’s dread doctor and his wand were there.160
    • Between each act the trembling salvers ring,
    • From soup to sweet wine, and God bless the King.
    • In plenty starving, tantalized in state,
    • And complaisantly help’d to all I hate,
    • Treated, caress’d, and tired, I take my leave,
    • Sick of his civil pride from morn to eve;
    • I curse such lavish Cost and little Skill,
    • And swear no day was ever pass’d so ill.
    • Yet hence the poor are clothed, the hungry fed;169
    • Health to himself, and to his infants bread
    • The lab’rer bears; what his hard heart denies,
    • His charitable vanity supplies.
    • Another age shall see the golden ear
    • Imbrown the slope, and nod on the parterre,
    • Deep harvests bury all his pride has plann’d,
    • And laughing Ceres reassume the land.
    • Who then shall grace, or who improve the soil?
    • Who plants like Bathurst, or who builds like Boyle?
    • ’T is use alone that sanctifies expense,
    • And splendour borrows all her rays from sense.180
    • His father’s acres who enjoys in peace,
    • Or makes his neighbours glad if he increase;
    • Whose cheerful tenants bless their yearly toil,
    • Yet to their Lord owe more than to the soil;
    • Whose ample lawns are not ashamed to feed
    • The milky heifer and deserving steed;
    • Whose rising forests, not for pride or show,
    • But future buildings, future navies, grow:
    • Let his plantations stretch from down to down,
    • First shade a country, and then raise a town.190
    • You, too, proceed! make falling arts your care;
    • Erect new wonders, and the old repair;
    • Jones and Palladio to themselves restore
    • And be whate’er Vitruvius was before,
    • Till kings call forth th’ ideas of your mind
    • (Proud to accomplish what such hands design’d),
    • Bid harbours open, public ways extend,
    • Bid temples, worthier of the God, ascend,
    • Bid the broad arch the dangerous flood contain,
    • The mole projected break the roaring main,200
    • Back to his bounds their subject sea command,
    • And roll obedient rivers thro’ the land.
    • These honours Peace to happy Britain brings;
    • These are imperial works, and worthy Kings.

EPISTLE V

TO MR. ADDISON

OCCASIONED BY HIS DIALOGUES ON MEDALS

‘This was originally written,’ says Pope, ‘in the year 1715, when Mr. Addison intended to publish his book Of Medals; it was some time before he was Secretary of State; but not published till Mr. Tickell’s edition of his works; at which time the verses on Mr. Craggs, which conclude the poem, were added, viz., in 1720.’

Warburton connects the epistle with the preceding Essays in this ingenious way: ‘As the third epistle treated the extremes of Avarice and Profusion, and the fourth took up one particular branch of the latter, namely the vanity of expense in people of wealth and quality, and was therefore corollary to the third; so this treats of one circumstance of that vanity, as it appears in the common collections of old coins; and is therefore a corollary to the fourth.’

    • See the wild waste of all-devouring years!
    • How Rome her own sad sepulchre appears!
    • With nodding arches, broken temples spread,
    • The very tombs now vanish’d like their dead!
    • Imperial wonders raised on nations spoil’d,
    • Where mix’d with slaves the groaning martyr toil’d;
    • Huge theatres, that now unpeopled woods,
    • Now drain’d a distant country of her floods;
    • Fanes, which admiring Gods with pride survey,9
    • Statues of men, scarce less alive than they!
    • Some felt the silent stroke of mould’ring age,
    • Some hostile fury, some religious rage:
    • Barbarian blindness, Christian zeal conspire,
    • And Papal piety, and Gothic fire.
    • Perhaps, by its own ruins saved from flame,
    • Some buried marble half preserves a name:
    • That name the learn’d with fierce disputes pursue
    • And give to Titus old Vespasian’s due.
    • Ambition sigh’d: she found it vain to trust
    • The faithless column and the crumbling bust;20
    • Huge moles, whose shadow stretch’d from shore to shore,
    • Their ruins perish’d, and their place no more!
    • Convinced, she now contracts her vast design,
    • And all her triumphs shrink into a coin.
    • A narrow orb each crowded conquest keeps,
    • Beneath her palm here sad Judea weeps:
    • Now scantier limits the proud arch confine,
    • And scarce are seen the prostrate Nile or Rhine:
    • A small Euphrates thro’ the piece is roll’d,29
    • And little eagles wave their wings in gold.
    • The Medal, faithful to its charge of fame,
    • Thro’ climes and ages bears each form and name:
    • In one short view subjected to our eye,
    • Gods, Emp’rors, Heroes, Sages, Beauties, lie.
    • With sharpen’d sight pale antiquaries pore,
    • Th’ inscription value, but the rust adore.
    • This the blue varnish, that the green endears,
    • The sacred rust of twice ten hundred years!
    • To gain Pescennius one employs his schemes,
    • One grasps a Cecrops in ecstatic dreams.40
    • Poor Vadius, long with learned spleen devour’d,
    • Can taste no pleasure since his shield was scour’d;
    • And Curio, restless by the fair one’s side,
    • Sighs for an Otho, and neglects his bride.
    • Theirs is the vanity, the learning thine:
    • Touch’d by thy hand, again Rome’s glories shine;
    • Her Gods and godlike Heroes rise to view,
    • And all her faded garlands bloom anew.
    • Nor blush these studies thy regard engage:
    • These pleas’d the fathers of poetic rage;50
    • The verse and sculpture bore an equal part,
    • And art reflected images to art.
    • Oh, when shall Britain, conscious of her claim,
    • Stand emulous of Greek and Roman fame?
    • In living medals see her wars enroll’d,
    • And vanquish’d realms supply recording gold?
    • Here, rising bold, the patriot’s honest face,
    • There warriors frowning in historic brass.
    • Then future ages with delight shall see
    • How Plato’s, Bacon’s, Newton’s looks agree;60
    • Or in fair series laurell’d bards be shown,
    • A Virgil there, and here an Addison.
    • Then shall thy Craggs (and let me call him mine)
    • On the cast ore another Pollio shine;
    • With aspect open shall erect his head,
    • And round the orb in lasting notes be read,
    • ‘Statesman, yet friend to truth; of soul sincere,
    • In action faithful, and in honour clear;
    • Who broke no promise, serv’d no private end,69
    • Who gain’d no title, and who lost no friend;
    • Ennobled by himself, by all approv’d
    • And prais’d, unenvied by the Muse he lov’d.’

UNIVERSAL PRAYER

DEO OPT. MAX.

This was written in 1738 to correct the impression of fatalism which Warburton’s ingenious exposition had failed to remove. Pope had really as little mind for dogma as most poets; but these verses represent what, in view of the instructions of Bolingbroke, corrected by Warburton, he now believed himself to believe.

    • Father of all! in ev’ry age,
    • In ev’ry clime ador’d,
    • By saint, by savage, and by sage,
    • Jehovah, Jove, or Lord!
    • Thou Great First Cause, least understood,
    • Who all my sense confin’d
    • To know but this, that thou art good,
    • And that myself am blind:
    • Yet gave me, in this dark estate,
    • To see the good from ill;
    • And binding Nature fast in Fate,
    • Left free the human Will.
    • What Conscience dictates to be done,
    • Or warns me not to do;
    • This teach me more than Hell to shun,
    • That more than Heav’n pursue.
    • What blessings thy free bounty gives
    • Let me not cast away;
    • For God is paid when man receives;
    • T’ enjoy is to obey.
    • Yet not to earth’s contracted span
    • Thy goodness let me bound,
    • Or think thee Lord alone of man,
    • When thousand worlds are round.
    • Let not this weak unknowing hand
    • Presume thy bolts to throw,
    • And deal damnation round the land
    • On each I judge thy foe.
    • If I am right, thy grace impart,
    • Still in the right to stay;
    • If I am wrong, O teach my heart
    • To find that better way.
    • Save me alike from foolish Pride
    • Or impious Discontent,
    • At aught thy wisdom has denied,
    • Or aught thy goodness lent.
    • Teach me to feel another’s woe,
    • To hide the fault I see:
    • That mercy I to others show,
    • That mercy show to me.
    • Mean tho’ I am, not wholly so,
    • Since quicken’d by thy breath;
    • O lead me, whereso’er I go,
    • Thro’ this day’s life or death!
    • This day be bread and peace my lot:
    • All else beneath the sun
    • Thou know’st if best bestow’d or not,
    • And let thy will be done.
    • To Thee, whose temple is all Space,
    • Whose altar earth, sea, skies,
    • One chorus let all Being raise,
    • All Nature’s incense rise!

[Page 157.]Moral Essays.Epistle I.

[Line 57.]Manly. The hero of Wycherley’s Plain-Dealer. The name was commonly applied to Wycherley.

[Line 58.]Umbra. Bubb Dodington. See note on Essay on Man, IV. 278.

[Line 61.]A Queen. Queen Caroline, whom Swift, alluded to in the succeeding line, had satirized.

[Line 77.]Catius. Charles Dartineuf, according to Carruthers. See Imitations of Horace, Bk. II. Ep. ii. 87, note.

[Line 81.]Patricio. Conjectured by Warburton to be Lord Godolphin. See Glossary.

[Line 89.]A perjur’d prince. Louis XI. of France wore in his hat a leaden image of the Virgin Mary, which when he swore by he feared to break his oath. (Pope.)

[Line 90.]A godless Regent tremble at a star. Philip, Duke of Orleans. Regent of France in the minority of Louis XV., superstitious in judicial astrology, though an unbeliever in all religion. (Warburton.)

[Line 91.]The throne, etc. Philip V. of Spain, who, after renouncing the throne for religion, resumed it to gratify his queen; and Victor Amadeus II., king of Sardinia, who resigned the crown, and trying to resume it, was imprisoned till his death. (Pope.)

[Line 136.]A saint in crape. That is, in the garb of the clergy.

[Line 179.]Wharton. Philip, Duke of Wharton. See Glossary.

[Line 187.]Wilmot. John Wilmot, Earl of Rochester, famous for his wit and extravagances in the time of Charles the Second. (Pope.)

[Line 231.]Lanesb’row. An ancient nobleman, who continued this practice long after his legs were disabled by the gout. (Pope.)

[Line 247.]Were the last words, etc. This story, like the others, is founded on fact, though the author had the goodness not to mention the names. Several attribute this in particular to a very celebrated actress who, in detestation of the thought of being buried in woollen, gave these her last orders with her dying breath. (Pope.) Warton says that the actress was Mrs. Oldfield.

[Epistle II.] Of this Epistle, which was published in 1735, parts had been long before written and even printed. As originally published, it wanted the portraits of Philomede, Chloë, and Atossa. According to Warburton’s statement, Pope communicated the character of Atossa to the Duchess of Marlborough as intended for the Duchess of Buckingham; according to Walpole he repeated the experiment vice versa. Immediately on the death of Pope, the Duchess of Marlborough applied to one of his executors, Lord Marchmont, with the view of ascertaining whether the poet had left behind him any satire on the Duke or herself. Marchmont consulted Bolingbroke; and it was found that in the edition of the Moral Essays prepared for the press by Pope just before his death, and printed off ready for publication, the character of Atossa was inserted. If Lord Marchmont made the statement attributed to him by the editor of his papers (Rose), Pope had received from the Duchess £1000, the acceptance of which implied forbearance towards the house of Marlborough. If this be so, it is probable that the motive which prompted Pope to the acceptance of this ‘favor’ was the desire to settle Martha Blount in independent circumstances for life. (Ward.)

[Lines 7-14.]Arcadia’s Countess—Pastora by a fountain—Leda with a swan—Magdalen—Cecilia. Attitudes in which several ladies affected to be drawn, and sometimes one lady in them all. The poet’s politeness and complaisance to the sex is observable in this instance, amongst others, that whereas in the Characters of Men, he has sometimes made use of real names, in the Characters of Women always fictitious. (Pope.)

[Line 24.]Sappho. A name for Lady Mary Wortley Montagu, first used by Pope in compliment, but later retained for purposes of abuse.

[Line 53.]Narcissa. Warton says that Narcissa stands for the Duchess of Hamilton. The lines were adopted from the earlier verses, which Pope had called Sylvia, a Fragment.

[Line 83.]Philomede. Henrietta, Duchess of Marlborough in her own right (daughter of Sarah), an admirer of Congreve. She married the second Earl of Godolphin.

[Line 107.]Her Grace. This refers, according to Warton, to the Duchess of Montagu, with whom Lady Mary Wortley Montagu was intimate.

[Line 115.]Atossa. Sarah, Duchess of Marlborough. In 1678 she was married to Colonel Churchill, and it was largely by her influence that he was made Duke of Marlborough.

[Lines 139, 140.]The bust and temple rise. This alludes to a temple she erected with a bust of Queen Anne in it, which mouldered away in a few years. (Wilkes.)

[Line 157.]Chloë. Lady Suffolk, mistress of George II., and friend of Pope, Swift, Gay, and Arbuthnot. See On a Certain Lady, etc., page 118.

[Line 198.]Mah’met. Servant to the late king (George I.), said to be the son of a Turkish Bassa, whom he took at the siege of Buda, and constantly kept about his person. (Pope.)

Hale. Dr. Stephen Hale, not more estimable for his useful discoveries as a natural philosopher than for his exemplary life and pastoral charity as a parish priest. (Pope.)

[Line 251.]The Ring. See note on The Rape of the Lock, Canto I. line 44.

[Epistle III.] This Epistle was written after a violent outcry against our author, on a supposition that he had ridiculed a worthy nobleman merely for his wrong taste. He justified himself upon that article in a letter to the Earl of Burlington; at the end of which are these words: ‘I have learnt that there are some who would rather be wicked than ridiculous: and therefore it may be safer to attack vices than follies. I will therefore leave my betters in the quiet possession of their idols, their groves, and their high places; and change my subject from their pride to their meanness, from their vanities to their miseries; and as the only certain way to avoid misconstructions, to lessen offence, and not to multiply ill-natured applications, I may probably, in my next, make use of real names instead of fictitious ones.’ (Pope.)

[Line 20.] John Ward, of Hackney, Esq.; Member of Parliament, being prosecuted by the Duchess of Buckingham, and convicted of forgery, was first expelled the House, and then stood in the pillory on the 17th of March, 1727. He was suspected of joining in a conveyance with Sir John Blunt, to secrete fifty thousand pounds of that Director’s estate, forfeited to the South-Sea Company by Act of Parliament. The company recovered the fifty thousand pounds against Ward; but he set up prior conveyances of his real estate to his brother and son, and conceal’d all his personal, which was computed to be one hundred and fifty thousand pounds. These conveyances being also set aside by a bill in Chancery, Ward was imprisoned, and hazarded the forfeiture of his life, by not giving in his effects till the last day, which was that of his examination. During his confinement, his amusement was to give poison to dogs and cats, and to see them expire by slower or quicker torments. To sum up the worth of this gentleman, at the several æras of his life. At his standing in the Pillory he was worth above two hundred thousand pounds; at his commitment to Prison, he was worth one hundred and fifty thousand; but has been since so far diminished in his reputation, as to be thought a worse man by fifty or sixty thousand. (Pope.) From Pope’s intimate acquaintance with Mr. Ward’s career, it might almost be suspected that he is the same who is enumerated among Pope’s friends in Gay’s poem (Ward.)

[Line 35.]Beneath the patriot’s cloak. This is a true story, which happened in the reign of William III., to an unsupected old patriot, who coming out at the back-door from having been closeted by the King, where he had received a large bag of guineas, the bursting of the bag discovered his business there. (Pope.)

[Line 42.]Fetch or carry kings. In our author’s time, many Princes had been sent about the world, and great changes of kings projected in Europe. The partition-treaty had disposed of Spain; France had set up a king for England, who was sent to Scotland and back again; the Duke of Anjou was sent to Spain and Don Carlos to Italy. (Pope.)

[Line 44.]Or ship off senates. Alluding to several ministers, counsellors, and patriots banished in our times to Siberia, and to that more glorious fate of the Parliament of Paris, banished to Pontoise in the year 1720. (Pope.)

[Line 62.]Worldly crying coals. Some misers of great wealth, proprietors of the coal-mines, had entered at this time into an association to keep up coals to an extravagant price, whereby the poor were reduced almost to starve, till one of them, taking the advantage of underselling the rest, defeated the design. One of these misers was worth ten thousand, another seven thousand a year. (Pope.)

[Line 65.]Colepepper. Sir William Colepepper, Bart., a person of an ancient family and ample fortune, without one other quality of a gentleman, who, after ruining himself at the gaming-table, past the rest of his days in sitting there to see the ruin of others; preferring to subsist upon borrowing and begging, rather than to enter into any reputable method of life, and refusing a post in the army which was offered him. (Pope.)

[Line 67.]White’s. The most fashionable of London gambling resorts.

[Line 82.]Turner. A very wealthy miser.

[Line 84.]Wharton. Philip, Duke of Wharton.

[Line 85.]Hopkins. A citizen whose rapacity obtained him the name of Vulture Hopkins. He lived worthless, but died worth three hundred thousand pounds, which he would give to no person living, but left it so as not to be inherited till after the second generation. His counsel representing to him how many years it must be, before this could take effect, and that his money could only lie at interest all that time, he expressed great joy thereat, and said, ‘They would then be as long in spending, as he had been in getting it.’ But the Chancery afterwards set aside the will, and give it to the heir at law. (Pope.)

[Line 86.]Japhet, nose and ears? Japhet Crook, alias Sir Peter Stranger, was punished with the loss of those parts, for having forged a conveyance of an Estate to himself, upon which he took up several thousand pounds. He was at the same time sued in Chancery for having fraudulently obtained a Will, by which he possessed another considerable Estate, in wrong of the brother of the deceased. By these means he was worth a great sum, which (in reward for the small loss of his ears) he enjoyed in prison till his death, and quietly left to his executor. (Pope.)

[Line 96.]Die, and endow a College, or a Cat. A famous Duchess of Richmond in her last will left considerable legacies and annuities to her Cats. (Pope.) [Warton more than vindicates the memory of this famous beauty of Charles II.’s court from Pope’s taunt by stating that she left annuities to certain poor ladies of her acquaintance, with the burden of maintaining some of her cats; this proviso being intended to disguise the charitable character of the bequests. (Ward.)

[Line 99.]Bond damns the poor, &c. This epistle was written in the year 1730, when a corporation was established to lend money to the poor upon pledges, by the name of the Charitable Corporation; but the whole was turned only to an iniquitous method of enriching particular people, to the ruin of such numbers, that it became a parliamentary concern to endeavour the relief of those unhappy sufferers, and three of the managers, who were members of the house, were expell’d. By the report of the committee, appointed to enquire into that iniquitous affair, it appears, that when it was objected to the intended removal of the office, that the Poor, for whose use it was erected, would be hurt by it, Bond, one of the Directors, replied, Damn the poor. That ‘God hates the poor,’ and, ‘That every man in want is knave or fool,” &c. were the genuine apothegms of some of the persons here mentioned. (Pope.) Dennis Bond, a member of Parliament, died in 1747. (Carruthers.)

[Line 100.] Sir Gilbert Heathcote, director of the Bank of England, and one of the richest men of his day. (Ward.)

[Line 117.]South-Sea Year. 1720. Pope was involved in the speculation, but is supposed to have escaped without loss.

[Line 118.]To live on venison. In the extravagance and luxury of the South-Sea year, the price of a haunch of venison was from three to five pounds.

[Line 121.]Sappho. This is a particularly gratuitous insult, as Lady Mary Wortley Montagu invested in South-Sea stock by Pope’s advice and lost her money.

[Line 123.]Wise Peter. Peter Walter, a person not only eminent in the wisdom of his profession, as a dextrous attorney, but allowed to be a good, if not a safe conveyancer; extremely respected by the Nobility of this land, tho’ free from all manner of luxury and ostentation: his Wealth was never seen, and his bounty never heard of, except to his own son, for whom he procured an employment of considerable profit, of which he gave him as much as was necessary. Therefore the taxing this gentleman with any Ambition, is certainly a great wrong to him. (Pope.)

[Line 126.]Rome’s great Didius. A Roman Lawyer, so rich as to purchase the Empire when it was set to sale upon the death of Pertinax. (Pope.) Didius Julianus ad 193. The vendors were the Prætorian Guards. (Ward.)

[Line 127.]The Crown of Poland, &c. The two persons here mentioned were of Quality, each of whom in the Mississippi despis’d to realize above three hundred thousand pounds; the Gentleman with a view to the purchase of the Crown of Poland, the Lady on a vision of the like royal nature. They since retired into Spain, where they are still in search of gold in the mines of the Asturies. (Pope.)

[Line 128.] A Mr. Gage, of the ancient Suffolk Catholic family of that name; and Lady Mary Herbert, daughter of the Marquess of Powis and of a natural daughter of James II.: whence the phrase ‘hereditary realm.’ (Bowles.)

[Line 133.]Much injur’d Blunt. Sir John Blunt, originally a scrivener, was one of the first projectors of the South-Sea Company, and afterwards one of the directors and chief managers of the famous scheme in 1720. He was also one of those who suffer’d most severely by the bill of pains and penalties on the said directors. (Pope.)

[Line 177.]Old Cotta. Supposed to be the Duke of Newcastle, who died in 1711; and his son, the well-known peer of that name, who afterwards became prime minister. (Carruthers.)

[Line 243.]Oxford’s better part. Edward Harley, Earl of Oxford. The son of Robert, created Earl of Oxford and Earl Mortimer by Queen Anne. This Nobleman died regretted by all men of letters, great numbers of whom had experienced his benefits. He left behind him one of the most noble Libraries in Europe. (Pope.)

[Line 250.]The Man of Ross. The person here celebrated, who with a small Estate actually performed all these good works, and whose true name was almost lost (partly by the title of the Man of Ross given him by way of eminence, and partly by being buried without so much as an inscription) was called Mr. John Kyrle. He died in the year 1724, aged 90, and lies interred in the chancel of the church of Ross in Herefordshire. (Pope.)

[Line 296.]Eternal buckle, etc. The poet ridicules the wretched taste of carving large periwigs on bustos, of which there are several vile examples at Westminster and elsewhere. (Pope.)

[Line 305.]Great Villiers lies. This Lord, yet more famous for his vices than his misfortunes, after having been possess’d of about £50,000 a year, and passed thro’ many of the highest posts in the kingdom, died in the Year 1687, in a remote inn in Yorkshire, reduced to the utmost misery. (Pope.)

[Line 307.]Cliveden. A delightful palace, on the banks of the Thames, built by the D. of Buckingham. (Pope.)

[Line 308.]Shrewsbury. The Countess of Shrewsbury, a woman abandoned to gallantries. The Earl her husband was kill’d by the Duke of Buckingham in a duel; and it has been said, that during the combat she held the Duke’s horses in the habit of a page. (Pope.)

[Line 315.] Sir John Cutler, a wealthy citizen of the Restoration period, accused of rapacity on account of a large claim made by his excutors against the College of Physicians, which he had aided by a loan. (Carruthers.)

[Line 339.]Where London’s column, etc. The monument on Fish Street Hill, built in memory of the fire of London of 1666, with an inscription importing that city to have been burnt by the Papists. (Pope.)

[Epistle IV. Line 7.]Topham. A gentleman famous for a judicious collection of drawings. (Pope.)

[Line 8.]Pembroke. Henry, Earl of Pembroke, a patron of the arts, and owner of many valuable paintings.

[Line 10.]Mead—Sloane. Two eminent physicians; the one had an excellent library, the other the finest collection in Europe of natural curiosities; both men of great learning and humanity. (Pope.) Dr. Mead was physician to George II. ‘He was, however,’ says Ward, ‘the reverse of a bookworm; for Johnson says of him that “he lived more in the broad sunshine of life than almost any man.” ’ Sir John or Hans Sloane was a skilled botanist and physician. His natural history collection is now preserved in the British Museum.

[Line 18.]Ripley. This man was a carpenter, employed by a first Minister, who raised him to an Architect, without any genius in the art; and after some wretched proofs of his insufficiency in public buildings, made him Comptroller of the Board of Works. (Pope.)

[Line 20.]Bubo. Bubb Dodington. See Epistle to Arbuthnot, line 280.

[Line 23.]You show us Rome, etc. The Earl of Burlington was then publishing the designs of Inigo Jones, and the Antiquities of Rome by Palladio. (Pope.)

[Line 46.]Le Nôtre. André Le Nôtre (1613-1700), landscape-gardener of Louis XIV.

[Line 70.]Stowe. The seat and gardens of the Lord Viscount Cobham in Buckinghamshire. (Pope.)

[Line 78.]In a hermitage set Dr. Clarke. Dr. L. Clarke’s busto placed by the Queen in the Hermitage, while the doctor duly frequented the court. (Pope.) Dr. Clarke was one of Queen Caroline’s chaplains.

[Line 150.]Never mentions Hell, etc. This is a fact; a reverend Dean preaching at court threatened the sinner with punishment in ‘a place which he thought it not decent to name in so polite an assembly.’ (Pope.)

[Line 169.]Yet hence the poor, etc. The Moral of the whole, where Providence is justified in giving wealth to those who squander it in this manner. A bad taste employs more hands, and diffuses expense more than a good one. (Pope.)

[Line 173.]Another age, etc. Had the poet lived but three years longer, he had seen this prophecy fulfilled. (Warburton.)

[Lines 193-202.]Till Kings . . . Bid Harbours open, etc. The poet after having touched upon the proper objects of Magnificence and Expense, in the private works of great men, comes to those great and public works which become a prince. This Poem was published in the year 1732, when some of the new-built Churches, by the act of Queen Anne, were ready to fall, being founded in boggy land (which is satirically alluded to in our author’s imitation of Horace, Lib. ii. Sat. 2:—

‘Shall half the new-built Churches round thee fall,’

others were vilely executed, thro’ fraudulent cabals between undertakers, officers, &c. Dagenham-breach had done very great mischiefs; many of the Highways throughout England were hardly passable; and most of those which were repaired by Turnpikes were made jobs for private lucre, and infamously executed, even to the entrances of London itself: The proposal of building a Bridge at Westminster had been petition’d against and rejected; but in two years after the publication of this poem, an Act for building a Bridge pass’d thro’ both houses. After many debates in the committee, the execution was left to the carpenter above-mentioned, who would have made it a wooden one: to which our author alludes in these lines,

  • ‘Who builds a Bridge that never drove a pile?
  • Should Ripley venture, all the world would smile.’

See the notes on that place. (Pope.)