|
|
Front Page Titles (by Subject) EXTEMPORANEOUS LINES ON A PORTRAIT OF LADY MARY WORTLEY MONTAGU, PAINTED BY KNELLER - The Complete Poetical Works of Alexander Pope
EXTEMPORANEOUS LINES ON A PORTRAIT OF LADY MARY WORTLEY MONTAGU, PAINTED BY KNELLER - Alexander Pope, The Complete Poetical Works of Alexander Pope [1903]Edition used:The Complete Poetical Works of Alexander Pope. Cambridge Edition, ed. Henry W. Boynton (Boston and New York: Houghton, Mifflin and Co., 1903).
About Liberty Fund:Liberty Fund, Inc. is a private, educational foundation established to encourage the study of the ideal of a society of free and responsible individuals. Copyright information:The text is in the public domain.
Fair use statement:
This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit.
- Editor’s Note
- Biographical Sketch
- Early Poems
- Ode On Solitude
- A Paraphrase (on Thomas À Kempis, L. III. C. 2)
- To the Author of a Poem Entitled Successio [ ]
- The First Book of Statius’s Thebais Translated In the Year 1703
- Imitations of English Poets
- Chaucer
- Spenser [ ] the Alley
- Waller On a Lady Singing to Her Lute
- Cowley the Garden
- Weeping
- Earl of Rochester On Silence
- Earl of Dorset Artemisia
- Dr. Swift the Happy Life of a Country Parson
- Pastorals
- Discourse On Pastoral Poetry
- I: Spring; Or, Damon [ ] to Sir William Trumbull
- II: Summer; Or, Alexis to Dr. Garth
- III: Autumn; Or, Hylas and Ægon [ ] to Mr. Wycherley
- IV: Winter; Or, Daphne [ ] to the Memory of Mrs. Tempest
- Windsor Forest [ ] to the Right Hon. George Lord Lansdown
- Paraphrases From Chaucer
- January and May: Or, the Merchant’s Tale
- The Wife of Bath Her Prologue
- The Temple of Fame [ ]
- Translations From Ovid
- Sappho to Phaon From the Fifteenth of Ovid’s Epistles
- The Fable of Dryope [ ] From the Ninth Book of Ovid’s Metamorphoses
- Vertumnus and Pomona From the Fourteenth Book of Ovid’s Metamorphoses
- An Essay On Criticism [ ]
- Part I
- Part Ii
- Part Iii
- Poems Written Between 1708 and 1712
- Ode For Music On St. Cecilia’s Day
- Argus
- The Balance of Europe
- The Translator
- On Mrs. Tofts, a Famous Opera-singer
- Epistle to Mrs. Blount, With the Works of Voiture.
- The Dying Christian to His Soul
- Epistle to Mr. Jervas [ ] With Dryden’s Translation of Fresnoy’s Art of Painting
- Impromptu to Lady Winchilsea Occasioned By Four Satirical Verses On Women Wits, In the Rape of the Lock
- Elegy to the Memory of an Unfortunate Lady
- Messiah
- The Rape of the Lock an Heroi-comical Poem [ ]
- Canto I
- Canto Ii
- Canto Iii
- Canto Iv
- Canto V
- Poems Written Between 1713 and 1717
- Prologue to Mr. Addison’s Cato
- Epilogue to Mr. Rowe’s Jane Shore Designed For Mrs. Oldfield
- To a Lady, With the Temple of Fame
- Upon the Duke of Marlborough’s House At Woodstock
- Lines to Lord Bathurst
- Macer [ ] a Character
- Epistle to Mrs. Teresa Blount On Her Leaving the Town After the Coronation
- Lines Occasioned By Some Verses of His Grace the Duke of Buckingham
- A Farewell to London [ ] In the Year 1715
- Imitation of Martial
- Imitation of Tibullus
- The Basset-table [ ] an Eclogue
- Epigram On the Toasts of the Kit-cat Club [ ] Anno 1716
- The Challenge a Court Ballad
- The Looking-glass On Mrs. Pulteney
- Prologue, Designed For Mr. D’urfey’s Last Play
- Prologue to the ‘three Hours After Marriage’
- Prayer of Brutus From Geoffrey of Monmouth
- To Lady Mary Wortley Montagu
- Extemporaneous Lines On a Portrait of Lady Mary Wortley Montagu, Painted By Kneller
- Eloisa to Abelard [ ]
- Poems Written Between 1718 and 1727
- An Inscription Upon a Punch-bowl In the South Sea Year, For a Club: Chased With Jupiter Placing Callisto In the Skies, and Europa With the Bull
- Epistle to James Craggs, Esq. Secretary of State
- A Dialogue
- Verses to Mr. C. St. James’s Palace, London, Oct. 22
- To Mr. Gay Who Had Congratulated Pope On Finishing His House and Gardens
- On Drawings of the Statues of Apollo, Venus, and Hercules Made For Pope By Sir Godfrey Kneller
- Epistle to Robert Earl of Oxford and Mortimer Prefixed to Parnell’s Poems
- Two Choruses to the Tragedy of Brutus
- To Mrs. M. B. On Her Birthday
- Answer to the Following Question of Mrs. Howe
- On a Certain Lady At Court
- To Mr. John Moore Author of the Celebrated Worm-powder
- The Curll Miscellanies Umbra
- Poems Suggested By Gulliver
- Later Poems
- On Certain Ladies
- Celia
- Prologue to a Play For Mr. Dennis’s Benefit, In 1733, When He Was Old, Blind, and In Great Distress, a Little Before His Death
- Song, By a Person of Quality Written In the Year 1733
- Verses Left By Mr. Pope On His Lying In the Same Bed Which Wilmot, the Celebrated Earl of Rochester, Slept In At Adderbury, Then Belonging to the Duke of Argyle, July 9th, 1739
- On His Grotto At Twickenham Composed of Marbles, Spars, Gems, Ores, and Minerals
- On Receiving From the Right Hon. the Lady Frances Shirley a Standish and Two Pens
- On Beaufort House Gate At Chiswick
- To Mr. Thomas Southern On His Birthday, 1742
- Epigram
- 1740: A Poem [ ]
- Poems of Uncertain Date
- To Erinna
- Lines Written In Windsor Forest
- Verbatim From Boileau First Published By Warburton In 1751
- Lines On Swift’s Ancestors
- On Seeing the Ladies At Crux Easton Walk In the Woods By the Grotto Extempore By Mr. Pope
- Inscription On a Grotto, the Work of Nine Ladies
- To the Right Hon. the Earl of Oxford Upon a Piece of News In Mist [mist’s Journal] That the Rev. Mr. W. Refused to Write Against Mr. Pope Because His Best Patron Had a Friendship For the Said Pope
- Epigrams and Epitaphs
- On a Picture of Queen Caroline Drawn By Lady Burlington
- Epigram Engraved On the Collar of a Dog Which I Gave to His Royal Highness
- Lines Written In Evelyn’s Book On Coins
- From the Grub-street Journal
- I: Epigram
- II: Epigram
- III: Mr. J. M. S[myth]e Catechised On His One Epistle to Mr. Pope
- IV: Epigram On Mr. M[oo]re’s Going to Law With Mr. Giliver: Inscribed to Attorney Tibbald
- V: Epigram
- VI: Epitaph On James Moore-smythe
- VII: A Question By Anonymous
- VIII: Epigram
- IX: Epigram
- Epitaphs
- On Charles Earl of Dorset In the Church of Withyam, Sussex
- On Sir William Trumbull One of the Principal Secretaries of State to King William Iii
- On the Hon. Simon Harcourt Only Son of the Lord Chancellor Harcourt
- On James Craggs, Esq. In Westminster Abbey
- On Mr. Rowe In Westminster Abbey
- On Mrs. Corbet Who Died of a Cancer In Her Breast
- On the Monument of the Hon. R. Digby and of His Sister Mary Erected By Their Father, Lord Digby, In the Church of Sherborne, In Dorsetshire, 1727.
- On Sir Godfrey Kneller In Westminster Abbey, 1723
- On General Henry Withers In Westminster Abbey, 1729
- On Mr. Elijah Fenton At Easthamstead, Berks, 1729
- On Mr. Gay In Westminster Abbey, 1730
- Intended For Sir Isaac Newton In Westminster Abbey
- On Dr. Francis Atterbury Bishop of Rochester, Who Died In Exile At Paris, 1732
- On Edmund Duke of Buckingham Who Died In the Nineteenth Year of His Age, 1735
- For One Who Would Not Be Buried In Westminster Abbey
- Another On the Same
- On Two Lovers Struck Dead By Lightning
- Epitaph
- An Essay On Man [ ]
- In Four Epistles to Lord Bolingbroke
- The Design
- Epistle I of the Nature and State of Man, With Respect to the Universe
- Epistle Ii of the Nature and State of Man With Respect to Himself As an Individual
- Epistle Iii of the Nature and State of Man With Respect to Society
- Epistle Iv of the Nature and State of Man, With Respect to Happiness
- Moral Essays
- Advertisement
- Epistle I [ ] to Sir Richard Temple, Lord Cobham
- Epistle Ii [ ] to a Lady of the Characters of Women
- Epistle Iii [ ] to Allen, Lord Bathurst
- Epistle IV: To Richard Boyle, Earl of Burlington of the Use of Riches
- Epistle V: To Mr. Addison Occasioned By His Dialogues On Medals
- Universal Prayer Deo Opt. Max.
- Satires
- Epistle to Dr. Arbuthnot [ ] Being the Prologue to the Satires
- Satires, Epistles, and Odes of Horace Imitated [ ]
- Advertisement
- The First Satire of the Second Book of Horace
- The Second Satire of the Second Book of Horace [ ]
- The First Epistle of the First Book of Horace [ ]
- The Sixth Epistle of the First Book of Horace [ ]
- The First Epistle of the Second Book of Horace [ ]
- The Second Epistle of the Second Book of Horace [ ]
- Satires of Dr. John Donne, Dean of St. Paul’s, Versified [ ]
- Epilogue to the Satires [ ] In Two Dialogues. Written In 1738
- The Sixth Satire of the Second Book of Horace [ ]
- The Seventh Epistle of the First Book of Horace [ ]
- The First Ode of the Fourth Book of Horace [ ]
- The Ninth Ode of the Fourth Book of Horace
- The Dunciad In Four Books
- Martinus Scriblerus of the Poem
- Preface Prefixed to the Five First Imperfect Editions of the Dunciad, In Three Books, Printed At Dublin and London, In Octavo and Duodecimo, 1727.
- The Publisher to the Reader
- A Letter to the Publisher Occasioned By the First Correct Edition of the Dunciad
- Advertisement to the First Edition With Notes, Quarto, 1729
- Advertisement to the First Edition of the Fourth Book of the Dunciad, When Printed Separately In the Year 1742
- Advertisement to the Complete Edition of 1743
- The Dunciad [ ] to Dr. Jonathan Swift
- Book I
- Book Ii [ ]
- Book Iii [ ]
- Book Iv [ ]
- Translations From Homer the Iliad
- Pope’s Preface
- Book I: The Contention of Achilles and Agamemnon
- Book II: The Trial of the Army and Catalogue of the Forces
- Book III: The Duel of Menelaus and Paris
- Book IV: The Breach of the Truce, and the First Battle
- Book V: The Acts of Diomed
- Book VI: The Episodes of Glaucus and Diomed, and of Hector and Andromache
- Book VII: The Single Combat of Hector and Ajax
- Book VIII: The Second Battle, and the Distress of the Greeks
- Book IX: The Embassy to Achilles
- Book X: The Night Adventure of Diomede and Ulysses
- Book XI: The Third Battle, and the Acts of Agamemnon
- Book XII: The Battle At the Grecian Wall
- Book XIII: The Fourth Battle Continued, In Which Neptune Assists the Greeks. the Acts of Idomeneus
- Book XIV: Juno Deceives Jupiter By the Girdle of Venus
- Book XV: The Fifth Battle, At the Ships; and the Acts of Ajax
- Book XVI: The Sixth Battle: the Acts and Death of Patroclus
- Book XVII: The Seventh Battle, For the Body of Patroclus.—the Acts of Menelaus
- Book XVIII: The Grief of Achilles, and New Armour Made Him By Vulcan
- Book XIX: The Reconciliation of Achilles and Agamemnon
- Book XX: The Battle of the Gods, and the Acts of Achilles
- Book XXI: The Battle In the River Scamander
- Book XXII: The Death of Hector
- Book XXIII: Funeral Games In Honour of Patroclus
- Book XXIV: The Redemption of the Body of Hector
- Pope’s Concluding Note.
- The Odyssey
- Book III: The Interview of Telemachus and Nestor
- Book V: The Departure of Ulysses From Calypso
- Book VII: The Court of AlcinoÜs
- Book IX: The Adventures of the Cicons, Lotophagi, and Cyclops
- Book X: Adventures With Æolus, the LÆstrygons, and Circe
- Book XIII: The Arrival of Ulysses In Ithaca
- Book XIV: The Conversation With EumÆus
- Book XV: The Return of Telemachus
- Book XVII: Book XXI: The Bending of Ulysses’ Bow
- Book XXII: The Death of the Suitors
- Book XXIV: Postscript By Pope
- Appendix
- A. a Glossary of Names of Pope’s Contemporaries Mentioned In the Poems.
- Bibliographical Note
EXTEMPORANEOUS LINES
ON A PORTRAIT OF LADY MARY WORTLEY MONTAGU, PAINTED BY KNELLER
- The playful smiles around the dimpled mouth,
- That happy air of majesty and truth,
- So would I draw (but oh! ’t is vain to try;
- My narrow Genius does the power deny;)
- The equal lustre of the heav’nly mind,
- Where ev’ry grace with ev’ry virtue ’s join’d;
- Learning not vain, and Wisdom not severe,
- With Greatness easy, and with Wit sincere;
- With just description show the work divine,
- And the whole Princess in my work should shine.
ELOISA TO ABELARD[ ]
The origin of this famous poem seems to have lain jointly in Pope’s perception of the poetic availability of the Héloise-Abelard legend, and in his somewhat factitious grief in his separation from Lady Mary Wortley Montagu. They met in 1715, became friends, and in 1716 Lady Mary left England. In a letter of June, 1717, Pope commends the poem to her consideration, with a suggestion of the personal applicability of the concluding lines to his own suffering under the existing circumstance of their separation.
ELOISA TO ABELARD
Abelard and Eloisa flourished in the twelfth century; they were two of the most distinguished persons of their age in Learning and Beauty, but for nothing more famous than for their unfortunate passion. After a long course of calamities, they retired each to a several convent, and consecrated the remainder of their days to Religion. It was many years after this separation that a letter of Abelard’s to a friend, which contained the history of his misfortune, fell into the hands of Eloisa. This, awakening all her tenderness, occasioned those celebrated letters (out of which the following is partly extracted), which give so lively a picture of the struggles of Grace and Nature, Virtue and Passion.
- In these deep solitudes and awful cells,
- Where heav’nly-pensive Contemplation dwells,
- And ever-musing Melancholy reigns,
- What means this tumult in a vestal’s veins?
- Why rove my thoughts beyond this last retreat?
- Why feels my heart its long-forgotten heat?
- Yet, yet I love!—From Abelard it came,
- And Eloisa yet must kiss the name.
- Dear fatal name! rest ever unreveal’d,
- Nor pass these lips, in holy silence seal’d:10
- Hide it, my heart, within that close disguise,
- Where, mix’d with God’s, his lov’d idea lies:
- O write it not, my hand—the name appears
- Already written—wash it out, my tears!
- In vain lost Eloisa weeps and prays,
- Her heart still dictates, and her hand obeys.
- Relentless walls! whose darksome round contains
- Repentant sighs, and voluntary pains:
- Ye rugged rocks, which holy knees have worn;
- Ye grots and caverns shagg’d with horrid thorn!20
- Shrines! where their vigils pale-eyed virgins keep,
- And pitying saints, whose statues learn to weep!
- Tho’ cold like you, unmov’d and silent grown,
- I have not yet forgot myself to stone .
- All is not Heav’n’s while Abelard has part,
- Still rebel Nature holds out half my heart;
- Nor prayers nor fasts its stubborn pulse restrain,
- Nor tears, for ages taught to flow in vain.
- Soon as thy letters trembling I unclose,
- That well-known name awakens all my woes.30
- Oh name for ever sad! for ever dear!
- Still breathed in sighs, still usher’d with a tear.
- I tremble too, where’er my own I find,
- Some dire misfortune follows close behind.
- Line after line my gushing eyes o’erflow,
- Led thro’ a safe variety of woe:
- Now warm in love, now with’ring in my bloom,
- Lost in a convent’s solitary gloom!
- There stern religion quench’d th’ unwilling flame,
- There died the best of passions, Love and Fame.40
- Yet write, O write me all, that I may join
- Griefs to thy griefs, and echo sighs to thine.
- Nor foes nor fortune take this power away;
- And is my Abelard less kind than they?
- Tears still are mine, and those I need not spare;
- Love but demands what else were shed in prayer.
- No happier task these faded eyes pursue;
- To read and weep is all they now can do.
- Then share thy pain, allow that sad relief;
- Ah, more than share it, give me all thy grief.50
- Heav’n first taught letters for some wretch’s aid,
- Some banish’d lover, or some captive maid;
- They live, they speak, they breathe what love inspires,
- Warm from the soul, and faithful to its fires;
- The virgin’s wish without her fears impart,
- Excuse the blush, and pour out all the heart,
- Speed the soft intercourse from soul to soul,
- And waft a sigh from Indus to the Pole.
- Thou know’st how guiltless first I met thy flame,
- When Love approach’d me under Friendship’s name;60
- My fancy form’d thee of angelic kind,
- Some emanation of th’ all-beauteous Mind.
- Those smiling eyes, attemp’ring every ray,
- Shone sweetly lambent with celestial day,
- Guiltless I gazed; Heav’n listen’d while you sung;
- And truths divine came mended from that tongue.
- From lips like those what precept fail’d to move?
- Too soon they taught me ’t was no sin to love:
- Back thro’ the paths of pleasing sense I ran,69
- Nor wish’d an angel whom I loved a man.
- Dim and remote the joys of saints I see;
- Nor envy them that Heav’n I lose for thee.
- How oft, when press’d to marriage, have I said,
- Curse on all laws but those which Love has made!
- Love, free as air, at sight of human ties,
- Spreads his light wings, and in a moment flies.
- Let Wealth, let Honour, wait the wedded dame,
- August her deed, and sacred be her fame;
- Before true passion all those views remove;
- Fame, Wealth, and Honour! what are you to Love?80
- The jealous God, when we profane his fires,
- Those restless passions in revenge inspires,
- And bids them make mistaken mortals groan,
- Who seek in love for aught but love alone.
- Should at my feet the world’s great master fall,
- Himself, his throne, his world, I ’d scorn ’em all:
- Not Cæsar’s empress would I deign to prove;
- No, make me mistress to the man I love;
- If there be yet another name more free,
- More fond than mistress, make me that to thee!90
- O happy state! when souls each other draw,
- When Love is liberty, and Nature law;
- All then is full, possessing and possess’d,
- No craving void left aching in the breast:
- Ev’n thought meets thought, ere from the lips it part,
- And each warm wish springs mutual from the heart.
- This sure is bliss (if bliss on earth there be),
- And once the lot of Abelard and me.
- Alas, how changed! what sudden horrors rise!
- A naked lover bound and bleeding lies!100
- Where, where was Eloise? her voice, her hand,
- Her poniard had opposed the dire command.
- Barbarian, stay! that bloody stroke restrain;
- The crime was common, common be the pain.
- I can no more; by shame, by rage suppress’d,
- Let tears and burning blushes speak the rest.
- Canst thou forget that sad, that solemn day,
- When victims at you altar’s foot we lay?
- Canst thou forget what tears that moment fell,
- When, warm in youth, I bade the world farewell?110
- As with cold lips I kiss’d the sacred veil,
- The shrines all trembled, and the lamps grew pale:
- Heav’n scarce believ’d the conquest it survey’d,
- And saints with wonder heard the vows I made.
- Yet then, to those dread altars as I drew,
- Not on the cross my eyes were fix’d, but you:
- Not grace, or zeal, love only was my call,
- And if I lose thy love, I lose my all.
- Come! with thy looks, thy words, relieve my woe;119
- Those still at least are left thee to bestow.
- Still on that breast enamour’d let me lie,
- Still drink delicious poison from thy eye,
- Pant on thy lip, and to thy heart be press’d;
- Give all thou canst—and let me dream the rest.
- Ah, no! instruct me other joys to prize,
- With other beauties charm my partial eyes!
- Full in my view set all the bright abode,
- And make my soul quit Abelard for God.
- Ah, think at least thy flock deserves thy care,
- Plants of thy hand, and children of thy prayer.130
- From the false world in early youth they fled,
- By thee to mountains, wilds, and deserts led.
- You raised these hallow’d walls; the desert smil’d,
- And Paradise was open’d in the wild.
- No weeping orphan saw his father’s stores
- Our shrines irradiate or emblaze the floors;
- No silver saints, by dying misers giv’n,
- Here bribed the rage of ill-requited Heav’n;
- But such plain roofs as piety could raise,
- And only vocal with the Maker’s praise.140
- In these lone walls (their day’s eternal bound),
- These moss-grown domes with spiry turrents crown’d,
- Where awful arches make a noonday night,
- And the dim windows shed a solemn light,
- Thy eyes diffused a reconciling ray,
- And gleams of glory brighten’d all the day.
- But now no face divine contentment wears,
- ’T is all blank sadness, or continual tears.
- See how the force of others’ prayers I try,
- (O pious fraud of am’rous charity!)150
- But why should I on others’ prayers depend?
- Come thou, my father, brother, husband, friend!
- Ah, let thy handmaid, sister, daughter, move,
- And all those tender names in one, thy love!
- The darksome pines, that o’er yon rocks reclin’d,
- Wave high, and murmur to the hollow wind,
- The wand’ring streams that shine between the hills,
- The grots that echo to the tinkling rills,
- The dying gales that pant upon the trees,
- The lakes that quiver to the curling breeze—160
- No more these scenes my meditation aid,
- Or lull to rest the visionary maid:
- But o’er the twilight groves and dusky caves,
- Long-sounding aisles and intermingled graves,
- Black Melancholy sits, and round her throws
- A death-like silence, and a dread repose:
- Her gloomy presence saddens all the scene,
- Shades every flower, and darkens every green,
- Deepens the murmur of the falling floods,
- And breathes a browner horror on the woods.170
- Yet here for ever, ever must I stay;
- Sad proof how well a lover can obey!
- Death, only Death can break the lasting chain;
- And here, ev’n then shall my cold dust remain;
- Here all its frailties, all its flames resign,
- And wait till ’t is no sin to mix with thine.
- Ah, wretch! believ’d the spouse of God in vain.
- Confess’d within the slave of Love and man.
- Assist me, Heav’n! but whence arose that prayer?
- Sprung it from piety or from despair?180
- Ev’n here, where frozen Chastity retires,
- Love finds an altar for forbidden fires.
- I ought to grieve, but cannot what I ought;
- I mourn the lover, not lament the fault;
- I view my crime, but kindle at the view,
- Repent old pleasures, and solicit new;
- Now turn’d to Heav’n, I weep my past offence,
- Now think of thee, and curse my innocence.
- Of all affliction taught a lover yet,
- ’T is sure the hardest science to forget!190
- How shall I lose the sin, yet keep the sense,
- And love th’ offender, yet detest th’ offence?
- How the dear object from the crime remove,
- Or how distinguish Penitence from Love?
- Unequal task! a passion to resign,
- For hearts so touch’d, so pierced, so lost as mine:
- Ere such a soul regains its peaceful state,
- How often must it love, how often hate!
- How often hope, despair, resent, regret,
- Conceal, disdain—do all things but forget!200
- But let Heav’n seize it, all at once ’t is fired;
- Not touch’d, but rapt; not waken’d, but inspired!
- O come! O teach me Nature to subdue,
- Renounce my love, my life, myself—and You:
- Fill my fond heart with God alone, for he
- Alone can rival, can succeed to thee.
- How happy is the blameless vestal’s lot!
- The world forgetting, by the world forgot;
- Eternal sunshine of the spotless mind,
- Each prayer accepted, and each wish resign’d;210
- Labour and rest, that equal periods keep;
- Obedient slumbers that can wake and weep;
- Desires composed, affections ever ev’n;
- Tears that delight, and sighs that waft to Heav’n.
- Grace shines around her with serenest beams,
- And whisp’ring angels prompt her golden dreams.
- For her th’ unfading rose of Eden blooms,
- And wings of seraphs shed divine perfumes;
- For her the spouse prepares the bridal ring;
- For her white virgins hymeneals sing;220
- To sounds of heav’nly harps she dies away,
- And melts in visions of eternal day.
- Far other dreams my erring soul employ,
- Far other raptures of unholy joy.
- When at the close of each sad, sorrowing day,
- Fancy restores what vengeance snatch’d away,
- Then conscience sleeps, and leaving Nature free,
- All my loose soul unbounded springs to thee!
- Oh curst, dear horrors of all-conscious night!
- How glowing guilt exalts the keen delight!
- Provoking demons all restraint remove,231
- And stir within me every source of love.
- I hear thee, view thee, gaze o’er all thy charms,
- And round thy phantom glue my clasping arms.
- I wake:—no more I hear, no more I view,
- The phantom flies me, as unkind as you.
- I call aloud; it hears not what I say:
- I stretch my empty arms; it glides away.
- To dream once more I close my willing eyes;
- Ye soft illusions, dear deceits, arise!240
- Alas, no more! methinks we wand’ring go
- Thro’ dreary wastes, and weep each other’s woe,
- Where round some mould’ring tower pale ivy creeps,
- And low-brow’d rocks hang nodding o’er the deeps.
- Sudden you mount, you beckon from the skies;
- Clouds interpose, waves roar, and winds arise.
- I shriek, start up, the same sad prospect find,
- And wake to all the griefs I left behind.
- For thee the Fates, severely kind, ordain
- A cool suspense from pleasure and from pain;250
- Thy life a long dead calm of fix’d repose;
- No pulse that riots, and no blood that glows.
- Still as the sea, ere winds were taught to blow,
- Or moving spirit bade the waters flow;
- Soft as the slumbers of a saint forgiv’n,
- And mild as opening gleams of promised Heav’n.
- Come, Abelard! for what hast thou to dread?
- The torch of Venus burns not for the dead.
- Nature stands check’d; Religion disapproves;
- Ev’n thou art cold—yet Eloisa loves.260
- Ah, hopeless, lasting flames; like those that burn
- To light the dead, and warm th’ unfruitful urn!
- What scenes appear where’er I turn my view;
- The dear ideas, where I fly, pursue;
- Rise in the grove, before the altar rise,
- Stain all my soul, and wanton in my eyes.
- I waste the matin lamp in sighs for thee,
- Thy image steals between my God and me:
- Thy voice I seem in every hymn to hear,
- With every bead I drop too soft a tear.270
- When from the censer clouds of fragrance roll,
- And swelling organs lift the rising soul,
- One thought of thee puts all the pomp to flight,
- Priests, tapers, temples, swim before my sight:
- In seas of flame my plunging soul is drown’d,
- While altars blaze, and angels tremble round.
- While prostrate here in humble grief I lie,
- Kind virtuous drops just gath’ring in my eye,
- While praying, trembling, in the dust I roll,
- And dawning grace is opening on my soul:
- Come, if thou dar’st, all charming as thou art!281
- Oppose thyself to Heav’n; dispute my heart;
- Come, with one glance of those deluding eyes
- Blot out each bright idea of the skies;
- Take back that grace, those sorrows and those tears,
- Take back my fruitless penitence and prayers;
- Snatch me, just mounting, from the blest abode:
- Assist the fiends, and tear me from my God!
- No, fly me, fly me, far as pole from pole;
- Rise Alps between us! and whole oceans roll!290
- Ah, come not, write not, think not once of me,
- Nor share one pang of all I felt for thee.
- Thy oaths I quit, thy memory resign;
- Forget, renounce me, hate whate’er was mine.
- Fair eyes, and tempting looks (which yet I view),
- Long lov’d, ador’d ideas, all adieu!
- O Grace serene! O Virtue heav’nly fair!
- Divine Oblivion of low-thoughted care!
- Fresh blooming Hope, gay daughter of the sky!
- And Faith, our early immortality!300
- Enter each mild, each amicable guest;
- Receive, and wrap me in eternal rest!
- See in her cell sad Eloisa spread,
- Propt on some tomb, a neighbour of the dead.
- In each low wind methinks a spirit calls,
- And more than echoes talk along the walls.
- Here, as I watch’d the dying lamps around,
- From yonder shrine I heard a hollow sound:
- ‘Come, sister, come! (it said, or seem’d to say)
- Thy place is here, sad sister, come away;
- Once, like thyself, I trembled, wept, and pray’d,311
- Love’s victim then, tho’ now a sainted maid:
- But all is calm in this eternal sleep;
- Here grief forgets to groan, and love to weep;
- Ev’n superstition loses ev’ry fear:
- For God, not man, absolves our frailties here.’
- I come, I come! prepare your roseate bowers,
- Celestial palms, and ever-blooming flowers.
- Thither, where sinners may have rest, I go,
- Where flames refin’d in breasts seraphic glow;320
- Thou, Abelard! the last sad office pay,
- And smooth my passage to the realms of day:
- See my lips tremble, and my eyeballs roll,
- Suck my last breath, and catch my flying soul!
- Ah, no—in sacred vestments mayst thou stand,
- The hallow’d taper trembling in thy hand,
- Present the cross before my lifted eye,
- Teach me at once, and learn of me, to die.
- Ah then, thy once lov’d Eloisa see!
- It will be then no crime to gaze on me.330
- See from my cheek the transient roses fly!
- See the last sparkle languish in my eye!
- Till ev’ry motion, pulse, and breath be o’er,
- And ev’n my Abelard be lov’d no more.
- O Death, all-eloquent! you only prove
- What dust we doat on, when ’t is man we love.
- Then too, when Fate shall thy fair frame destroy
- (That cause of all my guilt, and all my joy),
- In trance ecstatic may thy pangs be drown’d,
- Bright clouds descend, and angels watch thee round;340
- From opening skies may streaming glories shine,
- And saints embrace thee with a love like mine.
- May one kind grave unite each hapless name,
- And graft my love immortal on thy fame!
- Then, ages hence, when all my woes are o’er,
- When this rebellious heart shall beat no more;
- If ever chance two wand’ring lovers brings,
- To Paraclete’s white walls and silver springs,
- O’er the pale marble shall they join their heads,
- And drink the falling tears each other sheds;350
- Then sadly say, with mutual pity mov’d,
- ‘O may we never love as these have lov’d!’
- From the full choir, when loud hosannas rise,
- And swell the pomp of dreadful sacrifice,
- Amid that scene if some relenting eye
- Glance on the stone where our cold relics lie,
- Devotion’s self shall steal a thought from Heav’n,
- One human tear shall drop, and be forgiv’n.
- And sure if Fate some future bard shall join
- In sad similitude of griefs to mine,360
- Condemn’d whole years in absence to deplore,
- And image charms he must behold no more,—
- Such if there be, who loves so long, so well,
- Let him our sad, our tender story tell;
- The well-sung woes will soothe my pensive ghost;
- He best can paint them who shall feel them most.
POEMS WRITTEN BETWEEN 1718 AND 1727
[Page 110.]Eloisa to Abelard.
[Line 24.]Forgot myself to stone. ‘Forget thyself to marble.’ Milton, Il Penseroso. The expression ‘caverns shagg’d with horrid thorn,’ and the epithets ‘pale-eyed,’ ‘twilight,’ ‘low-thoughted care,’ and others, are first used in the smaller poems of Milton, which Pope seems to have been just reading. (Warton.)
[Line 74.]Curse on all laws, etc. - ‘And own no laws but those which love ordains.’
- Dryden, Cinyras and Myrrha.
- (Pope.)
[Line 212.]Obedient slumbers, etc. This line Pope confesses to having borrowed from Crashaw.
[Line 342.]May one kind grave, etc. Abelard and Eloisa were interred in the same grave, or in monuments adjoining, in the Monastery of the Paraclete; he died in the year 1142, she in 1163. (Pope.)
|