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Front Page Titles (by Subject) CANTO III - The Complete Poetical Works of Alexander Pope
CANTO III - Alexander Pope, The Complete Poetical Works of Alexander Pope [1903]Edition used:The Complete Poetical Works of Alexander Pope. Cambridge Edition, ed. Henry W. Boynton (Boston and New York: Houghton, Mifflin and Co., 1903).
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- Editor’s Note
- Biographical Sketch
- Early Poems
- Ode On Solitude
- A Paraphrase (on Thomas À Kempis, L. III. C. 2)
- To the Author of a Poem Entitled Successio [ ]
- The First Book of Statius’s Thebais Translated In the Year 1703
- Imitations of English Poets
- Chaucer
- Spenser [ ] the Alley
- Waller On a Lady Singing to Her Lute
- Cowley the Garden
- Weeping
- Earl of Rochester On Silence
- Earl of Dorset Artemisia
- Dr. Swift the Happy Life of a Country Parson
- Pastorals
- Discourse On Pastoral Poetry
- I: Spring; Or, Damon [ ] to Sir William Trumbull
- II: Summer; Or, Alexis to Dr. Garth
- III: Autumn; Or, Hylas and Ægon [ ] to Mr. Wycherley
- IV: Winter; Or, Daphne [ ] to the Memory of Mrs. Tempest
- Windsor Forest [ ] to the Right Hon. George Lord Lansdown
- Paraphrases From Chaucer
- January and May: Or, the Merchant’s Tale
- The Wife of Bath Her Prologue
- The Temple of Fame [ ]
- Translations From Ovid
- Sappho to Phaon From the Fifteenth of Ovid’s Epistles
- The Fable of Dryope [ ] From the Ninth Book of Ovid’s Metamorphoses
- Vertumnus and Pomona From the Fourteenth Book of Ovid’s Metamorphoses
- An Essay On Criticism [ ]
- Part I
- Part Ii
- Part Iii
- Poems Written Between 1708 and 1712
- Ode For Music On St. Cecilia’s Day
- Argus
- The Balance of Europe
- The Translator
- On Mrs. Tofts, a Famous Opera-singer
- Epistle to Mrs. Blount, With the Works of Voiture.
- The Dying Christian to His Soul
- Epistle to Mr. Jervas [ ] With Dryden’s Translation of Fresnoy’s Art of Painting
- Impromptu to Lady Winchilsea Occasioned By Four Satirical Verses On Women Wits, In the Rape of the Lock
- Elegy to the Memory of an Unfortunate Lady
- Messiah
- The Rape of the Lock an Heroi-comical Poem [ ]
- Canto I
- Canto Ii
- Canto Iii
- Canto Iv
- Canto V
- Poems Written Between 1713 and 1717
- Prologue to Mr. Addison’s Cato
- Epilogue to Mr. Rowe’s Jane Shore Designed For Mrs. Oldfield
- To a Lady, With the Temple of Fame
- Upon the Duke of Marlborough’s House At Woodstock
- Lines to Lord Bathurst
- Macer [ ] a Character
- Epistle to Mrs. Teresa Blount On Her Leaving the Town After the Coronation
- Lines Occasioned By Some Verses of His Grace the Duke of Buckingham
- A Farewell to London [ ] In the Year 1715
- Imitation of Martial
- Imitation of Tibullus
- The Basset-table [ ] an Eclogue
- Epigram On the Toasts of the Kit-cat Club [ ] Anno 1716
- The Challenge a Court Ballad
- The Looking-glass On Mrs. Pulteney
- Prologue, Designed For Mr. D’urfey’s Last Play
- Prologue to the ‘three Hours After Marriage’
- Prayer of Brutus From Geoffrey of Monmouth
- To Lady Mary Wortley Montagu
- Extemporaneous Lines On a Portrait of Lady Mary Wortley Montagu, Painted By Kneller
- Eloisa to Abelard [ ]
- Poems Written Between 1718 and 1727
- An Inscription Upon a Punch-bowl In the South Sea Year, For a Club: Chased With Jupiter Placing Callisto In the Skies, and Europa With the Bull
- Epistle to James Craggs, Esq. Secretary of State
- A Dialogue
- Verses to Mr. C. St. James’s Palace, London, Oct. 22
- To Mr. Gay Who Had Congratulated Pope On Finishing His House and Gardens
- On Drawings of the Statues of Apollo, Venus, and Hercules Made For Pope By Sir Godfrey Kneller
- Epistle to Robert Earl of Oxford and Mortimer Prefixed to Parnell’s Poems
- Two Choruses to the Tragedy of Brutus
- To Mrs. M. B. On Her Birthday
- Answer to the Following Question of Mrs. Howe
- On a Certain Lady At Court
- To Mr. John Moore Author of the Celebrated Worm-powder
- The Curll Miscellanies Umbra
- Poems Suggested By Gulliver
- Later Poems
- On Certain Ladies
- Celia
- Prologue to a Play For Mr. Dennis’s Benefit, In 1733, When He Was Old, Blind, and In Great Distress, a Little Before His Death
- Song, By a Person of Quality Written In the Year 1733
- Verses Left By Mr. Pope On His Lying In the Same Bed Which Wilmot, the Celebrated Earl of Rochester, Slept In At Adderbury, Then Belonging to the Duke of Argyle, July 9th, 1739
- On His Grotto At Twickenham Composed of Marbles, Spars, Gems, Ores, and Minerals
- On Receiving From the Right Hon. the Lady Frances Shirley a Standish and Two Pens
- On Beaufort House Gate At Chiswick
- To Mr. Thomas Southern On His Birthday, 1742
- Epigram
- 1740: A Poem [ ]
- Poems of Uncertain Date
- To Erinna
- Lines Written In Windsor Forest
- Verbatim From Boileau First Published By Warburton In 1751
- Lines On Swift’s Ancestors
- On Seeing the Ladies At Crux Easton Walk In the Woods By the Grotto Extempore By Mr. Pope
- Inscription On a Grotto, the Work of Nine Ladies
- To the Right Hon. the Earl of Oxford Upon a Piece of News In Mist [mist’s Journal] That the Rev. Mr. W. Refused to Write Against Mr. Pope Because His Best Patron Had a Friendship For the Said Pope
- Epigrams and Epitaphs
- On a Picture of Queen Caroline Drawn By Lady Burlington
- Epigram Engraved On the Collar of a Dog Which I Gave to His Royal Highness
- Lines Written In Evelyn’s Book On Coins
- From the Grub-street Journal
- I: Epigram
- II: Epigram
- III: Mr. J. M. S[myth]e Catechised On His One Epistle to Mr. Pope
- IV: Epigram On Mr. M[oo]re’s Going to Law With Mr. Giliver: Inscribed to Attorney Tibbald
- V: Epigram
- VI: Epitaph On James Moore-smythe
- VII: A Question By Anonymous
- VIII: Epigram
- IX: Epigram
- Epitaphs
- On Charles Earl of Dorset In the Church of Withyam, Sussex
- On Sir William Trumbull One of the Principal Secretaries of State to King William Iii
- On the Hon. Simon Harcourt Only Son of the Lord Chancellor Harcourt
- On James Craggs, Esq. In Westminster Abbey
- On Mr. Rowe In Westminster Abbey
- On Mrs. Corbet Who Died of a Cancer In Her Breast
- On the Monument of the Hon. R. Digby and of His Sister Mary Erected By Their Father, Lord Digby, In the Church of Sherborne, In Dorsetshire, 1727.
- On Sir Godfrey Kneller In Westminster Abbey, 1723
- On General Henry Withers In Westminster Abbey, 1729
- On Mr. Elijah Fenton At Easthamstead, Berks, 1729
- On Mr. Gay In Westminster Abbey, 1730
- Intended For Sir Isaac Newton In Westminster Abbey
- On Dr. Francis Atterbury Bishop of Rochester, Who Died In Exile At Paris, 1732
- On Edmund Duke of Buckingham Who Died In the Nineteenth Year of His Age, 1735
- For One Who Would Not Be Buried In Westminster Abbey
- Another On the Same
- On Two Lovers Struck Dead By Lightning
- Epitaph
- An Essay On Man [ ]
- In Four Epistles to Lord Bolingbroke
- The Design
- Epistle I of the Nature and State of Man, With Respect to the Universe
- Epistle Ii of the Nature and State of Man With Respect to Himself As an Individual
- Epistle Iii of the Nature and State of Man With Respect to Society
- Epistle Iv of the Nature and State of Man, With Respect to Happiness
- Moral Essays
- Advertisement
- Epistle I [ ] to Sir Richard Temple, Lord Cobham
- Epistle Ii [ ] to a Lady of the Characters of Women
- Epistle Iii [ ] to Allen, Lord Bathurst
- Epistle IV: To Richard Boyle, Earl of Burlington of the Use of Riches
- Epistle V: To Mr. Addison Occasioned By His Dialogues On Medals
- Universal Prayer Deo Opt. Max.
- Satires
- Epistle to Dr. Arbuthnot [ ] Being the Prologue to the Satires
- Satires, Epistles, and Odes of Horace Imitated [ ]
- Advertisement
- The First Satire of the Second Book of Horace
- The Second Satire of the Second Book of Horace [ ]
- The First Epistle of the First Book of Horace [ ]
- The Sixth Epistle of the First Book of Horace [ ]
- The First Epistle of the Second Book of Horace [ ]
- The Second Epistle of the Second Book of Horace [ ]
- Satires of Dr. John Donne, Dean of St. Paul’s, Versified [ ]
- Epilogue to the Satires [ ] In Two Dialogues. Written In 1738
- The Sixth Satire of the Second Book of Horace [ ]
- The Seventh Epistle of the First Book of Horace [ ]
- The First Ode of the Fourth Book of Horace [ ]
- The Ninth Ode of the Fourth Book of Horace
- The Dunciad In Four Books
- Martinus Scriblerus of the Poem
- Preface Prefixed to the Five First Imperfect Editions of the Dunciad, In Three Books, Printed At Dublin and London, In Octavo and Duodecimo, 1727.
- The Publisher to the Reader
- A Letter to the Publisher Occasioned By the First Correct Edition of the Dunciad
- Advertisement to the First Edition With Notes, Quarto, 1729
- Advertisement to the First Edition of the Fourth Book of the Dunciad, When Printed Separately In the Year 1742
- Advertisement to the Complete Edition of 1743
- The Dunciad [ ] to Dr. Jonathan Swift
- Book I
- Book Ii [ ]
- Book Iii [ ]
- Book Iv [ ]
- Translations From Homer the Iliad
- Pope’s Preface
- Book I: The Contention of Achilles and Agamemnon
- Book II: The Trial of the Army and Catalogue of the Forces
- Book III: The Duel of Menelaus and Paris
- Book IV: The Breach of the Truce, and the First Battle
- Book V: The Acts of Diomed
- Book VI: The Episodes of Glaucus and Diomed, and of Hector and Andromache
- Book VII: The Single Combat of Hector and Ajax
- Book VIII: The Second Battle, and the Distress of the Greeks
- Book IX: The Embassy to Achilles
- Book X: The Night Adventure of Diomede and Ulysses
- Book XI: The Third Battle, and the Acts of Agamemnon
- Book XII: The Battle At the Grecian Wall
- Book XIII: The Fourth Battle Continued, In Which Neptune Assists the Greeks. the Acts of Idomeneus
- Book XIV: Juno Deceives Jupiter By the Girdle of Venus
- Book XV: The Fifth Battle, At the Ships; and the Acts of Ajax
- Book XVI: The Sixth Battle: the Acts and Death of Patroclus
- Book XVII: The Seventh Battle, For the Body of Patroclus.—the Acts of Menelaus
- Book XVIII: The Grief of Achilles, and New Armour Made Him By Vulcan
- Book XIX: The Reconciliation of Achilles and Agamemnon
- Book XX: The Battle of the Gods, and the Acts of Achilles
- Book XXI: The Battle In the River Scamander
- Book XXII: The Death of Hector
- Book XXIII: Funeral Games In Honour of Patroclus
- Book XXIV: The Redemption of the Body of Hector
- Pope’s Concluding Note.
- The Odyssey
- Book III: The Interview of Telemachus and Nestor
- Book V: The Departure of Ulysses From Calypso
- Book VII: The Court of AlcinoÜs
- Book IX: The Adventures of the Cicons, Lotophagi, and Cyclops
- Book X: Adventures With Æolus, the LÆstrygons, and Circe
- Book XIII: The Arrival of Ulysses In Ithaca
- Book XIV: The Conversation With EumÆus
- Book XV: The Return of Telemachus
- Book XVII: Book XXI: The Bending of Ulysses’ Bow
- Book XXII: The Death of the Suitors
- Book XXIV: Postscript By Pope
- Appendix
- A. a Glossary of Names of Pope’s Contemporaries Mentioned In the Poems.
- Bibliographical Note
CANTO III
- Close by those meads, for ever crown’d with flowers,
- Where Thames with pride surveys his rising towers
- There stands a structure of majestic frame,
- Which from the neighb’ring Hampton takes its name.
- Here Britain’s statesmen oft the fall foredoom
- Of foreign tyrants, and of nymphs at home;
- Here, thou, great Anna! whom three realms obey,
- Dost sometimes counsel take—and sometimes tea.
- Hither the Heroes and the Nymphs resort,
- To taste awhile the pleasures of a court;10
- In various talk th’ instructive hours they past,
- Who gave the ball, or paid the visit last;
- One speaks the glory of the British Queen,
- And one describes a charming Indian screen;
- A third interprets motions, looks, and eyes;
- At every word a reputation dies.
- Snuff, or the fan, supply each pause of chat,
- With singing, laughing, ogling, and all that.
- Meanwhile, declining from the noon of day,
- The sun obliquely shoots his burning ray;
- The hungry judges soon the sentence sign,21
- And wretches hang that jurymen may dine;
- The merchant from th’ Exchange returns in peace,
- And the long labours of the toilet cease.
- Belinda now, whom thirst of fame invites,
- Burns to encounter two adventurous knights,
- At Ombre singly to decide their doom,
- And swells her breast with conquests yet to come.
- Straight the three bands prepare in arms to join,
- Each band the number of the sacred Nine.
- Soon as she spreads her hand, th’ aerial guard31
- Descend, and sit on each important card:
- First Ariel perch’d upon a Matadore,
- Then each according to the rank they bore;
- For Sylphs, yet mindful of their ancient race,
- Are, as when women, wondrous fond of place.
- Behold four Kings in majesty revered,
- With hoary whiskers and a forky beard;
- And four fair Queens, whose hands sustain a flower
- Th’ expressive emblem of their softer power;40
- Four Knaves, in garbs succinct, a trusty band,
- Caps on their heads, and halberts in their hand
- And party-colour’d troops, a shining train,
- Draw forth to combat on the velvet plain.
- The skilful nymph reviews her force with care;
- ‘Let Spades be trumps!’ she said, and trumps they were.
- Now move to war her sable Matadores,
- In show like leaders of the swarthy Moors.
- Spadillio first, unconquerable lord!
- Led off two captive trumps, and swept the board.50
- As many more Manillio forced to yield,
- And march’d a victor from the verdant field.
- Him Basto follow’d, but his fate more hard
- Gain’d but one trump and one plebeian card.
- With his broad sabre next, a chief in years,
- The hoary Majesty of Spades appears,
- Puts forth one manly leg, to sight reveal’d;
- The rest his many colour’d robe conceal’d.
- The rebel Knave, who dares his prince engage,
- Proves the just victim of his royal rage.60
- Ev’n mighty Pam , that kings and queens o’erthrew,
- And mow’d down armies in the fights of Loo,
- Sad chance of war! now destitute of aid,
- Falls undistinguish’d by the victor Spade.
- Thus far both armies to Belinda yield;
- Now to the Baron Fate inclines the field.
- His warlike amazon her host invades,
- Th’ imperial consort of the crown of Spades.
- The Club’s black tyrant first her victim died,
- Spite of his haughty mien and barb’rous pride:70
- What boots the regal circle on his head,
- His giant limbs, in state unwieldy spread;
- That long behind he trails his pompous robe,
- And of all monarchs only grasps the globe?
- The Baron now his Diamonds pours apace;
- Th’ embroider’d King who shows but half his face,
- And his refulgent Queen, with powers combin’d,
- Of broken troops an easy conquest find.
- Clubs, Diamonds, Hearts, in wild disorder seen,
- With throngs promiscuous strew the level green.80
- Thus when dispers’d a routed army runs,
- Of Asia’s troops, and Afric’s sable sons,
- With like confusion diff’rent nations fly,
- Of various habit, and of various dye;
- The pierced battalions disunited fall
- In heaps on heaps; one fate o’erwhelms them all.
- The Knave of Diamonds tries his wily arts,
- And wins (oh shameful chance!) the Queen of Hearts.
- At this, the blood the virgin’s cheek forsook,
- A livid paleness spreads o’er all her look;
- She sees, and trembles at th’ approaching ill,91
- Just in the jaws of ruin , and Codille.
- And now (as oft in some distemper’d state)
- On one nice trick depends the gen’ral fate!
- An Ace of Hearts steps forth: the King unseen
- Lurk’d in her hand, and mourn’d his captive Queen.
- He springs to vengeance with an eager pace,
- And falls like thunder on the prostrate Ace.
- The nymph, exulting, fills with shouts the sky;
- The walls, the woods, and long canals reply.100
- Oh thoughtless mortals! ever blind to fate,
- Too soon dejected, and too soon elate:
- Sudden these honours shall be snatch’d away,
- And curs’d for ever this victorious day.
- For lo! the board with cups and spoons is crown’d,
- The berries crackle, and the mill turns round;
- On shining altars of japan they raise
- The silver lamp; the fiery spirits blaze:
- From silver spouts the grateful liquors glide,
- While China’s earth receives the smoking tide.110
- At once they gratify their scent and taste,
- And frequent cups prolong the rich repast.
- Straight hover round the Fair her airy band;
- Some, as she sipp’d, the fuming liquor fann’d,
- Some o’er her lap their careful plumes display’d,
- Trembling, and conscious of the rich brocade.
- Coffee (which makes the politician wise,
- And see thro’ all things with his half-shut eyes)
- Sent up in vapors to the Baron’s brain
- New stratagems, the radiant Lock to gain.
- Ah, cease, rash youth! desist ere ’t is too late,121
- Fear the just Gods, and think of Scylla’s fate!
- Changed to a bird , and sent to flit in air,
- She dearly pays for Nisus’ injured hair!
- But when to mischief mortals bend their will,
- How soon they find fit instruments of ill!
- Just then, Clarissa drew with tempting grace
- A two-edg’d weapon from her shining case:
- So ladies in romance assist their knight,
- Present the spear, and arm him for the fight.130
- He takes the gift with rev’rence, and extends
- The little engine on his fingers’ ends;
- This just behind Belinda’s neck he spread,
- As o’er the fragrant steams she bends her head.
- Swift to the Lock a thousand sprites repair;
- A thousand wings, by turns, blow back the hair;
- And thrice they twitch’d the diamond in her ear;
- Thrice she look’d back, and thrice the foe drew near.138
- Just in that instant, anxious Ariel sought
- The close recesses of the virgin’s thought:
- As on the nosegay in her breast reclin’d,
- He watch’d th’ ideas rising in her mind,
- Sudden he view’d, in spite of all her art,
- An earthly Lover lurking at her heart.
- Amazed, confused, he found his power expired,
- Resign’d to fate, and with a sigh retired.
- The Peer now spreads the glitt’ring forfex wide,
- T’ inclose the Lock; now joins it, to divide.
- Ev’n then, before the fatal engine closed,
- A wretched Sylph too fondly interposed;
- Fate urged the shears, and cut the Sylph in twain151
- (But airy substance soon unites again ).
- The meeting points the sacred hair dissever
- From the fair head, for ever, and for ever!
- Then flash’d the living lightning from her eyes,
- And screams of horror rend th’ affrighted skies.
- Not louder shrieks to pitying Heav’n are cast,
- When husbands, or when lapdogs breathe their last;
- Or when rich China vessels, fall’n from high,
- In glitt’ring dust and painted fragments lie!160
- ‘Let wreaths of triumph now my temples twine,’
- The Victor cried, ‘the glorious prize is mine!
- While fish in streams, or birds delight in air,
- Or in a coach and six the British Fair,
- As long as Atalantis shall be read,
- Or the small pillow grace a lady’s bed,
- While visits shall be paid on solemn days,
- When numerous wax-lights in bright order blaze:
- While nymphs take treats, or assignations give,
- So long my honour, name, and praise shall live!170
- What Time would spare, from Steel receives its date,
- And monuments, like men, submit to Fate!
- Steel could the labour of the Gods destroy,
- And strike to dust th’ imperial towers of Troy;
- Steel could the works of mortal pride confound
- And hew triumphal arches to the ground.
- What wonder, then , fair Nymph! thy hairs should feel
- The conquering force of unresisted steel?’
[Canto III. Line 27.]Ombre and Piquet were the fashionable card games of Queen Anne’s day. Ombre was a game of Spanish origin. The three principal trumps were called Matadores; these are, in the order of their rank, Spadillio, the ace of spades; Manillio, the deuce of clubs when trumps are black, the seven when they are red; and Basto, the ace of clubs.
[Line 61.]Mighty Pam. Pam, the knave of clubs, is the highest card in the game of Loo.
[Line 92.]Just in the jaws of ruin, and Codille. Each has won four tricks. If the Baron, who is ‘defending the pool,’ takes more tricks than Belinda, who is ‘defending the game,’ he will ‘win the Codille.’
[Line 107.]Altars of Japan. Small japanned tables.
[Line 123.]Changed to a bird, etc. See Ovid, Metam. viii. (Pope.)
[Line 152.]But airy substance soon unites again. Pope, in a note, refers us to the following passage:— - ‘But the ethereal substance closed,
- Not long divisible: and from the gash
- A stream of nectarous humor issuing flowed
- Sanguine, such as celestial spirits may bleed.’
- Paradise Lost, vi. 330-334.
[Lines 165.] Atalantis. The new Atalantis, by Mrs. Manley; a book just then popular.
[Lines 176, 177.]What wonder, then, etc. - ‘Quid faciant crines, cum ferro talia cedant.’
- Catullus, de Com. Berenice. (Ward.)
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