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Front Page Titles (by Subject) TRANSLATIONS FROM OVID - The Complete Poetical Works of Alexander Pope
TRANSLATIONS FROM OVID - Alexander Pope, The Complete Poetical Works of Alexander Pope [1903]Edition used:The Complete Poetical Works of Alexander Pope. Cambridge Edition, ed. Henry W. Boynton (Boston and New York: Houghton, Mifflin and Co., 1903).
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- Editor’s Note
- Biographical Sketch
- Early Poems
- Ode On Solitude
- A Paraphrase (on Thomas À Kempis, L. III. C. 2)
- To the Author of a Poem Entitled Successio [ ]
- The First Book of Statius’s Thebais Translated In the Year 1703
- Imitations of English Poets
- Chaucer
- Spenser [ ] the Alley
- Waller On a Lady Singing to Her Lute
- Cowley the Garden
- Weeping
- Earl of Rochester On Silence
- Earl of Dorset Artemisia
- Dr. Swift the Happy Life of a Country Parson
- Pastorals
- Discourse On Pastoral Poetry
- I: Spring; Or, Damon [ ] to Sir William Trumbull
- II: Summer; Or, Alexis to Dr. Garth
- III: Autumn; Or, Hylas and Ægon [ ] to Mr. Wycherley
- IV: Winter; Or, Daphne [ ] to the Memory of Mrs. Tempest
- Windsor Forest [ ] to the Right Hon. George Lord Lansdown
- Paraphrases From Chaucer
- January and May: Or, the Merchant’s Tale
- The Wife of Bath Her Prologue
- The Temple of Fame [ ]
- Translations From Ovid
- Sappho to Phaon From the Fifteenth of Ovid’s Epistles
- The Fable of Dryope [ ] From the Ninth Book of Ovid’s Metamorphoses
- Vertumnus and Pomona From the Fourteenth Book of Ovid’s Metamorphoses
- An Essay On Criticism [ ]
- Part I
- Part Ii
- Part Iii
- Poems Written Between 1708 and 1712
- Ode For Music On St. Cecilia’s Day
- Argus
- The Balance of Europe
- The Translator
- On Mrs. Tofts, a Famous Opera-singer
- Epistle to Mrs. Blount, With the Works of Voiture.
- The Dying Christian to His Soul
- Epistle to Mr. Jervas [ ] With Dryden’s Translation of Fresnoy’s Art of Painting
- Impromptu to Lady Winchilsea Occasioned By Four Satirical Verses On Women Wits, In the Rape of the Lock
- Elegy to the Memory of an Unfortunate Lady
- Messiah
- The Rape of the Lock an Heroi-comical Poem [ ]
- Canto I
- Canto Ii
- Canto Iii
- Canto Iv
- Canto V
- Poems Written Between 1713 and 1717
- Prologue to Mr. Addison’s Cato
- Epilogue to Mr. Rowe’s Jane Shore Designed For Mrs. Oldfield
- To a Lady, With the Temple of Fame
- Upon the Duke of Marlborough’s House At Woodstock
- Lines to Lord Bathurst
- Macer [ ] a Character
- Epistle to Mrs. Teresa Blount On Her Leaving the Town After the Coronation
- Lines Occasioned By Some Verses of His Grace the Duke of Buckingham
- A Farewell to London [ ] In the Year 1715
- Imitation of Martial
- Imitation of Tibullus
- The Basset-table [ ] an Eclogue
- Epigram On the Toasts of the Kit-cat Club [ ] Anno 1716
- The Challenge a Court Ballad
- The Looking-glass On Mrs. Pulteney
- Prologue, Designed For Mr. D’urfey’s Last Play
- Prologue to the ‘three Hours After Marriage’
- Prayer of Brutus From Geoffrey of Monmouth
- To Lady Mary Wortley Montagu
- Extemporaneous Lines On a Portrait of Lady Mary Wortley Montagu, Painted By Kneller
- Eloisa to Abelard [ ]
- Poems Written Between 1718 and 1727
- An Inscription Upon a Punch-bowl In the South Sea Year, For a Club: Chased With Jupiter Placing Callisto In the Skies, and Europa With the Bull
- Epistle to James Craggs, Esq. Secretary of State
- A Dialogue
- Verses to Mr. C. St. James’s Palace, London, Oct. 22
- To Mr. Gay Who Had Congratulated Pope On Finishing His House and Gardens
- On Drawings of the Statues of Apollo, Venus, and Hercules Made For Pope By Sir Godfrey Kneller
- Epistle to Robert Earl of Oxford and Mortimer Prefixed to Parnell’s Poems
- Two Choruses to the Tragedy of Brutus
- To Mrs. M. B. On Her Birthday
- Answer to the Following Question of Mrs. Howe
- On a Certain Lady At Court
- To Mr. John Moore Author of the Celebrated Worm-powder
- The Curll Miscellanies Umbra
- Poems Suggested By Gulliver
- Later Poems
- On Certain Ladies
- Celia
- Prologue to a Play For Mr. Dennis’s Benefit, In 1733, When He Was Old, Blind, and In Great Distress, a Little Before His Death
- Song, By a Person of Quality Written In the Year 1733
- Verses Left By Mr. Pope On His Lying In the Same Bed Which Wilmot, the Celebrated Earl of Rochester, Slept In At Adderbury, Then Belonging to the Duke of Argyle, July 9th, 1739
- On His Grotto At Twickenham Composed of Marbles, Spars, Gems, Ores, and Minerals
- On Receiving From the Right Hon. the Lady Frances Shirley a Standish and Two Pens
- On Beaufort House Gate At Chiswick
- To Mr. Thomas Southern On His Birthday, 1742
- Epigram
- 1740: A Poem [ ]
- Poems of Uncertain Date
- To Erinna
- Lines Written In Windsor Forest
- Verbatim From Boileau First Published By Warburton In 1751
- Lines On Swift’s Ancestors
- On Seeing the Ladies At Crux Easton Walk In the Woods By the Grotto Extempore By Mr. Pope
- Inscription On a Grotto, the Work of Nine Ladies
- To the Right Hon. the Earl of Oxford Upon a Piece of News In Mist [mist’s Journal] That the Rev. Mr. W. Refused to Write Against Mr. Pope Because His Best Patron Had a Friendship For the Said Pope
- Epigrams and Epitaphs
- On a Picture of Queen Caroline Drawn By Lady Burlington
- Epigram Engraved On the Collar of a Dog Which I Gave to His Royal Highness
- Lines Written In Evelyn’s Book On Coins
- From the Grub-street Journal
- I: Epigram
- II: Epigram
- III: Mr. J. M. S[myth]e Catechised On His One Epistle to Mr. Pope
- IV: Epigram On Mr. M[oo]re’s Going to Law With Mr. Giliver: Inscribed to Attorney Tibbald
- V: Epigram
- VI: Epitaph On James Moore-smythe
- VII: A Question By Anonymous
- VIII: Epigram
- IX: Epigram
- Epitaphs
- On Charles Earl of Dorset In the Church of Withyam, Sussex
- On Sir William Trumbull One of the Principal Secretaries of State to King William Iii
- On the Hon. Simon Harcourt Only Son of the Lord Chancellor Harcourt
- On James Craggs, Esq. In Westminster Abbey
- On Mr. Rowe In Westminster Abbey
- On Mrs. Corbet Who Died of a Cancer In Her Breast
- On the Monument of the Hon. R. Digby and of His Sister Mary Erected By Their Father, Lord Digby, In the Church of Sherborne, In Dorsetshire, 1727.
- On Sir Godfrey Kneller In Westminster Abbey, 1723
- On General Henry Withers In Westminster Abbey, 1729
- On Mr. Elijah Fenton At Easthamstead, Berks, 1729
- On Mr. Gay In Westminster Abbey, 1730
- Intended For Sir Isaac Newton In Westminster Abbey
- On Dr. Francis Atterbury Bishop of Rochester, Who Died In Exile At Paris, 1732
- On Edmund Duke of Buckingham Who Died In the Nineteenth Year of His Age, 1735
- For One Who Would Not Be Buried In Westminster Abbey
- Another On the Same
- On Two Lovers Struck Dead By Lightning
- Epitaph
- An Essay On Man [ ]
- In Four Epistles to Lord Bolingbroke
- The Design
- Epistle I of the Nature and State of Man, With Respect to the Universe
- Epistle Ii of the Nature and State of Man With Respect to Himself As an Individual
- Epistle Iii of the Nature and State of Man With Respect to Society
- Epistle Iv of the Nature and State of Man, With Respect to Happiness
- Moral Essays
- Advertisement
- Epistle I [ ] to Sir Richard Temple, Lord Cobham
- Epistle Ii [ ] to a Lady of the Characters of Women
- Epistle Iii [ ] to Allen, Lord Bathurst
- Epistle IV: To Richard Boyle, Earl of Burlington of the Use of Riches
- Epistle V: To Mr. Addison Occasioned By His Dialogues On Medals
- Universal Prayer Deo Opt. Max.
- Satires
- Epistle to Dr. Arbuthnot [ ] Being the Prologue to the Satires
- Satires, Epistles, and Odes of Horace Imitated [ ]
- Advertisement
- The First Satire of the Second Book of Horace
- The Second Satire of the Second Book of Horace [ ]
- The First Epistle of the First Book of Horace [ ]
- The Sixth Epistle of the First Book of Horace [ ]
- The First Epistle of the Second Book of Horace [ ]
- The Second Epistle of the Second Book of Horace [ ]
- Satires of Dr. John Donne, Dean of St. Paul’s, Versified [ ]
- Epilogue to the Satires [ ] In Two Dialogues. Written In 1738
- The Sixth Satire of the Second Book of Horace [ ]
- The Seventh Epistle of the First Book of Horace [ ]
- The First Ode of the Fourth Book of Horace [ ]
- The Ninth Ode of the Fourth Book of Horace
- The Dunciad In Four Books
- Martinus Scriblerus of the Poem
- Preface Prefixed to the Five First Imperfect Editions of the Dunciad, In Three Books, Printed At Dublin and London, In Octavo and Duodecimo, 1727.
- The Publisher to the Reader
- A Letter to the Publisher Occasioned By the First Correct Edition of the Dunciad
- Advertisement to the First Edition With Notes, Quarto, 1729
- Advertisement to the First Edition of the Fourth Book of the Dunciad, When Printed Separately In the Year 1742
- Advertisement to the Complete Edition of 1743
- The Dunciad [ ] to Dr. Jonathan Swift
- Book I
- Book Ii [ ]
- Book Iii [ ]
- Book Iv [ ]
- Translations From Homer the Iliad
- Pope’s Preface
- Book I: The Contention of Achilles and Agamemnon
- Book II: The Trial of the Army and Catalogue of the Forces
- Book III: The Duel of Menelaus and Paris
- Book IV: The Breach of the Truce, and the First Battle
- Book V: The Acts of Diomed
- Book VI: The Episodes of Glaucus and Diomed, and of Hector and Andromache
- Book VII: The Single Combat of Hector and Ajax
- Book VIII: The Second Battle, and the Distress of the Greeks
- Book IX: The Embassy to Achilles
- Book X: The Night Adventure of Diomede and Ulysses
- Book XI: The Third Battle, and the Acts of Agamemnon
- Book XII: The Battle At the Grecian Wall
- Book XIII: The Fourth Battle Continued, In Which Neptune Assists the Greeks. the Acts of Idomeneus
- Book XIV: Juno Deceives Jupiter By the Girdle of Venus
- Book XV: The Fifth Battle, At the Ships; and the Acts of Ajax
- Book XVI: The Sixth Battle: the Acts and Death of Patroclus
- Book XVII: The Seventh Battle, For the Body of Patroclus.—the Acts of Menelaus
- Book XVIII: The Grief of Achilles, and New Armour Made Him By Vulcan
- Book XIX: The Reconciliation of Achilles and Agamemnon
- Book XX: The Battle of the Gods, and the Acts of Achilles
- Book XXI: The Battle In the River Scamander
- Book XXII: The Death of Hector
- Book XXIII: Funeral Games In Honour of Patroclus
- Book XXIV: The Redemption of the Body of Hector
- Pope’s Concluding Note.
- The Odyssey
- Book III: The Interview of Telemachus and Nestor
- Book V: The Departure of Ulysses From Calypso
- Book VII: The Court of AlcinoÜs
- Book IX: The Adventures of the Cicons, Lotophagi, and Cyclops
- Book X: Adventures With Æolus, the LÆstrygons, and Circe
- Book XIII: The Arrival of Ulysses In Ithaca
- Book XIV: The Conversation With EumÆus
- Book XV: The Return of Telemachus
- Book XVII: Book XXI: The Bending of Ulysses’ Bow
- Book XXII: The Death of the Suitors
- Book XXIV: Postscript By Pope
- Appendix
- A. a Glossary of Names of Pope’s Contemporaries Mentioned In the Poems.
- Bibliographical Note
TRANSLATIONS FROM OVID
SAPPHO TO PHAON
FROM THE FIFTEENTH OF OVID’S EPISTLES
Written, according to Pope, in 1707. First published in Tonson’s Ovid, 1712. - Say, lovely Youth, that dost my heart command,
- Can Phaon’s eyes forget his Sappho’s hand?
- Must then her name the wretched writer prove,
- To thy remembrance lost, as to thy love?
- Ask not the cause that I new numbers choose,
- The lute neglected and the lyric Muse;
- Love taught my tears in sadder notes to flow,
- And tuned my heart to elegies of woe.
- I burn, I burn, as when thro’ ripen’d corn
- By driving winds the spreading flames are borne!10
- Phaon to Ætna’s scorching fields retires,
- While I consume with more than Ætna’s fires!
- No more my soul a charm in music finds;
- Music has charms alone for peaceful minds.
- Soft scenes of solitude no more can please;
- Love enters there, and I’m my own disease.
- No more the Lesbian dames my passion move,
- Once the dear objects of my guilty love;
- All other loves are lost in only thine,
- O youth, ungrateful to a flame like mine!
- Whom would not all those blooming charms surprise,21
- Those heav’nly looks, and dear deluding eyes?
- The harp and bow would you like Phœbus bear,
- A brighter Phœbus Phaon might appear;
- Would you with ivy wreathe your flowing hair,
- Not Bacchus’ self with Phaon could compare:
- Yet Phœbus lov’d, and Bacchus felt the flame,
- One Daphne warm’d, and one the Cretan dame;
- Nymphs that in verse no more could rival me,
- Than ev’n those Gods contend in charms with thee.30
- The Muses teach me all their softest lays,
- And the wide world resounds with Sappho’s praise.
- Tho’ great Alcæus more sublimely sings,
- And strikes with bolder rage the sounding strings,
- No less renown attends the moving lyre,
- Which Venus tunes, and all her loves inspire;
- To me what Nature has in charms denied,
- Is well by Wit’s more lasting flames supplied.
- Tho’ short my stature, yet my name extends
- To Heav’n itself, and earth’s remotest ends.40
- Brown as I am, an Ethiopian dame
- Inspired young Perseus with a gen’rous flame;
- Turtles and doves of diff’rent hues unite,
- And glossy jet is pair’d with shining white.
- If to no charms thou wilt thy heart resign,
- But such as merit, such as equal thine,
- By none, alas! by none thou canst be mov’d,
- Phaon alone by Phaon must be lov’d!
- Yet once thy Sappho could thy cares employ,
- Once in her arms you centred all your joy:
- No time the dear remembrance can remove,51
- For oh! how vast a memory has Love!
- My music, then, you could for ever hear,
- And all my words were music to your ear.
- You stopp’d with kisses my enchanting tongue,
- And found my kisses sweeter than my song.
- In all I pleas’d, but most in what was best;
- And the last joy was dearer than the rest.
- Then with each word, each glance, each motion fired,
- You still enjoy’d, and yet you still desired,
- Till, all dissolving, in the trance we lay,61
- And in tumultuous raptures died away.
- The fair Sicilians now thy soul inflame;
- Why was I born, ye Gods, a Lesbian dame?
- But ah, beware, Sicilian nymphs! nor boast
- That wand’ring heart which I so lately lost;
- Nor be with all those tempting words abused,
- Those tempting words were all to Sappho used.
- And you that rule Sicilia’s happy plains,
- Have pity, Venus, on your poet’s pains!70
- Shall fortune still in one sad tenor run,
- And still increase the woes so soon begun?
- Inured to sorrow from my tender years,
- My parents’ ashes drank my early tears:
- My brother next, neglecting wealth and fame,
- Ignobly burn’d in a destructive flame:
- An infant daughter late my griefs increas’d,
- And all a mother’s cares distract my breast.
- Alas! what more could Fate itself impose,
- But thee, the last, and greatest of my woes?80
- No more my robes in waving purple flow,
- Nor on my hand the sparkling diamonds glow;
- No more my locks in ringlets curl’d diffuse
- The costly sweetness of Arabian dews,
- Nor braids of gold the varied tresses bind,
- That fly disorder’d with the wanton wind:
- For whom should Sappho use such arts as these?
- He’s gone, whom only she desired to please!
- Cupid’s light darts my tender bosom move;
- Still is there cause for Sappho still to love:90
- So from my birth the sisters fix’d my doom,
- And gave to Venus all my life to come;
- Or, while my Muse in melting notes complains,
- My yielding heart keeps measure to my strains.
- By charms like thine which all my soul have won,
- Who might not—ah! who would not be undone?
- For those Aurora Cephalus might scorn,
- And with fresh blushes paint the conscious morn.
- For those might Cynthia lengthen Phaon’s sleep,99
- And bid Endymion nightly tend his sheep.
- Venus for those had rapt thee to the skies;
- But Mars on thee might look with Venus’ eyes.
- O scarce a youth, yet scarce a tender boy!
- O useful time for lovers to employ!
- Pride of thy age, and glory of thy race,
- Come to these arms, and melt in this embrace!
- The vows you never will return, receive;
- And take, at least, the love you will not give.
- See, while I write, my words are lost in tears!
- The less my sense, the more my love appears.110
- Sure ’t was not much to bid one kind adieu
- (At least to feign was never hard to you):
- ‘Farewell, my Lesbian love,’ you might have said;
- Or coldly thus, ‘Farewell, O Lesbian maid!’
- No tear did you, no parting kiss receive,
- Nor knew I then how much I was to grieve.
- No lover’s gift your Sappho could confer,
- And wrongs and woes were all you left with her.
- No charge I gave you, and no charge could give,
- But this, ‘Be mindful of our loves, and live.’120
- Now by the Nine, those powers ador’d by me,
- And Love, the God that ever waits on thee,
- When first I heard (from whom I hardly knew)
- That you were fled, and all my joys with you,
- Like some sad statue, speechless, pale, I stood,
- Grief chill’d my breast, and stopt my freezing blood;
- No sigh to rise, no tear had power to flow,
- Fix’d in a stupid lethargy of woe:
- But when its way th’ impetuous passion found,
- I rend my tresses, and my breast I wound;
- I rave, then weep; I curse, and then complain;131
- Now swell to rage, now melt in tears again.
- Not fiercer pangs distract the mournful dame,
- Whose first-born infant feeds the funeral flame.
- My scornful brother with a smile appears,
- Insults my woes, and triumphs in my tears;
- His hated image ever haunts my eyes;
- ‘And why this grief? thy daughter lives,’ he cries,
- Stung with my love, and furious with despair,
- All torn my garments, and my bosom bare,
- My woes, thy crimes, I to the world proclaim,141
- Such inconsistent things are Love and Shame!
- ’T is thou art all my care and my delight,
- My daily longing, and my dream by night:
- O night more pleasing than the brightest day,
- When fancy gives what absence takes away,
- And, dress’d in all its visionary charms,
- Restores my fair deserter to my arms!
- Then round your neck in wanton wreaths I twine;
- Then you, methinks, as fondly circle mine:
- A thousand tender words I hear and speak;151
- A thousand melting kisses give and take:
- Then fiercer joys—I blush to mention these,
- Yet, while I blush, confess how much they please.
- But when, with day, the sweet delusions fly,
- And all things wake to life and joy but I,
- As if once more forsaken, I complain,
- And close my eyes to dream of you again:
- Then frantic rise, and like some fury rove
- Thro’ lonely plains, and thro’ the silent grove;160
- As if the silent grove, and lonely plains,
- That knew my pleasures, could relieve my pains.
- I view the grotto, once the scene of love,
- The rocks around, the hanging roofs above,
- That charm’d me more, with native moss o’ergrown,
- Than Phrygian marble, or the Parian stone:
- I find the shades that veil’d our joys before;
- But, Phaon gone, those shades delight no more.
- Here the press’d herbs with bending tops betray
- Where oft entwin’d in am’rous folds we lay;170
- I kiss that earth which once was press’d by you,
- And all with tears the with’ring herbs bedew.
- For thee the fading trees appear to mourn,
- And birds defer their songs till thy return:
- Night shades the groves, and all in silence lie,
- All but the mournful Philomel and I:
- With mournful Philomel I join my strain,
- Of Tereus she, of Phaon I complain.
- A spring there is, whose silver waters show,
- Clear as a glass, the shining sands below:
- A flowery lotos spreads its arms above,181
- Shades all the banks, and seems itself a grove;
- Eternal greens the mossy margin grace,
- Watch’d by the sylvan genius of the place.
- Here as I lay, and swell’d with tears the flood,
- Before my sight a wat’ry virgin stood:
- She stood and cried, ‘O you that love in vain!
- Fly hence, and seek the fair Leucadian main.
- There stands a rock, from whose impending steep
- Apollo’s fane surveys the rolling deep;190
- There injur’d lovers, leaping from above,
- Their flames extinguish, and forget to love.
- Deucalion once with hopeless fury burn’d;
- In vain he lov’d, relentless Pyrrha scorn’d;
- But when from hence he plunged into the main,
- Deucalion scorn’d, and Pyrrha lov’d in vain.
- Haste, Sappho, haste, from high Leucadia throw
- Thy wretched weight, nor dread the deeps below!’
- She spoke, and vanish’d with the voice—I rise,
- And silent tears fall trickling from my eyes.200
- I go, ye Nymphs! those rocks and seas to prove;
- How much I fear, but ah, how much I love!
- I go, ye Nymphs! where furious love inspires,
- Let female fears submit to female fires.
- To rocks and seas I fly from Phaon’s hate,
- And hope from seas and rocks a milder fate.
- Ye gentle gales, beneath my body blow,
- And softly lay me on the waves below!
- And thou, kind Love, my sinking limbs sustain, }
- Spread thy soft wings, and waft me o’er the main,210 }
- Nor let a lover’s death the guiltless flood profane; }
- On Phœbus’ shrine my harp I’ll then bestow,
- And this inscription shall be placed below:
- ‘Here she who sung, to him that did inspire,
- Sappho to Phœbus consecrates her lyre;
- What suits with Sappho, Phœbus, suits with thee;
- The Gift, the Giver, and the God agree.’
- But why, alas! relentless youth, ah why
- To distant seas must tender Sappho fly?
- Thy charms than those may far more powerful be,220
- And Phœbus’ self is less a God to me.
- Ah! canst thou doom me to the rocks and sea,
- Oh! far more faithless and more hard than they?
- Ah! canst thou rather see this tender breast
- Dash’d on these rocks than to thy bosom press’d?
- This breast which once, in vain! you liked so well
- Where the Loves play’d, and where the Muses dwell.
- Alas! the Muses now no more inspire;
- Untuned my lute, and silent is my lyre.229
- My languid numbers have forgot to flow,
- And fancy sinks beneath a weight of woe.
- Ye Lesbian virgins, and ye Lesbian dames,
- Themes of my verse, and objects of my flames,
- No more your groves with my glad songs shall ring,
- No more these hands shall touch the trembling string:
- My Phaon’s fled, and I those arts resign;
- (Wretch that I am, to call that Phaon mine!)
- Return, fair youth, return, and bring along
- Joy to my soul, and vigour to my song:239
- Absent from thee, the poet’s flame expires;
- But ah! how fiercely burn the lover’s fires!
- Gods! can no prayers, no sighs, no numbers move
- One savage heart, or teach it how to love?
- The winds my prayers, my sighs, my numbers bear,
- The flying winds have lost them all in air!
- Oh when, alas! shall more auspicious gales
- To these fond eyes restore thy welcome sails!
- If you return—ah, why these long delays?
- Poor Sappho dies while careless Phaon stays.
- O launch thy bark, nor fear the wat’ry plain;250
- Venus for thee shall smooth her native main.
- O launch thy bark, secure of prosp’rous gales;
- Cupid for thee shall spread the swelling sails.
- If you will fly—(yet ah! what cause can be,
- Too cruel youth, that you should fly from me?)
- If not from Phaon I must hope for ease,
- Ah let me seek it from the raging seas:
- To raging seas unpitied I ’ll remove,
- And either cease to live or cease to love!
THE FABLE OF DRYOPE[ ]
FROM THE NINTH BOOK OF OVID’S METAMORPHOSES
- She said, and for her lost Galanthis sighs;
- When the fair consort of her son replies:
- ‘Since you a servant’s ravish’d form bemoan,
- And kindly sigh for sorrows not your own,
- Let me (if tears and grief permit) relate
- A nearer woe, a sister’s stranger fate.
- No nymph of all Œchalia could compare
- For beauteous form with Dryope the fair,
- Her tender mother’s only hope and pride
- (Myself the offspring of a second bride).10
- This nymph compress’d by him who rules the day,
- Whom Delphi and the Delian isle obey,
- Andræmon lov’d; and bless’d in all those charms
- That pleas’d a God, succeeded to her arms.
- ‘A lake there was with shelving banks around,
- Whose verdant summit fragrant myrtles crown’d.
- These shades, unknowing of the fates, she sought,
- And to the Naiads flowery garlands brought:
- Her smiling babe (a pleasing charge) she prest
- Within her arms, and nourish’d at her breast.20
- Not distant far a wat’ry lotos grows;
- The spring was new, and all the verdant boughs
- Adorn’d with blossoms, promis’d fruits that vie
- In glowing colours with the Tyrian dye.
- Of these she cropp’d, to please her infant son,
- And I myself the same rash act had done:
- But, lo! I saw (as near her side I stood)
- The violated blossoms drop with blood;
- Upon the tree I cast a frightful look;
- The trembling tree with sudden horror shook.30
- Lotis the nymph (if rural tales be true)
- As from Priapus’ lawless lust she flew,
- Forsook her form, and, fixing here, became
- A flowery plant, which still preserves her name.
- ‘This change unknown, astonish’d at the sight,
- My trembling sister strove to urge her flight;
- And first the pardon of the Nymphs implor’d,
- And those offended sylvan Powers ador’d:
- But when she backward would have fled, she found
- Her stiff’ning feet were rooted in the ground:40
- In vain to free her fasten’d feet she strove,
- And as she struggles only moves above;
- She feels th’ encroaching bark around her grow
- By quick degrees, and cover all below:
- Surprised at this, her trembling hand she heaves
- To rend her hair; her hand is fill’d with leaves:
- Where late was hair the shooting leaves are seen
- To rise, and shade her with a sudden green.
- The child Amphissus, to her bosom prest,
- Perceiv’d a colder and a harder breast,50
- And found the springs, that ne’er till then denied
- Their milky moisture, on a sudden dried.
- I saw, unhappy! what I now relate,
- And stood the helpless witness of thy fate;
- Embraced thy boughs, thy rising bark delay’d,
- There wish’d to grow, and mingle shade with shade.
- ‘Behold Andræmon and th’ unhappy sire
- Appear, and for their Dryope inquire:
- A springing tree for Dryope they find,
- And print warm kisses on the panting rind;
- Prostrate, with tears, their kindred plant bedew,61
- And close embrace as to the roots they grew.
- The face was all that now remain’d of thee,
- No more a woman, nor yet quite a tree;
- Thy branches hung with humid pearls appear,
- From ev’ry leaf distils a trickling tear;
- And straight a voice, while yet a voice remains,
- Thus thro’ the trembling boughs in sighs complains.
- ‘If to the wretched any faith be giv’n,
- I swear by all th’ unpitying powers of Heav’n,70
- No wilful crime this heavy vengeance bred;
- In mutual innocence our lives we led:
- If this be false, let these new greens decay, }
- Let sounding axes lop my limbs away, }
- And crackling flames on all my honours prey. }
- But from my branching arms this infant bear;
- Let some kind nurse supply a mother’s care;
- And to his mother let him oft be led,
- Sport in her shades, and in her shades be fed.
- Teach him, when first his infant voice shall frame80
- Imperfect words, and lisp his mother’s name,
- To hail this tree, and say with weeping eyes,
- “Within this plant my hapless parent lies:”
- And when in youth he seeks the shady woods,
- Oh! let him fly the crystal lakes and floods,
- Nor touch the fatal flowers; but, warn’d by me,
- Believe a Goddess shrined in every tree.
- My sire, my sister, and my spouse, farewell!
- If in your breasts or love or pity dwell,
- Protect your plant, nor let my branches feel90
- The browsing cattle or the piercing steel.
- Farewell! and since I cannot bend to join
- My lips to yours, advance at least to mine.
- My son, thy mother’s parting kiss receive,
- While yet thy mother has a kiss to give.
- I can no more; the creeping rind invades
- My closing lips, and hides my head in shades:
- Remove your hands; the bark shall soon suffice
- Without their aid to seal these dying eyes.’
- ‘She ceas’d at once to speak and ceas’d to be,100
- And all the Nymph was lost within the tree;
- Yet latent life thro’ her new branches reign’d
- And long the plant a human heat retain’d.’
VERTUMNUS AND POMONA
FROM THE FOURTEENTH BOOK OF OVID’S METAMORPHOSES
- The fair Pomona flourish’d in his reign;
- Of all the virgins of the sylvan train
- None taught the trees a nobler race to bear,
- Or more improv’d the vegetable care.
- To her the shady grove, the flowery field,
- The streams and fountains no delights could yield;
- ’T was all her joy the ripening fruits to tend,
- And see the boughs with happy burdens bend.
- The hook she bore instead of Cynthia’s spear.
- To lop the growth of the luxuriant year,10
- To decent form the lawless shoots to bring,
- And teach th’ obedient branches where to spring.
- Now the cleft rind inserted grafts receives,
- And yields an offspring more than Nature gives;
- Now sliding streams the thirsty plants renew,
- And feed their fibres with reviving dew.
- These cares alone her virgin breast employ,
- Averse from Venus and the nuptial joy.
- Her private orchards, wall’d on every side,
- To lawless sylvans all access denied.20
- How oft the Satyrs and the wanton Fauns,
- Who haunt the forests or frequent the lawns,
- The God whose ensign scares the birds of prey,
- And old Silenus, youthful in decay,
- Employ’d their wiles and unavailing care
- To pass the fences, and surprise the Fair?
- Like these Vertumnus own’d his faithful flame,
- Like these rejected by the scornful dame.
- To gain her sight a thousand forms he wears;
- And first a reaper from the field appears:30
- Sweating he walks, while loads of golden grain
- O’ercharge the shoulders of the seeming swain:
- Oft o’er his back a crooked scythe is laid,
- And wreaths of hay his sunburnt temples shade:
- Oft in his harden’d hand a goad he bears,
- Like one who late unyoked the sweating steers:
- Sometimes his pruning-hook corrects the vines,
- And the loose stragglers to their ranks confines:
- Now gath’ring what the bounteous year allows,
- He pulls ripe apples from the bending boughs:40
- A soldier now, he with his sword appears;
- A fisher next, his trembling angle bears:
- Each shape he varies, and each art he tries,
- On her bright charms to feast his longing eyes.
- A female form at last Vertumnus wears, }
- With all the marks of rev’rend age appears, }
- His temples thinly spread with silver hairs: }
- Propp’d on his staff, and stooping as he goes,
- A painted mitre shades his furrow’d brows.
- The God in this decrepit form array’d,50 }
- The gardens enter’d, and the fruit survey’d; }
- And, ‘Happy you!’ he thus address’d the maid, }
- ‘Whose charms as far all other nymphs outshine,
- As other gardens are excell’d by thine!’
- Then kiss’d the Fair; (his kisses warmer grow
- Than such as women on their sex bestow)
- Then placed beside her on the flowery ground,
- Beheld the trees with autumn’s bounty crown’d.
- An elm was near, to whose embraces led,
- The curling vine her swelling clusters spread:60
- He view’d her twining branches with delight,
- And prais’d the beauty of the pleasing sight.
- ‘Yet this tall elm, but for this vine,’ he said,
- “Had stood neglected, and a barren shade;
- And this fair vine, but that her arms surround
- Her married elm, had crept along the ground.
- Ah! beauteous maid! let this example move
- Your mind, averse from all the joys of love.
- Deign to be lov’d, and every heart subdue!
- What Nymph could e’er attract such crowds as you?70
- Not she whose beauty urged the Centaur’s arms,
- Ulysses’ queen, nor Helen’s fatal charms.
- Ev’n now, when silent scorn is all they gain,
- A thousand court you, tho’ they court in vain,
- A thousand Sylvans, Demigods, and Gods,
- That haunt our mountains and our Alban woods.
- But if you ’ll prosper, mark what I advise,
- Whom age and long experience render wise,
- And one whose tender care is far above
- All that these lovers ever felt of love80
- (Far more than e’er can by yourself be guess’d);
- Fix on Vertumnus, and reject the rest:
- For his firm faith I dare engage my own;
- Scarce to himself himself is better known.
- To distant lands Vertumnus never roves;
- Like you, contented with his native groves;
- Nor at first sight, like most, admires the Fair; }
- For you he lives; and you alone shall share }
- His last affection as his early care. }
- Besides, he’s lovely far above the rest,90
- With youth immortal, and with beauty blest.
- Add, that he varies every shape with ease,
- And tries all forms that may Pomona please.
- But what should most excite a mutual flame,
- Your rural cares and pleasures are the same.
- To him your orchard’s early fruits are due
- (A pleasing off’ring when ’t is made by you);
- He values these; but yet, alas! complains
- That still the best and dearest gift remains.
- Not the fair fruit that on yon branches glows100
- With that ripe red th’ autumnal sun bestows;
- Nor tasteful herbs that in these gardens rise,
- Which the kind soil with milky sap supplies;
- You, only you, can move the God’s desire.
- O crown so constant and so pure a fire!
- Let soft compassion touch your gentle mind;
- Think ’t is Vertumnus begs you to be kind:
- So may no frost, when early buds appear,
- Destroy the promise of the youthful year;
- Nor winds, when first your florid orchard blows,110
- Shake the light blossoms from their blasted boughs!’
- This, when the various God had urged in vain,
- He straight assumed his native form again:
- Such, and so bright an aspect now he bears,
- As when thro’ clouds th’ emerging sun appears,
- And thence exerting his refulgent ray,
- Dispels the darkness, and reveals the day.
- Force he prepared, but check’d the rash design;
- For when, appearing in a form divine,
- The Nymph surveys him, and beholds the grace120
- Of charming features and a youthful face,
- In her soft breast consenting passions move,
- And the warm maid confess’d a mutual love.
[Page 63.]The Fable of Dryope. Upon occasion of the death of Hercules, his mother Alcmena recounts her misfortunes to Iole, who answers with a relation of those of her own family, in particular the transformation of her sister Dryope, which is the subject of the ensuing Fable. (Pope.)
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