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Front Page arrow Titles (by Subject) arrow WRITTEN FROM PLOMBIÉRES TO M. PALLU, INTENDANT OF LYONS. - The Works of Voltaire, Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems).

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WRITTEN FROM PLOMBIÉRES TO M. PALLU, INTENDANT OF LYONS. - Voltaire, The Works of Voltaire, Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems). [1901]

Edition used:

From The Works of Voltaire, A Contemporary Version, (New York: E.R. DuMont, 1901), A Critique and Biography by John Morley, notes by Tobias Smollett, trans. William F. Fleming. Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems).

Part of: The Works of Voltaire. A Contemporary Version, in 21 vols.

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WRITTEN FROM PLOMBIÉRES TO M. PALLU, INTENDANT OF LYONS.

  • From the bottom of that stony cavern I write,
  • Which lies between two craggy mountains’ vast height;
  • Where the sky is still black, and with clouds overcast,
  • And thunders oft burst midst the tempest’s rude blast;
  • Close to a hot bath, which still boils up and smokes,
  • Where crowds of the sick are brought wrapped up in cloaks;
  • Where the splenetic mortal, disordered in brain,
  • Talks of his disease in the medical strain,
  • Bathes himself and besmokes, and in hope of a cure,
  • Can exquisite tortures with patience endure.
  • From this cavern, where hags in crowds daily repair,
  • And expect to become once more youthful and fair;
  • Of virgins a few, a great number who fain,
  • Their virginity, lost many years, would regain;
  • Where their health to recover, or led by mere fancy,
  • Old cits in the stage coach come often from Nancy;
  • And of Commercy monks, a most numerous train,
  • Who appear from their manners the sons of Lorraine.
  • From this place, where languor and spleen still resort,
  • By letter at Paris I make my report:
  • Though Phœbus forsakes and inspires me no more,
  • The aid of the graces and loves I implore;
  • I will frankly own they scarce know me by sight,
  • But it is to the learned Pallu that I write:
  • Alcibiades, too, his injunction has laid,
  • Who at court so much grace and such talents displayed,
  • Gay, generous, and brave, but prone still to changing,
  • From beauty to beauty capriciously ranging;
  • Who, like Cupid, possesses the dangerous art,
  • Of seducing by gentle persuasion each heart:
  • Cured by length of time, or by some serious passion,
  • Of falsehood, a vice that’s so much in the fashion;
  • In love he appears to have turned out of late,
  • A model in every respect quite complete;
  • Who such an extraordinary change brought about,
  • Let me guess e’er so long I can never find out;
  • But illustrious fair one, the power of your eyes
  • Must surely be great to have won such a prize:
  • Peradventure some women a choice might have made,
  • Of a cleverer and more promising blade.
  • To Hercules liker in sinew and bone,
  • Like Celadon to the soft passion more prone;
  • But through the whole world could she ever find
  • One worthier of love amongst all human kind?
  • For where, dearest madam, can you e’er hope to meet,
  • One that’s like him, a friend, both reserved and discreet?
  • In whom the old courtier’s politeness refined,
  • With the graces and sprightliness of youth is combined,
  • Whose converse all mortals must equally please,
  • With vivacity mixing an elegant ease;
  • Whose natural vein of true humor and wit,
  • Must the taste of all ranks and all geniuses fit:
  • And does he not merit the praise of the nation,
  • Who after three whole years of negotiation,
  • That formality proud, and those airs ne’er contracted,
  • Which envoys assume when affairs are transacted?
  • In this picture faithful from flattery free,
  • Must not every eye Alcibiades see?