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TO MADAM DE ***, ON THE MANNER OF LIVING AT PARIS AND VERSAILLES. - Voltaire, The Works of Voltaire, Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems). [1901]

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From The Works of Voltaire, A Contemporary Version, (New York: E.R. DuMont, 1901), A Critique and Biography by John Morley, notes by Tobias Smollett, trans. William F. Fleming. Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems).

Part of: The Works of Voltaire. A Contemporary Version, in 21 vols.

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TO MADAM DE ***, ON THE MANNER OF LIVING AT PARIS AND VERSAILLES.

  • Rosalia, to the world unknown,
  • Let us live for ourselves alone.
  • Friendship and blood’s endearing tie,
  • Shall all society supply;
  • So foolish, dangerous, vain’s mankind,
  • We in the world no joy can find,
  • In that whirlpool they call the world
  • Man’s through so many errors hurled,
  • That it can coxcombs please alone,
  • By whom it ne’er was rightly known.
  • Glycera, when her dinner’s o’er,
  • Goes out just as the day before;
  • Into her gorgeous chariot led,
  • She indolent reclines her head,
  • Embarrassed by the cumbrous pride
  • Of a vast hoop that fills each side;
  • Visits her friend in pomp and state,
  • Ascends, and then repents too late,
  • Embracing yawns, and plain is seen
  • In her constrained behavior spleen;
  • She seems to beg for nonsense gay,
  • To make her languor pass away.
  • They interchange some faint caresses,
  • They talk of weather, plays, and dresses,
  • Of sermons, and of ribbons’ price,
  • And are exhausted in a trice.
  • Now through necessity grown dumb,
  • A tune they both begin to hum;
  • But Mr. Abbé entered soon,
  • Priest, gallant, sharper, and buffoon,
  • Endowed with various talents rare,
  • Who for some months was master there,
  • A formal coxcomb entered too,
  • Pleased in the glass himself to view,
  • Both pedants please, their jargon suits;
  • A captain enters; both are mutes;
  • The captain to recite proceeds
  • The great exploits and hardy deeds
  • Which his brave men would have performed,
  • How they Placentia would have stormed,
  • And then achieved some wonderous feat,
  • Had they not chose to make retreat.
  • To Nice, to Var, to Digne he leads,
  • Not a soul listens, he proceeds.
  • Then Ifis enters with sad air,
  • Her time is wholly spent in prayer,
  • Yet Ifis’ leer is very sly,
  • A little Jansenist stands by,
  • St. Austin’s works and saintly pride,
  • Both equally his heart divide.
  • Other birds too of different feather
  • And different tastes tune up together,
  • Whence various notes so much confound
  • That slander’s voice is almost drowned.
  • Their jarring clack’s like winds that rend
  • The air, and with fierce winds contend.
  • A chasm of silence most profound
  • Succeeds to all this empty sound:
  • All rational converse they shun
  • And into idle nonsense run.
  • Oh, David, to their succor haste,
  • Nor suffer them their time to waste.
  • Oh, David, thy most powerful ace
  • Engages all the human race;
  • Soon as upon the table green
  • Thy various, magic cards are seen,
  • The noble, prelate, lawyer, cit,
  • Are roused and sharpened into wit,
  • Above all, women take delight
  • In black and red spots on the white,
  • All are amused by hopes of treasure,
  • Avarice assumes the shape of pleasure
  • From these exploits the wise and fair
  • To supper by consent repair;
  • The insipid joy of every guest
  • In dullest follies is expressed,
  • The machine man by wholesome food
  • And richest sauces is renewed.
  • The soul and blood new force acquire,
  • The stomach and the brain conspire.
  • Then their clacks run at a strange rate,
  • The son of law begins to prate,
  • All parties he alike assails,
  • He damns the war, at peace he rails.
  • A country noble quaffs champagne,
  • But must of misery complain,
  • Of misery by his country felt,
  • At which even hearts of stone might melt,
  • And though in luxury immersed
  • By taxes, says, the land’s oppressed.
  • Then the loquacious abbé tries
  • For histories true to pass off lies;
  • His tale cut short must soon give way
  • To arrant chit-chat of the day;
  • This, in its turn, is put to flight,
  • By conversation not more bright.
  • The jest insipid, double meaning
  • To obscenity and nonsense leaning,
  • The foolish laugh, the stupid pun,
  • Stale pleasantries which pass for fun,
  • Give this society polite,
  • The highest rapture and delight.
  • It’s thus you waste, oh men unwise,
  • That fleeting time which quickly flies?
  • Which still to fools will tedious seem,
  • Which men who think too transient deem.
  • What shall I do? Whereto shall I
  • Far from myself for refuge fly?
  • Man company requires, no doubt,
  • He’s restless with it, worse without;
  • Indolent sloth’s the greatest foe
  • That mortals ever knew below,
  • Tired of tranquillity at home
  • To court disgusted creatures roam.
  • At Paris babble loud prevails,
  • But artful silence at Versailles,
  • For real joy can ne’er reside
  • With men whose principle is pride.
  • Happy that man must be confessed,
  • Who’s with his master’s presence blessed.
  • O’er the empyrean Jove presides,
  • But from mankind his glory hides;
  • Heroes and demi-gods alone
  • Dare to approach the heavenly throne,
  • Must we amidst the crowds that press
  • Inferior deities address?
  • Gods who can good or ill bestow,
  • But ne’er love those by fate placed low,
  • Who on the top of fortune’s wheel,
  • By joys intoxicated reel,
  • Who amidst all their pomp and show,
  • No tenderness or feeling know?
  • Rise early, at their levee wait,
  • And dance attendance at their gate,
  • Three years neglected or abused,
  • At last you’re civilly refused.
  • No; haughty courts, the sage replies,
  • Suit not great souls that courts despise.
  • From treacherous courtiers haste away
  • And pleasures which, like them, betray.
  • Make public good your only care,
  • And you shall public honors share.
  • The public, what that monster dire,
  • Whose hundred tongues can never tire,
  • That fawns and bites, that courts neglects,
  • That breaks the statues it erects?
  • Still ready those who serve to spurn
  • It once profaned great Colbert’s urn,
  • That oft has vile reflections cast
  • Virtue and innocence to blast.
  • To envy merit still inclined
  • Faults it could in Armida find,
  • And has with greater pleasure seen
  • Vile plays than those of famed Racine.
  • It Athalie long despised
  • And wretched, ill-penned dramas prized.
  • Applause it foolishly bestows,
  • And undeserved indulgence shows.
  • But all its errors time repairs
  • At length applause true merit shares;
  • ’Tis true, but oft the owner dies,
  • Ere to his worth men ope their eyes.
  • Posterity may to my name
  • Be just; I’d fain enjoy my fame.
  • When once a man is in the ground,
  • He hears not fame’s loud trumpet sound.
  • A nation to his merit just,
  • Reveres Pope’s, like a monarch’s, bust,
  • Dead he’s admired, but from his age
  • He bore fierce persecution’s rage.
  • Let’s lie concealed, and pass away
  • Calmly the evening of our day,
  • From malice and from envy’s rage
  • Let us preserve declining age.
  • Friendship, chief bliss of human race,
  • My dwelling with thy presence grace,
  • May I for friendship live alone,
  • Friendship to wicked men unknown.
  • Distant from bigotry, whence flow
  • Terrors in death, life’s piercing woe.