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Front Page Titles (by Subject) THE ANSWER. - The Works of Voltaire, Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems).
THE ANSWER. - Voltaire, The Works of Voltaire, Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems). [1901]Edition used:From The Works of Voltaire, A Contemporary Version, (New York: E.R. DuMont, 1901), A Critique and Biography by John Morley, notes by Tobias Smollett, trans. William F. Fleming. Vol. X The Dramatic Works Part 1 (Zaire, Caesar, The Prodigal, Prefaces) and Part II (The Lisbon Earthquake and Other Poems).
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- The Works of Voltaire
- The Dramatic Works of Voltaire Vol. X— Part I
- ZaÏre
- Dramatis PersonÆ.
- An Epistle Dedicatory to Mr. Falkener, an English Merchant, Since Ambassador At Constantinople, With the Tragedy of Zaïre.
- A Second Letter to Mr. Falkener, Then Ambassador to Constantinople.
- Act I.
- Act II.
- Act III.
- Act IV.
- Act V.
- CÆsar.
- Dramatis PersonÆ.
- Act I.
- Act II.
- Act III.
- The Prodigal
- Dramatis PersonÆ.
- Act I.
- Act II.
- Act III.
- Act IV.
- Act V.
- Preface to Mariamne.
- Preface to Orestes.
- Preface to Catiline.
- Preface to MÉrope.
- Preface to the Prodigal.
- Preface to Nanine.
- 1 Preface to Socrates.
- Note On Mahomet.
- Preface to Julius CÆsar.
- Voltaire the Lisbon Earthquake and Other Poems Vol. X— Part Ii
- Author’s Preface to the Lisbon Earthquake.
- The Lisbon Earthquake. *
- Preface to the Poem On the Law of Nature.
- The Law of Nature.
- The Temple of Taste. *
- The Temple of Friendship.
- Thoughts On the Newtonian Philosophy, Addressed to the Marchioness Du ChÂtelet.
- On the Death of Adrienne Lecouvreur, a Celebrated Actress.
- To the King of Prussia On His Accession to the Throne.
- From Love to Friendship.
- The Worldling. *
- On Calumny.
- The King of Prussia to M. Voltaire.
- The Answer.
- On the English Genius.
- What Pleases the Ladies.
- The Education of a Prince.
- The Education of a Daughter.
- The Three Manners.
- Thelema and Macareus.
- Azolan.
- The Origin of Trades.
- The Battle of Fontenoy.
- The Man of the World. *
- The Padlock. *
- In Camp Before Philippsburg, July 3, 1734.
- Answer to a Lady, Or a Person Who Wrote to Voltaire As Such. *
- Envy.
- The Nature of Virtue.
- To the King of Prussia.
- To M. De Fontenelle.
- To Count Algarotti At the Court of Saxony.
- To Cardinal Quirini.
- To Her Royal Highness, the Princess of ***.
- To M. De Cideville.
- To ****.
- Epistle XIII. *
- To the Duke of Richelieu, Marshal of France, In Whose Honor the Senate of Genoa Had Just Before Caused a Statue to Be Erected. *
- To Madam De ***, On the Manner of Living At Paris and Versailles.
- To the Prince of Vendôme.
- To Madam De Gondoin, Afterward Countess of Toulouse, On the Danger She Had Been Exposed to In Passing the Loire In 1719.
- To the Duke Delafeuillade.
- To Marshal Villars. *
- To Monsieur Genonville.
- To the Countess of Fontaine-martel. *
- Written From PlombiÉres to M. Pallu, Intendant of Lyons.
- The Nature of Pleasure.
- The Utility of Sciences to Princes. to the Prince Royal of Prussia, Since King of Prussia.
- Epistle In Answer to a Letter, With Which, Upon His Accession to the Throne, the King of Prussia Honored the Author.
- Epistle to the King, Presented to His Majesty At the Camp Before Freiburg.
- On the Death of the Emperor Charles.
- To the Queen of Hungary.
- Inscribed to the Gentlemen of the Academy of Sciences, Who Sailed to the Polar Circle and the Equator, In Order to Ascertain the Figure of the Earth.
- To M. De Gervasi, the Physician. *
- The Requisites to Happiness.
- To a Lady, Very Well Known to the Whole Town.
- Fanaticism. *
- On Peace Concluded In 1736.
- To AbbÉ Chaulieu. *
- Answer to the Foregoing.
- To President HÉnault, Author of an Excellent Work Upon the History of France.
- Canto of an Epic Poem. *
- Epistle On the Newtonian Philosophy. * to the Marchioness of ChÂtelet.
THE ANSWER.
- You ask me, and I’ll tell in rhyme,
- How we at Cirey pass our time:
- What need I to you this relate,
- Our master, you we imitate:
- From you we’ve learned the wisest rules,
- Taught in famed Epicurus’ schools.
- We here all sacrifice like you,
- To every art and nature too.
- And yet we but at distance follow
- Your steps, though guided by Apollo.
- Thus when the brilliant god of day
- Casts from heaven’s height a shining ray,
- Upon some chamber dark as night.
- Of those blest rays the shining light,
- The chambers deep obscure pervades
- And dissipate the gloomy shades,
- Then the spectators cast their eyes on
- A miniature of the horizon.
- Such a comparison may show
- That some philosophy I know,
- That I’ve read Newton and Kirkherus,
- Authors both learned, profound and serious.
- Perhaps my muse this tone assuming,
- May be by many thought presuming;
- Perhaps I spoil at the same time
- As well philosophy as rhyme,
- But novelties have charms for me
- From laws poetic I’d be free;
- Let others in their lyric lays
- Say the same thing a thousand ways,
- The world with ancient fables tire,
- I new and striking truths admire.
- Ye deities adored by swains,
- Naiad and nymphs that trip the plains,
- Satyrs to dancing still inclined,
- Ye boys called Cupids by mankind,
- Who whilst our meadows bloom in spring,
- Inspire men love’s soft joys to sing,
- Assist a poet with your skill,
- The charms ’twixt sense and rhyme to fill.
- The enchanting pleasures well I know
- Which from harmonious numbers flow;
- The ear’s a passage to the heart,
- Sound can to thought new charms impart;
- But geniuses I must prefer
- Though even nobly wild they err,
- To pedants whose exact discourse
- Is void of genius as of force.
- Gardens where symmetry’s displayed,
- Trees which in rows yield equal shade,
- Who thus arranged you on the plain
- May boast his art and skill in vain:
- Gardens from you I must retire,
- Too much of art I can’t admire.
- The spacious forest suits my mind,
- Where nature wanders unconfined,
- Its shades with awe spectators fill,
- They baffle all the artist’s skill.
- But in my free and artless strain,
- Nature I imitate in vain,
- Though wild, I can’t like nature please,
- I can’t boast charming nature’s ease.
- This rhapsody, great prince, excuse,
- ’Tis but the folly of my muse,
- Reason had o’er me lost her sway,
- When I composed this hurried lay,
- Judgment was from my breast expelled,
- For fair Emilia I beheld.
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