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Front Page  Titles (by Subject) DRAMATIS PERSONÆ. - The Works of Voltaire, Vol. IX The Dramatic Works Part 1 (Alzire, Orestes, Sémiramis, Catiline, Pandora) and Part II (The Scotch Woman, Nanine, The Prude, The Tatler).
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DRAMATIS PERSONÆ. - Voltaire, The Works of Voltaire, Vol. IX The Dramatic Works Part 1 (Alzire, Orestes, Sémiramis, Catiline, Pandora) and Part II (The Scotch Woman, Nanine, The Prude, The Tatler). [1901]Edition used:From The Works of Voltaire, A Contemporary Version, (New York: E.R. DuMont, 1901), A Critique and Biography by John Morley, notes by Tobias Smollett, trans. William F. Fleming. Vol. IX The Dramatic Works Part 1 (Alzire, Orestes, Sémiramis, Catiline, Pandora) and Part II (The Scotch Woman, Nanine, The Prude, The Tatler).
Part of: The Works of Voltaire. A Contemporary Version, in 21 vols.
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DRAMATIS PERSONÆ.
The Scene represents, on one side, the palace of Aurelia; on the other the temple of Tellus, where the senate assembled: At a distance, a gallery communicating to some private passages that lead from the palace of Aurelia to the vestibule of the temple. In his preface to this play Voltaire says: “The learned will not here meet with a faithful narrative of Catiline’s conspiracy: a tragedy, they very well know, is not a history, but they will see a true picture of the manners of those times: all that Cicero, Catiline, Cato and Cæsar do in this piece is not true, but their genius and character are faithfully represented: if we do not there discover the eloquence of Cicero, we shall at least find displayed all that courage and virtue which he showed in the hour of danger. In Catiline is described that contrast of fierceness and dissimulation which formed his real character; Cæsar is represented as growing into power, factious, and brave; that Cæsar who was born at once to be the glory and the scourge of Rome.” |
