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THE PASSIONATE PILGRIM - William Shakespeare, The Poems and Glossary (Oxford ed.) [1916]

Edition used:

The Complete Works of William Shakespeare (The Oxford Shakespeare), ed. with a glossary by W.J. Craig M.A. (London: Oxford University Press, 1916).

Part of: The Complete Works of William Shakespeare (The Oxford Shakespeare)

About Liberty Fund:

Liberty Fund, Inc. is a private, educational foundation established to encourage the study of the ideal of a society of free and responsible individuals.


THE PASSIONATE PILGRIM

    • I.

    • When my love swears that she is made of truth,
    • I do believe her, though I know she lies,
    • That she might think me some untutor’d youth,
    • Unskilful in the world’s false forgeries.
    • Thus vainly thinking that she thinks me young,
    • Although I know my years be past the best,6
    • I smiling credit her false-speaking tongue,
    • Outfacing faults in love with love’s ill rest.
    • But wherefore says my love that she is young?
    • And wherefore say not I that I am old?
    • O! love’s best habit is a soothing tongue,
    • And age, in love, loves not to have years told.12
    • Therefore I’ll lie with love, and love with me,
    • Since that our faults in love thus smother’d be.
    • II.

    • Two loves I have of comfort and despair,
    • Which like two spirits do suggest me still;
    • The better angel is a man, right fair,
    • The worser spirit a woman, colour’d ill.
    • To win me soon to hell, my female evil
    • Tempteth my better angel from my side,6
    • And would corrupt a saint to be a devil,
    • Wooing his purity with her fair pride:
    • And whether that my angel be turn’d fiend
    • Suspect I may, but not directly tell;
    • For being both to me, both to each friend,
    • I guess one angel in another’s hell.12
    • The truth I shall not know, but live in doubt,
    • Till my bad angel fire my good one out.
    • III.

    • Did not the heavenly rhetoric of thine eye,
    • ’Gainst whom the world could not hold argument,
    • Persuade my heart to this false perjury?
    • Vows for thee broke deserve not punishment.
    • A woman I forswore; but I will prove,
    • Thou being a goddess, I forswore not thee:6
    • My vow was earthly, thou a heavenly love;
    • Thy grace being gain’d cures all disgrace in me.
    • My vow was breath, and breath a vapour is;
    • Then thou, fair sun, that on this earth dost shine,
    • Exhale this vapour vow; in thee it is:
    • If broken, then it is no fault of mine.12
    • If by me broke, what fool is not so wise
    • To break an oath, to win a paradise?
    • IV.

    • Sweet Cytherea, sitting by a brook
    • With young Adonis, lovely, fresh, and green,
    • Did court the lad with many a lovely look,
    • Such looks as none could look but beauty’s queen.
    • She told him stories to delight his ear;
    • She show’d him favours to allure his eye;6
    • To win his heart, she touch’d him here and there,—
    • Touches so soft still conquer chastity.
    • But whether unripe years did want conceit,
    • Or he refus’d to take her figur’d proffer,
    • The tender nibbler would not touch the bait,
    • But smile and jest at every gentle offer:12
    • Then fell she on her back, fair queen, and toward:
    • He rose and ran away; ah! fool too froward.
    • V.

    • If love make me forsworn, how shall I swear to love?
    • O! never faith could hold, if not to beauty vow’d:
    • Though to myself forsworn, to thee I’ll constant prove;
    • Those thoughts, to me like oaks, to thee like osiers bow’d.
    • Study his bias leaves, and makes his book thine eyes,
    • Where all those pleasures live that art can comprehend.6
    • If knowledge be the mark, to know thee shall suffice;
    • Well learned is that tongue that well can thee commend;
    • All ignorant that soul that sees thee without wonder;
    • Which is to me some praise, that I thy parts admire:
    • Thine eye Jove’s lightning seems, thy voice his dreadful thunder,
    • Which, not to anger bent, is music and sweet fire,12
    • Celestial as thou art, O! do not love that wrong,
    • To sing heaven’s praise with such an earthly tongue.
    • VI.

    • Scarce had the sun dried up the dewy morn,
    • And scarce the herd gone to the hedge for shade,
    • When Cytherea, all in love forlorn,
    • A longing tarriance for Adonis made
    • Under an osier growing by a brook,
    • A brook where Adon us’d to cool his spleen:6
    • Hot was the day; she hotter that did look
    • For his approach, that often there had been.
    • Anon he comes, and throws his mantle by,
    • And stood stark naked on the brook’s green brim:
    • The sun look’d on the world with glorious eye,
    • Yet not so wistly as this queen on him:12
    • He, spying her, bounc’d in, whereas he stood:
    • ‘O Jove,’ quoth she, ‘why was not I a flood!’
    • VII.

    • Fair is my love, but not so fair as fickle;
    • Mild as a dove, but neither true nor trusty;
    • Brighter than glass, and yet, as glass is, brittle;
    • Softer than wax, and yet, as iron, rusty:
    • A lily pale, with damask dye to grace her,
    • None fairer, nor none falser to deface her.6
    • Her lips to mine how often hath she join’d,
    • Between each kiss her oaths of true love swearing!
    • How many tales to please me hath she coin’d,
    • Dreading my love, the loss thereof still fearing!
    • Yet in the midst of all her pure protestings,
    • Her faith, her oaths, her tears, and all were jestings.12
    • She burn’d with love, as straw with fire flameth;
    • She burn’d out love, as soon as straw outburneth;
    • She fram’d the love, and yet she foil’d the framing;
    • She bade love last, and yet she fell a-turning.
    • Was this a lover, or a lecher whether?17
    • Bad in the best, though excellent in neither.
    • VIII.

    • If music and sweet poetry agree,
    • As they must needs, the sister and the brother,
    • Then must the love be great ’twixt thee and me,
    • Because thou lov’st the one, and I the other.
    • Dowland to thee is dear, whose heavenly touch
    • Upon the lute doth ravish human sense;6
    • Spenser to me, whose deep conceit is such
    • As, passing all conceit, needs no defence.
    • Thou lov’st to hear the sweet melodious sound
    • That Phœbus’ lute, the queen of music, makes;
    • And I in deep delight am chiefly drown’d
    • Whenas himself to singing he betakes.12
    • One god is god of both, as poets feign;
    • One knight loves both, and both in thee remain.
    • IX.

    • Fair was the morn when the fair queen of love,
    • * * * * * * *
    • Paler for sorrow than her milk-white dove,
    • For Adon’s sake, a youngster proud and wild;
    • Her stand she takes upon a steep-up hill:
    • Anon Adonis comes with horn and hounds;6
    • She, silly queen, with more than love’s good will,
    • Forbade the boy he should not pass those grounds:
    • ‘Once,’ quoth she, ‘did I see a fair sweet youth
    • Here in these brakes deep-wounded with a boar,
    • Deep in the thigh, a spectacle of ruth!11
    • See, in my thigh,’ quoth she, ‘here was the sore.
    • She showed hers; he saw more wounds than one,
    • And blushing fled, and left her all alone.
    • X.

    • Sweet rose, fair flower, untimely pluck’d, soon vaded,
    • Pluck’d in the bud, and vaded in the spring!
    • Bright orient pearl, alack! too timely shaded;
    • Fair creature, kill’d too soon by death’s sharp sting!
    • Like a green plum that hangs upon a tree,
    • And falls, through wind, before the fall should be.6
    • I weep for thee, and yet no cause I have;
    • For why thou left’st me nothing in thy will:
    • And yet thou left’st me more than I did crave;
    • For why I craved nothing of thee still:
    • O yes, dear friend, I pardon crave of thee,
    • Thy discontent thou didst bequeath to me.12
    • XI.

    • Venus, with young Adonis sitting by her
    • Under a myrtle shade, began to woo him:
    • She told the youngling how god Mars did try her,
    • And as he fell to her, so fell she to him.
    • ‘Even thus,’ quoth she, ‘the war-like god embrac’d me,’
    • And then she clipp’d Adonis in her arms;6
    • ‘Even thus,’ quoth she, ‘the war-like god unlac’d me,’
    • As if the boy should use like loving charms.
    • ‘Even thus,’ quoth she, ‘he seized on my lips,’
    • And with her lips on his did act the seizure;
    • And as she fetched breath, away he skips,
    • And would not take her meaning nor her pleasure.12
    • Ah! that I had my lady at this bay,
    • To kiss and clip me till I ran away.
    • XII.

    • Crabbed age and youth cannot live together:
    • Youth is full of pleasure, age is full of care;
    • Youth like summer morn, age like winter weather;
    • Youth like summer brave, age like winter bare.
    • Youth is full of sport, age’s breath is short;
    • Youth is nimble, age is lame;6
    • Youth is hot and bold, age is weak and cold;
    • Youth is wild, and age is tame.
    • Age, I do abhor thee, youth, I do adore thee;
    • O! my love, my love is young:
    • Age, I do defy thee: O! sweet shepherd, hie thee,
    • For methinks thou stay’st too long.12
    • XIII.

    • Beauty is but a vain and doubtful good;
    • A shining gloss that vadeth suddenly;
    • A flower that dies when first it ’gins to bud;
    • A brittle glass that’s broken presently:
    • A doubtful good, a gloss, a glass, a flower,
    • Lost, vaded, broken, dead within an hour.6
    • And as goods lost are seld or never found,
    • As vaded gloss no rubbing will refresh,
    • As flowers dead lie wither’d on the ground,
    • As broken glass no cement can redress,
    • So beauty blemish’d once ’s for ever lost,
    • In spite of physic, painting, pain, and cost.12
    • XIV.

    • Good night, good rest. Ah! neither be my share:
    • She bade good night that kept my rest away;
    • And daff’d me to a cabin hang’d with care,
    • To descant on the doubts of my decay.
    • ‘Farewell,’ quoth she, ‘and come again to-morrow:’
    • Fare well I could not, for I supp’d with sorrow.6
    • Yet at my parting sweetly did she smile,
    • In scorn of friendship, nill I construe whether:
    • ’T may be, she joy’d to jest at my exile,
    • ’T may be, again to make me wander thither:
    • ‘Wander,’ a word for shadows like myself,11
    • As take the pain, but cannot pluck the pelf.
    • Lord! how mine eyes throw gazes to the east;
    • My heart doth charge the watch; the morning rise
    • Doth cite each moving sense from idle rest.
    • Not daring trust the office of mine eyes,
    • While Philomela sits and sings, I sit and mark,
    • And wish her lays were tuned like the lark;18
    • For she doth welcome daylight with her ditty,
    • And drives away dark dismal-dreaming night:
    • The night so pack’d, I post unto my pretty;
    • Heart hath his hope, and eyes their wished sight;
    • Sorrow chang’d to solace, solace mix’d with sorrow;
    • For why, she sigh’d and bade me come to-morrow.24
    • Were I with her, the night would post too soon;
    • But now are minutes added to the hours;
    • To spite me now, each minute seems a moon;
    • Yet not for me, shine sun to succour flowers!
    • Pack night, peep day; good day, of night now borrow:
    • Short, night, to-night, and length thyself to-morrow.30