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• Götz Von Berlichingen With the Iron Hand. a Drama.
• Dramatis PersonÆ
• Act I.
• Scene I.—: An Inn At Schwarzenberg In Franconia.
• Scene II.—: A Cottage In a Thick Forest.
• Scene III.—: An Apartment In Jaxthausen, the Castle of Goetz Von Berlichingen.
• Scene IV.—: The Bishop of Bamberg’s Palace.
• Scene V.—: Jaxthausen.
• Act II.
• Scene I.—: Bamberg. a Hall.
• Scene II.—: Jaxthausen. a Hall In Goetz’s Castle.
• Scene III.—: The Bishop’s Palace At Bamberg.
• Scene IV.—: The Spessart.
• Scene V.—: The Bishop’s Palace. His Cabinet.
• Scene VI.—: Adelaide’s Apartment.
• Scene VII.—: An Ante-room.
• Scene VIII.—: The Spessart.
• Scene IX.—: Hall In the Bishop’s Palace At Bamberg.
• Scene X—: an Inn.
• Act III.
• Scene I.—: A Garden At Augsburg.
• Scene II.—: Jaxthausen.
• Scene III.—: The Camp of the Party Sent to Execute the Imperial Mandate.
• Scene IV.—: Jaxthausen.
• Scene V.—: Bamberg. Adelaide’s Chamber.
• Scene VI.—: Jaxthausen.
• Scene VII.—: A Wood On the Borders of a Morass.
• Scene VIII.—: Camp of the Imperialists.
• Scene IX.—: Jaxthausen.
• Scene X.—: The Imperial Camp.
• Scene XI.—: Mountains and a Wood.
• Scene XII.—: A Heath—on One Side an Eminence, With a Ruined Tower, On the Other the Forest.
• Scene XIII.—: The Camp.
• Scene XIV.—: Jaxthausen.
• Scene XV.—: Camp.
• Scene XVI.—: Jaxthausen.
• Scene XVII.—: The Kitchen.
• Scene XVIII.—: A Hall.
• Scene XIX.—: The Court of the Castle.
• Scene XX.: The Armory.
• Act IV.
• Scene I.—: An Inn In the City of Heilbronn
• Scene II.—: The Council-house At Heilbronn.
• Scene III.—: A Large Hall In the Council-house, Beset By Sickingen’s Troops.
• Scene IV.—: The Castle of Adelaide. Augsburg.
• Scene V.—: Jaxthausen.
• Act V.
• Scene I.—: A Village Plundered By the Insurgent Peasantry. Shrieks and Tumult.
• Scene II.—: Open Country. In the Distance Two Villages and an Abbey Are Burning.
• Scene III.—: A Hill and Prospect of the Country. In the Flat Scene a Mill. a Body of Horsemen.
• Scene IV.—: Jaxthausen.
• Scene V.—: A Village.
• Scene VI.—: The Front of a Gypsy-hut In a Wild Forest.—night.—a Fire Before the Hut, At Which Are Seated the Mother of the Gypsies and a Girl.
• Scene VII.—: Inside the Hut.
• Scene VIII.—: Adelaide’s Bedchamber.
• Scene IX.—: Street Before the Prison At Heilbronn.
• Scene X.—: An Apartment In Weislingen’s Castle.
• Scene XI.—: A Narrow Vault Dimly Illuminated. the Judges of the Secret Tribunal Discovered Seated, All Muffled In Black Cloaks.
• Scene XII.—: The Court of an Inn.
• Scene XIII.—: The Prison At Heilbronn.
• Scene the Last. —: the Prison Garden.
• Iphigenia In Tauris a Drama
• Dramatis PersonÆ.
• Act I.
• Scene I.—: A Grove Before the Temple of Diana.
• Scene II.
• Scene III.
• Scene IV.
• Act II.
• Scene I.
• Scene II.
• Act III.
• Scene I.
• Scene II.
• Scene III.
• Act IV.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act V.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Torquato Tasso
• Dramatis PersonÆ.
• Act I.
• Scene I.: A Garden Adorned With Busts of the Epic Poets. to the Right a Bust of Virgil: to the Left, One of Ariosto.
• Scene II.
• Scene III.
• Scene IV.
• Act II.
• Scene I.—: A Room.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act III.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act IV.
• Scene I.—: A Chamber.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act V.
• Scene I.—: A Garden.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Clavigo
• Dramatis PersonÆ.
• Act I.
• Scene I.—: Clavigo’s Dwelling.
• Scene II.—: Guilbert’s Dwelling.
• Act II.
• Scene I.—: Clavigo’s House.
• Act III.
• Scene I.—: Guilbert’s Abode.
• Act IV.
• Scene I.—: Clavigo’s Abode. Carlos, Alone.
• Scene II.—: Guilbert’s Abode.
• Act V.
• Scene I.—: The Street Before the House of Guilbert. Night.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Stella. a Tragedy.
• Dramatis PersonÆ.
• Act I.
• Act II.
• Act III.
• Act IV.
• Act V.
• The Brother and Sister
• Dramatis PersonÆ.
• A Tale.
• The Good Women.
• Reynard the Fox.
• Chapter I.: The Accusation.
• Chapter II.: The First Summons.
• Chapter III.: The Second Summons.
• Chapter IV.: The Trial.
• Chapter V.: The Pardon.
• Chapter VI.: The Relapse.
• Chapter VII.: The Outlawry.
• Chapter VIII.: The Journey.
• Chapter IX.: The Advocacy.
• Chapter X.: The Second Pardon.
• Chapter XI.: The Defiance.
• Chapter XII.: The Battle.

SCENE XVII.—

The kitchen.

Elizabethpreparing food. EnterGoetz.

Goetz.

You have hard work, my poor wife!

Elizabeth.

Would it might last! But you can hardly hold out long.

Goetz.

We have not had time to provide ourselves.

Elizabeth.

And so many people as you have been wont to entertain. The wine is well-nigh finished.

Goetz.

If we can but hold out a certain time, they must propose a capitulation. We are doing them some damage, I promise you. They shoot the whole day, and only wound our walls and break our windows. Lerse is a gallant fellow. He slips about with his gun: if a rogue comes too nigh—Pop! there he lies!

[Firing.

EnterTrooper.

Trooper.

We want live coals, gracious lady!

Goetz.

For what?

Trooper.

Our bullets are spent; we must cast some new ones.

Goetz.

How goes it with the powder?

Trooper.

There is as yet no want: we save our fire.

[Firing at intervals. ExeuntGoetzandElizabeth.

EnterLersewith a bullet-mould. Servants with coals.

Lerse.

Set them down, and then go and see for lead about the house; meanwhile I will make shift with this. (Goes to the window, and takes out the leaden frames.) Everything must be turned to account. So it is in this world—no one knows what a thing may come to: the glazier who made these frames little thought that the lead here was to give one of his grandsons his last headache; and the father that begot me little knew whether the fowls of heaven or the worms of the earth would pick my bones.

EnterGeorgewith a leaden spout.

George.

Here’s lead for thee! If you hit with only half of it, not one will return to tell his majesty. “Thy servants have sped ill!”

Lerse.

(Cutting it down.) A famous piece!

George.

The rain must seek some other way. I’m not afraid of it—a brave trooper and a smart shower will always find their road.

[They cast balls.

Lerse.

Hold the ladle. (Goes to the window.) Yonder is a fellow creeping about with his rifle; he thinks our fire is spent. He shall have a bullet warm from the pan.

[He loads his rifle.

George.

(Puts down the mould.) Let me see.

Lerse.

(Fires.) There lies the game!

George.

He fired at me as I stepped out on the roof to get the lead. He killed a pigeon that sat near me; it fell into the spout. I thanked him for my dinner, and went back with the double booty.

[They cast balls.

Lerse.

Now let us load, and go through the castle to earn our dinner.

EnterGoetz.

Goetz.

Stay, Lerse, I must speak with thee. I will not keep thee, George, from the sport.

[ExitGeorge.

Goetz.

They offer terms.

Lerse.

I will go and hear what they have to say.

Goetz.

They will require me to enter myself into ward in some town on my knightly parole.

Lerse.

That won’t do. Suppose they allow us free liberty of departure? for we can expect no relief from Sickingen. We will bury all the valuables where no divining-rod shall find them; leave them the bare walls, and come out with flying colors.

Goetz.

They will not permit us.

Lerse.

It is worth the asking. We will demand a safe-conduct, and I will sally out.