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• Götz Von Berlichingen With the Iron Hand. a Drama.
• Dramatis PersonÆ
• Act I.
• Scene I.—: An Inn At Schwarzenberg In Franconia.
• Scene II.—: A Cottage In a Thick Forest.
• Scene III.—: An Apartment In Jaxthausen, the Castle of Goetz Von Berlichingen.
• Scene IV.—: The Bishop of Bamberg’s Palace.
• Scene V.—: Jaxthausen.
• Act II.
• Scene I.—: Bamberg. a Hall.
• Scene II.—: Jaxthausen. a Hall In Goetz’s Castle.
• Scene III.—: The Bishop’s Palace At Bamberg.
• Scene IV.—: The Spessart.
• Scene V.—: The Bishop’s Palace. His Cabinet.
• Scene VI.—: Adelaide’s Apartment.
• Scene VII.—: An Ante-room.
• Scene VIII.—: The Spessart.
• Scene IX.—: Hall In the Bishop’s Palace At Bamberg.
• Scene X—: an Inn.
• Act III.
• Scene I.—: A Garden At Augsburg.
• Scene II.—: Jaxthausen.
• Scene III.—: The Camp of the Party Sent to Execute the Imperial Mandate.
• Scene IV.—: Jaxthausen.
• Scene V.—: Bamberg. Adelaide’s Chamber.
• Scene VI.—: Jaxthausen.
• Scene VII.—: A Wood On the Borders of a Morass.
• Scene VIII.—: Camp of the Imperialists.
• Scene IX.—: Jaxthausen.
• Scene X.—: The Imperial Camp.
• Scene XI.—: Mountains and a Wood.
• Scene XII.—: A Heath—on One Side an Eminence, With a Ruined Tower, On the Other the Forest.
• Scene XIII.—: The Camp.
• Scene XIV.—: Jaxthausen.
• Scene XV.—: Camp.
• Scene XVI.—: Jaxthausen.
• Scene XVII.—: The Kitchen.
• Scene XVIII.—: A Hall.
• Scene XIX.—: The Court of the Castle.
• Scene XX.: The Armory.
• Act IV.
• Scene I.—: An Inn In the City of Heilbronn
• Scene II.—: The Council-house At Heilbronn.
• Scene III.—: A Large Hall In the Council-house, Beset By Sickingen’s Troops.
• Scene IV.—: The Castle of Adelaide. Augsburg.
• Scene V.—: Jaxthausen.
• Act V.
• Scene I.—: A Village Plundered By the Insurgent Peasantry. Shrieks and Tumult.
• Scene II.—: Open Country. In the Distance Two Villages and an Abbey Are Burning.
• Scene III.—: A Hill and Prospect of the Country. In the Flat Scene a Mill. a Body of Horsemen.
• Scene IV.—: Jaxthausen.
• Scene V.—: A Village.
• Scene VI.—: The Front of a Gypsy-hut In a Wild Forest.—night.—a Fire Before the Hut, At Which Are Seated the Mother of the Gypsies and a Girl.
• Scene VII.—: Inside the Hut.
• Scene VIII.—: Adelaide’s Bedchamber.
• Scene IX.—: Street Before the Prison At Heilbronn.
• Scene X.—: An Apartment In Weislingen’s Castle.
• Scene XI.—: A Narrow Vault Dimly Illuminated. the Judges of the Secret Tribunal Discovered Seated, All Muffled In Black Cloaks.
• Scene XII.—: The Court of an Inn.
• Scene XIII.—: The Prison At Heilbronn.
• Scene the Last. —: the Prison Garden.
• Iphigenia In Tauris a Drama
• Dramatis PersonÆ.
• Act I.
• Scene I.—: A Grove Before the Temple of Diana.
• Scene II.
• Scene III.
• Scene IV.
• Act II.
• Scene I.
• Scene II.
• Act III.
• Scene I.
• Scene II.
• Scene III.
• Act IV.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act V.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Torquato Tasso
• Dramatis PersonÆ.
• Act I.
• Scene I.: A Garden Adorned With Busts of the Epic Poets. to the Right a Bust of Virgil: to the Left, One of Ariosto.
• Scene II.
• Scene III.
• Scene IV.
• Act II.
• Scene I.—: A Room.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act III.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act IV.
• Scene I.—: A Chamber.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act V.
• Scene I.—: A Garden.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Clavigo
• Dramatis PersonÆ.
• Act I.
• Scene I.—: Clavigo’s Dwelling.
• Scene II.—: Guilbert’s Dwelling.
• Act II.
• Scene I.—: Clavigo’s House.
• Act III.
• Scene I.—: Guilbert’s Abode.
• Act IV.
• Scene I.—: Clavigo’s Abode. Carlos, Alone.
• Scene II.—: Guilbert’s Abode.
• Act V.
• Scene I.—: The Street Before the House of Guilbert. Night.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Stella. a Tragedy.
• Dramatis PersonÆ.
• Act I.
• Act II.
• Act III.
• Act IV.
• Act V.
• The Brother and Sister
• Dramatis PersonÆ.
• A Tale.
• The Good Women.
• Reynard the Fox.
• Chapter I.: The Accusation.
• Chapter II.: The First Summons.
• Chapter III.: The Second Summons.
• Chapter IV.: The Trial.
• Chapter V.: The Pardon.
• Chapter VI.: The Relapse.
• Chapter VII.: The Outlawry.
• Chapter VIII.: The Journey.
• Chapter IX.: The Advocacy.
• Chapter X.: The Second Pardon.
• Chapter XI.: The Defiance.
• Chapter XII.: The Battle.

SCENE X—

An Inn.

The Bridal of aPeasant.

[TheBride’s Father, Bride, Bridegroomand other Country-folks,Goetz of BerlichingenandHans of Selbitzall discovered at table.TroopersandPeasantsattend.

Goetz.

It was the best way thus to settle your lawsuit by a merry bridal.

Bride’s Father.

Better than ever I could have dreamed of, noble sir—to spend my days in quiet with my neighbor, and have a daughter provided for to boot.

Bridegroom.

And I to get the bone of contention and a pretty wife into the bargain! Ay, the prettiest in the whole village. Would to Heaven you had consented sooner.

Goetz.

How long have you been at law?

Bride’s Father.

About eight years. I would rather have the fever for twice that time than go through with it again from the beginning. For these periwigged gentry never give a decision till you tear it out of their very hearts; and, after all, what do you get for your pains? The devil fly away with the assessor Sapupi for a damned swarthy Italian!

Bridegroom.

Yes, he’s a pretty fellow; I was before him twice.

Bride’s Father.

And I thrice; and look ye, gentlemen, we got a judgment at last, which set forth that he was as much in the right as I, and I as much as he; so there we stood like a couple of fools, till a good Providence put it into my head to give him my daughter, and the ground besides.

Goetz.

(Drinks.) To your better understanding for the future.

Bride’s Father.

With all my heart! But come what may, I’ll never go to law again as long as I live. What a mint of money it costs! For every bow made to you by a procurator, you must come down with your dollars.

Selbitz.

But there are annual imperial visitations.

Bride’s Father.

I have never heard of them. Many an extra dollar have they contrived to squeeze out of me. The expenses are horrible.

Goetz.

How mean you?

Bride’s Father.

Why, look you, these gentlemen of the law are always holding out their hands. The assessor alone, God forgive him, eased me of eighteen golden guilders.

Bridegroom.

Who?

Bride’s Father.

Why, who else but Sapupi?

Goetz.

That is infamous.

Bride’s Father.

Yes, he asked twenty; and there I had to pay them in the great hall of his fine country-house. I thought my heart would burst with anguish. For look you, my lord, I am well enough off with my house and little farm, but how could I raise the ready cash? I stood there, God knows how it was with me. I had not a single farthing to carry me on my journey. At last I took courage and told him my case: when he saw I was desperate, he flung me back a couple of guilders, and sent me about my business.

Bridegroom.

Impossible! Sapupi?

Bride’s Father.

Ay, he himself!—What do you stare at?

Bridegroom.

Devil take the rascal! He took fifteen guilders from me too?

Bride’s Father.

The deuce he did!

Selbitz.

They call us robbers, Goetz!

Bride’s Father.

Bribed on both sides!

That’s why the judgment fell out so queer.

Oh, the scoundrel!

Goetz.

You must not let this pass unnoticed.

Bride’s Father.

What can we do?

Goetz.

Why—go to Spire where there is an imperial visitation: make your complaint; they must inquire into it, and help you to your own again.

Bridegroom.

Does your honor think we shall succeed?

Goetz.

If I might take him in hand, I could promise it you.

Selbitz.

The sum is worth an attempt.

Goetz.

Ay; many a day have I ridden out for the fourth part of it.

Bride’s Father.

(ToBridegroom.) What think’st thou?

Bridegroom.

We’ll try, come what may.

EnterGeorge.

George.

The Nurembergers have set out.

Goetz.

Whereabouts are they?

George.

If we ride off quietly we shall just catch them in the wood betwixt Berheim and Mühlbach.

Selbitz.

Excellent!

Goetz.

Well, my children, God bless you, and help every man to his own!

Bride’s Father.

Thanks, gallant sir! Will you not stay to supper?

Goetz.

I cannot. Adieu!

[ExeuntGoetz, SelbitzandTroopers

ACT III.