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• Götz Von Berlichingen With the Iron Hand. a Drama.
• Dramatis PersonÆ
• Act I.
• Scene I.—: An Inn At Schwarzenberg In Franconia.
• Scene II.—: A Cottage In a Thick Forest.
• Scene III.—: An Apartment In Jaxthausen, the Castle of Goetz Von Berlichingen.
• Scene IV.—: The Bishop of Bamberg’s Palace.
• Scene V.—: Jaxthausen.
• Act II.
• Scene I.—: Bamberg. a Hall.
• Scene II.—: Jaxthausen. a Hall In Goetz’s Castle.
• Scene III.—: The Bishop’s Palace At Bamberg.
• Scene IV.—: The Spessart.
• Scene V.—: The Bishop’s Palace. His Cabinet.
• Scene VI.—: Adelaide’s Apartment.
• Scene VII.—: An Ante-room.
• Scene VIII.—: The Spessart.
• Scene IX.—: Hall In the Bishop’s Palace At Bamberg.
• Scene X—: an Inn.
• Act III.
• Scene I.—: A Garden At Augsburg.
• Scene II.—: Jaxthausen.
• Scene III.—: The Camp of the Party Sent to Execute the Imperial Mandate.
• Scene IV.—: Jaxthausen.
• Scene V.—: Bamberg. Adelaide’s Chamber.
• Scene VI.—: Jaxthausen.
• Scene VII.—: A Wood On the Borders of a Morass.
• Scene VIII.—: Camp of the Imperialists.
• Scene IX.—: Jaxthausen.
• Scene X.—: The Imperial Camp.
• Scene XI.—: Mountains and a Wood.
• Scene XII.—: A Heath—on One Side an Eminence, With a Ruined Tower, On the Other the Forest.
• Scene XIII.—: The Camp.
• Scene XIV.—: Jaxthausen.
• Scene XV.—: Camp.
• Scene XVI.—: Jaxthausen.
• Scene XVII.—: The Kitchen.
• Scene XVIII.—: A Hall.
• Scene XIX.—: The Court of the Castle.
• Scene XX.: The Armory.
• Act IV.
• Scene I.—: An Inn In the City of Heilbronn
• Scene II.—: The Council-house At Heilbronn.
• Scene III.—: A Large Hall In the Council-house, Beset By Sickingen’s Troops.
• Scene IV.—: The Castle of Adelaide. Augsburg.
• Scene V.—: Jaxthausen.
• Act V.
• Scene I.—: A Village Plundered By the Insurgent Peasantry. Shrieks and Tumult.
• Scene II.—: Open Country. In the Distance Two Villages and an Abbey Are Burning.
• Scene III.—: A Hill and Prospect of the Country. In the Flat Scene a Mill. a Body of Horsemen.
• Scene IV.—: Jaxthausen.
• Scene V.—: A Village.
• Scene VI.—: The Front of a Gypsy-hut In a Wild Forest.—night.—a Fire Before the Hut, At Which Are Seated the Mother of the Gypsies and a Girl.
• Scene VII.—: Inside the Hut.
• Scene VIII.—: Adelaide’s Bedchamber.
• Scene IX.—: Street Before the Prison At Heilbronn.
• Scene X.—: An Apartment In Weislingen’s Castle.
• Scene XI.—: A Narrow Vault Dimly Illuminated. the Judges of the Secret Tribunal Discovered Seated, All Muffled In Black Cloaks.
• Scene XII.—: The Court of an Inn.
• Scene XIII.—: The Prison At Heilbronn.
• Scene the Last. —: the Prison Garden.
• Iphigenia In Tauris a Drama
• Dramatis PersonÆ.
• Act I.
• Scene I.—: A Grove Before the Temple of Diana.
• Scene II.
• Scene III.
• Scene IV.
• Act II.
• Scene I.
• Scene II.
• Act III.
• Scene I.
• Scene II.
• Scene III.
• Act IV.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act V.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Torquato Tasso
• Dramatis PersonÆ.
• Act I.
• Scene I.: A Garden Adorned With Busts of the Epic Poets. to the Right a Bust of Virgil: to the Left, One of Ariosto.
• Scene II.
• Scene III.
• Scene IV.
• Act II.
• Scene I.—: A Room.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act III.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act IV.
• Scene I.—: A Chamber.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act V.
• Scene I.—: A Garden.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Clavigo
• Dramatis PersonÆ.
• Act I.
• Scene I.—: Clavigo’s Dwelling.
• Scene II.—: Guilbert’s Dwelling.
• Act II.
• Scene I.—: Clavigo’s House.
• Act III.
• Scene I.—: Guilbert’s Abode.
• Act IV.
• Scene I.—: Clavigo’s Abode. Carlos, Alone.
• Scene II.—: Guilbert’s Abode.
• Act V.
• Scene I.—: The Street Before the House of Guilbert. Night.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Stella. a Tragedy.
• Dramatis PersonÆ.
• Act I.
• Act II.
• Act III.
• Act IV.
• Act V.
• The Brother and Sister
• Dramatis PersonÆ.
• A Tale.
• The Good Women.
• Reynard the Fox.
• Chapter I.: The Accusation.
• Chapter II.: The First Summons.
• Chapter III.: The Second Summons.
• Chapter IV.: The Trial.
• Chapter V.: The Pardon.
• Chapter VI.: The Relapse.
• Chapter VII.: The Outlawry.
• Chapter VIII.: The Journey.
• Chapter IX.: The Advocacy.
• Chapter X.: The Second Pardon.
• Chapter XI.: The Defiance.
• Chapter XII.: The Battle.

SCENE VI.—

Adelaide’sApartment.

AdelaideandWaiting-Maid.

Maid.

You are pale, gracious lady!

Adelaide.

I love him not, yet I wish him to stay—for I am fond of his company, though I should dislike him for my husband.

Maid.

Does your ladyship think he will go?

Adelaide.

He is even now bidding the bishop farewell.

Maid.

He has yet a severe struggle to undergo.

Adelaide.

What meanest thou?

Maid.

Why do you ask, gracious lady? The barbed hook is in his heart—ere he tear it away he must bleed to death.

EnterWeislingen.

Weislingen.

You are not well, gracious lady?

Adelaide.

That must be indifferent to you—you leave us, leave us forever: what matters it to you whether we live or die?

Weislingen.

You do me injustice.

Adelaide.

I judge you as you appear.

Weislingen.

Appearances are deceitful.

Adelaide.

Then you are a chameleon.

Weislingen.

Could you but see my heart—

Adelaide.

I should see fine things there.

Weislingen.

Undoubtedly!—You would find your own image—

Adelaide.

Thrust into some dark corner with the pictures of defunct ancestors! I beseech you, Weislingen, consider with whom you speak—false words are of value only when they serve to veil our actions—a discovered masquerader plays a pitiful part. You do not disown your deeds, yet your words belie them; what are we to think of you?

Weislingen.

What you will—I am so agonized at reflecting on what I am, that I little reck for what I am taken.

Adelaide.

You came to say farewell.

Weislingen.

Permit me to kiss your hand, and I will say adieu!— You remind me—I did not think—but I am troublesome—

Adelaide.

You misinterpret me. Since you will depart, I only wished to assist your resolution.

Weislingen.

Oh, say rather, I must!—were I not compelled by my knightly word—my solemn engagement—

Adelaide.

Go to! Talk of that to maidens who read the tale of Theuerdanck, and wish that they had such a husband.—Knightly word!—Nonsense!

Weislingen.

You do not think so?

Adelaide.

On my honor, you are dissembling. What have you promised? and to whom? You have pledged your alliance to a traitor to the emperor, at the very moment when he incurred the ban of the empire by taking you prisoner. Such an agreement is no more binding than an extorted, unjust oath. And do not our laws release you from such oaths? Go, tell that to children, who believe in Rübezahl. There is something behind all this.—To become an enemy of the empire—a disturber of public happiness and tranquillity, an enemy of the emperor, the associate of a robber!—Thou, Weislingen, with thy gentle soul!

Weislingen.

Did you but know him!

Adelaide.

I would deal justly with Goetz. He has a lofty indomitable spirit, and woe to thee, therefore, Weislingen. Go, and persuade thyself thou art his companion. Go, and receive his commands. Thou art courteous, gentle—

Weislingen.

And he too.

Adelaide.

But thou art yielding, and he is stubborn. Imperceptibly will he draw thee on. Thou wilt become the slave of a baron; thou that mightest command princes!—Yet it is cruel to make you discontented with your future position.

Weislingen.

Did you but know what kindness he showed me.

Adelaide.

Kindness!—Do you make such a merit of that? It was his duty. And what would you have lost had he acted otherwise? I would rather he had done so. An overbearing man like—

Weislingen.

You speak of your enemy.

Adelaide.

I speak for your freedom; yet I know not why I should take so much interest in it. Farewell!

Weislingen.

Permit me, but a moment.

[Takes her hand. A pause.

Adelaide.

Have you aught to say?

Weislingen.

I must hence.

Adelaide.

Then go.

Weislingen.

Gracious lady, I cannot.

Adelaide.

You must.

Weislingen.

And is this your parting look?

Adelaide.

Go, I am unwell, very inopportunely.

Weislingen.

Look not on me thus!

Adelaide.

Wilt thou be our enemy, and yet have us smile upon thee? Go!

Weislingen.

Adelaide!

Adelaide.

I hate thee!

EnterFrancis.

Francis.

Noble sir, the bishop inquires for you.

Adelaide.

Go! go!

Francis.

He begs you to come instantly.

Adelaide.

Go! go!

Weislingen.

I do not say adieu: I shall see you again.

[ExeuntWeislingenandFrancis.

Adelaide.

Thou wilt see me again? We must provide for that. Margaret, when he comes, refuse him admittance. Say I am ill, have a headache, am asleep, anything. If this does not detain him, nothing will.

[Exeunt.