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Front Page Titles (by Subject) THE METAMORPHOSIS OF PLANTS. - Goethe's Works, vol. 1 (Poems)
THE METAMORPHOSIS OF PLANTS. - Johann Wolfgang von Goethe, Goethe’s Works, vol. 1 (Poems) [1885]Edition used:Goethe’s Works, illustrated by the best German artists, 5 vols. (Philadelphia: G. Barrie, 1885). Vol. 1.
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- The Life of Goethe By Hjalmar H. Boyesen, Ph.d.
- Poems
- Dedication.
- Songs
- Sound, Sweet Song.
- To the Kind Reader.
- The New Amadis
- When the Fox Dies, His Skin Counts.
- The Heathrose.
- Blindman’s Buff.
- Christel.
- The Coy One.
- The Convert.
- Preservation.
- The Muses’ Son.
- Found.
- Like and Like.
- Reciprocal Invitation to the Dance.
- Self-deceit.
- Declaration of War.
- Lover In All Shapes.
- The Goldsmith’s Apprentice.
- Joy and Sorrow.
- March.
- Answers In a Game of Questions.
- Different Emotions On the Same Spot.
- Who’ll Buy Gods of Love?
- The Misanthrope.
- True Enjoyment.
- Happiness and Vision.
- The Farewell.
- The Beautiful Night.
- Apparent Death.
- Proximity.
- Living Remembrance.
- The Bliss of Absence.
- To Luna.
- The Wedding Night.
- Mischievous Joy.
- Farewell.
- The Exchange.
- November Song.
- To the Chosen One.
- First Loss.
- After-sensations.
- Proximity of the Beloved One.
- Presence.
- To the Distant One.
- By the River.
- Night Song.
- Calm At Sea.
- The Prosperous Voyage.
- Courage.
- Admonition.
- Welcome and Farewell.
- New Love, New Life.
- To Belinda.
- May Song.
- With a Painted Ribbon.
- With a Golden Necklace.
- To Charlotte.
- On the Lake.
- From the Mountain.
- Flower Salute.
- May Song.
- Premature Spring.
- Autumn Feelings
- Restless Love.
- The Shepherd’s Lament.
- Comfort In Tears.
- Longing.
- To Mignon.
- The Mountain Castle
- The Spirit’s Salute.
- To a Golden Heart That He Wore Round His Neck.
- The Bliss of Sorrow.
- The Wanderer’s Night-song.
- The Same.
- To the Moon.
- The Hunter’s Even-song.
- My Only Property.
- To Lina.
- Familiar Songs
- On the New Year.
- Anniversary Song.
- The Spring Oracle.
- The Happy Couple.
- Song of Fellowship.
- Constancy In Change.
- Table Song.
- Wont and Done.
- General Confession.
- Coptic Song.
- Another.
- Vanitas! Vanitatum Vanitas!
- Swiss Song.
- Fortune of War.
- Open Table.
- The Reckoning.
- Ergo Bibamus!
- Epiphanias.
- Finnish Song.
- Gypsy Song.
- From Wilhelm Meister.
- Mignon.
- The Same.
- The Harper.
- Philine.
- Ballads
- Mignon.
- The Harper.
- Ballad of the Banished and Returning Count.
- The Violet.
- The Faithless Boy.
- The Erl-king.
- Johanna Sebus
- The Fisherman.
- The King of Thule.
- The Beauteous Flower. Song of the Imprisoned Count.
- Sir Curt’s Wedding-journey.
- Wedding Song.
- The Treasure-digger.
- The Rat-catcher.
- The Spinner.
- Before a Court of Justice.
- The Page and the Miller’s Daughter.
- The Youth and the Millstream.
- The Maid of the Mill’s Treachery.
- The Maid of the Mill’s Repentance.
- The Traveller and the Farm-maiden.
- Effects At a Distance.
- The Walking Bell.
- Faithful Eckart.
- The Pupil In Magic.
- The Dance of Death.
- The Bride of Corinth.
- The God and the Bayadere. an Indian Legend.
- The Pariah. the Pariah’s Prayer.
- Legend.
- The Pariah’s Thanks.
- The First Walpurgis-night.
- Death-lament of the Noble Wife of Asan Aga.
- Antiques
- Leopold, Duke of Brunswick. 1785.
- To the Husbandman.
- Anacreon’s Grave.
- The Brethren.
- Measure of Time.
- Warning.
- SakÓntala.
- Solitude.
- The Chosen Cliff.
- The Consecrated Spot.
- The Instructors.
- The Unequal Marriage.
- Excuse.
- The Muse’s Mirror.
- PhŒbus and Hermes.
- The New Amor.
- The Garlands.
- The Swiss Alps.
- Elegies
- Roman Elegies.
- Alexis and Dora.
- Epigrams
- Venice, 1790.
- The Four Seasons.
- Spring.
- Summer.
- Autumn.
- Winter.
- Sonnets.
- The Friendly Meeting.
- In a Word.
- The Maiden Speaks.
- Growth.
- Food In Travel.
- Departure.
- The Loving One Writes.
- The Loving One Once More.
- She Cannot End.
- Nemesis.
- The Christmas-box.
- The Warning.
- The Doubters and the Lovers.
- The Epochs.
- Charade.
- Miscellaneous Poems.
- The German Parnassus.
- Mahomet’s Song.
- Spirit Song Over the Waters.
- My Goddess.
- Winter Journey Over the Hartz Mountains.
- To Father Kronos.
- The Wanderer’s Storm-song.
- The Sea-voyage.
- Prometheus.
- The Eagle and Dove.
- Ganymede.
- The Boundaries of Humanity.
- The Godlike.
- Royal Prayer.
- Human Feelings.
- Lily’s Menagerie.
- Love’s Distresses.
- To His Coy One.
- Petition.
- The Musagetes.
- Morning Lament.
- The Visit.
- The Magic Net.
- The Goblet.
- Night Thoughts.
- To Lida.
- Forever.
- From an Album of 1604.
- To the Rising Full Moon.
- Betrothed.
- At Midnight Hour.
- Lines On Seeing Schiller’s Skull.
- Trilogy of Passion.
- To Werther.
- Elegy.
- Atonement.
- April.
- May.
- June.
- Ever and Everywhere.
- Next Year’s Spring.
- Such, Such Is He Who Pleaseth Me.
- St. Nepomuk’s Eve. Carlsbad, May 15, 1820.
- The Freebooter.
- Reciprocal.
- Song of the Emigrants.
- Explanation of an Ancient Woodcut Representing Hans Sachs’ Poetical Mission.
- Thoughts On Jesus Christ’s Descent Into Hell.
- Art
- The Drops of Nectar.
- The Wanderer.
- Love As a Landscape-painter.
- Artist’s Evening Song.
- Parables
- Explanation of an Antique Gem.
- Cat-pie.
- Legend.
- The Critic.
- Authors.
- The Dilettante and the Critic.
- Celebrity.
- The Yelpers.
- The Wrangler.
- Joy.
- Playing At Priests.
- Songs.
- Poetry.
- A Parable.
- Cupid and Psyche.
- The Death of the Fly.
- By the River.
- The Fox and Crane.
- The Fox and Huntsman.
- The Stork’s Vocation.
- The Frogs.
- The Wedding.
- Burial.
- Threatening Signs.
- The Buyers.
- The Mountain Village.
- Symbols.
- Three Palinodias.
- Valediction.
- The Country Schoolmaster.
- The Legend of the Horseshoe.
- Epigrams.
- To Originals.
- The Soldier’s Consolation.
- Genial Impulse.
- Neither This Nor That.
- The Way to Behave.
- The Best.
- As Broad As It’s Long.
- Calm At Sea.
- The Rule of Life.
- The Same, Expanded.
- The Fair At Huehenefeld. July 25th, 1814.
- The Little Girl’s Wish.
- Epitaph.
- Admonition.
- My Only Property.
- Old Age.
- Courage.
- Rule For Monarchs.
- Memories.
- Paulo Post Futuri.
- The Fool’s Epilogue.
- On the Divan.
- God and World.
- Prooemion.
- The Metamorphosis of Plants.
- The Sages and the People.
- Rhymed Distichs.
- God, Soul and World.
- Distichs.
- West-eastern Divan.
- Moganni Nameh.
- Hafis Nameh.
- Uschk Nameh.
- Teskir Nameh.
- Rendsch Nameh.
- Hikmet Nameh.
- Timur Nameh.
- Suleika Nameh.
- Safi Nameh.
- Mathal Nameh.
- Parsi Nameh.
- Chuld Nameh.
- Hermann and Dorothea
- Fate and Sympathy.
- Hermann.
- The Burghers.
- Mother and Son.
- The Cosmopolite.
- The Age.
- Dorothea.
- Hermann and Dorothea.
- Conclusion.
THE METAMORPHOSIS OF PLANTS.
- THOU art confus’d, my beloved, at seeing the thousandfold union
- Shown in this flowery troop, over the garden dispers’d;
- Many a name dost thou hear assign’d; one after another
- Falls on thy list’ning ear, with a barbarian sound.
- None resembleth another, yet all their forms have a likeness;
- Therefore, a mystical law is by the chorus proclaim’d;
- Yes, a sacred enigma! O dearest friend, could I only
- Happily teach thee the word, which may the mystery solve!
- Closely observe how the plant, by little and little progressing,
- Step by step guided on, changeth to blossom and fruit!
- First from the seed it unravels itself, as soon as the silent
- Fruit-bearing womb of the earth kindly allows its escape,
- And to the charms of the light, the holy, the ever-in-motion,
- Trusteth the delicate leaves, feebly beginning to shoot.
- Simply slumber’d the force in the seed; a germ of the future,
- Peacefully lock’d in itself, ’neath the integument lay,
- Leaf and root, and bud, still void of color, and shapeless;
- Thus doth the kernel, while dry, cover that motionless life.
- Upward then strives it to swell, in gentle moisture confiding,
- And, from the night where it dwelt, straightway ascendeth to light.
- Yet still simple remaineth its figure, when first it appeareth;
- And ’tis a token like this points out the child ’mid the plants.
- Soon a shoot, succeeding it, riseth on high, and reneweth,
- Piling up node upon node, ever the primitive form;
- Yet not ever alike: for the following leaf, as thou seest,
- Ever produceth itself, fashion’d in manifold ways.
- Longer, more indented, in points and in parts more divided,
- Which, all-deform’d until now, slept in the organ below,
- So at length it attaineth the noble and destin’d perfection,
- Which, in full many a tribe, fills thee with wondering awe.
- Many ribb’d and tooth’d, on a surface juicy and swelling,
- Free and unending the shoot seemeth in fulness to be;
- Yet here Nature restraineth, with powerful hands, the formation,
- And to a perfecter end, guideth with softness its growth,
- Less abundantly yielding the sap, contracting the vessels,
- So that the figure ere long gentler effects doth disclose.
- Soon and in silence is check’d the growth of the vigorous branches,
- And the rib of the stalk fuller becometh in form.
- Leafless, however, and quick the tenderer stem then upspringeth,
- And a miraculous sight doth the observer enchant.
- Rang’d in a circle, in numbers that now are small, and now countless,
- Gather the smaller-siz’d leaves, close by the side of their like.
- Round the axis compress’d the sheltering calyx unfoldeth,
- And, as the perfectest type, brilliant-hued coronals forms.
- Thus doth Nature bloom, in glory still nobler and fuller,
- Showing, in order arrang’d, member on member uprear’d.
- Wonderment fresh dost thou feel, as soon as the stem rears the flower
- Over the scaffolding frail of the alternating leaves.
- But this glory is only the new creation’s foreteller,
- Yes, the leaf with its hues feeleth the hand all divine,
- And on a sudden contracteth itself; the tenderest figures,
- Twofold as yet, hasten on, destin’d to blend into one.
- Lovingly now the beauteous pairs are standing together,
- Gather’d in countless array, there where the altar is rais’d.
- Hymen hovereth o’er them, and scents delicious and mighty
- Stream forth their fragrance so sweet, all things enliv’ning around.
- Presently, parcell’d out, unnumber’d germs are seen swelling,
- Sweetly conceal’d in the womb, where is made perfect the fruit.
- Here doth Nature close the ring of her forces eternal;
- Yet doth a new one at once cling to the one gone before,
- So that the chain be prolonged forever through all generations,
- And that the whole may have life, e’en as enjoy’d by each part.
- Now, my beloved one, turn thy gaze on the many-hued thousands
- Which, confusing no more, gladden the mind as they wave.
- Every plant unto thee proclaimeth the laws everlasting,
- Every floweret speaks louder and louder to thee;
- But if thou here canst decipher the mystic words of the goddess,
- Everywhere will they be seen, e’en though the features are chang’d;
- Creeping insects may linger, the eager butterfly hasten,—
- Plastic and forming may man change e’en the figure decreed!
- Oh, then, bethink thee, as well, how out of the germ of acquaintance
- Kindly intercourse sprang, slowly unfolding its leaves;
- Soon how friendship with might unveil’d itself in our bosoms,
- And how Amor at length brought forth blossom and fruit!
- Think of the manifold ways wherein Nature hath lent to our feelings,
- Silently giving them birth, either the first or the last!
- Yes, and rejoice in the present day! For love that is holy
- Seeketh the noblest of fruits—that where the thoughts are the same,
- Where the opinions agree—that the pair may, in rapt contemplation,
- Lovingly blend into one—find the more excellent world.
 artist: r. geiszler. THE METAMORPHOSIS OF PLANTS.
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