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Subject Area: Music
Subject Area: Religion

Komm, Gott, Schöpfer, heiliger Geist. - Johann Sebastian Bach, Bach’s Chorals, vol. 3 The Hymns and Hymn Melodies of the Organ Works [1921]

Edition used:

Bach’s Chorals. Part III: The Hymns and Hymn Melodies of the Organ Works, by Charles Sanford Terry (Cambridge University Press, 1915-1921). 3 vols. Vol. 3.

Part of: Bach’s Chorals, 3 vols.

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Komm, Gott, Schöpfer, heiliger Geist.

lf1393-03_figure_068

Melody:Komm, Gott, Schopfer, heiliger Geist

Anon. 1535

lf1393-03_figure_069

Cruger’s version 1640

    • i.

      Come, God, Creator, Holy Ghost,
    • Visit the heart of all Thy men;
    • Fill them with grace, the way Thou know’st;
    • What Thine was, make it again.
    • ii.

      For Thou art called the Comforter,
    • The blessed gift of God above,
    • A ghostly balm, our quickener,
    • A living well, fire, and love.
    • iii.

      O kindle in our minds a light;
    • Give in our hearts love’s glowing gift;
    • Our weak flesh, known to Thee aright,
    • With Thy strength and grace uplift.
    • iv.

      In giving gifts Thou art sevenfold;
    • The finger Thou on God’s right hand;
    • His word by Thee right soon is told
    • With clov’n tongues in every land.
    • v.

      Drive far the cunning of the foe;
    • Thy grace bring peace and make us whole,
    • That we glad after Thee may go,
    • And shun that which hurts the soul.
    • vi.

      Teach us to know the Father right,
    • And Jesus Christ, His Son, that so
    • We may with faith be filled quite,
    • Spirit of both, Thee to know.
    • vii.

      Praise God the Father, and the Son,
    • Who from the dead arose in power;
    • Like praise to the Consoling One,
    • Evermore and every hour.
    • Martin Luther (1483-1546)     Tr. George Macdonald1 .

The words and melody of Luther’s Whitsuntide hymn, “Komm, Gott, Schopfer, heiliger Geist,” are derived from the Latin “Veni Creator Spiritus,” and were first published in 1524. In Klug’s Hymn-book (1535 [1529]) the melody, considerably modified2 , approached the form in which it is universally known. In the Cantata “Gott der Hoffnung erfülle euch,” attributed to Bach, the tune is used exactly in its 1535 form. Elsewhere, in Choralgesänge, No. 218, and the two Organ movements (infra), Bach follows a version of the melody based on Cruger’s text (1640) (supra) invariably for the third phrase. Witt (No. 171) exactly conforms to the 1535 text.

Bach treats the melody in two Organ movements:

[82]

N. xv. 97. The movement is the only completed Prelude in the Whit-Sunday section of the Orgelbüchlein. The similarity of its Bass to that of the four-part setting in the Choralgesange suggests that they were written in close association.

Spitta1 finds the movement out of place among Preludes in which Bach undertook to treat the Pedal uniformly obbligato throughout. He regards it as the fragment of a movement conceived on a much bigger scale—in fact, an introduction to No. 83 infra.

An older reading of the movement is in P.vii.86(A), whose original is in the Mendelssohn Autograph.

[83]

N. xvii. 82. The movement is among the Eighteen Chorals and is the Orgelbuchlein Prelude with the addition of another verse, in which the cantus is on the Pedal. Its treatment suggests that Bach had in mind Acts ii. 2, 3: “And suddenly there came a sound from heaven.....And there appeared unto them cloven tongues like as of fire.”

[1 ]Exotics, p. 56. The original hymn has seven stanzas.

[2 ] For the 1524 version, see Bach’s Chorals, Part II. 479.

[1 ] Vol. i. 650.