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Front Page arrow Titles (by Subject) arrow No. 3.: O Blessed Jesu, how hast thou offended ( Herzliebster Jesu, was hast du verbrochen ) - Bach's Chorals, vol. 1 The Hymns and Hymn Melodies of the Passions and Oratorios

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Subject Area: Music
Subject Area: Religion

No. 3.: O Blessed Jesu, how hast thou offended ( Herzliebster Jesu, was hast du verbrochen ) - Johann Sebastian Bach, Bach’s Chorals, vol. 1 The Hymns and Hymn Melodies of the “Passions” and Oratorios [1915]

Edition used:

Bach’s Chorals. Part I: The Hymns and Hymn Melodies of the “Passions” and Oratorios, by Charles Sanford Terry (Cambridge University Press, 1915-1921). 3 vols. Vol. 1.

Part of: Bach’s Chorals, 3 vols.

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No. 3.

O Blessed Jesu, how hast thou offended (Herzliebster Jesu, was hast du verbrochen)

lf1393-01_figure_003

Melody:Herzliebster Jesu

Johann Cruger 1640

The melody, “Herzliebster Jesu,” composed for Heermann’s Hymn by Johann Cruger, first appeared in his Newes vollkomliches Gesangbuch, Berlin, 1640. Cruger was born at Gross-Breesen, near Guben, in Brandenburg, in 1598. He became Cantor of St Nicolas’ Church, Berlin, in 1622, and died in that city in 1662. About 20 of his melodies are still in common use, the most familiar of them being “Nun danket alle Gott.”

Bach uses the melody elsewhere in the “St Matthew Passion” (Nos. 25, 55) and twice in the “St John Passion” (Nos. 4, 15).

The words of the Choral are the first stanza of the Passiontide Hymn, “Herzliebster Jesu, was hast du verbrochen.” Its author, Johann Heermann, was born at Raudten, Silesia, in 1585. He became deacon of Koben on the Oder in 1611, retired in 1638, and died in 1647. The Hymn was first published in Heermann’s Devoti Musica Cordis. Hauss- und Hertz-Musica, Leipzig, 1630; and, with a melody by Johann Staden (1581-1634), in the latter’s Hertzens Andachten, 1631:

  • Herzliebster Jesu, was hast du verbrochen,
  • Dass man em solch hart1 Urtheil hat gesprochen?
  • Was ist die Schuld, in was fur Missethaten
  • Bist du gerathen?
  • B.G. iv. 23.

English translations of the Hymn are noted in the Dictionary of Hymnology, pp. 517, 1648.

Form Simple (Flutes, Oboes, Strings, Organ, and Continuo).