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§ 1.: The Sensation considered abstractly - Thomas Reid, Selections from the Scottish Philosophy of Common Sense [1915]

Edition used:

Selections from the Scottish Philosophy of Common Sense, edited, with an introduction by G.A. Johnston (Chicago: Open Court, 1915).

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§ 1.

The Sensation considered abstractly

Let us now attend carefully to what the mind is conscious of when we smell a rose or a lily; and, since our language affords no other name for this sensation, we shall call it a smell or odour, carefully excluding from the meaning of those names everything but the sensation itself, at least till we have examined it.

Suppose a person who never had this sense before, to receive it all at once, and to smell a rose—can he perceive any similitude or agreement between the smell and the rose? or indeed between it and any other object whatsoever? Certainly he cannot. He finds himself affected in a new way, he knows not why or from what cause. Like a man that feels some pain or pleasure formerly unknown to him, he is conscious that he is not the cause of it himself; but cannot, from the nature of the thing, determine whether it is caused by body or spirit, by something near, or by something at a distance. It has no similitude to anything else, so as to admit of a comparison; and, therefore, he can conclude nothing from it, unless, perhaps, that there must be some unknown cause of it.

It is evidently ridiculous to ascribe to it figure, colour, extension, or any other quality of bodies. He cannot give it a place, any more than he can give a place to melancholy or joy; nor can he conceive it to have any existence, but when it is smelled. So that it appears to be a simple and original affection or feeling of the mind, altogether inexplicable and unaccountable. It is, indeed, impossible that it can be in any body: it is a sensation, and a sensation can only be in a sentient thing.

The various odours have each their different degrees of strength or weakness. Most of them are agreeable or disagreeable; and frequently those that are agreeable when weak, are disagreeable when stronger. When we compare different smells together, we can perceive very few resemblances or contrarieties, or, indeed, relations of any kind between them. They are all so simple in themselves, and so different from each other, that it is hardly possible to divide them into genera and species. Most of the names we give them are particular; as the smell of a rose, of a jessamine, and the like. Yet there are some general names—as sweet, stinking, musty, putrid, cadaverous, aromatic. Some of them seem to refresh and animate the mind, others to deaden and depress it.