The Online Library of Liberty

A project of Liberty Fund, Inc.

• Publisher's Notice
• Hero and Leander.
• To the Right-worshipful Sir Thomas Walsingham, Knight
• Hero and Leander.
• The First Sestiad.
• The Second Sestiad.
• The Epistle Dedicatory
• The Third Sestiad.
• The Fourth Sestiad.
• The Fifth Sestiad.
• The Sixth Sestiad.
• Ovid's Elegies.
• P. Ovidii Nasonis 'amorum Liber Primus
• Elegia I. Quemadmodum a Cupidine, Pro Bellis Amores Scribere Coactus Sit.
• Elegia II. Quod Primo Amore Correptus, In Triumphum Duci Se a Cupidine Patiatur.
• Elegia III. Ad Amicam.
• Elegia IV. Amicam, Qua Arte Quibusque Nutibus In Cæna, Presente Viro, Uti Debeat, Admonet.
• Elegia V. Corinnæ Concubitus.
• Elegia VI. Ad Janitorem, Ut Fores Sibi Aperiat.
• Elegia VII. Ad Pacandam Amicam, Quam Verberaverat.
• Elegia VIII. Execratur Lenam Quæ Puellam Suam Meretricis Arte Instituebat.
• Elegia Ix Ad Atticum, Amantem Non Oportere Desidiosum Esse, Sicuti Nec Militem.
• Elegia X Ad Puellam, Ne Pro Amore Præmia Poscat.
• Elegia XI. Napen Alloqutur, Ut Paratas Tabellas Ad Cornnam Perferat.
• Elegia XII. Tabellas Quas Miserat Execratur Quod Amica Noctem Negabat.
• Elegia XIII. Ad Auroram Ne Properet.
• Elegia XIV. Puellam Consolatur Cui Præ Nimia Cura Comæ Deciderant.
• Elegia XV. Ad Invidos, Quod Fama Poetarum Sit Perennis.
• P. Ovidii Nasonis Amorum. Liber Secundus .
• Elegia I. Quod Pro Gigantomachia Amores Scribere Sit Coactus.
• Elegia II. Ad Bagoum, Ut Custodiam Puellæ Sibi Commissæ Laxiorem Habeat
• Elegia III. Ad Eunuchum Servantem Dominam.
• Elegia IV. Quod Amet Mulieres, Cujuscunque Formæ Sint.
• Elegia V. Ad Amicam Corruptam.
• Elegia VI. In Mortem Psittaci.
• Elegia VII. Amicæ Se Purgat, Quod Ancillam Non Amet.
• Elegia VIII. Ad Cypassim Ancillam Corinnæ.
• Elegia IX. Ad Cupidinem.
• Elegia X. Ad Græcinum Quod Eodem Tempore Duas Amet.
• Elegia XI. Ad Amicam Navigantem.
• Elegia XII. Exultat, Quod Amica Potitus Sit.
• Elegia XIII. Ad Isidem, Ut Parientem Corinnam Servet
• Elegia XIV. In Amicam, Quod Abortivum Ipsa Fecerit.
• Elegia XV. Ad Annulum, Quem Dono Amicæ Dedit.
• Elegia XVI. Ad Amicam, Ut Ad Rura Sua Veniat.
• Elegia XVII. Quod Corinnæ Soli Sit Serviturus.
• Elegia XVIII. Ad Macrum, Quod De Amoribus Scribat,
• Elegia XIX. Ad Rivalem Cut Nxor Curæ Non Erat.
• P. Ovidii Masonis Amorum. Liber Tertius .
• Elegia I. Deliberatio Poetæ, Utrum Elegos Pergat Scribere an Potius Tragoedias.
• Elegia II. Ad Amicam Cursum Equorum Spectantem.
• Elegia III. De Amica Quæ Perjuraverat.
• Elegia IV. Ad Virum Servantem Conjugem.
• Elegia VI. Ad Amnem Dum Iter Faceret Ad Amicam.
• Elegia VII. Quod Ab Amica Receptus, Cum Ea Coire Non Potuit Conqueritur.
• Elegia VIII. Quod Ab Amica Non Recipiatur, Dolet.
• Elegia IX. Tibulli Mortem Deflet.
• Elegia X. Ad Cererem, Conquerens Quod Ejus Sacris Cum Amica Concumbere Non Permittatur.
• Elegia XI. Ad Amicam a Cujus Amore Discedere Non Potest.
• Elegia XII. Dolet Amicam Suam Ita Suis Carminibus Innotuisse Ut Rivales Multos Sibi Pararit.
• Elegia XIII. De Junonis Festo.
• Elegia XIV. Ad Amicam, Si Peccatura Est, Ut Occulte Peccet.
• Elegia XV. Ad Venerem, Quod Elegis Finem Imponat.
• Epigrams By J[ohn] D[avies].
• Ad Musam. I.
• Of a Gull. II.
• In Refum. III.
• In Quintum. IV.
• In Plurimos. V.
• In Titum. VI.
• In Faustum. VII.
• In Katam. VIII.
• In Librum. IX.
• In Medontem. X
• In Gellam. XI.
• In Quintum. XII.
• In Severum. XIII.
• In Leucam. XIV.
• In Macrum. XV.
• In Faustum. XVI.
• In Cosmum. XVII.
• In Flaccum. XVIII.
• In Cineam. XIX.
• In Gerontem. XX.
• In Marcum. XXI.
• In Cyprium. XXII.
• In Cineam. XXIII.
• In Gallum. XXIV.
• In Decium. XXV.
• In Gellam. XXVI.
• In Syllam. XXVII.
• In Syllam. XXVIII.
• In Heywodum. XXIX.
• In Dacum. XXX.
• In Priscum. XXXI.
• In Brunum. XXXII.
• In Francum. XXXIII.
• In Castorem. XXXIV.
• In Septimium. XXXV.
• Of Tobacco. XXXVI.
• In Crassum. Xxxvii
• In Philonem. XXXVIII.
• In Fuscum. XXXIX.
• In Afrum. Xl.
• In Paulum. Xli.
• In Lycum. Xlii.
• In Publium. Xliii.
• In Syllam. Xliv.
• In Dacum. Xlv.
• In Marcum. Xlvi.
• Meditations of a Gull. Xlvii.
• Ad Musam. Xlviii.
• Ignoto.
• The First Book of Lucan.
• To His Kind and True Friend, Edward Blunt.
• The First Book of Lucan.
• The Passionate Shepherd to His Love.
• Fragment.
• Dialogue In Verse.
• Appendices.
• No. 1. the Atheist’s Tragedie.
• No. II.
• No. III. a Note
• No. IV.: The Death of Marlowe.
• Scene I.
• Scene II.
• Scene III.

Elegia II.
Quod primo amore correptus, in triumphum duci se a
Cupidine patiatur.

• What makes my bed seem hard seeing it is soft?
• Or why slips down the coverlet so oft?
• Although the nights be long I sleep not tho;1
• My sides are sore with tumbling to and fro.
• Were Love the cause it's like I should descry him,
• Or lies he close and shoots where none can spy him?
• 'Twas so; he strook me with a slender dart;
• 'Tis cruel Love turmoils my captive heart.
• Yielding or striving2 do we give him might,
• Let's yield, a burden easily borne is light.

  10

• I saw a brandished fire increase in strength,
• Which being not shak'd, I saw it die at length.
• Young oxen newly yoked are beaten more,
• Than oxen which have drawn the plough before:
• And rough jades' mouths with stubborn bits are torn.
• But managed horses' heads are lightly borne.3
• Unwilling lovers, love doth more torment,
• Than such as in their bondage feel content.
• Lo! I confess, I am thy captive I,
• And hold my conquered hands for thee to tie.

  20

• What need'st thou war? I sue to thee for grace:
• With arms to conquer armless men is base.
• Yoke Venus' Doves, put myrtle on thy hair,
• Vulcan will give thee chariots rich and fair:
• The people thee applauding, thou shalt stand,
• Guiding the harmless pigeons with thy hand.
• Young men and women shalt thou lead as thrall,
• So will thy triumph seem magnifical;
• I, lately caught, will have a new-made wound,
• And captive-like be manacled and bound.

  30

• Good meaning, Shame, and such as seek Love's wrack
• Shall follow thee, their hands tied at their back.
• Thee all shall fear, and worship as a king;
• Io triumphing shall thy people sing.
• Smooth speeches, Fear and Rage shall by thee ride,
• Which troops have always been on Cupid's side;
• Thou with these soldiers conquer'st gods and men,
• Take these away, where is thine honour then?
• Thy mother shall from heaven applaud this show,
• And on their faces heaps of roses strow:

  40

• With beauty of thy wings, thy fair hair gilded,1
• Ride golden Love in chariots richly builded!
• Unless I err, full many shalt thou burn,
• And give wounds infinite at every turn.
• In spite of thee, forth will thine arrows fly,
• A scorching flame burns all the standers by.
• So, having conquered Inde, was Bacchus' hue:
• Thee pompous birds, and him two tigers, drew;
• Then seeing I grace thy show in following thee,
• Forbear to hurt thyself in spoiling me.

  50

• Behold thy kinsman1 Cæsar's prosperous bands,
• Who guards the2 conquered with his conquering hands.

[1]Then.

[2]So the Isham copy and ed. A. Other eds. “struggling.”

[3]”Frena minus sentit quisquis ad arma facit.”—Marlowe's line strongly supports the view that “bear hard” in Julius Cæsar means “curb, keep a tight rein over” (hence “eye with suspicion”). Cf. Christopher Clifford's School of Horsemanship (1585):—“But the most part of horses takes it [a ‘wil of his owne’] through the unskilfulnesse of the rider by bearing too hard a hand upon them,” p. 35.

[1]“Our poet's copy of Ovid had 'Tu penna pulchros gemina variante capillos.'”—Dyce. (The true reading “Tu pennas gemma, gemma variante capillos.”)

[1]Old eds. “kinsmans.”

[2]Old eds. “thee.”