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THE FOURTH SESTIAD. - Christopher Marlowe, The Works of Christopher Marlowe, vol. 3 (Poems) [1598]

Edition used:

The Works of Christopher Marlowe, ed. A.H. Bullen (London: John C. Nimmo, 1885). Vol. 3.

Part of: The Works of Christopher Marlowe, 3 vols.

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THE FOURTH SESTIAD.

The Argument of the Fourth Sestiad.

  • Hero, in sacred habit deckt,
  • Doth private sacrifice effect.
  • Her scarf's description, wrought by Fate;
  • Ostents that threaten her estate;
  • The strange, yet physical, events,
  • Leander's counterfeit1 presents.
  • In thunder Cyprides descends,
  • Presaging both the lovers' ends:
  • Ecte, the goddess of remorse,
  • With vocal and articulate force

    10

  • Inspires Leucote, Venus' swan,
  • T' excuse the beauteous Sestian.
  • Venus, to wreak her rites' abuses,
  • Creates the monster Eronusis,
  • Inflaming Hero's sacrifice
  • With lightning darted from her eyes;
  • And thereof springs the painted beast
  • That ever since taints every breast.
  • Now from Leander's place she rose, and found
  • Her hair and rent robe scatter'd on the ground;
  • Which taking up, she every piece did lay
  • Upon an altar, where in youth of day
  • She us'd t' exhibit private sacrifice:
  • Those would she offer to the deities
  • Of her fair goddess and her powerful son,
  • As relics of her late-felt passion;
  • And in that holy sort she vow'd to end them,
  • In hope her violent fancies, that did rend them,

    10

  • Would as quite fade in her love's holy fire,
  • As they should in the flames she meant t' inspire.
  • Then put she on all her religious weeds,
  • That decked her in her secret sacred deeds;
  • A crown of icicles, that sun nor fire
  • Could ever melt, and figur'd chaste desire;
  • A golden star shined in her naked breast,
  • In honour of the queen-light of the east.
  • In her right hand she held a silver wand,
  • On whose bright top Peristera did stand,

    20

  • Who was a nymph, but now transformed a dove,
  • And in her life was dear in Venus' love;
  • And for her sake she ever since that time
  • Choosed doves to draw her coach through heaven's blue clime.
  • Her plenteous hair in curlèd billows swims
  • On her bright shoulder; her harmonious limbs
  • Sustained no more but a most subtile veil,
  • That hung on them, as it durst not assail
  • Their different concord; for the weakest air
  • Could raise it swelling from her beauties fair;

    30

  • Nor did it cover, but adumbrate only
  • Her most heart-piercing parts, that a blest eye
  • Might see, as it did shadow, fearfully,
  • All that all-love-deserving paradise:
  • It was as blue as the most freezing skies;
  • Near the sea's hue, for thence her goddess came:
  • On it a scarf she wore of wondrous frame;
  • In midst whereof she wrought a virgin's face,
  • From whose each cheek a fiery blush did chase
  • Two crimson flames, that did two ways extend,

    40

  • Spreading the ample scarf to either end;
  • Which figur'd the division of her mind,
  • Whiles yet she rested bashfully inclin'd,
  • And stood not resolute to wed Leander;
  • This serv'd her white neck for a purple sphere,
  • And cast itself at full breadth down her back:
  • There, since the first breath that begun the wrack
  • Of her free quiet from Leander's lips,
  • She wrought a sea, in one flame, full of ships;
  • But that one ship where all her wealth did pass,

    50

  • Like simple merchants' goods, Leander was;
  • For in that sea she naked figured him;
  • Her diving needle taught him how to swim,
  • And to each thread did such resemblance give,
  • For joy to be so like him it did live:
  • Things senseless live by art, and rational die
  • By rude contempt of art and industry.
  • Scarce could she work, but, in her strength of thought,
  • She fear'd she prick'd Leander as she wrought,1
  • And oft would shriek so, that her guardian, frighted,

    60

  • Would startling haste, as with some mischief cited:
  • They double life that dead things' griefs sustain;
  • They kill that feel not their friends' living pain.
  • Sometimes she fear'd he sought her infamy;
  • And then, as she was working of his eye,
  • She thought to prick it out to quench her ill;
  • But, as she prick'd, it grew more perfect still:
  • Trifling attempts no serious acts advance;
  • The fire of love is blown by dalliance.
  • In working his fair neck she did so grace it,

    70

  • She still was working her own arms t' embrace it:
  • That, and his shoulders, and his hands were seen
  • Above the stream; and with a pure sea-green
  • She did so quaintly shadow every limb,
  • All might be seen beneath the waves to swim.
  • In this conceited scarf she wrought beside
  • A moon in change, and shooting stars did glide
  • In number after her with bloody beams;
  • Which figur'd her affects1 in their extremes,
  • Pursuing nature in her Cynthian body,

    80

  • And did her thoughts running on change imply;
  • For maids take more delight, when they prepare,
  • And think of wives' states, than when wives they are.
  • Beneath all these she wrought a fisherman,1
  • Drawing his nets from forth the ocean;
  • Who drew so hard, ye might discover well
  • The toughen'd sinews in his neck did swell:
  • His inward strains drave out his blood-shot eyes,
  • And springs of sweat did in his forehead rise;
  • Yet was of naught but of a serpent sped,

    90

  • That in his bosom flew and stung him dead:
  • And this by Fate into her mind was sent,
  • Not wrought by mere instinct of her intent.
  • At the scarfs other end her hand did frame,
  • Near the fork'd point of the divided flame,
  • A country virgin keeping of a vine,
  • Who did of hollow bulrushes combine
  • Snares for the stubble-loving grasshopper,
  • And by her lay her scrip that nourish'd her.
  • Within a myrtle shade she sate and sung

    100

  • And tufts of waving reeds above her sprung,
  • Where lurked two foxes, that, while she applied
  • Her trifling snares, their thieveries did divide,
  • One to the vine, another to her scrip,
  • That she did negligently overslip;
  • By which her fruitful vine and wholesome fare
  • She suffered spoiled to make a childish snare.
  • These ominous fancies did her soul express,
  • And every finger made a prophetess,
  • To show what death was hid in love's disguise,
  • And make her judgment conquer Destinie.
  • O, what sweet forms fair ladies' souls do shroud,
  • Were they made seen and forced through their blood;
  • If through their beauties, like rich work through lawn,
  • They would set forth their minds with virtues drawn,
  • In letting graces from their fingers fly,
  • To still their eyas1 thoughts with industry;
  • That their plied wits in numbered silks might sing
  • Passion's huge conquest, and their needles2 leading
  • Affection prisoner through their own-built cities,

    120

  • Pinioned with stories and Arachnean ditties.
  • Proceed we now with Hero's sacrifice:
  • She odours burned, and from their smoke did rise
  • Unsavoury fumes, that air with plagues inspired;
  • And then the consecrated sticks she fired,
  • On whose pale flames an angry spirit flew,
  • And beat it down still as it upward grew;
  • The virgin tapers that on th' altar stood,
  • When she inflam'd them, burned as red as blood;3
  • All sad ostents of that too near success,4

    130

  • That made such moving beauties motionless.
  • Then Hero wept; but her affrighted eyes
  • She quickly wrested from the sacrifice,
  • Shut them, and inwards for Leander looked,
  • Search'd her soft bosom, and from thence she plucked
  • His lovely picture; which when she had viewed,
  • Her beauties were with all love's joys renewed;
  • The odours sweeten'd, and the fires burned clear,
  • Leander's form left no ill object there:
  • Such was his beauty, that the force of light,

    140

  • Whose knowledge teacheth wonders infinite,
  • The strength of number and proportion,
  • Nature had placed in it to make it known,
  • Art was her daughter, and what human wits
  • For study lost, entombed in drossy spirits.
  • After this accident (which for her glory
  • Hero could not but make a history),
  • Th' inhabitants of Sestos and Abydos
  • Did every year, with feasts propitious,
  • To fair Leander's picture sacrifice:

    150

  • And they were persons of especial price
  • That were allowed it, as an ornament
  • T' enrich their houses, for the continent
  • Of the strange virtues all approved it held;
  • For even the very look of it repelled
  • All blastings, witchcrafts, and the strifes of nature
  • In those diseases that no herbs could cure;
  • The wolfy sting of avarice it would pull,
  • And make the rankest miser bountiful;
  • It kill'd the fear of thunder and of death;
  • The discords that conceit engendereth
  • 'Twixt man and wife, it for the time would cease;
  • The flames of love it quench'd, and would increase;
  • Held in a prince's hand, it woald put out
  • The dreadful'st comet; it would ease1 all doubt
  • Of threaten'd mischiefs; it would bring asleep
  • Such as were mad; it would enforce to weep
  • Most barbarous eyes; and many more effects
  • This picture wrought, and sprung2 Leandrian3 sects;
  • Of which was Hero first; for he whose form,

    170

  • Held in her hand, cleard such a fatal storm,
  • From hell she thought his person would defend her,
  • Which night and Hellespont would quickly send her.
  • With this confirm'd, she vow'd to banish quite
  • All thought of any check to her delight;
  • And, in contempt of silly bashfulness,
  • She would the faith of her desires profess,
  • Where her religion should be policy,
  • To follow love with zeal her piety;
  • Her chamber her cathedral-church should be,

    180

  • And her Leander her chief deity;
  • For in her love these did the gods forego;
  • And though her knowledge did not teach her so,
  • Yet did it teach her this, that what her heart
  • Did greatest hold in her self-greatest part,
  • That she did make her god; and 'twas less naught
  • To leave gods in profession and in thought
  • Than in her love and life; for therein lies
  • Most of her duties and their dignities;
  • And, rail the brain-bald world at what it will,

    199

  • That's the grand atheism that reigns in it stil
  • Yet singularity she would use no more,
  • For she was singular too much before;
  • But she would please the world with fair pretext
  • Love would not leave her conscience perplext:
  • Great men that will have less do for them, still
  • Must bear them out, though th' acts be ne'er so ill,
  • Meanness must pander be to Excellence;
  • Pleasure atones Falsehood and Conscience:
  • Dissembling was the worst, thought Hero then,

    200

  • And that was best, now she must live with men.
  • O virtuous love, that taught her to do best
  • When she did worst, and when she thought it least'
  • Thus would she still proceed in works divine,
  • And in her sacred state of priesthood shine,
  • Handling the holy rites with hands as bold.
  • As if therein she did Jove's thunder hold,
  • And need not fear those menaces of error.
  • Which she at others threw with greatest terror.
  • O lovely Hero, nothing is thy sin,

    210

  • Weigh'd with those foul faults other priests are in
  • That having neither faiths, nor works, nor beauties,
  • T' engender any 'scuse for slubbered1 duties,
  • With as much countenance fill their holy chairs,
  • And sweat denouncements 'gainst profane affairs,
  • As if their lives were cut out by their places,
  • And they the only fathers of the graces.
  • Now, as with settled mind she did repair
  • Her thoughts to sacrifice her ravished hair
  • And her torn robe, which on the altar lay,

    220

  • And only for religion's fire did stay,
  • She heard a thunder by the Cyclops beaten,
  • In such a volley as the world did threaten,
  • Given Venus as she parted th' airy sphere,
  • Descending now to chide with Hero here:
  • When suddenly the goddess' waggoners,
  • The swans and turtles that, in coupled pheres,1
  • Through all worlds' bosoms draw her influence,
  • Lighted in Hero's window, and from thence
  • To her fair shoulders flew the gentle doves,—

    230

  • Graceful Ædone2 that sweet pleasure loves,
  • And ruff-foot Chreste3 with the tufted crown;
  • Both which did kiss her, though their goddess frown.
  • The swans did in the solid flood, her glass,
  • Proin4 their fair plumes; of which the fairest was
  • Jove-lov'd Leucote,5 that pure brightness is;
  • The other bounty-loving Dapsilis.6
  • All were in heaven, now they with Hero were:
  • But Venus' looks brought wrath, and urged fear.
  • Her robe was scarlet; black her head's attire:

    240

  • And through her naked breast shin'd streams of fire,
  • As when the rarifièd air is driven
  • In flashing streams, and opes the darken'd heaven.
  • In her white hand a wreath of yew she bore;
  • And, breaking th' icy wreath sweet Hero wore,
  • She forc'd about her brows her wreath of yew,
  • And said, “Now, minion, to thy fate be true,
  • Though not to me; endure what this portends
  • Begin where lightness will, in shame it ends.
  • Love makes thee cunning; thou art current now,

    250

  • By being counterfeit: thy broken vow
  • Deceit with her pied garters must rejoin,
  • And with her stamp thou countenances must coin:
  • Coyness, and pure1 deceits, for purities,
  • And still a maid wilt seem in cozen'd eyes,
  • And have an antic face to laugh within,
  • While thy smooth looks make men digest thy sin.
  • But since thy lips (least thought forsworn) forswore,
  • Be never virgin's vow worth trusting more!”
  • When Beauty's dearest did her goddess hear

    260

  • Breathe such rebukes 'gainst that she could not clear,
  • Dumb sorrow spake aloud in tears and blood,
  • That from her grief-burst veins, in piteous flood,
  • From the sweet conduits of her favour fell.
  • The gentle turtles did with moans make swell
  • Their shining gorges; the white black-ey'd swans
  • Did sing as woful epicedians,
  • As they would straightways die: when Pity's queen,
  • The goddess Ecte,1 that had ever been
  • Hid in a watery cloud near Hero's cries,

    270

  • Since the first instant of her broken eyes,
  • Gave bright Leucote voice, and made her speak,
  • To ease her anguish, whose swoln breast did break
  • With anger at her goddess, that did touch
  • Hero so near for that she us'd so much;
  • And, thrusting her white neck at Venus, said
  • “Why may not amorous Hero seem a maid,
  • Though she be none, as well as you suppress
  • In modest cheeks your inward wantonness?
  • How often have we drawn you from above.

    280

  • T' exchange with mortals rites for rites in love!
  • Why in your priest, then, call you that offence,
  • That shines in you, and is2 your influence?”
  • With this, the Furies stopp'd Leucote's lips,
  • Enjoin'd by Venus; who with rosy whips
  • Beat the kind bird. Fierce lightning from her eyes
  • Did set on fire fair Hero's sacrifice,
  • Which was her torn robe and enforcèd hair;
  • And the bright flame became a maid most fair
  • For her aspèct: her tresses were of wire,

    290

  • Knit like a net, where hearts set all on fire,
  • Struggled in pants, and could not get releast;
  • Her arms were all with golden pincers drest,
  • And twenty-fashioned knots, pulleys, and brakes,
  • And all her body girt with painted snakes;
  • Her down-parts in a scorpion's tail combined,
  • Freckled with twenty colours; pied wings shined
  • Out of her shoulders; cloth had never dye,
  • Nor sweeter colours never viewèd eye,
  • In scorching Turkey, Cares, Tartary,

    300

  • Than shined about this spirit notorious;
  • Nor was Arachne's web so glorious.
  • Of lightning and of shreds she was begot;
  • More hold in base dissemblers is there not.
  • Her name was Eronusis.1 Venus flew
  • From Hero's sight, and at her chariot drew
  • This wondrous creature to so steep a height,
  • That all the world she might command with sleight
  • Of her gay wings; and then she bade her haste,—
  • Since Hero had dissembled, and disgraced

    310

  • Her rites so much,—and every breast infect
  • With her deceits: she made her architect
  • Of all dissimulations; and since then
  • Never was any trust in maids or men.
  • O, it spited
  • Fair Venus' heart to see her most delighted,
  • And one she choos'd, for temper of her mind
  • To be the only ruler of her kind,
  • So soon to let her virgin race be ended!
  • Not simply for the fault a whit offended,

    320

  • But that in strife for chasteness with the Moon,
  • Spiteful Diana bade her show but one
  • That was her servant vow'd, and liv'd a maid;
  • And, now she thought to answer that upbraid,
  • Hero had lost her answer: who knows not
  • Venus would seem as far from any spot
  • Of light demeanour, as the very skin
  • 'Twixt Cynthia's brows? sin is asham'd of sin.
  • Up Venus flew, and scarce durst up for fear
  • Of Phœbe's laughter, when she pass'd her sphere:

    330

  • And so most ugly-clouded was the light,
  • That day was hid in day; night came ere night;
  • And Venus could not through the thick air pierce,
  • Till the day's king, god of undaunted verse,
  • Because she was so plentiful a theme
  • To such as wore his laurel anademe.
  • Like to a fiery bullet made descent,
  • And from her passage those fat vapours rent,
  • That being not throughly rarified to rain,
  • Melted like pitch, as blue as any vein;

    340

  • And scalding tempests made the earth to shrink
  • Under their fervour, and the world did think
  • In every drop a torturing spirit flew,
  • It pierc'd so deeply, and it burn'd so blue.
  • Betwixt all this and Hero, Hero held
  • Leander's picture, as a Persian shield;
  • And she was free from fear of worst success:
  • The more ill threats us, we suspect the less:
  • As we grow hapless, violence subtle grows,

    349

  • Dumb, deaf, and blind, and comes when no man knows.

[1]Picture.

[1]“This conceit was suggested to Chapman by a passage in Skelton's Phyllyp Sparowe:

  • ‘But whan I was sowing his beke,
  • Methought, my sparow did speke,
  • And opened his prety byll,
  • Saynge, Mayd, ye are in wyll
  • Agayne me for to kyll,
  • Ye prycke me in the head.’



Works, 1, 57, ed. Dyce.”—Dyce.

[1]Affections.

[1]” This description of the fisherman, as well as the picture which follows it, are borrowed (with alterations) from the first Idyl of Theocritus. “—Dyce

[1]“Eyas” is the name for an unfledged hawk. “Eyas thoughts” would mean “thoughts not yet full-grown,-immature.” Dyce thinks the meaning of “eyas” here may be “restless.” (Old eds. “yas.”)

[2]A monosyllable.

[3]Some eds. give “ them, then they burned as blood”

[4]Approaching catastrophe.

[1]Some eds. “end.”

[2]Used transitively.

[3]Some eds. “Leanders.”

[1]Shakespeare uses the verb “slubber “in the sense of “perform in a slovenly manner” [Merchant of Venice, 8, “Slubber not business for my sake “)

[1]Companions, yoke-mates.

[2]Gr. ἡδυőἡ.

[3]From Lat. crista

[4]Prune.

[5]Gr. λ∊υκóτηs.

[6]Gr. δαψιλἡs.

[1]Some eds. read “Coyne and impure.”

[1]From Gr. oîκτos

[2]Some eds. “in.”

[1]“A compound, probably, from ἔρωs and υóσos or voῦσos lonice” Ed. 1821.