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• Preface
• Publisher's Notice
• Introduction
• Tamburlaine the Great. In Two Parts.
• Tamburlaine the Great, Part Tbe First.
• The Prologue.
• Persons Represented. 1
• Tamburlaine the Great. Part the First.: Act the First.
• Scene I.
• Scene II.
• Act the Second.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI.
• Scene VII.
• Act the Third.
• Scene I.
• Scene II.
• Scene III.
• Act the Fourth.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Act the Fifth.
• Scene I.
• Tamburlaine the Great. Part the Second
• Prologue.
• Persons Represented.
• Tamburlaine the Great. Part the Second: Act the First.
• Scene I.
• Scene II.
• Scene II.
• Act the Second.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Act the Third.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Act the Fourth.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Act the Fifth.
• Scene I.
• Scene II.
• Scene III.
• The Tragical History of Doctor Faustus.
• Persons Represented.
• The Tragical History of Doctor Faustus.
• Scene I.
• Scene II.
• Scene III.
• Scene IV.
• Scene V.
• Scene VI. 1
• Scene VII.
• Scene VIII.
• Scene IX.
• Scene X.
• Scene XI.
• Scene XII.
• Scene XIII.
• Scene XIV.
• Scene XV.
• Scene XVI.
• Appendix to Dr. Faustus.
• Ballad of Faustus.

SCENE III.

OLYMPIA discovered Mane.

Olym.

• Distressed Olympia, whose weeping eyes
• Since thy arrival here behold no sun,
• But closed within the compass of a1 tent
• Hath stained thy cheeks, and made thee look like death,
• Devise some means to rid thee of thy life,
• Rather than yield to his detested smt,
• Whose drift is only to dishonour thee;
• And since this earth, dewed with thy brinish tears,
• Affords no herbs whose taste may poison thee,
• Nor yet this air, beat often with thy sighs, io
• Contagious smells and vapours to infect thee,
• Nor thy close cave a sword to murder thee;
• Let this invention be the instrument.
• EnterTHERIDAMAS.

Ther.

• Well met, Olympia; I sought thee in my tent,
• But when I saw the place obscure and dark,
• Which with thy beauty thou was wont to light,
• Enraged, I ran about the fields for thee,
• Supposing amorous Jove had sent his son,
• The winged Hermes, to convey thee hence;
• But now I find thee, and that fear is past.

  20

• Tell me, Olympia, wilt thou grant my suit?

Olym.

• My lord and husband's death, with my sweet son's,
• (With whom I buried all affections
• Save grief and sorrow, which torment my heart,)
• Forbids my mind to entertain a thought
• That tends to love, but meditate on death,
• A fitter subject for a pensive soul.

Ther.

• Olympia, pity him, in whom thy looks
• Have greater operation and more force
• Than Cynthia's in the water), wilderness,

  30

• For with thy view my joys are at the full,
• And ebb again as thou departest from me.

Olym.

• Ah, pity me, my lord! and draw your sword,
• Making a passage for my troubled soul,
• Which beats against this prison to get out,
• And meet my husband and my loving son.

Ther.

• Nothing but sull thy husband and thy son!
• Leave this, my love, and listen more to me.
• Thou shalt be stately queen of fair Argier;
• And clothed in costly cloth of massy gold,

  40

• Upon the marble turrets of my court
• Sit like to Venus in her chair of state,
• Commanding all thy princely eye desires;
• And I will east off arms to sit with thee,
• Spending my life in sweet discourse of love.

Olym.

• No such discourse is pleasant in mine ears,
• But that where every period ends with death,
• And every line begins with death again.
• I cannot love, to be an emperess.

Ther.

• Nay, lady, then, if nothing will prevail,

  50

• I'll use some other means to make you yield :
• Such is the sudden fury of my love,
• I must and will be pleased, and you shall yield :
• Come to the tent again.

Olym.

• Stay now, my lord; and, will1 a you save my honour,
• I'll give your grace a present of such price,
• As all the world cannot afford the like.

Ther.

• What is it?

Olym.

• An ointment which a cunning alchymist,
• Distilled from the purest balsamum

  60

• And simplest extracts of all minerals,
• In which the essential form of marble stone,
• Tempered by science metaphysical,
• And spells of magic from the mouths1 of spirits,
• With which if you but 'noint your tender skin,
• Nor pistols, sword, nor lance, can pierce your flesh.

Ther.

• Why, madam, think you to mock me thus palpably?

Olym.

• To prove it, I will 'noint my naked throat,
• Which, when you stab, look on your weapon's point,
• And you shall see't rebated1 with the blow.

  70

Thor.

• Why gave you not your husband some of it,
• If you loved him, and it so precious?

Olym.

• My purpose was, my lord, to spend it so,
• But was prevented by his sudden end;
• And for a present, easy proof thereof,
• That I dissemble not, try it on me.

Ther.

• I will, Olympia, and will 2 keep it for
• The richest present of this eastern world.

[She anoints her throat.3

OZym.

• Now stab, my lord, and mark your weapon's point,
• That will be blunted if the blow be great.

  80

Ther.

• Here then, Olympia. [Stabs her.
• What, have I slain her! Villain, stab thyself,
• Cut off this arm that murdered thy love,
• In whom the learned Rabbis of this age
• Might find as many wondrous miracles
• As in the Theoria of the world.
• Now hell is fairer than Elysium; 4
• A greater lamp than that bright eye of heaven,
• From whence the stars do borrow1 all their light,
• Wanders about the black circumference;

  90

• And now the damned souls are free from pain,
• For every Fury gazeth on her looks;
• Infernal “Dis is courting of my love,
• Inventing masks and stately shows for her,
• Opening the doors of his rich treasury
• To entertain this queen of chastity;
• Whose body shall be tombed with all the pomp
• The treasure of my2 kingdom may afford.
• [Exit, with the body.

ACT THE SECOND.

[1]So 4to.--8vo. “the.”

[1]So 8vo.--4to. “Stay, good my lord. if you will.”

[1]So 4to.—8vo. “mother.”

[1]Blunted.

[1]So 4to.--Svo. “and I wil.”

[3]Colher pointed out that thisincidentwas taken from Ariosto's Orl. Fur., Book xx4_, “where Isabella, to save herself from the lawlesspassion of Rodomont, anoints her neck with a decoction of herbs which she pretends will render it invulnerable : she then presents her throat to the pagan, who, believing her assertion, aims a blow and strikes off her head.”--Engl. Dram. Poetry, in. zz9 (olded.)

[4]8vo. “ELism.”--4to. “Ehzaan.”

[1]So 4to.—Boo. “borrow doo.”

[2]So 4to.—Boo. “thy.”