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SCENE II. - Christopher Marlowe, The Works of Christopher Marlowe vol. 1 [1590]

Edition used:

The Works of Christopher Marlowe, ed. A.H. Bullen (London: John C. Nimmo, 1885). Vol. 1.

Part of: The Works of Christopher Marlowe, 3 vols.

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SCENE II.

EnterTamburlaine, withUsumcasane, and his three Sons; four Attendants bearing the hearse ofZeno-Crate, and the drums sounding a doleful march; tht town burning.

Tamb.

  • So burn the turrets of this cursèd town,
  • Flame to the highest region of the air,
  • And kindle heaps of exhalations,
  • That being fiery meteors may presage
  • Death and destruction to the inhabitants!
  • Over my zenith hang a blazing star,
  • That may endure till heaven be dissolved,
  • Fed with the fresh supply of earthly dregs,
  • Threatening a dearth1 and famine to this land!
  • Flying dragons, lightning, fearful thunderclaps,

    10

  • Singe these fair plains and make them seem as black
  • As is the island where the Furies mask,
  • Compassed with Lethe, Styx, and Phlegethon,
  • Because my dear's! Zenocrate is dead.

Cal.

  • This pillar, placed in memory of her, Where in Arabian, Hebrew, Greek, is writ:—
  • This town, being burnt by Tamburlaine the Great,
  • Forbids the world to build it up again,

Amy.

  • And here this mournful streamer shall be placed,
  • Wrought with the Persian and th' Egyptian arms,

    20

  • To signify she was a princess born,
  • And wife unto the monarch of the East.

Cel.

  • And here this table as a register
  • Of all her virtues and perfections.

Tamb.

  • And here the picture of Zenocrate,
  • To show her beauty which the world admired;
  • Sweet picture of divine Zenocrate,
  • That, hanging here, will draw the gods from heaven,
  • And cause the stars fixed in the southern arc,
  • (Whose lovely faces never any viewed

    30

  • That have not passed the centre's latitude,)
  • As pilgrims, travel to our hemisphere,
  • Only to gaze upon Zenocrate.
  • Thou shalt not beautify Larissa plains,
  • But keep within the circle of mine arms.
  • At every town and castle I besiege,
  • Thou shalt be set upon my royal tent;
  • And when I meet an army in the field,
  • Those1 looks will shed such influence in my camp
  • As if Bellona, goddess of the war,

    40

  • Threw naked swords and sulphur-balls of fire
  • Upon the heads of all our enemies.
  • And now, my lords, advance your spears again:
  • Sorrow no more, my sweet Casane, now;
  • Boys, leave to mourn! this town shall ever mourn,
  • Being burnt to cinders for your mother's death.

Cal.

  • If I had wept a sea of tears for her,
  • It would not ease the sorrows I sustain.

Amy.

  • As is that town, so is my heart consumed
  • With grief and sorrow for my mother's death.

    50

Cel.

  • My mother's death hath mortified my mind,
  • And sorrow stops the passage of my speech.

Tamb.

  • But now, my boys, leave off and list to me,
  • That mean to teach you rudiments of war;
  • I'll have you learn to sleep upon the ground,
  • March in your armour thorough watery fens,
  • Sustain the scorching heat and freezing cold,
  • Hunger and thirst,1 right adjuncts of the war,
  • And after this to scale a castle wall,
  • Besiege a fort, to undermine a town,

    60

  • And make whole cities caper in the air.
  • Then next the way to fortify your men;
  • In champion grounds, what figure serves you best,
  • For which2 the quinque-angle form is meet,
  • Because the corners there may fall more flat
  • Whereas the fort may fittest be assailed,
  • And sharpest where the assault is desperate.
  • The ditches must be deep; the counterscarps
  • Narrow and steep; the walls made high and broad;
  • The bulwarks and the rampires large and strong,

    70

  • With cavalieros and thick counterforts,
  • And room within to lodge six thousand men.
  • It must have privy ditches, countermines,
  • And secret issuings to defend the ditch;
  • It must have high argins1 and covered ways,
  • To keep the bulwark fronts from battery,
  • And parapets to hide the musketers;2
  • Casemates to place the great artillery;
  • And store of ordnance, that from every flank
  • May scour the outward curtains of the fort,

    80

  • Dismount the cannon of the adverse part,
  • Murder the foe, and save the3 walls from breach.
  • When this is learned for service on the land,
  • By plain and easy demonstration
  • I'll teach you how to make the water mount,
  • That you may dry-foot march through lakes and
  • pools,
  • Deep rivers, havens, creeks, and little seas,
  • And make a fortress in the raging waves,
  • Fenced with the concave of a monstrous rock,
  • Invincible by nature of the place.

    90

  • When this is done, then are ye soldiers,
  • And worthy sons of Tamburlaine the Great.

Cal.

  • My lord, but this is dangerous to be done;
  • We may be slain or wounded ere we learn.

Tamb.

  • Villain! Art thou the son of Tamburlaine,
  • And fear'st to die, or with the curtle-axe
  • To hew thy flesh, and make a gaping wound?
  • Hast thou beheld a peal of ordnance strike
  • A ring of pikes, mingled with shot1 and horse,
  • Whose shattered limbs, being tossed as high as heaven,

    100

  • Hang in the air as thick as sunny motes,
  • And canst thou, coward, stand in fear of death?
  • Hast thou not seen my horsemen charge the foe,
  • Shot through the arms, cut overthwart the hands,
  • Dyeing their lances with their streaming blood,
  • And yet at night carouse within my tent,
  • Filling their empty veins with airy wine,
  • That, being concocted, turns to crimson blood,
  • And wilt thou shun the field for fear of wounds?
  • View me, thy father, that hath conquered kings,

    110

  • And, with his horse, marched2 round about the earth,
  • Quite void of scars, and clear from any wound,
  • That by the wars lost not a drop3 of blood,
  • And see him lanch his flesh to teach you all
  • He cuts his arm.
  • A wound is nothing, be it ne'er so deep;
  • Blood is the god of war's rich livery.
  • Now look I like a soldier, and this wound
  • As great a grace and majesty to me,
  • As if a chain of gold, enamellèd,
  • Enchased with diamonds, sapphires, rubies,

    120

  • And fairest pearl of wealthy India,
  • Were mounted here under a canopy,
  • And I sate down clothed with a massy robe,
  • That late adorned the Afric potentate,
  • Whom I brought bound unto Damascus walls.
  • Come, boys, and with your fingers search my wound,
  • And in my blood wash all your hands at once,
  • While I sit smiling to behold the sight.
  • Now, my boys, what think ye of a wound?

Cal.

  • I know not what I should think of it; methinks it is a pitiful sight.

    130

Cel.

  • This? nothing: give me a wound, father.

Amy.

  • And me another, my lord.

Tamb.

  • Come, sirrah, give me your arm.

Cel.

  • Here, father, cut it bravely, as you did your own.

Tamb.

  • It shall suffice thou darest abide a wound;
  • My boy, thou shalt not lose a drop of blood
  • Before we meet the army of the Turk;
  • But then run desperate through the thickest throngs,
  • Dreadless of blows, of bloody wounds, and death;

    140

  • And let the burning of Larissa walls,
  • My speech of war, and this my wound you see,
  • Teach you, my boys, to bear courageous minds,
  • Fit for the followers of Great Tamburlaine!
  • Usumcasane, now come let us march
  • Towards Techelles and Theridamas,
  • That we have sent before to fire the towns
  • The towers and cities of these hateful Turks,
  • And hunt that coward, faint-heart runaway,
  • With that accursèd1 traitor Almeda,

    150

  • Till fire and sword have found them at a bay.

Usum.

  • I long to pierce his2 bowels with my sword,
  • That hath betrayed my gracious sovereign,—
  • That cursèd and damned traitor Almeda.

Tamb.

  • Then let us see if coward Callapine
  • Dare levy arms against our puissance,
  • That we may tread upon his captive neck,
  • And treble all his father's slaveries.
  • Exeunt.

[1]Old copies “death.”

[1]Old copies “Whose.”

[1]So 4to.-- 8vo. “colde.”

[2]Old copies “with.”

[1]Argia is an earthwork, and here must mean the particular earthwork called the glacis. The covered way is the protected road between the argm and tecounterscarp.”Cunningham.

[2]So the old copies.—Dyce, who keeps the form “pioner” for “pioneer,” prims “musketeers.”

[3]Old copies “tieir.”

[1]The simplest change is to read “foot.” Mitford proposed, “Anng of pikes and horse, mangled with shot.”

[2]So 4to.--8vo. “martch.”

[3]So 8vo.--4to. “dram.”

[1]So 4to.8vo. “cursèd.”

[2]So 4to.--8vo. “the.”