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SCENE II. - Christopher Marlowe, The Works of Christopher Marlowe vol. 1 [1590]

Edition used:

The Works of Christopher Marlowe, ed. A.H. Bullen (London: John C. Nimmo, 1885). Vol. 1.

Part of: The Works of Christopher Marlowe, 3 vols.

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SCENE II.

CALLAPINE with ALMEDA, his Keeper, discovered. Call. Sweet Almeda, pity the ruthful plight

  • Of Callapine, the son of Bajazeth,
  • Born to be monarch of the western world,
  • Yet here detained by cruel Tamburlaine.

Aim.

  • My lord, I pity it, and with all my heart
  • Wish you release; but he whose wrath is death,
  • My sovereign lord, renowmid Tamburlaine,
  • Forbids you farther liberty than this.

Call.

  • Ah, were I now but half so eloquent
  • To paint in words what I'll perform in deeds,

    10

  • I know thou would'st depart from hence with me.

Aim.

  • Not for all Afric: therefore move me not.

Call.

  • Yet hear rne speak, my gentle Almeda.

Aim.

  • No speech to that end, by your favour, sir.

Call.

  • By Cairo1 runs

Aim.

  • No talk of running, I tell you, sir.

Call.

  • A little farther, gentle Almeda.

Aim.

  • Well, sir, what of this?

Call.

  • By Cairo runs to Alexandria bay Darote's streams, wherein at2
  • A Turkish galley of my royal fleet,
  • Waiting my coming to the river side,
  • Hoping by some means I shall be released,
  • Which, when I come aboard, will hoist up sail,
  • And soon put forth into the Terrene sea,
  • Where, 'twixt the isles of Cyprus and of Crete
  • We quickly may in Turkish seas arrive.
  • Then shalt thou see a hundred kings and more,
  • Upon their knees, all bid me welcome home.
  • Amongst so many crowns of burnished gold,

    30

  • Choose which thou wilt, all are at thy command;
  • A thousand galleys, manned with Christian slaves,
  • I freely give thee, which shall cut the straits,
  • And bring armados from1 the coasts of Spain
  • Fraughted with gold of rich America;
  • The Grecian virgins shall attend on thee,
  • Skilful in music and in amorous lays,
  • As fair as was Pygmalion's ivory girl
  • Or lovely lo metamorphosid.
  • With naked negroes shall thy coach be drawn,

    40

  • And as thou rid'st in triumph through the streets
  • The pavement underneath thy chariot wheels
  • With Turkey carpets shall be covered,
  • And cloth of Arras hung about the walls,
  • Fit objects for thy princely eye to pierce.
  • A hundred bassoes, clothed in crimson silk,
  • Shall ride before thee on Barbarian steeds;
  • And when thou goest, a golden canopy
  • Enchased with precious stones, which shine as
  • bright
  • As that fair veil that covers all the world,

    50

  • When Phoebus, leaping from the hemisphere,
  • Descendeth downward to the antipodes,—
  • And more than this—for all I cannot tell.

Aim.

  • How far hence lies the galley, say you?

Call.

  • Sweet Almeda, scarce half a league from hence.

Aim.

  • But need2 we not be spied going aboard ?

Call.

  • Betwixt the hollow hanging of a hill,
  • And crooked bending of a craggy rock,
  • The sails wrapt up, the mast and tacklings down,
  • She lies so close that none can find her out

    60

Aim.

  • I like that well: but tell me, my lord, if I should let you go, would you be as good as your word? shall I be made a king for my labour?

Call.

  • As I am Callapine the emperor,
  • And by the hand of Mahomet I swear
  • Thou shalt be crowned a king, and be my mate.

Aim.

  • Then hear I swear, as I am Almeda
  • Your keeper under Tamburlaine the Great,
  • (For that's the style and title I have yet,)
  • Although he sent a thousand armed men

    70

  • To intercept this haughty enterprise,
  • Yet would I venture to conduct your grace,
  • And die before I brought you back again.

Call.

  • Thanks, gentle Almeda; then let us haste.
  • Lest time be past, and lingering let us both.

Aim.

  • When you will, my lord; I am ready.

Call.

  • Even straight; and farewell, cursèd Tamburlaine.
  • Now go I to revenge my father's death.
  • [Exeunt.

[1]Oldcopies, “Cario “(which I take to be a mispnnt, not a recognised form like Cairon in scene I,

[2]So 410.—8vo. “an.”

[2]i.e.can we escape being spied