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• Cymbeline: Dramatis PersonÆ.
• Act I.
• Scene I.—: Britain. the Garden Ofcymbeline’spalace.
• Scene II.—: The Same. a Public Place.
• Scene III.—: A Room Incymbeline’spalace.
• Scene IV.—: Rome. a Room Inphilario’shouse.
• Scene V.—: Britain. a Room Incymbeline’spalace.
• Scene VI.—: The Same. Another Room In the Palace.
• Act II.
• Scene I.—: Britain. Beforecymbeline’spalace.
• Scene II.—: A Bedchamber; In One Part of It a Trunk.
• Scene III.—: An Ante-chamber Adjoiningimogen’sapartments.
• Scene IV.—: Rome. a Room Inphilario’shouse.
• Scene V.—: The Same. Another Room In the Same.
• Act III.
• Scene I.—: Britain. a Hall Incymbeline’spalace.
• Scene II.—: Another Room In the Same.
• Scene III.—: Wales. a Mountainous Country With a Cave.
• Scene IV.—: Near Milford-haven.
• Scene V.—: A Room Incymbeline’spalace.
• Scene VI.—: Wales. Before the Cave Ofbelarius.
• Scene VII.—: Rome. a Public Place.
• Act IV.
• Scene I.—: Wales. the Forest, Near the Cave Ofbelarius.
• Scene II.—: Before the Cave Ofbelarius.
• Scene III.—: A Room Incymbeline’spalace.
• Scene IV.—: Wales. Before the Cave Ofbelarius.
• Act V.
• Scene I.—: Britain. the Roman Camp.
• Scene II.—: Field of Battle Between the British and Roman Camps.
• Scene III.—: Another Part of the Field.
• Scene IV.—: Britain. a Prison.
• Scene V.—: Cymbeline’stent.

Scene V.—

The Same. Another Room in the Same.

EnterPosthumus.

Post.

Is there no way for men to be, but women

Must be half-workers? We are all bastards; all,

And that most venerable man which I

Did call my father was I know not where

When I was stamp’d; some coiner with his tools

Made me a counterfeit; yet my mother seem’d

The Dian of that time; so doth my wife

The nonpareil of this. O! vengeance, vengeance;

Me of my lawful pleasure she restrain’d

And pray’d me oft forbearance; did it with

A pudency so rosy the sweet view on ’t

Might well have warm’d old Saturn; that I thought her

As chaste as unsunn’d snow. O! all the devils!

This yellow Iachimo, in an hour,—was ’t not?

Or less—at first?—perchance he spoke not, but

Like a full-acorn’d boar, a German one,

Cried ‘O!’ and mounted; found no opposition

But what he look’d for should oppose and she

Should from encounter guard. Could I find out

The woman’s part in me! For there’s no motion

That tends to vice in man but I affirm

It is the woman’s part; be it lying, note it,

The woman’s; flattering, hers; deceiving, hers;

Lust and rank thoughts, hers, hers; revenges, hers;

Ambitions, covetings, change of prides, disdain,

Nice longing, slanders, mutability,

All faults that man may name, nay, that hell knows,

Why, hers, in part, or all; but rather, all;

For even to vice

They are not constant, but are changing still

One vice but of a minute old for one

Not half so old as that. I’ll write against them,

Detest them, curse them. Yet ’tis greater skill

In a true hate to pray they have their will:

The very devils cannot plague them better.

[Exit.

ACT III.