Front Page Titles (by Subject) Scene III.—: Another Part of the Forest. - As You Like It
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Scene III.—: Another Part of the Forest. - William Shakespeare, As You Like It 
The Complete Works of William Shakespeare (The Oxford Shakespeare), ed. with a glossary by W.J. Craig M.A. (Oxford University Press, 1916).
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Another Part of the Forest.
How say you now? Is it not past two o’clock? And here much Orlando!
I warrant you, with pure love and a troubled brain, he hath ta’en his bow and arrows, and is gone forth to sleep. Look, who comes here.
My errand is to you, fair youth.
My gentle Phebe did bid me give you this:
[Giving a letter.
I know not the contents; but, as I guess
By the stern brow and waspish action
Which she did use as she was writing of it,
It bears an angry tenour: pardon me;
I am but as a guiltless messenger.
Patience herself would startle at this letter,
And play the swaggerer: bear this, bear all:
She says I am not fair; that I lack manners;
She calls me proud, and that she could not love me
Were man as rare as phœnix. ’Od’s my will!
Her love is not the hare that I do hunt:
Why writes she so to me? Well, shepherd, well,
This is a letter of your own device.
No, I protest, I know not the contents:
Phebe did write it.
Come, come, you are a fool,
And turn’d into the extremity of love.
I saw her hand: she has a leathern hand,
A freestone-colour’d hand; I verily did think
That her old gloves were on, but ’twas her hands:
She has a housewife’s hand; but that’s no matter:
I say she never did invent this letter;
This is a man’s invention, and his hand.
Sure, it is hers.
Why, ’tis a boisterous and a cruel style,
A style for challengers; why, she defies me,
Like Turk to Christian: woman’s gentle brain
Could not drop forth such giant-rude invention,
Such Ethiop words, blacker in their effect
Than in their countenance. Will you hear the letter?
So please you, for I never heard it yet;
Yet heard too much of Phebe’s cruelty.
She Phebes me. Mark how the tyrant writes. [Reads.]
Can a woman rail thus?
Call you this railing?
Did you ever hear such railing?
Meaning me a beast.
Call you this chiding?
Alas, poor shepherd!
Do you pity him? no, he deserves no pity. Wilt thou love such a woman? What, to make thee an instrument and play false strains upon thee! not to be endured! Well, go your way to her, for I see love hath made thee a tame snake, and say this to her: that if she love me, I charge her to love thee: if she will not, I will never have her, unless thou entreat for her. If you be a true lover, hence, and not a word, for here comes more company.
Good morrow, fair ones. Pray you if you know,
Where in the purlieus of this forest stands
A sheepcote fenc’d about with olive-trees?
West of this place, down in the neighbour bottom:
The rank of osiers by the murmuring stream
Left on your right hand brings you to the place.
But at this hour the house doth keep itself;
There’s none within.
If that an eye may profit by a tongue,
Then should I know you by description;
Such garments, and such years: ‘The boy is fair,
Of female favour, and bestows himself
Like a ripe sister: but the woman low,
And browner than her brother.’ Are not you
The owner of the house I did inquire for?
It is no boast, being ask’d, to say, we are.
Orlando doth commend him to you both,
And to that youth he calls his Rosalind
He sends this bloody napkin. Are you he?
I am: what must we understand by this?
Some of my shame; if you will know of me
What man I am, and how, and why, and where
This handkercher was stain’d.
I pray you, tell it.
When last the young Orlando parted from you
He left a promise to return again
Within an hour; and, pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! he threw his eye aside,
And mark what object did present itself:
Under an oak, whose boughs were moss’d with age,
And high top bald with dry antiquity,
A wretched ragged man, o’ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreath’d itself,
Who with her head nimble in threats approach’d
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink’d itself,
And with indented glides did slip away
Into a bush; under which bush’s shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for ’tis
The royal disposition of that beast
To prey on nothing that doth seem as dead:
This seen, Orlando did approach the man,
And found it was his brother, his elder brother.
O! I have heard him speak of that same brother;
And he did render him the most unnatural
That liv’d ’mongst men.
And well he might so do,
For well I know he was unnatural.
But, to Orlando: did he leave him there,
Food to the suck’d and hungry lioness?
Twice did he turn his back and purpos’d so;
But kindness, nobler ever than revenge,
And nature, stronger than his just occasion,
Made him give battle to the lioness,
Who quickly fell before him: in which hurtling
From miserable slumber I awak’d.
Are you his brother?
Was it you he rescu’d?
Was’t you that did so oft contrive to kill him?
’Twas I; but ’tis not I. I do not shame
To tell you what I was, since my conversion
So sweetly tastes, being the thing I am.
But, for the bloody napkin?
By and by.
When from the first to last, betwixt us two,
Tears our recountments had most kindly bath’d,
As how I came into that desert place:—
In brief, he led me to the gentle duke,
Who gave me fresh array and entertainment,
Committing me unto my brother’s love;
Who led me instantly unto his cave,
There stripp’d himself; and here, upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted,
And cried, in fainting, upon Rosalind.
Brief, I recover’d him, bound up his wound;
And, after some small space, being strong at heart,
He sent me hither, stranger as I am,
To tell this story, that you might excuse
His broken promise; and to give this napkin,
Dy’d in his blood, unto the shepherd youth
That he in sport doth call his Rosalind.
[Rosalindswoons.] Why, how now, Ganymede! sweet Ganymede!
Many will swoon when they do look on blood.
There is more in it. Cousin! Ganymede!
Look, he recovers.
I would I were at home.
We’ll lead you thither. I pray you, will you take him by the arm?
Be of good cheer, youth. You a man! You lack a man’s heart.
I do so, I confess it. Ah, sirrah! a body would think this was well counterfeited. I pray you, tell your brother how well I counterfeited. Heigh-ho!
This was not counterfeit: there is too great testimony in your complexion that it was a passion of earnest.
Counterfeit, I assure you.
Well then, take a good heart and counterfeit to be a man.
So I do; but, i’ faith, I should have been a woman by right.
Come; you look paler and paler: pray you, draw homewards. Good sir, go with us.
That will I, for I must bear answer back How you excuse my brother, Rosalind.
I shall devise something. But, I pray you, commend my counterfeiting to him. Will you go?