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CHAPTER I: OF THE SCHEMATISM OF THE PURE CONCEPTS OF THE UNDERSTANDING [p. 137] - Friedrich Max Müller, Critique of Pure Reason [1881]Edition used:Immanuel Kant’s Critique of Pure Reason. In Commemoration of the Centenary of its First Publication. Translated into English by F. Max Mueller (2nd revised ed.) (New York: Macmillan, 1922).
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CHAPTER IOF THE SCHEMATISM OF THE PURE CONCEPTS OF THE UNDERSTANDING [p. 137]In comprehending any object under a concept, the representation of the former must be homogeneous with the latter,1 that is, the concept must contain that which is represented in the object to be comprehended under it, for this is the only meaning of the expression that an object is comprehended under a concept. Thus, for instance, the empirical concept of a plate is homogeneous with the pure geometrical concept of a circle, the roundness which is conceived in the first forming an object of intuition in the latter. Now it is clear that pure concepts of the understanding, as compared with empirical or sensuous impressions in general, are entirely heterogeneous, and can never be met with in any intuition. How then can the latter be comprehended under the former, or how can the categories be applied to phenomena, as no one is likely to say that causality, for instance, could be seen through the senses, and was contained in the phenomenon? It is [p. 138] really this very natural and important question which renders a transcendental doctrine of the faculty of judgment necessary, in order to show how it is possible that any of the pure concepts of the understanding can be applied to phenomena. In all other sciences in which the concepts by which the object is thought in general are not so heterogeneous or different from those which represent it in concreto, and as it is given, there is no necessity to enter into any discussions as to the applicability of the former to the latter. In our case there must be some third thing homogeneous on the one side with the category, and on the other with the phenomenon, to render the application of the former to the latter possible. This intermediate representation must be pure (free from all that is empirical) and yet intelligible on the one side, and sensuous on the other. Such a representation is the transcendental schema. The concept of the understanding contains pure synthetical unity of the manifold in general. Time, as the formal condition of the manifold in the internal sense, consequently of the conjunction of all representations, contains a manifold a priori in pure intuition. A transcendental determination of time is so far homogeneous with the category (which constitutes its unity) that it is general and founded on a rule a priori; and it is on the other hand so far homogeneous with the phenomenon, [p. 139] that time must be contained in every empirical representation of the manifold. The application of the category to phenomena becomes possible therefore by means of the transcendental determination of time, which, as a schema of the concepts of the understanding, allows the phenomena to be comprehended under the category. After what has been said in the deduction of the categories, we hope that nobody will hesitate in answering the question whether these pure concepts of the understanding allow only of an empirical or also of a transcendental application, that is, whether, as conditions of a possible experience, they refer a priori to phenomena only, or whether, as conditions of the possibility of things in general, they may be extended to objects by themselves (without restriction to our sensibility). For there we saw that concepts are quite impossible, and cannot have any meaning unless there be an object given either to them or, at least, to some of the elements of which they consist, and that they can never refer to things by themselves (without regard as to whether and how things may be given to us). We likewise saw that the only way in which objects can be given to us, consists in a modification of our sensibility, and lastly, that pure concepts a priori must contain, besides the function of the understanding in the category itself, formal conditions a priori of sensibility (particularly [p. 140] of the internal sense) which form the general condition under which alone the category may be applied to any object. We shall call this formal and pure condition of sensibility, to which the concept of the understanding is restricted in its application, its schema; and the function of the understanding in these schemata, the schematism of the pure understanding. The schema by itself is no doubt a product of the imagination only, but as the synthesis of the imagination does not aim at a single intuition, but at some kind of unity alone in the determination of sensibility, the schema ought to be distinguished from the image. Thus, if I place five points, one after the other . . . . . , this is an image of the number five. If, on the contrary, I think of a number in general, whether it be five or a hundred, this thinking is rather the representation of a method of representing in one image a certain quantity (for instance a thousand) according to a certain concept, than the image itself, which, in the case of a thousand, I could hardly take in and compare with the concept. This representation of a general procedure of the imagination by which a concept receives its image, I call the schema of such concept. The fact is that our pure sensuous concepts do not depend on images of objects, but on schemata. [p. 141] No image of a triangle in general could ever be adequate to its concept. It would never attain to that generality of the concept, which makes it applicable to all triangles, whether right-angled, or acute-angled, or anything else, but would always be restricted to one portion only of the sphere of the concept. The schema of the triangle can exist nowhere but in thought, and is in fact a rule for the synthesis of imagination with respect to pure forms in space. Still less does an object of experience or its image ever cover the empirical concept, which always refers directly to the schema of imagination as a rule for the determination of our intuitions, according to a certain general concept. The concept of dog means a rule according to which my imagination can always draw a general outline of the figure of a four-footed animal, without being restricted to any particular figure supplied by experience or to any possible image which I may draw in the concrete. This schematism of our understanding applied to phenomena and their mere form is an art hidden in the depth of the human soul, the true secrets of which we shall hardly ever be able to guess and reveal. So much only we can say, that the image is a product of the empirical faculty of the productive imagination, while the schema of sensuous concepts (such as of figures in space) is a product and so to say a monogram of [p. 142] the pure imagination a priori, through which and according to which images themselves become possible, though they are never fully adequate to the concept, and can be connected with it by means of their schema only. The schema of a pure concept of the understanding, on the contrary, is something which can never be made into an image; for it is nothing but the pure synthesis determined by a rule of unity, according to concepts, a synthesis as expressed by the category, and represents a transcendental product of the imagination, a product which concerns the determination of the internal sense in general, under the conditions of its form (time), with reference to all representations, so far as these are meant to be joined a priori in one concept, according to the unity of apperception. Without dwelling any longer on a dry and tedious determination of all that is required for the transcendental schemata of the pure concepts of the understanding in general, we shall proceed at once to represent them according to the order of the categories, and in connection with them. The pure image of all quantities (quanta) before the external sense, is space; that of all objects of the senses in general, time. The pure schema of quantity (quantitas), however, as a concept of the understanding, is number, a representation which comprehends the successive addition of one to one (homogeneous). Number therefore is nothing but the unity of the synthesis [p. 143] of the manifold (repetition) of a homogeneous intuition in general, I myself producing the time in the apprehension of the intuition. Reality is, in the pure concept of the understanding, that which corresponds to a sensation in general: that, therefore, the concept of which indicates by itself being (in time), while negation is that the concept of which represents not-being (in time). The opposition of the two takes place therefore by a distinction of one and the same time, as either filled or empty. As time is only the form of intuition, that is, of objects as phenomena, that which in the phenomena corresponds to sensation, constitutes the transcendental matter of all objects, as things by themselves (reality, Sachheit). Every sensation, however, has a degree of quantity by which it can fill the same time (that is, the internal sense, with reference to the same representation of an object), more or less, till it vanishes into nothing (equal to nought or negation). There exists, therefore, a relation and connection, or rather a transition from reality to negation, which makes every reality representable as a quantum; and the schema of a reality, as the quantity of something which fills time, is this very continuous and uniform production of reality in time; while we either descend from the sensation which has a certain degree, to its vanishing in time, or ascend from the negation of sensation to some quantity of it. The schema of substance is the permanence [p. 144] of the real in time, that is, the representation of it as a substratum for the empirical determination of time in general, which therefore remains while everything else changes. (It is not time that passes, but the existence of the changeable passes in time. What corresponds therefore in the phenomena to time, which in itself is unchangeable and permanent, is the unchangeable in existence, that is, substance; and it is only in it that the succession and the coexistence of phenomena can be determined according to time.) The schema of cause and of the causality of a thing in general is the real which, when once supposed to exist, is always followed by something else. It consists therefore in the succession of the manifold, in so far as that succession is subject to a rule. The schema of community (reciprocal action) or of the reciprocal causality of substances, in respect to their accidents, is the coexistence, according to a general rule, of the determinations of the one with those of the other. The schema of possibility is the agreement of the synthesis of different representations with the conditions of time in general, as, for instance, when opposites cannot exist at the same time in the same thing, but only one after the other. It is therefore the determination of the representation of a thing at any time whatsoever. The schema of reality is existence at a given time. [p. 145] The schema of necessity is the existence of an object at all times. It is clear, therefore, if we examine all the categories, that the schema of quantity contains and represents the production (synthesis) of time itself in the successive apprehension of an object; the schema of quality, the synthesis of sensation (perception) with the representation of time or the filling-up of time; the schema of relation, the relation of perceptions to each other at all times (that is, according to a rule which determines time); lastly, the schema of modality and its categories, time itself as the correlative of the determination of an object as to whether and how it belongs to time. The schemata therefore are nothing but determinations of time a priori according to rules, and these, as applied to all possible objects, refer in the order of the categories to the series of time, the contents of time, the order of time, and lastly, the comprehension of time. We have thus seen that the schematism of the understanding, by means of a transcendental synthesis of imagination, amounts to nothing else but to the unity of the manifold in the intuition of the internal sense, and therefore indirectly to the unity of apperception, as an active function corresponding to the internal sense (as receptive). These schemata therefore of the pure concepts of the understanding are the true and only conditions [p. 146] by which these concepts can gain a relation to objects, that is, a significance, and the categories are thus in the end of no other but a possible empirical use, serving only, on account of an a priori necessary unity (the necessary connection of all consciousness in one original apperception) to subject all phenomena to general rules of synthesis, and thus to render them capable of a general connection in experience. All our knowledge is contained within this whole of possible experience, and transcendental truth, which precedes all empirical truth and renders it possible, consists in general relation of it to that experience. But although the schemata of sensibility serve thus to realise the categories, it must strike everybody that they at the same time restrict them, that is, limit them by conditions foreign to the understanding and belonging to sensibility. Hence the schema is really the phenomenon, or the sensuous concept of an object in agreement with the category (numerus est quantitas phaenomenon, sensatio realitas phaenomenon, constans et perdurabile rerum substantia phaenomenon — aeternitas necessitas phaenomenon, etc.). If we omit a restrictive condition, it would seem that we amplify a formerly limited concept, and that therefore the categories in their pure meaning, [p. 147] free from all conditions of sensibility, should be valid of things in general, as they are, while their schemata represent them only as they appear, so that these categories might claim a far more extended power, independent of all schemata. And in truth we must allow to these pure concepts of the understanding, apart from all sensuous conditions, a certain significance, though a logical one only, with regard to the mere unity of representations produced by them, although these representations have no object and therefore no meaning that could give us a concept of an object. Thus substance, if we leave out the sensuous condition of permanence, would mean nothing but a something that may be conceived as a subject, without being the predicate of anything else. Of such a representation we can make nothing, because it does not teach us how that thing is determined which is thus to be considered as the first subject. Categories, therefore, without schemata are functions only of the understanding necessary for concepts, but do not themselves represent any object. This character is given to them by sensibility only, which realises the understanding by, at the same time, restricting it. [1 ]Read dem letzteren, as corrected by Rosenkranz, for der letzteren. |

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