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• Considerations On the Causes of the Grandeur and Declension of the Roman Empire.
• Chap. I.: The Infancy of Rome. the Wars It Sustained.
• Chap. II.: Of the Science of War, As Practised By the Romans.
• Chap. III.: The Methods By Which the Romans Raised Themselves to Empire.
• Chap. IV.: Of the Gauls. of Pyrrhus. Parallel Between Carthage and Rome. the War of Hannibal.
• Chap. V.: The State of Greece, of Macedonia, of Syria, and of Egypt, After the Depression of Carthage.
• Chap. VI.: The Conduct Which the Romans Observed, In Order to Subdue All Nations.
• Chap. VII.: How It Was Possible For Mithridates to Resist the Romans.
• Chap. VIII.: Of the Divisions Which Always Subsisted In the City.
• Chap. IX.: Two Causes Which Destroyed Rome.
• Chap. X.: Of the Corruption of the Romans.
• Chap. XI.: Of Sylla, Pompey, and Cæsar.
• Chap. XII.: Observations On the State of Rome After the Death of Cæsar.
• Chap. XIII.: Augustus.
• Chap. XIV.: Tiberius.
• Chap. XV.: Remarks On the Emperors, From Caius Calicula to Antoninus.
• Chap. XVI.: Considerations On the State of the Empire From Antoninus to Probus.
• Chap. XVII.: Changes In the State.
• Chap. XVIII.: An Account of Some New Maxims Received By the Romans.
• Chap. XIX.: Some Particulars of the Grandeur of Attila. the Establishment of the Barbarians Accounted For. Reasons Why the Western Empire Was Overturned Before That In the East.
• Chap. XX.: The Conquests of Justinian. Some Account of His Government.
• Chap. XXI.: Disorders In the Eastern Empire.
• Chap. XXII.: The Weakness of the Eastern Empire.
• Chap. XXIII.: The Duration of the Eastern Empire Accounted For. Its Destruction.
• A Dialogue Between Sylla and Eucrates.
• Persian Letters. By M. De Montesquieu.
• Preliminary Reflections On the Persian Letters, By M. De Montesquieu. Prefixed to the Quarto Edition.
• Introduction to the First French Edition.
• Letter I.: Usbëk to His Friend Rustan At Ispahan.
• Letter II.: Usbek to the First Black Eunuch, At His Seraglio In Ispahan.
• Letter III.: Zachi to Usbek, At Tauris.
• Letter IV.: Zephis to Usbek At Erzeron.
• Letter V.: Rustan to Usbek, At Erzeron.
• Letter VI.: Usbek to His Friend Nessir, At Ispahan.
• Letter VII.: Fatme to Usbek, At Erzeron.
• Letter VIII.: Usbek to His Friend Rustan, At Ispahan.
• Letter IX.: The Chief Eunuch to Ibbi, At Erzeron.
• Letter X.: Mirza to His Friend Usbek, At Erzeron.
• Letter XI.: Usbek to Mirza, At Ispahan.
• Letter XII.: Ushek to the Same, At Ispahan.
• Letter XIII.: Usbek to the Same.
• Letter. XIV.: Usbek to the Same.
• Letter XV.: The First Eunuch, to Jaron, the Black Eunuch, At Erzeron.
• Letter XVI.: Usbek to Mollak Mehemet Ali, Guardian of the Three Tombs, At Com.
• Letter XVII.: Usbek to the Same.
• Letter XVIII.: Mollak Mehemet Ali to Usbek, At Erzeron.
• Letter XIX.: Usbek to His Friend Rustan, At Ispahan.
• Letter XX.: Usbek to Zachi, His Wife, At the Seraglio At Ispahan.
• Letter XXI.: Usbek, to the Chief White Eunuch.
• Letter XXII.: Jaron to the First Eunuch.
• Letter XXIII.: Usbek to His Friend Ibben, At Smyrna.
• Letter XXIV.: Rica to Ibben, At Smyrna.
• Letter XXV.: Usbek to Ibben, At Smyrna.
• Letter XXVI.: Usbek to Roxana, At the Seraglio At Ispahan.
• Letter XXVII.: Usbek to Nessir, At Ispahan.
• Letter XXVIII.: Rica to * * *.
• Letter XXIX.: Rica to Ibben At Smyrna.
• Letter XXX.: Rica to the Same, At Smyrna.
• Letter XXXI.: Rhedi to Usbek, At Paris.
• Letter XXXII.: Rica to * * *.
• Letter XXXIII.: Usbek to Rhedi, At Venice.
• Letter XXXIV.: Usbek to Ibben, At Smyrna.
• Letter XXXV.: Usbek to Gimchid, His Cousin, Dervise of the Shining Monastery of Tauris.
• Letter XXXVI.: Usbek to Rhedi, At Venice.
• Letter XXXVII.: Usbek to Ibben, At Smyrna.
• Letter XXXVIII.: Rica to Ibben, At Smyrna.
• Letter XXXIX.: Hagi * Ibbi to the Jew Ben-joshua, a Mahometan Proselyte, At Smyrna.
• Letter Xl.: Usbek to Ibben, At Smyrna.
• Letter Xli.: the Chief Black Eunuch to Usbek.
• Letter Xlii.: Pharan to Usbek, His Sovereign Lord.
• Letter Xliii.: Usbek to Pharan, At the Gardens of Fatme.
• Letter Xliv.: Usbek to Rhedi, At Venice.
• Letter Xlv.: Rica to Usbek, At * * *.
• Letter Xlvi.: Usbek to Rhedi, At Venice.
• Letter Xlvii.: Zachi to Usbek, At Paris.
• Letter Xlviii.: Usbek * to Rhedi, At Venice.
• Letter Xlix.: Rica to Usbek, At * * *.
• Letter L.: Rica to * * *.
• Letter Li.: Nargum the Persian Envoy Residing At Muscovy, to Usbek At Paris.
• Letter Lii.: Rica to Usbek, At * * *.
• Letter Liii.: Zelis to Usbek, At Paris.
• Letter Liv.: Rica, Usbek At * * *.
• Letter Lv.: Rica to Ibben At Smyrna.
• Letter Lvi.: Usbek to Ibbin, At Smyrna.
• Letter Lvii.: Usbek, to Rhedi, At Venice.
• Letter Lviii.: Rica to Rhedi, At Venice.
• Letter Lix.: Rica to Usbek, At a * * *.
• Letter Lx.: Usbek to Ibben, At Smyrna.
• Letter Lxi.: Usbek to Rhedi, At Venice.
• Letter Lxii.: Zelis to Usbek, At Paris.
• Letter Lxiii.: Rica to Usbek, At * * *.
• Letter Lxiv.: the Chief of the Black Eunuchs to Usbek At Paris.
• Letter Lxv.: Usbek to His Wives, At the Seraglio At Ispahan.
• Letter Lxvi.: Rica to * * *.
• Letter Lxvii.: Ibben to Usbek, At Paris.
• Letter Lxviii.: Rica to Usbek, At * * *.
• Letter Lxix.: Usbek to Rhedi, At Venice.
• Letter Lxx.: Zelis to Usbek, At Paris.
• Letter Lxxi.: Usbek to Zelis.
• Letter Lxxii.: Rica to Ibben, At * * *.
• Letter Lxxiii.: Rica to * * *.
• Letter Lxxiv.: Usbek to Rica, At * * *.
• Letter Lxxv.: Uskek to Rhedi, At Venice.
• Letter Lxxvi.: Usbek to His Friend Ibben, At Smyrna.
• Letter Lxxvii. *: Ibben to Usbek, At Paris.
• Letter Lxxviii.: Rica to Usbek, At ***.
• Letter Lxxix.: the Chief Black Eunuch to Usbek, At Paris.
• Letter Lxxx.: Usbek to Rhedi, At Venice.
• Letter Lxxxi.: Nargum, Envoy From Persia In Muscovy, to Usbek At Paris.
• Letter Lxxxii.: Rica to Ibben, At Smyrna.
• Letter Lxxxiii.: Usbek to Rhedi, At Venice.
• Letter Lxxxiv.: Rica to * * *.
• Letter Lxxxv.: Usbek to Mirza, At Ispahan.
• Letter Lxxxvi.: Rica to * * *.
• Letter Lxxxvii.: Rica to * * *.
• Letter Lxxxviii.: Usbek to Rhedi, At Venice.
• Letter Lxxxix.: Usbek to Ibben, At Smyrna.
• Letter XC.: Usbek to the Same, At Smyrna.
• Letter XCI.: Usbek to Rustan, At Ispahan.
• Letter XCII.: Usbek to Rhedi, At Venice.
• Letter XCIII.: Usbek to His Brother, Santon * In the Monastery of Casbin.
• Letter XCIV.: Usbek to Rhedi, At Venice.
• Letter XCV.: Usbek to the Same.
• Letter XCVI.: The Chief Eunuch to Usbek At Paris.
• Letter XCVII.: Usbek to Hassein, Dervise of the Mountain of Jaron.
• Letter XCVIII.: Usbek to Ibben, At Smyrna.
• Letter XCIX.: Rica to Rhedi, At Venice.
• Letter C.: Rica to the Same.
• Letter CI.: Usbek to * * *.
• Letter CII.: Usbek to Ibben, At Smyrna.
• Letter CIII.: Usbek to the Same.
• Letter CIV.: Usbek to the Same.
• Letter CV.: Redi to Usbek, At Paris.
• Letter CVI.: Usbek to Redi, At Venice.
• Letter CVII.: Rica to Ibben At Smyrna.
• Letter CVIII.: Usbek to * * *.
• Letter CIX.: Rica to * * *.
• Letter CX.: Rica to * * *.
• Letter CXI.: Usbek to * * *.
• Letter CXII.: Rhedi to Esbek, At Paris.
• Letter CXIII.: Usbek to Rhedi, At Venice.
• Letter CXIV.: Usbek to the Same.
• Letter CXV.: Usbek to the Same.
• Letter CXVI.: Usbek to the Same.
• Letter CXVII.: Usbek to the Same.
• Letter CXVIII.: Usbek to the Same.
• Letter CXIX.: Usbek to the Same.
• Letter CXX.: Usbek to the Same.
• Letter CXXI.: Usbek to the Same.
• Letter CXXII.: Usbek to the Same.
• Letter CXXIII.: Usbek to Mollak Mahomet Ali, Keeper of the Three Sepulchres, At Com.
• Letter CXXIV.: Usbek to Rhedi, At Venice.
• Letter CXXV.: Rica to * * *.
• Letter CXXVI.: Rica to Usbek, At * * *.
• Letter CXXVII.: Rica to Ibben, At Smyrna.
• Letter CXXVIII.: Rica to Usbek, At * * *.
• Letter CXXIX.: Usbek to Rhedi, At Venice.
• Letter CXXX.: Rica to * * *.
• Letter CXXXI.: Rhedi to Rica, At Paris.
• Letter CXXXII.: Rica to * * *.
• Letter CXXXIII.: Rica to * * *.
• Letter CXXXIV.: Rica to the Same.
• Letter CXXXV.: Rica to the Same.
• Letter CXXXVI.: Rica to the Same.
• Letter CXXXVII.: Rica to the Same.
• Letter CXXXVIII.: Rica to Ibben At Smyrna.
• Letter CXXXIX.: Rica to the Same.
• Letter Cxl.: Rica to Usbek, At * * *.
• Letter Cxli.: Rica to the Same.
• Letter Cxlii.: Rica to Usbek, At * * *.
• Letter Cxliii.: Rica to Nathaniel Levi, a Jewish Physician At Leghorn.
• Letter Cxliv.: Usbek to Rica.
• Letter Cxlv.: Usbek to * * *.
• Letter Cxlvi.: Usbek to Rhedi, At Venice.
• Letter Cxlvii.: the Chief Eunuch to Usbek At Paris.
• Letter Cxlix.: Narsit to Usbek, At Paris.
• Letter Cl.: Usbek to Narsit, At the Seraglio of Ispahan.
• Letter Cli.: Solin to Usbek, At Paris.
• Letter Clii.: Narsit to Usbek, At Paris:
• Letter Cliii.: Usbek to Solin, At the Seraglio of Ispahan.
• Letter Cliv.: Usbek to His Wives, At the Seraglio of Ispahan.
• Letter Clv.: Usbek to Nessir, At Ispahan.
• Letter Clvi.: Roxana to Usbek, At Paris.
• Letter Clvii.: Zachi to Usbek, At Paris.
• Letter Clviii.: Zelis to Usbek, At Paris.
• Letter Clix.: Solin to Usbek, At Paris.
• Letter Clx.: Solin to Usbek, At Paris.
• Letter Clxi.: Roxana to Usbek, At Paris.
• Three Letters of M. De Montesquieu to M. Le Chevalier De Bruant.
• Letter I.
• Letter II.
• Letter III.

LETTER CVI.

Usbek to Redi, at Venice.

THOU dost not think as thou sayest, or else thy actions are better than thy thoughts. Thou hast quitted thy country to gain knowledge, and thou despisest all instruction: thou travellest to improve thyself, in a country where they cultivate the polite arts, and lookest upon them as hurtful. Shall I tell thee, Rhedi? I agree with thee more than thou dost with thyself. Hast thou well reflected on the barbarous and unhappy condition into which we should be sunk by the loss of the arts? There is no need to imagine it, we may see it. There are yet people upon earth among whom an ape, tolerably well taught, might live with honour; he would be nearly upon a level with the rest of the inhabitants; he would not be thought an odd being, nor a whimsical character; he would pass as well as another, and would even be distinguished for his politeness. Thou sayest, that almost all the founders of empires have been ignorant of the arts. I will not deny that these barbarous people may have, like an impetuous torrent, spread themselves over the earth, and covered with their savage armies the most polite states: but, observe, they learned the arts, or made those they conquered exercise them, otherwise their power would have passed away like the noise of thunder and tempests. Thou sayest, thou art afraid lest they should invent some crueller method of destruction than that now used. No: if such a fatal invention should be discovered, by the law of nations it would be prohibited, and by the unanimous consent of nations it would be suppressed. It is not the interest of princes to conquer by such means: it is their business to gain subjects and not lands. Thou dost complain of the invention of gun-powder and bombs; you think it is bad that no place is any longer impregnable, that is, you think it is a bad thing that wars should be sooner terminated than they were before. Thou must have observed, in reading of history, that, since the invention of gun-powder, battles are much less bloody than formerly, because armies hardly ever mix among one another. And, if an art in some partiticular case should be found prejudicial, ought it, on that account, to be rejected? Thou thinkest that the arts render the people effeminate, and by that means are the cause of the fall of empires. Thou mentionest the ruin of the antient Persians, which was the effect of their effeminacy: but this example is far from being decisive, since the Greeks who conquered them so often, and subdued them, cultivated the arts with much greater assiduity. When they say, the arts make men effeminate, they do not in the least speak of those people who work at them; because they are never idle, which, of all vices, is that which weakens courage most. The question then is, as to those who enjoy the fruits of them. But as in a polite country, those who reap the benefits of one art, are obliged to cultivate another, lest they should be reduced to a shameful poverty; it follows, that idleness and luxury are incompatible with the arts. Paris is, perhaps, the most luxurious city in the world, and refines the most upon her pleasures; and yet, perhaps, no people live harder than there. That one man may live in luxury, a hundred must be continually labouring. A lady takes it into her head, that she must appear at an assembly in a certain dress; from this moment fifty artificers have no leisure either to eat, drink, or sleep: she commands, and is more readily obeyed than our monarch, for interest is the greatest monarch upon earth. This great application to labour, this thirst to grow rich, runs through every rank, from the artificers up to the greatest men. Nobody loves to be poorer than him who is next beneath him. You may see at Paris, a man who hath sufficient to live upon to the end of the world, who continually labours, and ventures the shortening of his days, to scrape up, as he says, wherewith to live. The same spirit prevails through the whole nation, nothing is seen there but labour and industry. Where then is the effeminate people of whom you talk so much? I will suppose, Rhedi, that in some kingdom they should suffer no arts but such as are absolutely necessary for the manuring of the lands; which are nevertheless very numerous; and that they should expel all those which only administer to pleasure, or curiosity: I will maintain, that this would be one of the most miserable states that hath ever been in the world. Though the inhabitants should have resolution enough to shift without so many things as their wants require, the people would decay daily, and the state would become so weak, that there would be no state so little that could not conquer it. It would be easy to discuss this at large, and to make thee sensible that the revenues of the subjects would be almost absolutely at an end, and consequently those of the prince. There would hardly be any of those mutual relations between citizens of the same faculties: they would see an end to that circulation of riches, and that increase of the revenues which arise from the dependance of the arts one upon another: every one would live upon his land, and raise no more than what would be precisely necessary to keep him from starving. But as this sometimes is not the twentieth part of the revenue of the state, the number of the inhabitants must diminish in proportion, and there would be but a twentieth part of them remaining. Consider to how much the revenue of industry arises. Land produces annually to the owner but the twentieth part of its value; but with a pistole worth of colours a painter will draw a picture that will produce him fifty. The same may be said of goldsmiths, workers in wool and silk, and every kind of artificers: from all which we conclude, Rhedi, that, for a prince to be powerful, it is necessary his subjects should live in affluence, it is necessary he should endeavour to procure them every kind of superfluities, with as much attention as the necessaries of life.

Paris, the 14th of the moon Chalval, 1717.