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• Considerations On the Causes of the Grandeur and Declension of the Roman Empire.
• Chap. I.: The Infancy of Rome. the Wars It Sustained.
• Chap. II.: Of the Science of War, As Practised By the Romans.
• Chap. III.: The Methods By Which the Romans Raised Themselves to Empire.
• Chap. IV.: Of the Gauls. of Pyrrhus. Parallel Between Carthage and Rome. the War of Hannibal.
• Chap. V.: The State of Greece, of Macedonia, of Syria, and of Egypt, After the Depression of Carthage.
• Chap. VI.: The Conduct Which the Romans Observed, In Order to Subdue All Nations.
• Chap. VII.: How It Was Possible For Mithridates to Resist the Romans.
• Chap. VIII.: Of the Divisions Which Always Subsisted In the City.
• Chap. IX.: Two Causes Which Destroyed Rome.
• Chap. X.: Of the Corruption of the Romans.
• Chap. XI.: Of Sylla, Pompey, and Cæsar.
• Chap. XII.: Observations On the State of Rome After the Death of Cæsar.
• Chap. XIII.: Augustus.
• Chap. XIV.: Tiberius.
• Chap. XV.: Remarks On the Emperors, From Caius Calicula to Antoninus.
• Chap. XVI.: Considerations On the State of the Empire From Antoninus to Probus.
• Chap. XVII.: Changes In the State.
• Chap. XVIII.: An Account of Some New Maxims Received By the Romans.
• Chap. XIX.: Some Particulars of the Grandeur of Attila. the Establishment of the Barbarians Accounted For. Reasons Why the Western Empire Was Overturned Before That In the East.
• Chap. XX.: The Conquests of Justinian. Some Account of His Government.
• Chap. XXI.: Disorders In the Eastern Empire.
• Chap. XXII.: The Weakness of the Eastern Empire.
• Chap. XXIII.: The Duration of the Eastern Empire Accounted For. Its Destruction.
• A Dialogue Between Sylla and Eucrates.
• Persian Letters. By M. De Montesquieu.
• Preliminary Reflections On the Persian Letters, By M. De Montesquieu. Prefixed to the Quarto Edition.
• Introduction to the First French Edition.
• Letter I.: Usbëk to His Friend Rustan At Ispahan.
• Letter II.: Usbek to the First Black Eunuch, At His Seraglio In Ispahan.
• Letter III.: Zachi to Usbek, At Tauris.
• Letter IV.: Zephis to Usbek At Erzeron.
• Letter V.: Rustan to Usbek, At Erzeron.
• Letter VI.: Usbek to His Friend Nessir, At Ispahan.
• Letter VII.: Fatme to Usbek, At Erzeron.
• Letter VIII.: Usbek to His Friend Rustan, At Ispahan.
• Letter IX.: The Chief Eunuch to Ibbi, At Erzeron.
• Letter X.: Mirza to His Friend Usbek, At Erzeron.
• Letter XI.: Usbek to Mirza, At Ispahan.
• Letter XII.: Ushek to the Same, At Ispahan.
• Letter XIII.: Usbek to the Same.
• Letter. XIV.: Usbek to the Same.
• Letter XV.: The First Eunuch, to Jaron, the Black Eunuch, At Erzeron.
• Letter XVI.: Usbek to Mollak Mehemet Ali, Guardian of the Three Tombs, At Com.
• Letter XVII.: Usbek to the Same.
• Letter XVIII.: Mollak Mehemet Ali to Usbek, At Erzeron.
• Letter XIX.: Usbek to His Friend Rustan, At Ispahan.
• Letter XX.: Usbek to Zachi, His Wife, At the Seraglio At Ispahan.
• Letter XXI.: Usbek, to the Chief White Eunuch.
• Letter XXII.: Jaron to the First Eunuch.
• Letter XXIII.: Usbek to His Friend Ibben, At Smyrna.
• Letter XXIV.: Rica to Ibben, At Smyrna.
• Letter XXV.: Usbek to Ibben, At Smyrna.
• Letter XXVI.: Usbek to Roxana, At the Seraglio At Ispahan.
• Letter XXVII.: Usbek to Nessir, At Ispahan.
• Letter XXVIII.: Rica to * * *.
• Letter XXIX.: Rica to Ibben At Smyrna.
• Letter XXX.: Rica to the Same, At Smyrna.
• Letter XXXI.: Rhedi to Usbek, At Paris.
• Letter XXXII.: Rica to * * *.
• Letter XXXIII.: Usbek to Rhedi, At Venice.
• Letter XXXIV.: Usbek to Ibben, At Smyrna.
• Letter XXXV.: Usbek to Gimchid, His Cousin, Dervise of the Shining Monastery of Tauris.
• Letter XXXVI.: Usbek to Rhedi, At Venice.
• Letter XXXVII.: Usbek to Ibben, At Smyrna.
• Letter XXXVIII.: Rica to Ibben, At Smyrna.
• Letter XXXIX.: Hagi * Ibbi to the Jew Ben-joshua, a Mahometan Proselyte, At Smyrna.
• Letter Xl.: Usbek to Ibben, At Smyrna.
• Letter Xli.: the Chief Black Eunuch to Usbek.
• Letter Xlii.: Pharan to Usbek, His Sovereign Lord.
• Letter Xliii.: Usbek to Pharan, At the Gardens of Fatme.
• Letter Xliv.: Usbek to Rhedi, At Venice.
• Letter Xlv.: Rica to Usbek, At * * *.
• Letter Xlvi.: Usbek to Rhedi, At Venice.
• Letter Xlvii.: Zachi to Usbek, At Paris.
• Letter Xlviii.: Usbek * to Rhedi, At Venice.
• Letter Xlix.: Rica to Usbek, At * * *.
• Letter L.: Rica to * * *.
• Letter Li.: Nargum the Persian Envoy Residing At Muscovy, to Usbek At Paris.
• Letter Lii.: Rica to Usbek, At * * *.
• Letter Liii.: Zelis to Usbek, At Paris.
• Letter Liv.: Rica, Usbek At * * *.
• Letter Lv.: Rica to Ibben At Smyrna.
• Letter Lvi.: Usbek to Ibbin, At Smyrna.
• Letter Lvii.: Usbek, to Rhedi, At Venice.
• Letter Lviii.: Rica to Rhedi, At Venice.
• Letter Lix.: Rica to Usbek, At a * * *.
• Letter Lx.: Usbek to Ibben, At Smyrna.
• Letter Lxi.: Usbek to Rhedi, At Venice.
• Letter Lxii.: Zelis to Usbek, At Paris.
• Letter Lxiii.: Rica to Usbek, At * * *.
• Letter Lxiv.: the Chief of the Black Eunuchs to Usbek At Paris.
• Letter Lxv.: Usbek to His Wives, At the Seraglio At Ispahan.
• Letter Lxvi.: Rica to * * *.
• Letter Lxvii.: Ibben to Usbek, At Paris.
• Letter Lxviii.: Rica to Usbek, At * * *.
• Letter Lxix.: Usbek to Rhedi, At Venice.
• Letter Lxx.: Zelis to Usbek, At Paris.
• Letter Lxxi.: Usbek to Zelis.
• Letter Lxxii.: Rica to Ibben, At * * *.
• Letter Lxxiii.: Rica to * * *.
• Letter Lxxiv.: Usbek to Rica, At * * *.
• Letter Lxxv.: Uskek to Rhedi, At Venice.
• Letter Lxxvi.: Usbek to His Friend Ibben, At Smyrna.
• Letter Lxxvii. *: Ibben to Usbek, At Paris.
• Letter Lxxviii.: Rica to Usbek, At ***.
• Letter Lxxix.: the Chief Black Eunuch to Usbek, At Paris.
• Letter Lxxx.: Usbek to Rhedi, At Venice.
• Letter Lxxxi.: Nargum, Envoy From Persia In Muscovy, to Usbek At Paris.
• Letter Lxxxii.: Rica to Ibben, At Smyrna.
• Letter Lxxxiii.: Usbek to Rhedi, At Venice.
• Letter Lxxxiv.: Rica to * * *.
• Letter Lxxxv.: Usbek to Mirza, At Ispahan.
• Letter Lxxxvi.: Rica to * * *.
• Letter Lxxxvii.: Rica to * * *.
• Letter Lxxxviii.: Usbek to Rhedi, At Venice.
• Letter Lxxxix.: Usbek to Ibben, At Smyrna.
• Letter XC.: Usbek to the Same, At Smyrna.
• Letter XCI.: Usbek to Rustan, At Ispahan.
• Letter XCII.: Usbek to Rhedi, At Venice.
• Letter XCIII.: Usbek to His Brother, Santon * In the Monastery of Casbin.
• Letter XCIV.: Usbek to Rhedi, At Venice.
• Letter XCV.: Usbek to the Same.
• Letter XCVI.: The Chief Eunuch to Usbek At Paris.
• Letter XCVII.: Usbek to Hassein, Dervise of the Mountain of Jaron.
• Letter XCVIII.: Usbek to Ibben, At Smyrna.
• Letter XCIX.: Rica to Rhedi, At Venice.
• Letter C.: Rica to the Same.
• Letter CI.: Usbek to * * *.
• Letter CII.: Usbek to Ibben, At Smyrna.
• Letter CIII.: Usbek to the Same.
• Letter CIV.: Usbek to the Same.
• Letter CV.: Redi to Usbek, At Paris.
• Letter CVI.: Usbek to Redi, At Venice.
• Letter CVII.: Rica to Ibben At Smyrna.
• Letter CVIII.: Usbek to * * *.
• Letter CIX.: Rica to * * *.
• Letter CX.: Rica to * * *.
• Letter CXI.: Usbek to * * *.
• Letter CXII.: Rhedi to Esbek, At Paris.
• Letter CXIII.: Usbek to Rhedi, At Venice.
• Letter CXIV.: Usbek to the Same.
• Letter CXV.: Usbek to the Same.
• Letter CXVI.: Usbek to the Same.
• Letter CXVII.: Usbek to the Same.
• Letter CXVIII.: Usbek to the Same.
• Letter CXIX.: Usbek to the Same.
• Letter CXX.: Usbek to the Same.
• Letter CXXI.: Usbek to the Same.
• Letter CXXII.: Usbek to the Same.
• Letter CXXIII.: Usbek to Mollak Mahomet Ali, Keeper of the Three Sepulchres, At Com.
• Letter CXXIV.: Usbek to Rhedi, At Venice.
• Letter CXXV.: Rica to * * *.
• Letter CXXVI.: Rica to Usbek, At * * *.
• Letter CXXVII.: Rica to Ibben, At Smyrna.
• Letter CXXVIII.: Rica to Usbek, At * * *.
• Letter CXXIX.: Usbek to Rhedi, At Venice.
• Letter CXXX.: Rica to * * *.
• Letter CXXXI.: Rhedi to Rica, At Paris.
• Letter CXXXII.: Rica to * * *.
• Letter CXXXIII.: Rica to * * *.
• Letter CXXXIV.: Rica to the Same.
• Letter CXXXV.: Rica to the Same.
• Letter CXXXVI.: Rica to the Same.
• Letter CXXXVII.: Rica to the Same.
• Letter CXXXVIII.: Rica to Ibben At Smyrna.
• Letter CXXXIX.: Rica to the Same.
• Letter Cxl.: Rica to Usbek, At * * *.
• Letter Cxli.: Rica to the Same.
• Letter Cxlii.: Rica to Usbek, At * * *.
• Letter Cxliii.: Rica to Nathaniel Levi, a Jewish Physician At Leghorn.
• Letter Cxliv.: Usbek to Rica.
• Letter Cxlv.: Usbek to * * *.
• Letter Cxlvi.: Usbek to Rhedi, At Venice.
• Letter Cxlvii.: the Chief Eunuch to Usbek At Paris.
• Letter Cxlix.: Narsit to Usbek, At Paris.
• Letter Cl.: Usbek to Narsit, At the Seraglio of Ispahan.
• Letter Cli.: Solin to Usbek, At Paris.
• Letter Clii.: Narsit to Usbek, At Paris:
• Letter Cliii.: Usbek to Solin, At the Seraglio of Ispahan.
• Letter Cliv.: Usbek to His Wives, At the Seraglio of Ispahan.
• Letter Clv.: Usbek to Nessir, At Ispahan.
• Letter Clvi.: Roxana to Usbek, At Paris.
• Letter Clvii.: Zachi to Usbek, At Paris.
• Letter Clviii.: Zelis to Usbek, At Paris.
• Letter Clix.: Solin to Usbek, At Paris.
• Letter Clx.: Solin to Usbek, At Paris.
• Letter Clxi.: Roxana to Usbek, At Paris.
• Three Letters of M. De Montesquieu to M. Le Chevalier De Bruant.
• Letter I.
• Letter II.
• Letter III.

LETTER XXVIII.

Rica to * * *.

YESTERDAY I saw a very extraordinary thing, though it happens every day at Paris. After dinner, towards evening, all the people assemble to act a kind of mimickry, which I heard called a play. The performance is in a place called a theatre; on each side are little nooks, called boxes, in which the men and women act together dumb scenes; something like those in use in Persia. Here you see a languishing love-sick lady; another more animated eagerly ogling her lover, whose returns are as ardent; all the passions are painted in their faces, and expressed by an eloquence which, though dumb, is not the less lively. Here, the actresses expose but half their bodies, and commonly, cut of modesty, wear a muff to conceal their arms. In the lower part of the theatre is a troop of people standing, who ridicule those who are above, and they in their turn, laugh at those below. But those who put themselves to the greatest trouble, are some who take the advantage of their youth to support the fatigue of it. They are forced to be every where, they go through passages known only to themselves, they mount, with extraordinary activity from story to story; they are above, below, and in every box; they dive, if I may so speak; they are lost this moment, and appear again the next; they often leave the place of scene, and go to play in another. Now there are others, though such a prodigy is not to be expected, seeing they use crutches, who walk and move about like the others. You come, at length, to some rooms where they act a private comedy. This commences with low bows, continued by embraces; the slightest acquaintance, they say, gives a man a right to squeeze another to death. This place seems to inspire tenderness; in fact, they say, that the princesses who reign here are not cruel, and excepting two or three hours a day, in which they are hard-hearted enough, one must allow that they are very tractable, and that the other humour is a kind of drunkenness which they easily quit. All that I have been relating to you, is pretty nearly transacted in another place, called the Opera-house; all the difference is, that they speak at the one, and sing at the other. A friend of mine, the other day, took me into a room where one of the principal actresses was undressing; we became so intimate, that the next day I received from her the following epistle.

“Sir,

“I am the most unhappy woman in the world. I have been always the most virtuous woman in the whole opera. Seven or eight months ago, as I was dressing myself for a priestess of Diana, in the same room you saw me in yesterday, a young abbot came in, and regardless of my white habit, my veil, or my frontlet, deprived me of my innocence. I have in vain remonstrated to him the sacrifice I made to him, he only laughs, and maintains he found me a very profane woman. In the mean time I dare not come upon the stage I am so big; for I am, with respect to honour, inconceivably delicate, and I always insist, that to a woman well born it is more easy to lose her virtue than her modesty. With this delicacy, you may readily judge, that the young abbot had never succeeded, if he had not made to me a promise of marriage; such a lawful motive induced me to pass over those little usual formalities, and to begin where I ought to have concluded. But since his infidelity has dishonoured me, I will no longer continue at the opera, where, between you and me, they scarcely give me sufficient for my support; for, at present, that I advance in years, and lose the advantage of charms, my salary, though the same, seems to diminish daily. I have learned from one of your attendants, that in your country a good dancer is highly esteemed, and that if I was at Ispahan, my fortune would be quickly made. If you would take me under your protection, you would have the praise of doing good to a woman, who by her virtue and prudent conduct, would not render herself unworthy of your generosity. I am, &c.”

From Paris the 2d of the moon of Chalval, 1712.