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ACT V — - Joseph Addison, Cato: A Tragedy and Selected Essays [1710]

Edition used:

Cato: A Tragedy and Selected Essays, ed. by Christine Dunn Henderson and Mark E. Yellin, with a Foreword by Forrest McDonald (Indianapolis: Liberty Fund, 2004).

About Liberty Fund:

Liberty Fund, Inc. is a private, educational foundation established to encourage the study of the ideal of a society of free and responsible individuals.


ACT V —

SCENE I

Cato, solus, sitting in a thoughtful posture: in his hand Plato’s Book on the Immortality of the Soul.1

A drawn sword on the table by him.

  • It must be so—Plato, thou reason’st well!—
  • Else whence this pleasing hope, this fond desire,
  • This longing after immortality?
  • Or whence this secret dread, and inward horror,
  • Of falling into nought? why shrinks the soul
  • Back on herself, and startles at destruction?
  • ’Tis the divinity that stirs within us;
  • ’Tis heaven itself, that points out an hereafter,
  • And intimates eternity to man.
  • Eternity! thou pleasing, dreadful thought!
  • Through what variety of untried being,
  • Through what new scenes and changes must we pass!
  • The wide, the unbounded prospect, lies before me;
  • But shadows, clouds, and darkness, rest upon it.
  • Here will I hold. If there’s a power above us,
  • (And that there is all nature cries aloud
  • Through all her works,) he must delight in virtue;
  • And that which he delights in, must be happy.2
  • But when! or where!—This world was made for Caesar.
  • I’m weary of conjectures—This must end ’em.
  •     [Laying his hand on his sword.]
  •     Thus am I doubly armed: my death and life,
  • My bane and antidote, are both before me:
  • This in a moment brings me to an end;
  • But this informs me I shall never die.
  • The soul secured in her existence, smiles
  • At the drawn dagger, and defies its point.
  • The stars shall fade away, the sun himself
  • Grow dim with age, and nature sink in years,
  • But thou shalt flourish in immortal youth,
  • Unhurt amidst the wars of elements,
  • The wrecks of matter, and the crush of worlds.
  •   What means this heaviness that hangs upon me?
  • This lethargy that creeps through all my senses?
  • Nature, oppressed and harassed out with care,
  • Sinks down to rest. This once I’ll favour her,
  • That my awakened soul may take her flight,
  • Renewed in all her strength, and fresh with life,
  • An offering fit for heaven. Let guilt or fear
  • Disturb man’s rest: Cato knows neither of ’em,
  • Indifferent in his choice to sleep or die.

SCENE II

Cato, Portius.

Cato

  • But, hah! how’s this, my son? why this intrusion?
  • Were not my orders that I would be private?
  • Why am I disobeyed?

Portius

  •   Alas! my father!
  • What means this sword? this instrument of death?
  • Let me convey it hence!

Cato

  •   Rash youth, forbear!

Portius

  • Oh let the prayers, the entreaties of your friends,
  • Their tears, their common danger, wrest it from you.

Cato

  • Wouldst thou betray me? wouldst thou give me up
  • A slave, a captive, into Caesar’s hands?
  • Retire, and learn obedience to a father,
  • Or know, young man!—

Portius

  •   Look not thus sternly on me;
  • You know I’d rather die than disobey you.

Cato

  • ’Tis well! again I’m master of myself.
  • Now, Caesar, let thy troops beset our gates,
  • And bar each avenue, thy gathering fleets
  • O’erspread the sea, and stop up every port;
  • Cato shall open to himself a passage,
  • And mock thy hopes—3 "

Portius

  •   Oh, sir! forgive your son,
  • Whose grief hangs heavy on him! Oh my father!
  • How am I sure it is not the last time
  • I e’er shall call you so! be not displeased,
  • Oh be not angry with me whilst I weep,
  • And, in the anguish of my heart beseech you
  • To quit the dreadful purpose of your soul!

Cato

  • Thou hast been ever good and dutiful.  [Embracing him.]
  • Weep not, my son. All will be well again.
  • The righteous gods, whom I have sought to please,
  • Will succour Cato, and preserve his children.

Portius

  • Your words give comfort to my drooping heart.

Cato

  • Portius, thou may’st rely upon my conduct.
  • Thy father will not act what misbecomes him.
  • But go, my son, and see if aught be wanting
  • Among thy father’s friends; see them embarked;
  • And tell me if the winds and seas befriend them.
  • My soul is quite weighed down with care, and asks
  • The soft refreshment of a moment’s sleep.  [Exit.]

Portius

  • My thoughts are more at ease, my heart revives.

SCENE III

Portius, Marcia.

Portius

  • O Marcia, O my sister, still there’s hope!
  • Our father will not cast away a life
  • So needful to us all, and to his country.
  • He is retired to rest, and seems to cherish
  • Thoughts full of peace. He has despatched me hence
  • With orders, that bespeak a mind composed,
  • And studious for the safety of his friends.
  • Marcia, take care that none disturb his slumbers.  [Exit.]

Marcia

  • O ye immortal powers, that guard the just,
  • Watch round his couch, and soften his repose,
  • Banish his sorrows, and becalm his soul
  • With easy dreams; remember all his virtues!
  • And show mankind that goodness is your care.

SCENE IV

Lucia, Marcia.

Lucia

  • Where is your father, Marcia, where is Cato?

Marcia

  • Lucia, speak low, he is retired to rest.
  • Lucia, I feel a gently-dawning hope
  • Rise in my soul. We shall be happy still.

Lucia

  • Alas! I tremble when I think on Cato,
  • In every view, in every thought I tremble!
  • Cato is stern, and awful as a god,4
  • He knows not how to wink at human frailty,
  • Or pardon weakness that he never felt.

Marcia

  • Though stern and awful to the foes of Rome,
  • He is all goodness, Lucia, always mild,
  • Compassionate, and gentle to his friends.
  • Fill’d with domestic tenderness, the best,
  • The kindest father! I have ever found him
  • Easy, and good, and bounteous to my wishes.

Lucia

  • ’Tis his consent alone can make us blest.
  • Marcia, we both are equally involved
  • In the same intricate, perplext distress.
  • The cruel hand of fate, that has destroyed
  • Thy brother Marcus, whom we both lament—

Marcia

  • And ever shall lament, unhappy youth!

Lucia

  • Has set my soul at large, and now I stand
  • Loose of my vow. But who knows Cato’s thoughts?
  • Who knows how yet he may dispose of Portius,
  • Or how he has determined of thyself?

Marcia

  • Let him but live! commit the rest to heaven.

Marcia

  • His mind still labours with some dreadful thought.

Lucius

  • Lucia, why all this grief, these floods of sorrow?
  • Dry up thy tears, my child, we all are safe
  • While Cato lives—his presence will protect us.

Lucia

  • Marcia, ’tis time we should awake thy father.
  • Caesar is still disposed to give us terms,
  • And waits at distance till he hears from Cato.

Enter Portius.

  • Portius, thy looks speak somewhat of importance,
  • What tidings dost thou bring? methinks I see
  • Unusual gladness sparkling in thy eyes.

Portius

  • As I was hasting to the port, where now
  • My father’s friends, impatient for a passage,
  • Accuse the lingering winds, a sail arrived
  • From Pompey’s son, who through the realms of Spain7
  • Calls out for vengeance on his father’s death,
  • And rouses the whole nation up to arms.
  • Were Cato at their head, once more might Rome
  • Assert her rights, and claim her liberty.
  • But, hark! what means that groan! Oh give me way,
  • And let me fly into my father’s presence.
  •     [Exit Portius.]

Lucius

  • Cato, amidst his slumbers, thinks on Rome,
  • And in the wild disorder of his soul
  • Mourns o’er his country.—Hah! a second groan!—
  • Heaven guard us all—

Marcia

  •   Alas! ’tis not the voice
  • Of one who sleeps! ’tis agonizing pain,
  • ’Tis death is in that sound—

Lucia

  •   O Portius,
  • Hide all the horrors of thy mournful tale,
  • And let us guess the rest.

Portius

  •   I’ve raised him up,
  • And placed him in his chair, where, pale and faint,
  • He gasps for breath, and, as his life flows from him,
  • Demands to see his friends. His servants weeping,
  • Obsequious to his orders, bear him hither.
  •     [The back scene opens, and discovers Cato.]

Marcia

  • O heaven, assist me in this dreadful hour
  • To pay the last sad duties to my father.

Juba

  • These are thy triumphs, thy exploits, O Caesar!

Lucius

  • Now is Rome fall’n indeed!—
  • [Cato brought forward in his chair.]

Cato

  •   Here set me down—
  • Portius, come near me—are my friends embarked?
  • Can anything be thought of for their service?
  • Whilst I yet live, let me not live in vain.
  • —O Lucius, art thou here?—thou art too good!—
  • Let this our friendship live between our children;
  • Make Portius happy in thy daughter Lucia.
  • Alas! poor man, he weeps!—Marcia, my daughter—
  • —Oh bend me forward!—Juba loves thee, Marcia.
  • A senator of Rome, while Rome survived,
  • Would not have match’d his daughter with a king,
  • But Caesar’s arms have thrown down all distinction;
  • Whoe’er is brave and virtuous, is a Roman.—
  • —I’m sick to death—Oh when shall I get loose
  • From this vain world, the abode of guilt and sorrow!
  • —And yet methinks a beam of light breaks in
  • On my departing soul. Alas! I fear
  • I’ve been too hasty. O ye powers that search
  • The heart of man, and weigh his inmost thoughts,
  • If I have done amiss, impute it not!—
  • The best may err, but you are good, and—oh!  [Dies.]

Lucius

  • There fled the greatest soul that ever warmed
  • A Roman breast. O Cato! O my friend!
  • Thy will shall be religiously observed.
  • But let us bear this awful corpse to Caesar,
  • And lay it in his sight, that it may stand
  • A fence betwixt us and the victor’s wrath;
  • Cato, though dead, shall still protect his friends.
  •   From hence, let fierce contending nations know
  • What dire effects from civil discord flow.
  • ’Tis this that shakes our country with alarms,
  • And gives up Rome a prey to Roman arms,
  • Produces fraud, and cruelty, and strife,
  • And robs the guilty world of Cato’s life.  [Exeunt omnes.]

[1. ]Plato’s Phaedo contains Socrates’ death scene and three arguments for the immortality of the soul.

[2. ]The “argument from design” position begins from the observation that some design is visible in nature and uses that observation as proof of a divine designer or creator. This is also the source for the motto selected by Benjamin Franklin for the handbook for self-improvement in his Autobiography.

[3. ]“Look not . . . mock thy hopes” was omitted from the first two editions of the play—most likely because of a printer’s error—and was reinserted into the play’s third printing (1713).

[4. ]See Spectator 169.

[7. ]Gnaeus Pompeius Magnus (79–45 b.c.) was defeated in 45 b.c. at the battle of Munda; he was later captured and executed by Caesar.