§ 73.: None of the above systems give what they pretend - Immanuel Kant, The Critique of Judgement [1892]
Edition used:
Kant’s Critique of Judgement, translated with Introduction and Notes by J.H. Bernard (2nd ed. revised) (London: Macmillan, 1914).
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- Editor’s Introduction
- Preface
- Introduction
- I.: Of the Division of Philosophy
- II.: Of the Realm of Philosophy In General
- III.: Of the Critique of Judgement As a Means of Combining the Two Parts of Philosophy Into a Whole.
- IV.: Of Judgement As a Faculty Legislating a Priori
- V.: The Principle of the Formal Purposiveness of Nature Is a Transcendental Principle of Judgement.
- VI.: Of the Combination of the Feeling of Pleasure With the Concept of the Purposiveness of Nature.
- VII.: Of the Aesthetical Representation of the Purposiveness of Nature.
- VIII.: Of the Logical Representation of the Purposiveness of Nature
- IX.: Of the Connexion of the Legislation of Understanding With That of Reason By Means of the Judgement
- Part I: Critique of the Aesthetical Judgement
- First Division: Analytic of the Aesthetical Judgement
- First Book: Analytic of the Beautiful
- First Moment: of the Judgement of Taste 1 According to Quality
- § 1.: The Judgement of Taste Is Aesthetical
- § 2.: The Satisfaction Which Determines the Judgement of Taste Is Disinterested
- § 3.: The Satisfaction In the Pleasant Is Bound Up With Interest
- § 4.: The Satisfaction In the Good Is Bound Up With Interest
- § 5.: Comparison of the Three Specifically Different Kinds of Satisfaction
- Explanation of the Beautiful Resulting From the First Moment
- Second Moment: of the Judgement of Taste, Viz. According to Quantity
- § 6.: The Beautiful Is That Which Apart From Concepts Is Represented As the Object of a Universal Satisfaction
- § 7.: Comparison of the Beautiful With the Pleasant and the Good By Means of the Above Characteristic
- § 8.: The Universality of the Satisfaction Is Represented In a Judgement of Taste Only As Subjective
- § 9.: Investigation of the Question Whether In the Judgement of Taste the Feeling of Pleasure Precedes Or Follows the Judging of the Object
- Explanation of the Beautiful Resulting From the Second Moment
- Third Moment: of Judgements of Taste, According to the Relation of the Purposes Which Are Brought Into Consideration Therein.
- § 10.: Of Purposiveness In General
- § 11.: The Judgement of Taste Has Nothing At Its Basis But the Form of the Purposiveness of an Object ( Or of Its Mode of Representation )
- § 12.: The Judgement of Taste Rests On a Priori Grounds
- § 13.: The Pure Judgement of Taste Is Independent of Charm and Emotion
- § 14.: Elucidation By Means of Examples
- § 15.: The Judgement of Taste Is Quite Independent of the Concept of Perfection
- § 16.: The Judgement of Taste, By Which an Object Is Declared to Be Beautiful Under the Condition of a Definite Concept, Is Not Pure
- § 17.: Of the Ideal of Beauty
- Explanation of the Beautiful Derived From This Third Moment
- Fourth Moment: of the Judgement of Taste, According to the Modality of the Satisfaction In the Object
- § 18.: What the Modality In a Judgement of Taste Is
- § 19.: The Subjective Necessity, Which We Ascribe to the Judgement of Taste, Is Conditioned
- § 20.: The Condition of Necessity Which a Judgement of Taste Asserts Is the Idea of a Common Sense
- § 21.: Have We Ground For Presupposing a Common Sense?
- § 22.: The Necessity of the Universal Agreement That Is Thought In a Judgement of Taste Is a Subjective Necessity, Which Is Represented As Objective Under the Presupposition of a Common Sense
- Explanation of the Beautiful Resulting From the Fourth Moment
- General Remark On the First Section of the Analytic
- Second Book: Analytic of the Sublime
- § 23.: Transition From the Faculty Which Judges of the Beautiful to That Which Judges of the Sublime
- § 24.: Of the Divisions of an Investigation Into the Feeling of the Sublime
- A.: — of the Mathematically Sublime
- § 25.: Explanation of the Term “ Sublime ”
- § 26.: Of That Estimation of the Magnitude of Natural Things Which Is Requisite For the Idea of the Sublime
- § 27.: Of the Quality of the Satisfaction In Our Judgements Upon the Sublime
- B.: — of the Dynamically Sublime In Nature
- § 28.: Of Nature Regarded As Might
- § 29.: Of the Modality of the Judgement Upon the Sublime In Nature
- General Remark Upon the Exposition of the Aesthetical Reflective Judgement
- Deduction of [pure 1 ] Aesthetical Judgements
- § 30.: The Deduction of Aesthetical Judgements On the Objects of Nature Must Not Be Directed to What We Call Sublime In Nature, But Only to the Beautiful.
- § 31.: Of the Method of Deduction of Judgements of Taste
- § 32.: First Peculiarity of the Judgement of Taste
- § 33.: Second Peculiarity of the Judgement of Taste
- § 34.: There Is No Objective Principle of Taste Possible
- § 35.: The Principle of Taste Is the Subjective Principle of Judgement In General
- § 36.: Of the Problem of a Deduction of Judgements of Taste
- § 37.: What Is Properly Asserted a Priori of an Object In a Judgement of Taste
- § 38.: Deduction of Judgements of Taste
- § 39.: Of the Communicability of a Sensation
- § 40.: Of Taste As a Kind of Sensus Communis
- § 41.: Of the Empirical Interest In the Beautiful
- § 42.: Of the Intellectual Interest In the Beautiful
- § 43.: Of Art In General
- § 44.: Of Beautiful Art
- § 45.: Beautiful Art Is an Art, In So Far As It Seems Like Nature
- § 46.: Beautiful Art Is the Art of Genius
- § 47.: Elucidation and Confirmation of the Above Explanation of Genius
- § 48.: Of the Relation of Genius to Taste
- § 49.: Of the Faculties of the Mind That Constitute Genius
- § 50.: Of the Combination of Taste With Genius In the Products of Beautiful Art
- § 51.: Of the Division of the Beautiful Arts
- § 52.: Of the Combination of Beautiful Arts In One and the Same Product
- § 53.: Comparison of the Respective Aesthetical Worth of the Beautiful Arts
- § 54.: Remark
- Second Division: Dialectic of the Aesthetical Judgement
- § 55: § 56.
- § 57.: Solution of the Antinomy of Taste
- § 58.: Of the Idealism of the Purposiveness of Both Nature and Art As the Unique Principle of the Aesthetical Judgement.
- § 59.: Of Beauty As the Symbol of Morality
- Appendix
- § 60.: Of the Method of Taste
- Part II: Critique of the Teleological Judgement
- § 61.: Of the Objective Purposiveness of Nature
- First Division: Analytic of the Teleological Judgement
- § 62.: Of the Objective Purposiveness Which Is Merely Formal As Distinguished From That Which Is Material
- § 63.: Of the Relative, As Distinguished From the Inner, Purposiveness of Nature
- § 64.: Of the Peculiar Character of Things As Natural Purposes
- § 65.: Things Regarded As Natural Purposes Are Organised Beings
- § 66.: Of the Principle of Judging of Internal Purposiveness In Organised Beings
- § 67.: Of the Principle of the Teleological Judging of Nature In General As a System of Purposes
- § 68.: Of the Principle of Teleology As Internal Principle of Natural Science
- Second Division
- Dialectic of the Teleological Judgement
- § 69.: What Is an Antinomy of the Judgement?
- § 70.: Representation of This Antinomy
- § 71.: Preliminary to the Solution of the Above Antinomy
- § 72.: Of the Different Systems Which Deal With the Purposiveness of Nature
- § 73.: None of the Above Systems Give What They Pretend
- § 74.: The Reason That We Cannot Treat the Concept of a Technic of Nature Dogmatically Is the Fact That a Natural Purpose Is Inexplicable
- § 75.: The Concept of an Objective Purposiveness of Nature Is a Critical Principle of Reason For the Reflective Judgement
- § 76.: Remark
- § 77.: Of the Peculiarity of the Human Understanding, By Means of Which the Concept of a Natural Purpose Is Possible
- § 78.: Of the Union of the Principle of the Universal Mechanism of Matter With the Teleological Principle In the Technic of Nature.
- § 79.: Whether Teleology Must Be Treated As If It Belonged to the Doctrine of Nature
- § 80.: Of the Necessary Subordination of the Mechanical to the Teleological Principle In the Explanation of a Thing As a Natural Purpose.
- § 81.: Of the Association of Mechanism With the Teleological Principle In the Explanation of a Natural Purpose As a Natural Product.
- § 82.: Of the Teleological System In the External Relations of Organised Beings
- § 83.: Of the Ultimate Purpose of Nature As a Teleological System
- § 84.: Of the Final Purpose of the Existence of a World, I.E. Of Creation Itself
- § 85.: Of Physico-theology
- § 86.: Of Ethico-theology
- § 87.: Of the Moral Proof of the Being of God
- § 88.: Limitation of the Validity of the Moral Proof
- § 89.: Of the Use of the Moral Argument
- § 90.: Of the Kind of Belief In a Teleological Proof of the Being of God
- § 91.: Of the Kind of Belief Produced By a Practical Faith
§ 73.
None of the above systems give what they pretend
What do all these systems desire? They desire to explain our teleological judgements about nature, and they go so to work therewith that some deny their truth and, consequently, explain them as an Idealism of Nature (represented as Art); others recognise them as true, and promise to establish the possibility of a nature in accordance with the Idea of final causes.
(1) The systems which defend the Idealism of final causes in nature grant, it is true, on the one hand to their principle a causality in accordance with the laws of motion (through which [causality] natural things exist purposively); but they deny to it intentionality, i.e. that it designedly determines itself to this its purposive production; in other words, they deny that the cause is a purpose. This is Epicurus’s method of explanation, according to which the distinction between a Technic of nature and mere mechanism is altogether denied. Blind chance is taken as the explanatory ground not only of the agreement of the developed products with our concepts of the purpose, and consequently of [nature’s] Technic; but also of the determination of the causes of this production in accordance with the laws of motion, and consequently of their mechanism. Thus nothing is explained, not even the illusion in our teleological judgements, and consequently, the would-be Idealism of these in no way established.
On the other hand, Spinoza wishes to dispense with all inquiries into the ground of the possibility of purposes of nature, and to take away all reality from this Idea. He allows their validity in general not as products but as accidents inhering in an original Being; and to this Being, as substrate of those natural things, he ascribes not causality in regard to them but mere subsistence. On account of its unconditioned necessity, and also that of all natural things as accidents inhering in it, he secures, it is true, to the forms of nature that unity of ground which is requisite for all purposiveness; but at the same time he tears away their contingence, without which no unity of purpose can be thought, and with it all design, inasmuch as he takes away all intelligence from the original ground of natural things.
But Spinozism does not furnish what it desires. It desires to afford an explanatory ground of the purposive connexion (which it does not deny) of the things of nature, and it merely speaks of the unity of the subject in which they all inhere. But even if we concede to it that the beings of the world exist in this way, such ontological unity is not therefore a unity of purpose, and does not make this in any way comprehensible. For this latter is a quite particular kind of unity which does not follow from the connexion of things (the beings of the world) in a subject (the original Being), but implies in itself reference to a cause which has Understanding; and even if we unite all these things in a simple subject, this never exhibits a purposive reference. For we do not think of them, first, as the inner effects of the substance, as if it were a cause; nor, secondly, of this cause as a cause producing effects by means of its Understanding. Without these formal conditions all unity is mere natural necessity; and, if it is ascribed as well to things which we represent as external to one another, blind necessity. But if we wish to give the name of purposiveness of nature to that which the schoolmen call the transcendental perfection of things (in reference to their proper being), according to which everything has in itself that which is requisite to make it one thing and not another, then we are only like children playing with words instead of concepts. For if all things must be thought as purposes, then to be a thing is the same as to be a purpose, and there is at bottom nothing which specially deserves to be represented as a purpose.
We hence see at once that Spinoza by his reducing our concepts of the purposive in nature to our own consciousness of existing in an all-embracing (though simple) Being, and by his seeking that form merely in the unity of this Being, must have intended to maintain not the realism, but the idealism of its purposiveness. Even this he was not able to accomplish, because the mere representation of the unity of the substrate cannot bring about the Idea of a purposiveness, even that which is only undesigned.
(2) Those who not only maintain the Realism of natural purposes, but also set about explaining it, believe that they can comprehend, at least as regards its possibility, a practical kind of causality, viz. that of causes working designedly; otherwise they could not undertake to supply this explanation. For to authorise even the most daring of hypotheses, at least the possibility of what we assume as basis must be certain, and we must be able to assure objective reality to its concept.
But the possibility of living matter cannot even be thought; its concept involves a contradiction because lifelessness, inertia, constitutes the essential character of matter. The possibility of matter endowed with life, and of collective nature regarded as an animal, can only be used in an inadequate way (in the interests of the hypothesis of purposiveness in the whole of nature), so far as it is manifested by experience in the organisation of nature on a small scale; but in no way can we have insight into its possibility a priori. There must then be a circle in the explanation, if we wish to derive the purposiveness of nature in organised beings from the life of matter, and yet only know this life in organised beings, and can form no concept of its possibility without experience of this kind. Hylozoism, therefore, does not furnish what it promises.
Finally, Theism can just as little establish dogmatically the possibility of natural purposes as a key to Teleology; although it certainly is superior to all other grounds of explanation in that, through the Understanding which it ascribes to the original Being, it rescues in the best way the purposiveness of nature from Idealism, and introduces a causality acting with design for its production.
But we must first prove satisfactorily to the determinant Judgement the impossibility of the unity of purpose in matter resulting from its mere mechanism, before we are justified in placing the ground of this beyond nature in a determinate way. We can, however, advance no further than this. In accordance with the constitution and limits of our cognitive faculties (whilst we do not comprehend even the first inner ground of this mechanism) we must in no wise seek in matter a principle of determinate purposive references; but no other way of judging of the origination of its products as natural purposes remains to us than that by means of a supreme Understanding as cause of the world. But this is only a ground for the reflective, not for the determinant Judgement, and can justify absolutely no objective assertion.